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National Wool Museum
Quilt
The quilt was made by Ada Maud Allen, the grandmother of the donor. Mrs Allen was from a Queensland wool growing property and was a prolific wool quilter. She was noted for her quilt making and also made items such as dressing gowns. She exhibited at many country shows and with the Queensland Country Women's Association. The wool used in the quilt was from her own property. The quilt was made in the 1930s and subsequently used by Mrs Allen's children, grandchildren and great-grandchildren.Wool quilt made by Ada Maud Allen, c.1930s. Detail of woollen quilt made by Ada Maud Allen, c.1930s. The woollen contents of the quilt and aspects of its construction can be seen. Conservation report and treatment proposals prepared by Abigail Hart, Textile Conservation, 19-1-01, for quilts 430 and 4053. Conservation treatment proposal prepared by Abigail Hart, Textile Conservation, 19-4-2001, for quilt 430. Report on the conservation treatment undertaken on the quilt by Abigail Hart, textile conservator. Country Women's Association pamphlet 'Use More Wool' Letter to Miss Ruth Lane, 30 November 1991 Letter to Mrs Allen from Margaret Travill, 22 March 1934 Letter to Mrs Allen from S.J. Rayment, 23 March 1934 Letter to Mrs Allen from E. Maitham, 21 April 1934, page 1 Letter to Mrs Allen from E. Maitham, 21 April 1934 page 2 Instructions on making woollen quilts page 1 Instructions on making woollen quilts page 2 Allen family photos from Queensland Museum page 1 - stud lambs Allen family photos from Queensland Museum page 5 - 'Nalemba', Sept. 1918 Allen family photos from Queensland Museum page 2 - at 'Stanbroke', early 1942 Allen family photos from Queensland Museum page 3 - 'Stanbroke', 1936 Allen family photos from Queensland Museum page 4 - Mr Marsh, Shearing Contractor Allen family photos from Queensland Museum page 6 - Mrs A. M. Allen c.1937 with grandson Allen Photos taken before conservation treatment March 2002quilting handicrafts, allen, mrs ada maud, quilting, handicrafts -
Federation University Historical Collection
Book - Annual Report, University of Ballarat Annual Report, 2007, 2007
Brown and green soft coveted book of 62 pages. Contents include: Robert H. T. Smith, David Battersby, vision, International Beer Awards, Steve Bracks, Teneille York, Alan Brough, Janet Holmes a Court, William Kelly, Peter Dahlhaus, Sovereign Hill Memorandum of Understanding, Town And Gown, George Fong, Xu Jian, Snow at Mount Helen. .3) Financial Statementsuniversity of ballarat, robert h.t. smith, david battersby, alan brough, janet holmes a court, william kelly, bronwyn razem, jeremy johnson, sovereign holl memorandum of understanding, town and gown, steve hall, tenille york -
Bendigo Historical Society Inc.
Postcard - BENDIGO POST CARD FOLDER
Bendigo post card folder '6 tear off postcards, vue pack Bendigo, Victoria's Premier gown' Coloured foldout series. Shamrock Hotel with tram outside; Bendigo Hargreaves Mall with walkway and gazebo; Bendigo Easter Parade with Sun Loong outside Law Courts Pall Mall; Fortuna ( Army Survey Regiment ) ; Central Deborah Gold Mine and talking tram ; Alexandra Fountain.NCVbendigo, streetscape, post card folder, bendigo, tourism, postcards, fortuna, alexandra fountain, central deborah gold mine, shamrock hotel, sun loong, bendigo easter fair, mall. -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is inserting a mouth gag dental instrument into the patient's mouth. The anaesthetist's hands are supporting the patient's head and administering anaesthesia to the patient through an inhaler. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and hands of the anaesthetist are visible.•Printed text in black ink on paper label glued under photo: Inserting the Gag under Vision. •Handwritten with blue ink on reverse and underlined: Photo. 2.anaesthesia, dental procedure, anaesthetist, patient, geoffrey kaye -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is changing a mouth gag dental instrument in the patient's mouth. The anaesthetist's hands are supporting the patient's head and administering anaesthesia to the patient through an inhaler. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and the hands of the anaesthetist are visible.•Printed text in black ink on paper label glued under photo: Changing-Over the Gag. •Handwritten with blue ink on reverse: Photo. 4. / (Frame 20).dental procedure, dental instrument, anaesthesia, anaesthetist, patient, geoffrey kaye -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is holding the patient's jaw and is placing an instrument inside the patient's mouth. An anaesthetist's hands are supporting the patient's jaw and administering anaesthesia to the patient through an inhaler. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and the hands of the anaesthetist are visible.•Printed text in black ink on paper label glued under photo: It takes Two to support the Mandible. •Handwritten with blue ink on reverse and underlined: Photo. 6. / (Frame 23).dental procedure, dental instrument, anaesthesia, anaesthetist, patient, geoffrey kaye -
Bendigo Historical Society Inc.
