A military unit of the Victorian Volunteer Colonial military forces was formed in Bacchus Marsh in 1860. The unit was commonly called the Bacchus Marsh Troop but was more formally known as the Bacchus Marsh Prince of Wales Light Horse.Foolscap size ledger book. Bound. Gold colored covers with rectangular red section on spine which has gold lettering inside it. The book is mainly a record of stores received by the Bacchus Marsh Light Horse Troop. Stores or supplies noted include shot and shell, saddle cloths, shoulder belts, bugles, leather, ammunition, uniforms and clothing details such as great coats and tunics and firearms such as rifles. Some pages contain details of specific firearms received such as Lancaster and Martini Henry rifles. Most entries relate to supplies received. Some pages contain specific supplies provided to each member of the troop who are individually listed by name and rank alongside their allotted supplies.'Stores Received' on spinearmed forces, bacchus marsh volunteer military troop, colonial military forces

This image is one of a series of photographs taken by Melbourne based photographers Stevenson and McNicoll who visited Bacchus Marsh and its nearby districts between September and November 1883. James Elijah Crook settled in Bacchus Marsh in 1841 and soon after held a licence for a lodging house on the Portland Road. In about 1845, he built the first Woolpack Inn, a slab building of eight rooms. This was replaced in 1850 with a “stately country villa” of brick and stone. The stables were also built in 1850 to accommodate twenty horses. In 1851, Crook established a coach service to the goldfields. After being in use as a Court of Petty Sessions, the Woolpack Inn lost its licence and closed in 1862. After this date, Crook took an interest in horse-breeding and continued to use the stables for his horses. His most notable success was with his horse, Saladin, which won the Australia Cup in 1872, after two exciting dead-heats with The Flying Dutchman. James Elijah Crook died in 1889. The Woolpack Inn and Stables were sold and then used as a hay and corn store. In 1910 the site was leased for use as an abattoir. The Woolpack Inn was demolished in 1931. The site is still in use as an abattoir. Little remains of the original stables.Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album which contains photographs of Bacchus Marsh and District in 1883 by the photographers Stevenson and McNicoll. The photo is of a gable-roofed commercial stables with shingled roofing, and white-washed render to the walls, standing in a large cleared yard. There is a skillion extension to the south-west corner. On the front (northern) wall can be seen a door and three windows, two large and one small paned window in the centre. The eastern window is paned, while the western window has louvres and a pull-out blind. Three S shaped stays can be seen on the northern wall. Along the western wall are two more windows and doors. A mound of hay lies at the north-western corner. Standing at the front of the stables is a group of five men and two boys, one holding a large dog. Four of the men are dressed in workman’s clothing and some are holding tools of their trade. The man at the back is wearing more formal clothes and has distanced himself from the workmen. The pole against which one of the workmen is leaning appears to have damage along one side. This pole may have been used as a hitching post as there is a footrest installed lower down to make mounting easier. Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district

Back formal blazer worn by member of the Heidelberg Golf Club Bowling Club. Black men's blazer with navy lining, black buttons and embroidered pocket.Pocket embroidery: 'R.V.B.A. H.G.C.", on manufacturer's label: "Solweave by Sackville of Melbourne"hgc bowling club, clothing, bill leonard

Navy formal blazer worn by the Lady President of Heidelberg Golf Club in 1999.Navy women's blazer with navy lining, metal buttons and embroidered pocket.Pocket embroidery: 'HGC Crest and Lady President 1999", on manufacturer's label: "Neat n' trim uniforms. Made in Fiji"clothing, hgc lady presidents, jan balgowan

Kew Historical Society has a large costume collection, including examples of formal wear, day wear, underwear, and protective clothing. As the Society has been located at the Kew Library since 1987, it uses display space within the library to mount small displays such as this display of aprons and pinafores. Larger exhibitions are typically held at the Kew Court House. Displays and exhibitions are mounted by the collections group; on this occasion, by Margaret Robinson, Robert Baker, and Jan Walker. Display of nine aprons and pinafores at Kew Library, 2024. The items date from the 1940s to the 1960s and are drawn from a large collection of protective wear in our collection.costumes, protective wear, clothing, aprons, pinafores

- Worn at Donor's wedding Mar 1967 - Purchased at Mother's Buckley& Nunn Account Van Heusen - full cut- White pleated front shirt - Van Heusen shirt size L: sleeve length 88 - Turn back cuffs Refer to NA5571 for jacket and trousers, NA5575 for bow tie, NA5576 for cummerbund and NA5574 for cuff links.men's formal wear

