The exhibition opened on Friday 27 November 1998 at 6.00pm. Work was exhibited in the studio spaces in the School of Arts (Visual Arts) building at Mt Helen Campus (incorrectly labelled as Mt Clear on this document). The opening speaker was Peter Stitt. Given dimensions, this was possibly an insert for a CD ROM (compact disc) of student work.10pp concertina fold brochure promoting opening of University of Ballarat, final year student art exhibition. Offset printed in 2 PMS colours (black and metallic blue). Features a photograph of graduating class, and a list of graduates and their study areas. Also a list of sponsors and prizes.ballarat university college, buc, ballarat college of advanced education, bcae, university of ballarat, ub, federation university, visual art, painting, multi-discipline, graphic design, print making, ceramics, drawing., mt helen campus

Acquired when "Classweave Industries" closed down"Made in Australia" Exhibition, Geelong, 1928 The Lockwood Studios, Geelongwoollen mills - history woollen mills textile mills - staff, classweave industries pty ltd federal woollen mills ltd, woollen mills - history, woollen mills, textile mills - staff

This photograph is part of a series taken at the Willsmere (Kew) Mental Hospital. The photographs were gifted to the Kew Historical Society in 2018 by Rosemary Barnes. The photos had been in the possession of her former husband, Dr Fred Stamp, the last medical superintendent of the hospital. In 2019, the photographs were transferred to the State Archives as Permanent Government Records, as the Society is only entitled as a Class-B Place of Deposit to hold Temporary Government Records. The Society was permitted to keep and publish a digital copy of each photograph. Many of the photographs include information on the reverse about individuals or locations. Where this is the case, these have been published here as images that can be viewed in the picture carousel. Permission for third parties to reproduce this record must be granted by the Public Record Office Victoria.One of a series of photographs of the centenary celebrations at the Willsmere Mental Hospital in 1972. THE GOVERNOR & DR BURT / HISTORICAL EXHIBITION IN OT DAY CENTREwillsmere mental hospital, willsmere unit, kew mental hospital, kew lunatic asylum, willsmere hospital

Printed invitation one of 4 invitaions in the set ,to invite Mr & Mrs H. H. Bradley from His Majesty's Ministers of State for Australia to Celebrtae the Opening Parliament of the Commonwealth of Australia to meet their Royal Highness The Duke and Dutchess of Cornwell and York. To an evening reception at the Exhibition Building Melbourne on the 9th of May 1901, at 8 o'clockSignficant collection of 4 invitatons of national signficance Plus a printed Momento from the Duke and Dutchess 00533 Evening reception to Meet the Duke and Dutchess 00534 Invitaion from the Govenment of Victoria 00535 Invitaion from Edmund Barton the Prime Minister 00536 Invitaion from the Govenment of Victoria for a conversazione 07/05/1901 at 8 pmMounted offset print. The print is mounted on brown mount board. The print has an embossed seal of Duke and Dutchess of Cornwall and York. Printed invitation from the miniters of state to invite Mr and Mrs H H Bradley to attend the reception.Invitaion hand written. On the left is a maiden , dressed in red with a helment carrying a British Shield on the Right hand side is a maiden dressed in purple carrying a St shield . The print is bordered by vines and leaves with scrolls for text details. The print has silver and gold highlights.Printed: His Majesty's Ministers of State for the Commonwealth of Australia/ request the honour of the presence of... / in the Exhibition Building, Melbourne, on Thursday, 9th May, to witness/ the Opening of the Parliament of the Commonwealth./ Edmund Barton/ Prime Ministermelbourne, australia, commonwealth, printed offset, invitaion, celebrate opening parliament commonwealth australia, parliament, duke dutchess cornwall york, mr mrs h h bradley, exhibition building, 1901, 09 05 1901

Motorcycle Patrol riding BMWs in exhibition format at Ballarat Showgrounds. Circa 1964BMW R69s or R60 models at Ballarat Showgrounds. L to R Roy Weir, Ray Johnston, Dennis Scandolera, Ralph Herbertpolice vehicles; wireless patrol; motor transport branch; motor transport section; motor cycle patrol; police motorcycles; bmw motorcycles; ballarat showgrounds

81 page Art Gallery of Ballarat catalogue of the exhibition "Jan Senbergs Drawing". jan senbergs, drawing

Colour slide in a mount. Exhibition, possibly Japan or Malaysia (see also S1626)Made in Australia / 16 / MAY 70M3slide, robin boyd