Newspaper - SHAMROCK HOTEL' JOYCIE SMITH ( DIAMOND LIL)
Copy of newspaper article 'The Age' 1.3.1973, written by Claudia Wright. Article describes the life and times of Joyce Smith, publican, Shamrock Hotel, Bendigo. Contains photos of Joyce Smith and photo of Joyce on the staircase of the Shamrock, where she is wearing a white arctic fox fur over a formal gown. Joyce was renowned for her diamond rings (six on one finger) and her love for her dachshunds.bendigo, hotel, shamrock hotel -
Ballarat Tramway Museum
Booklet - Souvenir Programme, "Popular Conductress Competition - Gala Ball", August 1944
Booklet - "Popular Conductress Competition - Gala Ball" - Melbourne Town Hall 31/8/1944 - 8pm to 2am. Gives details of the event, the entrants, Red Cross work for some 23,000 Prisoners of War and their thanks to the Australian Tramway and Motor Omnibus Employees Association. Includes a photo of each entrant and written in ink is the amount raised by each conductress. Programme number 703. Has an advertisement for Black and White cigarettes on the back cover. See 8823 for a photograph of the entrants in their ball gowns.Demonstrates work to support the Red Cross Prisoner of War fund raising.Eight page booklet, printed centre stapled.most popular conductress, sylvia mitchell, tramways, sec, red cross, events, union, atmoea -
Kew Historical Society Inc
Clothing, Jinoel of Melbourne, Silver Lamé Evening Dress & Pants, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. Jinoel of Melbourne was a evening company founded by Jill and Noel Kemelfield in 1957. The company won Gown of the Year in 1968. This outfit is one of a number of items donated by Dione McIntyre The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Round-necked and sleeveless floor-length silver Lamé evening dress and pants by Jinoel of Melbourne. The loose dress features a long split up the side, through which the pants can be seen. Label: JINOEL OF MELBOURNEaustralian fashion - melbourne - 1960s, jinoel of melbourne (vic), mcintyre collection, evening wear, women's clothing, dione mcintyre -
Brighton Historical Society
Coat, circa mid-1950s to early 1960s
Raoul Couture was a high-end fashion house based in Flinders Lane from around 1955 until 1964. Established by designer Ralph Samuel, who also owned Hartnell of Melbourne (circa late 1940s-1971), Raoul was the business's premium label. The head designer was Leonard Legge, who later worked for Prue Acton. Brighton Historical Society holds a small collection of Hartnell and Raoul Couture garments, including a Gown of the Year Award-winning dress donated by Ralph Samuel.Red felted wool coat with red silk lining, fastening centre front with four large square-shaped buttons. Single vent/slit up centre back to waist. Loosely belted back with single button fastening.Label, inner collar: "raoul couture / MELB"raoul couture, melbourne designers, flinders lane, ralph samuel, leonard legge, hartnell of melbourne -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Coloured bas-relief photograph of Queen Alexandra. Dark background. She is wearing a formal gown, coloured pink with yellow off the shoulder neckline, white elbow length gloves and carrying a yellow closed fan. The pattern on her gown has been glittered in various colours, along with her snake head bracelet, tiara and choker jewellery. There is an 8mm border along the bottom and a 3mm border along the sides and top. On the bottom border on the left hand side is printed 667 A, in the middle the words H.M. Queen Alexandra and on the right hand side J Beagles & Co E.C. The postcard has been stuck to another piece of card of equal size. On the reverse at the top appears the printed words Portrait Bas-Relief Card The J.B. & Co Series. The card is addressed to Miss I Dean "Esmond" McKenzie Street Golden Square. One penny stamp.J Beagles & Co London E.C.postcard -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c.1980
The RDNS Sister is from Camberwell Centre and is visiting the lady in her home where she is attending to wound care needed on the lady's left foot. She has already attended to the wound care required on the ladies right foot. The Sister had used a dressing tray which, contained a bowl for lotion, the forceps and swabs which had been sterilized at Camberwell Centre. Sterile dressing material had been used to clean and dress the wound. The scissors had been sterilized before use..The Trained nurses of the Melbourne District Nursing Society (MDNS), from its inception in 1885, provided wound care to their patients, who ranged in age from the very young to the elderly. As research developed better products and dressing materials, the methods and medication applied to wounds changed. MDNS received Royal patronage in 1966 and as Royal District Nursing Service (RDNS), the Education department developed programs, such as the Leg Ulcer Management Program to provide their Sisters with methods of best quality care. They introduced RDNS Wound Care Specialists who did assessments and provided advice and support to the District nurses working in the field. The Sisters liaised with the patient’s doctors and hospitals to provide information on the progress of patient’s wounds and to receive any change of wound care from the Doctors. A black and white photograph showing a Royal District Nursing Service (RDNS), Sister looking down at the white wound dressing which is over the toes of an elderly lady's left foot. Her left hand is holding it, while her right hand is applying tape. The Sister has short, dark, curly hair and is wearing a white gown over her uniform. The lady has short, slightly curled, light grey hair and is wearing a light coloured patterned dressing gown over light coloured pyjamas. She is watching the procedure as she sits on a chair with her right hand bent up to rest near her ear. Both her legs are elevated and resting on a white surgical drape. There is also a white dressing over the toes of the lady's right foot. In the left foreground, part of a dressing tray, two forceps and a pair of scissors are seen on the sterile drape protruding from under the dressing tray..Handwritten 'Camberwell staff and patient'royal district nursing service, rdns, rdns patient care - wound dressing, rdns camberwell centre -
Wycheproof & District Historical Society Inc.
