Ceramic shard with white glazed finish and a purple pictorial design of a woman holding a basket on her head within a landscape. purple pictorial design of a woman holding a basket on her head within a landscape. pottery, ceramic, archaeology

Ceramic shard with white glazed finish and an embossed floral designEmbossed floral designpottery, ceramic, archaeology

Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology

Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology

Ceramic shard with white glazed finish pottery, ceramic, archaeology

Ceramic shard with white glazed finish pottery, ceramic, archaeology

Ceramic shard with white glazed finish pottery, ceramic, archaeology

Ceramic shard with white glazed finish pottery, ceramic, archaeology

Ceramic shard with white glazed finish pottery, ceramic, archaeology

Ceramic shard with white glazed finish pottery, ceramic, archaeology

Ceramic shard with white glazed finish pottery, ceramic, archaeology

Ceramic shard with white glazed finish pottery, ceramic, archaeology

Ceramic shard with white glazed finish pottery, ceramic, archaeology

Ceramic shard with white glazed finish Floral embossed design on the undersidepottery, ceramic, archaeology

Ceramic shard with white glazed finish Embossed geometric designpottery, ceramic, archaeology

Ceramic shard with white glazed finish Embossed geometric designpottery, ceramic, archaeology

Ceramic shard with white glazed finishpottery, ceramic, archaeology

Four pieces of ceramic shards with white glazed finish pottery, ceramic, archaeology

Ceramic shard with cream coloured glaze finishpottery, ceramic, archaeology

Two pieces of ceramic shards with white glazed finish pottery, ceramic, archaeology

Three pieces of ceramic shards with cream glaze finish pottery, ceramic, archaeology

Ceramic shard with white glazed finish pottery, ceramic, archaeology

Three pieces of ceramic shards with brown glaze finish pottery, ceramic, archaeology

Ceramic shard with white glazed finish and a blue geometric design. blue geometric designpottery, ceramic, archaeology

Ceramic shard with a cream gloss glaze finish and an emboss floral design painted in blueEmboss floral design painted in bluepottery, ceramic, archaeology

Ceramic shard with a cream gloss glaze finish and a pictorial design painted in bluePictorial design painted in bluepottery, ceramic, archaeology

Ceramic shard with a cream gloss glaze finish and a pictorial design painted in bluePictorial design painted in bluepottery, ceramic, archaeology

Marian FOX (1967- ) Born Malvern, Victoria Marian Fox completed a Bachelor of Visual Art (Ceramics) at the Federation University Arts Academy in 2019. The engobe slip and bronze glaze was made by the artist from a recipe provided by lecturer Peter Pilven. Instagram @marianffox Handbuilt stoneware vessel, with copper oxide, engobe, and bronze glaze. This work won the 2019 Federation University DVC 3D Art Acquisition Award. marian fox, ceramics, alumni, available, dvc art acquisition award, vessel, australian studio ceramics, available for secure display

The business was specialised in making salt-glazed stoneware articles, including utilitarian or decorative bottles, jugs and jars, much of it intended for inns and pubs. The backbone of the business was a wide range of utilitarian wares, mostly stone wares, including storage jars, tankards and the like, and later extending to pipes for drains, lavatories and other bathroom ceramics. From 1853 to 1902 its wares were marked Doulton & Co., then from 1902, when a royal warrant was given, Royal Doulton. The company always made some more decorative items, initially still mostly stoneware, and from the 1860s the firm made considerable efforts to get a reputation for design, in which it was largely successful, as one of the first British makers of art pottery. Initially, this was done through artistic stoneware's made in Lambeth, but in 1882 the firm bought a Burslem factory, which was mainly intended for making bone china table wares and decorative items. An early utilitarian stoneware item made by a well-known company that specialised in making salt-glazed items that later earned a reputation for making stoneware art objects. brown glazed earthenware bottle, circular grooves at throat of bottle x 3, cylindrical shape, narrow neck, makers stamp on side, large chip at opening, multiple small chips on sides. no stopper. paper label taped to front -Baked clay jar unearthed during demolition of the Edward Wilson Wing 1999 Doulton Lambeth stamp base of front - makers mark. label -paper label taped to front -Baked clay jar unearthed during demolition of the Edward Wilson Wing 1999ahnl, edward wilson wing alfred hospital, baked clay jar

Used by the MMTB in an office setting or Wattle Park Tea rooms.Demonstrates the manufacture of crockery for use in either a tea room or an office setting for a Senior Manager of the Melbourne and Metropolitan Tramways Board.White china or ceramic cream or milk jug with MMTB logo with a small handle. Made from China clay, glazed and vitrified or fired. Has a small formed spout, MMTB logo in dark green. On the underside has the words "Grindley Hotel Ware, England, Vitrified, Loftus Moran Pty Ltd, Melbourne. Patent. Has a crown or manufacturers mark on the top of the lettering. Possibly made for use at the Wattle Park chalet or head office.mmtb, crockery, grindley hotelware, loftus moran, wattle park, tramways