Portrait of Nicholas & Kate Scallan with Daughter c 1865 -1870. The Scallan brothers Patrick, David, Phillip and Nicholas were pioneer reefs minors and storekeepers. "The Golden Years of Stawell" by Robert Murray and Kate White mentions the Scallan Clan see page 71 Photograph of a male and female with a young child. The male standing with hand on shoulder of seated female. The child standing by her knee. An enlarged copy of the same photo also exists. stawell

Photo of 4 People Sitting at a Table, 2 Females 2 Males the 2 Females wearing Christmas Hats. Balloons and Decorations around the Room - Date and Location UnknownPolaroidorganisation, industry, gas and fuel

Photograph - black and white. A group portrait, looks like all the same family (facial features). One male and 2 females. 1st female wearing a plain dress with a thin bow tie, 2nd female plain with frills around the neck and bodice of dress, pendant around her neck, both females wearing long white gloves. Male wearing a dark suit, collar and tie, clean shaven.person, group, possibly, family group, group portrait. 2 females and 1 male.

School 81 - Pilot School - 5th February 1973 - 10 Nurses Not in Nurses UniformBlack and White photo - 10 females in casual dress - 2 rows- front row seated and back standing . Females in front row 4 are wearing jeans and 5th a dressnursing training, nursing information

The diamond firetail bird is native to inland southeastern Australia, inhabiting woodland regions. It is often described as one of the most stunningly coloured birds of the finch family. The nest is built by both partners but only the female does the weaving. Both partners incubate the eggs and care for the young. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The diamond firetail finch it characterised by the top of its body being ash brown, with crown, forehead and neck grey. The under feathers are white with a crimson rump. There is a black band across its neck which continues down the flank to be dotted with white. The bill and eye ring are coral, and the legs and feet are dark grey. The female is similar to the male although sometimes smaller. 10057 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 41a./ Firetialed Finch / See Catalogue, Page 15. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, finch, diamond firetail

Well used note book for stenographers to take minutes etc. (several pages torn out).Front: Picture of female stenographer sitting on chair with wastepaper basket. "MONSTER / Stenographers' / NOTE / BOOK": stenographer, note book

Black and white photograph of a female student painting a canvas on an eisel.gippsland centre for art and design, gippsland institute of advanced education, visual arts, painting, alumni, student activities

one of set of three small decorative Asian, female dolls "PMA 0255"

painted wooden Asian female doll with red and white dress

one of set of three small decorative Asian, female dolls "PMA 0252"

Slide. Freedom of the City of Bendigo. Female Members of the Regiment on the QEO.slide, bendigo, freedom of the city of bendigo., freedom of the city of bendigo.

The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers

asked to remove Glasses for PhotoColour Photograph 4 Rows Females and Males in Assembly HallStawell High School 1977 Form 6

asked to remove glasses for PhotoColour Photograph: female wearing red and white floral blouse1980

B/W. - Creek cattle behind female sunbather with parasolhuttley

Colour Photograph: 5 females in period dress c 1900Tracy Walker, Lyn Seng Pha, Rose Altman, Rachel & Jan Bishopstawell historial society

Students names on back 6975-4 Stawell High School Form 3cd Teacher Miss Murdoch Back Row L-R, Lyn Bates, Lyn Rasche, Jean Allan, Bev Jackson, Patsy Carter, Pat Curren, Lyn Skurrie, Rhonda Gray, Beth Ellen, Janet van de Geest, Sue Gardner, Coral Twyerould Second Row, Denise Rose, Judy Hooper, Viv Stafford, Louise Peters, Wendy Oliver, Robyn Pickford, Faye Christian, Julie Walker, Bev Newell, Wendy Anyon, Bernice Smith Third Row, Dianne Dalziel, Denise Taylor, Helen Guy, Pat Hibbert, Janet Miller, Miss Murdoch, Marion Paulett, Sandra Hooper, Margaret Hitchcock, Heather McLeod, Mavis Hutchins, Bottom Row, Vicki Delley, Robyn Kingston, Yvonne Howlett, Dawn Holmes, Christine Resnick, Julie McCann Class Photograph of Female Students in front of newer class roomsStawell High School Form 3 CDeducation

Small cream crocheted lace doyley with female head in centrehandcrafts, lacemaking

Item has been passed down Susan Erey's family from her grandmother 1880 -1950 to her mother 1909 - 2011 Female skirt or kilt pin made with hand wrought wire.costume accessory

Richard Desmond, Unknown Female, Roger Morrow, Bev Ralph

Painting depicting a male and female nude embracing in a rose landscape Nonesidney nolan, painting, landscape, gouache, convict, female nude, male nude

Oil pastel drawing depicting a reclining female nude with parrot. Signed and dated lower right 'Perceval '82'.john perceval, drawing, oil pastel, female nude, parrot