Black and white photo of the Slovenian stand at the Royal melbourne Show Exhibition in 1960Traditional Slovenian craft items17 x 20.50 cmexhibition, royal melbourne show

Copy taken of a framed certificate donated to Society by Sam Stones and returned to his descendant Sue Jorgensen to be restored. Sue Jorgenson added information on 30 May 2018 that this certificate was given to Robert Snart for his entry of wine. Coloured photocopy of a photograph of a framed certificate for the Colonial and Indian Exhibition, London, 1886.At bottom right side of photo: "12 7 '03"certificate, colonial and indian exhibition, wine industry, wine awards, robert snart

Grey Scrapbook folder containing the catalogue, information and photographs of the 1985 art exhibition

A flyer used to announce exhibition opening. Colour example of work on left of flyer.art exhibitions, shows and exhibitions, paintings, pictures

Staff on Port Fairy Railway Station 1918 namedcomposite scan from information used in an exhibition on trains. This depicts staff and children transport, rail, road, train, railway station, staff

Copy of Plan B92.0632 laminated for use in the Centenary Exhibition of 1991 at Burnley College.experimental gardens, horticultural society of victoria, plan

Ten captions or label cards used in the Museum's exhibition entitled "Australia Remembers". Printed on ink jet coated paper, used Microsoft PowerPoint, BJC4000 printer, & Glued onto heavy card. Each has 2 Velcro dots on rear. .1 125 x 252 Group of Conductresses by No. 29 .2 87 x 270 Secret of Mrs. Mitchell's success - Treasure Tram .3 50 x 255 Fund raising - under Conductresses Triumph! - photo .4 102 x 250 Fund raiser float caption .5 75 x 237 Tram statistics caption - used for the two graphs .6 96 x 177 First conductresses ready to go .7 62 x 248 Replica headlight caption .8 75 x 263 Headlight drawing note .9 60 x 244 No. 27 caption .10 57 x 260 Women at work for the SEC Image of cards added 19/10/2013.trams, tramways, btm, exhibitions, world war ii

Blue cardboard box containing a set of replicate paste board, ochre colour, tickets for the Doncaster and Box Hill Electric Road Co., Ltd, Day Return - Box Hill Doncaster - price 9d with individual numbers in black. On rear are details of the Centenary Exhibition at the Box Hill Town Hall 19-28 October 1989. Nos. 0673, 74, 0697 - 0700 (5 No. ) Nos. 3667 - 3700 (34) Nos. 3701 - 3719 (19) Nos. 3724 - 3735 (12) 3738 and 3739 (2) See also Reg Item 2847trams, tramways, box hill, centenary, exhibitions, tramways, doncaster, city of box hill

Colour photocopy of an article on the Silver Key Café, Main Street Rutherglen. Copy from an exhibition catalogue "Selling an American dream : Australia's Greek café́ : a nationally touring exhibition / curators: Effy Alexakis and Leonard Janiszewski"silver key cafe, dawn leahy, frank leahy, paul kalkandis

A set of six retractable dark bamboo barriers, most likely used to cordon off display areas during the Tennis Heritage Exhibition at Melbourne Park, in 2000, and other Jaeger Foundation exhibitions. Materials: Bamboo, Metaltennis

A set of five retractable light bamboo barriers, most likely used to cordon off display areas during the Tennis Heritage Exhibition at Melbourne Park, in 2000, and other Jaeger Foundation exhibitions. Materials: Bamboo, Metaltennis

The Kew Historical Society holds a nationally significant Fashion & Design collection. In 2023 this collection was augmented by a donation by descendants of Francis Henty of nineteenth and early twentieth century costumes and costume accessories. These rare and aesthetically significant acquisitions increased the importance of the nineteenth century costume collection held by the Society. Following their accession, the Henty costumes were exhibited with other notable examples of fashion and design, previously donated by descendants of the Coombs and Weir families.28 x Exhibition photos of Fashion in the Age of Elegance 1840-1900, held at Villa Alba Museum during the 2023 Australian Heritage Festival. The exhibition showcased items drawn from the Henty, Coombs and Weir Collections.fashion -- nineteenth century, exhibitions -- kew historical society, henty collection, coombs collection, weir collection

