Part of S E Surman collection (album) page 26 top left. The Shire of Grenville built the Shire Offices and Hall in the mid 1860s. The building comprised a Council Chamber on the ground floor, and upstairs a large hall with a stage, this room was used for meetings, balls, concerts and other entertainments. This building was replaced with a single-storey building in 1939. This photograph is believed to have been taken in 1871 after completion of the fence.Sepia photograph of the "Offices of the Grenville Shire Council". Several people are standing outside the front door and near the front fence. Builders' rubble on the ground near the gate.buildings, shire of grenville offices linton, linton shire hall, surman collection

Gordon Frederick HawleyBlack and white photograph mounted on rectangular grey board. House, two tone weatherboard, triple window on front Return verandah . Front and side entrance. Fretwork trim to verandah. Ornate wooden gate. Picket fence with capping, corrugated iron roof with snailback trim. Small palm front garden. Trimmed hedge.On back of photo: ' Gordon Hawley ( crossed out) High and Myrtle St., £1400 sold' Date stamp 25 August 1928.Frank A. Jeffree Photo Bendigo [White Ink]bendigo, business, t c watts and son, s

This photograph is part of series depicting Allan Quinn's travels through San Francisco in 1949. This photograph shows the Golden Gate Bride and the San Francisco Bay.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Golden Gate Bridge, and the San Francisco Bay, dated 9-11-49.Reverse: 9-11-49 (handwritten in blue ink) / B /K8 (upside down, handwritten in pencil).allan-quinn, photograph, san-francisco, golden-gate-bridge, 1949, allan charles quinn (1928-1990)

This is a set of four photographs of a front gate guard at the Army Survey Regiment, Bendigo circa 1982. The guard was appointed on a pay day. A Defence decision for a pay rise resulted in a considerable amount of back-dated salary renumerated to members of the unit.This is a set of four photographs of a front gate guard at the Army Survey Regiment, Bendigo circa 1982. The black & white photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) & .2) - Photo, black & white, c1982. L to R: SPR Wayne Lloyd, SPR Steve Linane. .3) - Photo, black & white, c1982. SPR Wayne Lloyd. .4) - Photo, black & white, c1982. SPR Steve Linane..1P to .4P – No personnel are identified. Annotate on film negative sleeve ‘Back Pay Guard’.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

When the Free Serbian Church was established in Wodonga it was the only one in a country centre and the third Serbian Church established in Australia. It had a congregation of approximately 40 members. The Church was originally the first Presbyterian Church in Wodonga. It is a rectangular brick building with a red Colourbond gable roof to the nave area and a domed roof to the rear of the nave. Many features of the architecture from the original building remain. However, changes were made during the refurbishment by the Free Serbian congregation. The original façade red brickwork was rendered and painted white and it was modified to include two round arched relief panels. The upper relief panel was divided into three blocks of colour - red, pale blue and grey, with a centrally located gold cross. The relief panel above the double timber front doors has a gold cross and Serbian iconography. A cross was located on the wall at the apex of the gable and a cross rising up from the gable. The original pointed gothic style windows were replaced with round arched windows. The window hardware now includes wrought iron decorative features. A domed roofed area was constructed to the rear of the nave. The perimeter fence and gates included decorative wrought iron elements. The gates are particularly decorative with floral emblems and Serbian and English text in wrought iron. These photographs are significant because they provide evidence of the changing nature of religious worship and groups in Wodonga.A collection of black and white and coloured photographic images depicting the Free Serbian Orthodox Church, Wodonga. The Church was originally the first Presbyterian Church in Wodonga. It was extensively modified in 1961-62.free serbian orthodox church, wodonga churches, presbyterian church, religion wodonga

