friends of burnley gardens, fobg, tour, sunken garden, kay hirst, jan chamberlain, rosemary o'brien, lily ponds, luffmann ponds, administration building

(1) 8 copies Plan by E.M. Gibson. (2) Report to Accompany Master Garden Plan for Burnley Gardens by E.M. Gibson 1.12.1949. Includes all areas around new Administration Building. Refers to help from C.R.T.S. students. Note: Master Garden Plan itself not found.e.m. gibson, burnley gardens, crts, students

.1) Letter on Jean Odgers School of Design Letterhead asking for the return of references. .2) Letter to Jean E. Odgers from Dick Richards of the Ballarat School of Mines outlining an position in the Dressmaking Departmentballarat school of mines, dress making, dick ricjards, r.w. richards

Colour photograph of an entrance arch at the White Hills Botanical Gardens.botanic garden, white hills, white hills botanic gardens, war memorial, arch, commemoration, bendigo

Colour photograph of a garden at the former St Joseph's Orphanage, Sebastopol. sebastopol, st joseph's orphanage, blythwood grange, garden

The Colac, Victoria-based Colanda Centre was one of the last Victorian institutions and offered disability accommodation from 1976, when it was established, until 2019, with its closure.Digitised colour photograph of the Colanda Centre's Dove Unit gardens.colanda, colac, disability services, residential services, disability, digitised photograph

Photographs of fern trees in the Ballarat School of Mines Botanical Gardens.ballarat school of mines botanical gardens, fern tree

Site selected by Shire in 1927 fully developed by 1937 Mrs Boyes as caretakerBlack and white postcard of Mitchell Gardens Campground Bairnsdale VictoriaThe Camping Ground Bairnsdale Vicaccommodation, businesses, camping, caravan parks

ink, cotton

ink, paper

Desigend for A.R.C Engineering Pty. Ltdink, paper

Written on back of photograph,"21/4/82. Work on Staley Gardens, looking west."

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). This cloak represents a traditional shield and stands for strength, resilience and standing proud. It protects us as we move forward. The gold represents the gold fields of Ballarat and Golden Plains shire. It also represents fool’s gold (pyrite) as First People had no use of gold, instead the people are the gold.Black, white, and red stripe design with flower and stem motif on outer cloak. Lining is a red and white stripe motif. Trimming is solid black. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

Born: Uxbridge, Middlesex, England 1872; Active Australia from 1908; Died: Melbourne, Victoria, Australia 1952ImpressionismGift of Mrs Erma Ledger, 1981Garden setting with figures and chairs. Carved gold painted timber frame.Recto: Not signed; Not dated; Not titledgarden, figures, chairs, australian art

Photographs from a very tall grass tree at Geelong Botanical Gardensgeelong botanical gardens, grass tree

Photographs from a very tall grass tree at Geelong Botanical Gardensgeelong botanical gardens

Photographs from a very tall grass tree at Geelong Botanical Gardensgeelong botanical gardens

On 22 June 1994 the City of Kew ceased as a municiplity and was absorbed into the City of Boroondara as a result of local government restructuring. The City of Kew has a rich history as a commnity based local government and was widely revognised as a leader in the provision of local government services. Colour photograph of the Municipality of Kew plaque at the entrance of Alexandra Gardens, Kew.kew, alexandra gardens, city of kew, kew municipality, council amalgmation

Pamphlet - A3 folded to A4 full colour titled "Ballarat Botanical Gardens", giving an overview of the Gardens area, history, events, conservatory displays and contact details. Includes a map of the Gardens from Carlton St to St Aidans Drive, locations and notable features. Map shows the revised layout at Depot Junction and Wendouree Parade.trams, tramways, gardens, botanical gardens, btm, wendouree parade

This was erected in 1912 by the Surrey Hills Progress Association to commemorate "one of Surrey Hills most highly respected and revered citizens". The rotunda was demolished in the 1970s. A bronze plaque in tribute to John Gray is now on a stone cairn in the gardens. John Gray was a local citizen very active in community affairs who had died in 1909. The Brass Band rehearsed in the room below which also became a meeting room for many local groups.B&W photocopied image of the John Gray Memorial Rotunda in the Surrey Gardens. The octagonal rotunda has a distinctive domed cupola and is elevated on an enclosed timber base graduated to the slope of the site. A door and 2 windows can be seen in the exposed faces of the base. A group of 4 boys sit on or stand behind the timber railing.surrey gardens, john gray memorial rotunda, rotundas, parks and reserves, gray, john, surrey hills progress association