The exhibition 'Harold Herbert Watercolours' was held at Castlemaine between 31 October and 06 December 1992.Brown soft covered exhibition catalogue published by the Castlemaine Art Gallery and Historical Museum.harald herbert, castlemaine art gallery, artist

Bendigo Art Gallery Annual Report 2004-5. 39 pages. Photographs & illustrations.bendigo, hospital, art gallery report, art exhibitions bendigo art gallery acquisitions

This oil painting is in a handmade, carved frame, dates back to the period of the old Warrnambool Museum and Art Gallery. The two-masted, sail-and-steam-powered ship has the sails and bow shape of a tall clipper ship plus the extra power of steam. It dates to the transition between the clipper ships with their billowing sails and the steam-powered ships, which happened in the late 19th to early 20th century. The flag flown from the stern is that of the British Merchant Navy that traded around the world to transport cargo, and later passengers, from one destination to another. The painting was originally catalogued as the "S.S. Warrnambool" although it has a different design. It was also attributed to the ship portrait painter, the renowned C.K.M. - Charles Keith Miller - but differs from his style. Further research is being carried out at this time. In 1966, between the closure of the old Warrnambool Museum and Art Gallery and the distribution of the painting to Flagstaff Hill, this painting was repaired by David Heysen, son of the German-born artist Hans Heysen OBE. David was born in Hahndorf (called Ambleside for a short period of time), South Australia, married Lyly Refshauge from Melbourne, and they raised a family on their property in Kalangadoo, near Penola, in South Australia.The painting's frame is an example of handmade carving and joinery created in the late 19th century. The artist has depicted the image of a historical sail-and-steam ship of the type in which cargo was traded across the world, including to and from Australia. Vessels such as this also brought migrants to Australia.Painting, oil on board, in hand carved wooden frame with floral and geometric pattern, inner border painted gold. Image of a two-masted sail and steam ship, sails raised, black funnel emitting smoke. Hull is black with white horizontal stripe and white trim around sides of deck. Three lifeboats are visible. Bow is ‘clipper shape’ with what appears to be a figurehead. A red ensign flag flies at the stern and a blue and red flag is attached to the mainmast. The frame has been assembled using Mortice and Tenon joints, one of which is exposed on the back, lower right corner. Chandelier chain has been attached for hanging. There is no visible signature, date or title on the front of the painting. The back board has empty holes spaced around the edge and is held in place by staples. The visible surface has remnants of adhesive from two rectangular attachment s. There are two small white stickers attached, one with a hand written inscription. There are pencil and pen inscriptions. The painting is protected by cardboard with inscriptions in marking pen.On back board, written in the style used by the Warrnambool Museum and Art Gallery: - On white sticker, in pen “A-P31/1-74” - Pencil “A27/1883 / Artist CKM 1883 / Title SS Warrnambool / oil on board” Written in pen by the repairer - “Repaired & re-drilled – cleaned etc. / David Heysen 11/66” Written by Flagstaff Hill’s Cataloguer - Pencil “3031” On cardboard wrapper, in marking pen: - “S.S. Warrnambool / by / C.K.M. 1883” - “A-P/31/1-74” - “3031”flagstaff hill, warrnambool, shipwrecked coast, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, s s warrnambool, charles keith miller, charles miller, steam and sail ship, british merchant navy, slipper shaped bow, 19th century sea trade, warrnambool museum and art gallery, old warrnambool art gallery, hand carved picture frame, mortice and tennon picture frame, migrants, c.k.m.

Sixty four page Thesis on the Bendigo Art Gallery. Mentioned are the early efforts to have an Art Gallery in Bendigo. It contains numerous references from local newspapers, local identities and Reports and Minutes. At the back are some photocopies of photos and pieces of art.book, bendigo, bendigo art gallery, john jones collection - thesis on bendigo art gallery, mr ron radford, mr douglas hall, mr john henderson, mrs linton lethlean, dr ann galbally, university of melbourne, the sandhurst club

This work is from a series centred around the Chinese proverb “to hold a book in one’s hand is to hold a house of gold” in which the artist positions himself within sites of colonial power. Set within the National Wool Museum gallery, the artist references the pose of an exhausted shearer after a long day of arduous labour. However he is reclining while reading The Fire Stick by Wulla Merrii, a novel set against the 1891 Queensland Shearer’s Strike, questioning cultural stereotypes and how they pertain to concepts of work and leisure. Dressed in sub fusc, his official uniform as an Oxford scholar, Thompson is a defiant intellectual challenging past and continued misperceptions of First Nations people, while embracing both the intersections of his identity and his ancestral heritage. Dr Christian Thompson AO is a Bidjara man of the Kunja Nation with Irish and Chinese heritage. His practice spans across video, photography, sculpture, textiles, performance and sound, evolving through a process of auto – ethnography. While employing various modes of research, he connects his own experience to larger social, political, cultural meanings and understandings. His doctoral research and art practice has had a critical impact on International and Australian art, making global history as one of the first Australian Indigenous students at Oxford University. In 2018 he was made an Officer of the Order of Australia for distinguished services to the visual arts and as a role model to young indigenous artists in the Queen’s Birthday honours list.Framed photograph showing a man dressed in an academic gown, laying on their back holding a book. The setting is a reconstructed shearing shed, inside the galleries of the National Wool Museum.dr christian thompson, first nations, artwork, photography, oxford, heritage, national wool museum