Head Girl's Prefect Norma Pepper being presented to the Prime Minister Visit by Prime Minister Robert Menzies, Mrs Menzies and daughter Heather to Eltham High School, Thursday November 5, 1953 Herald (Melbourne, Vic. : 1861 - 1954), Thursday 5 November 1953, page 21 The PM gets bushed The Prime Minister, Mr Menzies, got lost this afternoon looking for Eltham High School - and ended up at the wrong school. After reversing several times, asking directions from two schoolboys and a truck driver, his party finally arrived over a dusty, bumpy road at the back gate of the high school. They waded through long grass up to the back of the school, while the welcoming party; and scores of local residents waited at the front gate. The Prime Minister, Mrs Menzies and their daughter Heather, were on a goodwill tour of the Deakln electorate with the Liberal Federal member, Mr F. J. Davis and Mrs Davis. FIRST SPEECH Mr Menzies told the 450 pupils, of the school about the first time he ever made a speech. "When I stood up, my mouth opened and shut and opened and shut and grew drier and drier and not a word came out," he said. "Of course, many, unkind people say I've more than made up for it since," he said. Digital file only Scanned from photographs on loanlesley mitchell (nee pepper) collection, eltham high school, heather menzies, prime minister, robert gordon menzies, norma pepper

Warrandyte artist, Clara Southern, features on the Artists Trail. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p189 Since early in the 20th century this district has attracted artists and other creative people. So much so, that Eltham has been compared to the Left Bank in Paris, New York’s Greenwich Village and London’s Bloomsbury.1 That is until the 1970s when Eltham rapidly expanded into a suburb. However many artists still flourish not only in Montsalvat, Dunmoochin and the Bend of Islands but elsewhere in Nillumbik. Some artists who have worked or lived in Nillumbik are well-known nationally and internationally. Artists are attracted to the hilly district’s subtle colours, unique light and the Yarra River and Diamond Creek. The railway’s extension to Eltham in 1902 brought artists to paint for the day or to camp. Then many settled in Eltham, perhaps also because the poor quality land, far from the city, was cheap. Following World War Two they found they could build houses and studios cheaply by making their own mud-bricks. The flexible material, with its warm tones blending into the bush, also satisfied their aesthetic sensibilities. As early as 1900, Will Longstaff, known for his painting The Ghosts of Menin Gate at the National War Memorial in Canberra, lived at Stanhope in Peter Street, Eltham, later to become the home of intellectuals Clem and Nina Christensen. Members of Australia’s first significant art movement, the Heidelberg School of Artists, painted in Eltham, Warrandyte and Diamond Creek.2 Walter Withers lived at the corner of Bolton and Brougham Street, Eltham and taught Sir Hans Heysen, who for a short while stayed with the Withers family. In Warrandyte were Clara Southern, whom Frederick McCubbin taught at the National Gallery School and Penleigh Boyd, who is represented in all Australian state galleries and the National Collection in Canberra. May Vale, daughter of politician William, lived in Diamond Creek.3 With Jane Price they feature on the Heidelberg School Artists Trail, part of which runs through Nillumbik. The trail includes signs each displaying a reproduction of a painting by an artist and located near where the artist lived or painted. In Nillumbik the trail includes parts of Warrandyte, Eltham in the Alistair Knox Park, Main Road shopping precinct and Wingrove Park, the Research walking track on Main Road and the Diamond Creek Reserve. In 1916 artist William ‘Jock’ Frater lived at the corner of Arthur and Bible Streets, Eltham. Before then, Frater, with other artists including Percy Leason (who moved to Eltham in the mid 1920s) painted in Eltham on weekends. They camped near Bible and Pitt Streets and along the Diamond Creek where the Eltham Retirement Centre now stands.4 In 1921, painter Peter Newbury (father to painter David Newbury, who was born in Eltham) moved to Cromwell Street, Eltham. Max Meldrum, the first Australian painter to formulate a consistent theory of art largely based on tone,5 taught local artists Alan Martin, Clarice Beckett, Peter Glass and Justus Jörgensen. Meldrum visited Eltham then rented a house there for 18 months opposite Wingrove Park. In 1934, artist and architect Justus Jörgensen and his doctor wife Lil and friends built Montsalvat, the artists’ colony. Montsalvat has played an important part in attracting artists to Eltham and its mud-brick, pisé, stone and recycled building materials has had a major influence on Eltham’s built environment. Jörgensen’s students who also helped him build Monstalvat included Arthur Munday, Lesley Sinclair, Helen Lempriere, Joe Hannan, Helen, Sonia and jeweller/sculptor, Matcham Skipper. Among artists who visited Montsalvat were Clifton Pugh and Angry Penguins’ artists Albert Tucker and Arthur Boyd. Some who painted after World War Two were Alan Martin of Eltham and Warrandyte artists Frank Crozier and Harry De Hartog6, one of Melbourne’s first painters influenced by Cubism.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, clara southern, heidelberg artists' trail, main road, research (vic)