This song was composed for and sung during the Australian Exhibition of Women's Work, held in 1907.Single sheet, folded in two to form four pages. "Linton Choral Society" written in ink across top RH. Sheet music for a song, "It's not the time for hush a by Sheet music published in series "Suttons Popular Part Songs; No. 1". Price 3d.Text: " Linton Choral Society / Dedicated to The Women's Choir / 1907 / SUTTONS POPULAR PART SONGS / No. 1. / IT'S NOT THE TIME / FOR HUSH A BY / FOR / LADIES VOICES / SOLO VOICE & CHORUS / Composed for & Sung During the First / AUSTRALIAN EXHIBITION OF WOMEN'S WORK / 1907. ". Pencilled on back page: "No. 17(?) / Imp. edition / Sonatina / Album F. Schmitt".sheet music, songs, linton choral society, australian exhibition of women's work 1907

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white copy of a newspaper article, printed on A4 paper.The sky’s the limit for modern Michelangelo Because it was there . . . Melbourne artist Louise Hearman in the domed gymnasium of the Mission to Seamen - Picture: ROSS DUNCAN THE dilapidated pool halls of Melbourne’s Mission to Seamen are an unlikely setting for a budding Michelangelo. But when Louise Hearman came across the one-time mission gymnasium she could not resist the urge to create a fresco. It did, however, take a little persuading for the Anglican Church, which still owns and operates a mission in the 61-year-old building, to agreee to house a minor Sistine Chapel on their premises. A year of labour later, Hearman has had no complaints about the great swirling sky or huge oil paintings which now adorn the empty 11-sided room. Instead she is constantly visited by old sailors and passers-by who are thrilled to discover the unusual architecture and artwork. “When peoiple come here it’s a real discovery. It’s something they find for themselves,” she said. Her pictures are neither religious nor symbolic, merely outpourings to create an atmosphere. “THere are lots of things I’d like to say but I’m not saying them in my paintings. “There are no messages, they don’t have any political statement. Life was a little more comfortable for Hearman than her renaissance predecessors. After struggling with cumbersome scaffolding to reach her “canvas” she discovered the modern wonders of the scissor lift. She does not look on the work as a huge achievement. However, it may all be for nought. Unless money is spent to restore the building the paintings she has created will crumble and die - Deborah Stone The Australian Tuesday 10 May 1988louise hearman, elephant room, norla dome, exhibitions, 1988, melbourne, flinders street, ross duncan, cultural events

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.louise hearman, exhibitions, 1988, norla dome, flinders street, cultural events, melbourne, elephant room, ian hunter

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.It’s Louise’s masterpiece, come heaven, hell or high water Report: SARAH TURNER PICTURE: LEIGH HENNINGHAM When her Little Bourke St studio was pulled down to make way for a carpark, artist Louise Hearman, above, contacted The Seamen’s Mission in Flinders St to see whether she could use their cottage. They agree. But neither knew what it was going to lead to. When Hearman saw ‘the Elephant Room’ at the mission, a big domed room, she felt she “just had to do something with it”. She applied for and was granted a $3250 grant from the Australia Council, with which she was able to buy the necessary scaffold and paint, and then set about transforming the room. Now, a year later, her masterpiece is complete. Hearman emphasised the the mural doesn’t represent “heaven and hell”. Rather, she said, “people should make their own interpretations”. She said it was “not particularly heaven and hell, it’s not particularly anything”. And there is “no narrative” to the mural. It “just developed with the building”, out of whatever images and feeling Hearman had at the time. Sadly though, Hearman said the mural was likely to fall off the walls and domed ceiling unless the room was waterproofed - water damage is a serious problem at the mission. louise hearman, norla dome, exhibitions, 1988, elephant room, flinders street, melbourne, leigh henningham, cultural events

Beautiful black silk top hat, lined with a 6cm wide band of leather, cream silk, and cream fiber board, with the markings - Wallworth 270 Bourke Street, Melbourne. First Class Award Centennial International Exhibition, Melbourne, 1888-9. A signature on the headband reads Jn H Sargood. A small silk ribbon bow, possibly used to tighten the headband. Two air vents in top of crown - 0ne is external, with an eyelet in the centre of the crown. Sargood Family Notes in Clothing Box 157.Wallworth, 270 Bourke Street, Melbourne. First Class Award. Centennial International Exhibition, Melbourne 1888-89. A printed royal coat of arms… MON DROIT. Also in black ink signature: Jn H Sargood 16/87.costume, male, silk top hat