Colour photographs of the Former Ballarat Post Office, now Federation University Post Office Gallery., ballarat post office, post office gallery, arts academy

Photograph. ANA Motor inn. View Street, Bendigo adjacent to Bendigo art Gallery. 1970s.bendigo, business, ana motor inn

Kerosene table lamp, pink glass base and font, brass gallery,double flat wick.

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Textual rendering of artist's decision not to provide an image for 69 Smith Street Gallery's anniversary publication.julian di martino, 69 smith street, artist-run initiative, artist-run space, art gallery, biro, paper, melbourne art galleries, conceptual art

One of a set of drawings of the National Wool Museum by David WilliamsPen and ink drawing of part of Gallery 1 display at the National Wool Museum, by David Williams.David Williamsnational wool museum

Zanoni ship paintings Echo news article 1988Zanoni ship paintings"The old man and his sea gallery" - Echo news - 2 Feb 1988 newspaper clippingReverse - " "historical references, zanoni ship paintings, newspaper article

The expansion of Bendigo's NAIDOC Week art attractions has strengthened calls for a permant space in the city's arts precinct dedicated to the display of indigenous works.Bendigo Advertiser article: ' Arts Pitch' Push for an Aboriginal and Torres Strait Islander Art Gallery.bendigo, naidoc, indigenous arts

Two Bendigo Advertiser newspaper articles with Amy Huxtable Women's Editor and a part of her series titled, 'At the Art Gallery.' The first article is titled 'The Story Teller with a touch of magic.' Peter Leonard is a story teller and a puppeteer and is performing at the Bendigo Art Gallery. It includes a photo of Mr. Leonard and also a photo of his puppets. The second article is titled, 'Gift paintings and furniture for art gallery - Newson collection now on display.' The late Mr. A. L. Newson and his wife Mrs. Jean Newson donated a collection of paintings and rare prints and antique furniture to the gallery and these are now on display at the Bendigo Art Gallery. There is a photo of 'Gums' by W. B. McInnes from the Newson collection and also a photo of an elegant antique cabinet also donated. 1/06/1977.bendigo, buildings, bendigo art gallery, lydia chancellor collection, collection, bendigo, bendigo art gallery, art, art work, puppetry, donations, paintings, antiques, gifts, newson collection, at the art gallery, amy huxtable

Brown wooden frame with glass front. Coloured map of Dardanelles featuring the Sea of Marmara & The Bosporus. Mounted on green background with fawn cardboard backing. Map in scale of miles & kilometers. Map shows landings, ships sunk & events during 1915.Back of frame: “Bethany Gallery 116 Bridge Street Bendigo”map, framed, dardenelles, gallipoli, 1915

Hardcover w/ Dust JacketAustralian National Gallery Bookmark about publications and services insidewalsh st library

Coat of arms of the Royal Burgh of Rutherglen in Scotland - the home of John Wallace, who gave its name to Rutherglen in Victoria. Rutherglen, Scotland made a Royal Burgh by King Robert the Bruce of Scotland in 1323. In 1975 Rutherglen became part of the City of Glasgow.Postcard showing picture of coat of arms of the Royal Burgh of Rutherglen, Scotland with written explanation. Part of a set of information on Rutherglen, ScotlandOn address side of postcard: "© Glasgow Museums and Art Galleries"rutherglen scotland, royal burgh, glasgow, john wallace

Bendigo Advertiser "The way we were" from 1999. Art of the past: the Bendigo Art Gallery in 1899newspaper, bendigo advertiser, the way we were

Slide. Bendigo & District P.O.I. The Old Art Gallery (original façade including front fence and gate).slide, bendigo, bendigo & district p.o.i., bendigo & district p.o.i.

Slide. CHS, Bendigo Pottery, Epsom, Bendigo. The Stables Gallery. Building dated 1880. Date 4.78slide, bendigo, bendigo pottery, epsom, bendigo. the stables gallery. building dated 1880

Bendigo - The 1853 Petition. On display at Bendigo Art gallery 1-8 September 2004. Programme of eventsbendigo, history, red ribbon rebellion

Colour photograph of Alfred Deakin Place looking towards the Art Gallery of Ballarat from the Arts Academy, alfred deakin place, arts academy, art gallery of ballarat, ballarat

DVD. Railway Photographs Disc 1 1887 Railways Map Disc 2 Bendigo Art Gallery.