View is looking south west from inside the front gate. Main Road is running across the picture just past the trees and the open area is where the current day Fitzsimons Lane runs. Porter street is adjacent to the property on the right of image. Robert was a POW in ChangiShows the area of Fitzsimons Lane prior to developmentBlack and white photograph - digital fileeltham, main road, fitzsimons lane, porter street, castledine, beatrice arrowsmith (nee quigley), king (dog), robert arrowsmith, joan castledine collection

BHS CollectionBlack and white photograph mounted on rectangular brown board. House, weather board below windowsills, rough cast above, two bow windows of 10 lights all leadlighted, twin leadlighted doors, roughcast columns support verandah, front gable, balustraded steps and curved brick wall to verandah. Corrugated iron hipped roof, rough cast chimney with cap of exposed brick. Timber framed fence with woven wire covering and woven wire to gate frame. On back of photo 'Mr. Irwin, Drought Street, sewered £700 for house and land on which it stands 80 x 66 or £875 for house all land through to Stout Street 16.9.36' 2012 photo of house attached to record.Frank H. Jeffree, Photo, Bendigobendigo, business, t c watts and son

BHS CollectionBlack and white photograph mounted on rectangular brown board. House, rendered, verandah with brick balustrade and barley sugar pillars, tiled roof, 2 chimneys, small panelled windows, double central door, woven crinkled wire fence and gate. Patrick Street. On backof photo: ' Geo De Araugo, Patrick St., £850' Date Stamp 30 May, 1933. 2012 photo of house attached.Frank A. Jeffree, Bendigobendigo, business, t c watts and son

"Kilbeggin Cottage" front gate, picket fence and garden obscures the weatherboard house over two blocks at 7 - 9 John Street, Eltham. Possibly a "For Sale" sign is at the side of the photograph for 11 John Street next door. Built about 1878 for carpenter Richard Bettison, John Street is part of the original Holloway subdivison in the area known as Little Eltham. The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, john street

CEMA Art Collection Previously located in History HouseThe print depicts a natural landscape with a large classical style building (Menin Gate, Belgium) to the left. In the foreground are hundreds of ghostly figures of soldiers. The background appears to be a distant view of a town with several lights visible. The work is completed in various shades of blue and green. Mounted with brown card the work is framed in a black and gold frame, and has an exposed canvas.Front: Lower Right: Will LONGSTAFF 1927 Brass embossed plate:MENIN GATE AT MIDNIGHT BY WILL LONGSTAFF, PRESENTED TO THE COMMONWEALTH GOVERNMENT OF AUSTRALIA, BY LORD WOOLAVINGTON. COPYRIGHT RESERVED Back: (No inscriptions)

Postcard, B&W image of a tiled roof, brick house behind a picket fence and front lawn and flower garden. A woman stands on the front verandah and a man stands to the right of the steps up to the house. Front gate from a footpath at lower right. On the back handwritten in ink ' 1916-1917 Season's Greetings from "Verclau" Also an oval shaped stamp inside reads 'A Aberline 138 Glenferrie Rd Glenferrie' 'Verclau' is the name of the house in Stevenson St, Kew, Melbourne. According to a press death notice a family called GUY was living there in 1917.postcard, photograph, postcard, verclau, house, stevenson st, kew