This hat belonged to a Warrnambool undertaking firm, Beattie and Phillips. This firm was established by Christopher Beattie and Henry Phillips in 1865 and was originally situated in Koroit Street. Beattie’s son, James, took over the business in 1916 and moved to new premises at 82 Fairy Street about 1928. In 1945 the business management was transferred to James Leahy and the firm continued until 2000. The top hat was used by both James Beattie and James Leahy and would have been one of several used by the employees in this undertaking business. The suppliers of the hat were Cramond and Dickson (note that the name ‘Cramond’ is misspelt on the hat itself). John Glass Cramond and James Dickson established their clothing and drapery and ironmongery business in Warrnambool in 1855 and it continued to operate in Liebig Street until 1974. This is a highly significant item for three reasons: 1. It belonged to, and was used by, two directors of the undertaking firm of Beattie and Phillips, a most prominent business in Warrnambool for 135 years 2. It was supplied by the firm of Cramond and Dickson, a dominant retail shop in Warrnambool for 119 years 3. It is an important example of a social custom of the past – the wearing of formal wear, including a top hat, by funeral employees (even to the extent of taking the hat by rail for funerals etc outside of Warrnambool) This is a black top hat with paper and silk inserts in the inside crown and a brown leather lining stitched on to the inside of the brim. There is black corded ribbon around the brim and around the outside of the hat. The brim is made of felt with the crown showing a shiny pile. There is a small round metal insert on the top of the crown. A piece of a newspaper dated 1st January 1931 is stitched into the inside of the brimInside the hat on the bottom of the crown – ‘Extra Quality’; ‘Crammond (sic) & Dickson Warrnambool’ with a stamp logo on the silk – a British logo with a lion and a unicorn with the words – ‘Honi Soit Qui Mal Y Pense’ and ‘Dieu et Mon Droit’ In biro on inside crown are the letters ‘J.L.’ undertaker's hat, beattie and phillips, christopher beattie, henry phillips, warrnambool history

A black and white photograph of Bendigo Teachers' College students on a visit to Ballarat Teachers' College in 1927. The unnamed staff and students are seated at a main entrance with formal iron fence and pillars. In the foreground on the right is a garden and trees which are along the iron fence which runs up a hill to a fence and more garden the background. Also in the background is a building with ornate features. The men are all in suits with white collar and tie and some wear formal hats. The women are also in formal attire and most wear fashionable hats. See 3320.100bendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, bendigo, education, tertiary education, teacher training, photo, photograph, photographs, photography, ballarat teachers' college, bendigo teachers' college, costume, fashion, attire, clothing, history, miss j.c. burnett, mr. geoff. pryor, place

A black and white photograph of the Bendigo Teachers' College staff taken in the year 1945. This is a formal photo in front of what appears to be a stage. It has two columns, curtains and a picture of a landscape in the background. The male staff are dressed in suits with a tie and the female staff are dressed in dresses and stockings with formal shoes. Not all the the names of the staff standing are known. Those known are - Ms. Grace Conole, Ms. Jessie Lamphier, Ms. Joan Stephenson, Ms. Faye Shepherd, Ms. Letti White. Seated - Ms. Mary McGawley, Mr. Michael Morris Miss Jessie Burnett, Mr. George Mills (Principal), Ms. Betts, Mr. Duncan Miss Bennett (Infant Mistress). See 3320.100bendigo, education, bendigo teachers' college staff, la trobe university bendigo collection, collection, bendigo, education, tertiary education, teacher training, teaching, staff, male, female, bendigo teachers' college, photo, photos, photograph, photographs, photography, ms, j.c. burnett, mr. geoff. pryor, costume, attire, clothing, fashion, ms. gracie conole, ms. jessie lamphier, ms. joan stephenson, ms. faye shepherd, ms. letti white, ms. mary mcgawley, mr. michael morris, ms. jessie burnett, mr. george mills, ms. betts, mr. duncan, ms. bennett

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. These shoes were owned, worn and donated to the collection by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Black satin and velvet evening shoes, by Enrico Coveri. The shoes were purchased by Annie McIntyre and worn with her Martin Grant outfit in 1985 at her 21st birthday party. The shoes, donated by Annie McIntyre, form part of the McIntyre family collection.A note by Dione McIntyre, describing the outfit, of which this item is a part reads: "Martin Grant outfit, including black satin and velvet shoes. Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"mcintyre collection, enrico coveri, international fashion - footwear - 1980s, women's shoes

student uniforms, student formal wear, display

Brown leather collar box. Circular. Leather carry handle. Metal buckle. The box has stitching visible around the edge of the base of the box the top of the lid. Inside is a white starched collar. Printed on the inside - Rexbilt Australian Made. Diplomat 15x13/4 - Inside of box there is a white label - History House/ Donated by Murray Lovell / 25 Patrick Street / Portland 3305 7 June 1994clothing, mens, men's wear, formal wear, history house