Sepia Photograph, Mendelnohy/Melb, Shelia Whelan Thomas Coughlan, 3/9/1947
Elaine Donnellon, the donor of the photograph is the daughter of Shelia's sister Matilda. Thomas Coughlan and Shelia Whelan were married 03-09-1947. Not highly significant but typical of a mid 20th century portrait taken in a photographer's studio. The style of the wedding finery is representitive of the fashion of the period.Studio Portrait on original mount. Thomas Coughlan bridegroom, dark double-breasted suit,orange-blossom buttonhole. Shelia Whelan bride, embossed satin bridal gown with train and leg-o-mutton sleeves,a lace insert at the neckline, finished with a dainty locket. An embroidered full lengh veil and ruched head-dress with orange-blossom is complimented by a floral trailer-bouquet and horseshoes. Portrait backdrop, curtain and chair. Bottom right-hand corner, hand written, "Mendilnohy/Melb."studio portrait, 1947, thomas coughlan, shelia whelan, orange blossom, embossed satin, wedding gown, double breasted suit, veil, trailer, bouquet -
Wycheproof & District Historical Society Inc.
Sepia Photograph, Maker Unknown, Wedding Photograph Mary Cody and Ted Molloy, 1947 (exact)
Studio portrait of Ted and Mary Molloy nee Cody. They were married at the Catholic Church Ballarat East, Victoria on the 06-09-1922. They honey-mooned in Tasmania.Studio Portrait. Ted Molloy bride-groom, dark single-breasted suit, orange-blossom buttonhole, waistcoat, white bow-tie-gloves, watch-chain. Mary Cody bride, Ankle-length gown with fine-lace overlay. Muslin veil attached with orange-blossom medium-heeled satin-shoes. A large bouquet of fresh daffodils, daisies, freesias, asparagus-fern and a trailer of ribbons. Backdrop: curtain and chair. studio portrait, orange blossom, wedding gown, veil, bouquet, single breasted suit, bride, bride groom -
Flagstaff Hill Maritime Museum and Village
Print - Commemorative Portrait, H.M. Queen Elizabeth II, Ca. 1954
This commemorative framed print was a gift presented by Freemason, Worship Brother J. Wishart Junior, who also had the title of Worshipful Master of the Masonic Lodge from 1983-1954. This print was possibly presented by Wor. Bro. J. Wishart to the Masonic Lodge in Warrnambool the year following the coronation of Queen Elizabeth II, just after Wishart completed his term as the Worshipful Master of the Lodge. It is likely that the portrait was also part of the furnishings when one of Flagstaff Hill's village buildings was set up as a 19th century style Masonic Lodge, as shown in the map of the village in 1994 and was activated by a member of the Masonic Lodge. (Before this time the building was a Reference Library, and some time afterwards it was a Reading Library, and is now a Mechanics' Institute.) Australia is part of the British Commonwealth. Respect for the reigning monarchy of the colony of Australia has been shown here since colonisation and continued after Federation. Portraits of the reigning sovereignty have been displayed in public organisations, government departments and clubs over the years. Children in schools have been taught to 'Honour the flag, serve the Queen" (or King) etc. In February 1952 King George VI of England passed away. His daughter was proclaimed Queen, and crowned as H.M. Queen Elizabeth II on June 2nd, 1953, at Westminster Abbey, London. It is interesting to note that on 12th April, 1997, Warrnambool's Masonic Centre in Kepler Street held a 150 years celebration of the settlement of Warrnambool and District. A time capsule was inserted in the 'foundation stone' and one of the items inside it was a Flagstaff Hill Heritage Centre leaflet. The portrait of the coronation of H.M. Queen Elizabeth II and her continued reign of 70 years is significant, as it marks a very special occasion in the history of Britain and its Commonwealth. This portrait is similar to many other portraits of the Queen's coronation and is familiar to Australian citizens of the current generation and the ongoing link to Britain's colonasit6ion of Australia.Print, coloured, framed behind glass. Portrait of H.M. Queen Elizabeth II at her Coronation on June 2nd, 1953. The Queen is seated and wearing a white gown and white-trimmed blue cape. She is wearing a jewelled crown and holds the ceremonial Orb and Sceptre. In the background is Westminster Abbey. The decorative frame is cast composite or plaster. A card provided with the print advises that the print was presented by J. Wishart - it is attached to the reverse.Handwritten in ink on card "H.M.QUEEN ELIZABETH II / PRESENTED BY / WOR. BRO. J. WISHART JNR. / WOR. MASTER 1953-1954."flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, 2-06-1953, westminster abbey, scepter, orb, royal crown, coronation, queen elizabeth ii, hm queen elizabeth ii, royal portrait, h.m. queen elizabeth ii, worshipful brother, worshipful master, time capsule, 19th century style masonic lodge, warrnambool 150 years celebration, coronation of queen elizabeth ii, freemasons, j. wishart, flagstaff hill masonic lodge building, portrait -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is holding the patient's mouth open with one hand and is holding medical equipment in the other. The anaesthetist's hands are supporting the patient's head and administering anaesthesia to the patient through an inhaler. The background of the photo has been covered with black ink so that only the anaesthetist's hands, Dr Kaye, and the patient are visible.•Printed text in black ink on paper label glued under photo: Opening Mouth without a Gag. •Handwritten with blue ink on reverse and underlined: Photo. 1.geoffrey kaye, anaesthesia, dental procedure, patient, anaesthetist -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
Black and white photograph of a demonstration of a dental procedure on a patient who has received anaesthsia. Dr Geoffrey Kaye, wearing a white gown, is holding a dental suction hose and metal medical tray under the patient's mouth, who is leaning over the tray. An anaesthetist is holding an inhaler over the patient's nose. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and anaesthetist are visible.•Printed text in black ink on paper label glued under photo: Management of Vomiting. •Handwritten with blue ink on reverse: Photo. 8. / (Frame 29).anaesthesia, anaesthetist, geoffrey kaye, dental procedure, patient -
Bendigo Historical Society Inc.
Book - JOHN JONES COLLECTION: ST PAUL'S CIRCLE RED CROSS SOCIETY MINUTES, June 1958
Exercise book with a black shiny, patterned cover and red edges to the pages. The back of the book contains the Annual Meeting Minutes of Australian Red Cross Society, Victorian Division, St. Paul's Circle Minutes from 3/6/1958 to 7/7/1969. The front of the book contains the names of ladies who were making shirts, pyjamas, underpants, refugee skirts, dressing gowns, face washers and net covers.E. Malloyessential services, red cross, minute book, john jones collection - st paul's circle red cross minutes, mrs sansom, secombe, smith, chalk, mansell, wallace, o'neill, a e brown, lansell, hocking, murphy, tootell, nankervis, pearce, friswell, clapp, fulton, thomlinson, wright, dunstane, trembath, draper, jones, t cambridge, mueller, palmer, wooltorton, hill, pascoe, green, bush, beischer, rumbold -
Ararat Gallery TAMA
TU, Melbourne, Evening ensemble (dress and coat), c. 1965
This ensemble was not owned by Lady Barbara Grimwade unlike the rest of the garments in this collection. It was donated to the Gallery by Mrs Jessie Briggs after she became aware of the Gallery’s extensive Tu collection. Mrs Briggs (Krongold) wore this ensemble to the marriage of her son, Lionel Krongold, at the Kew Synagogue, Melbourne. To compliment this outfit, Mrs Briggs wore gold shoes and a small Italian gold bag with the gown, a pair of diamond drop earrings, gold chain with diamonds, a gold bracelet with four diamonds and a simple Omega gold watch. -
Kew Historical Society Inc
Clothing - Black Crepe Evening Dress with Red Grosgrain Braid, Louis Feraud, c.1975
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This evening dress was donated by Kathleen Gervasoni, a long term resident of Kew, and mayoress of the former City of Kew (1978-9). The gown was manufactured under licence in Australia and purchased from Paulette Modes, High Street, Kew.Long black crepe evening dress, highlighted with geometrically arranged red grosgrain braid trim on bodice and sleeves, designed in the 1970s by Louis Féraud, Paris.Label: "Louis Féraud, Paris"women's clothing, evening dresses, kathleen gervasoni, louis féraud, paulette modes, international fashion - 1970s -
Ringwood and District Historical Society
Photograph of Fancy-Dressed Children after WWI, Post-WWI
Photograph of Fancy-Dressed Children after WWI celebrating the end and victory of World War One. A child is dressed in a Dutch dress, others in a dressing gown, grass skirt, a soldier with gun. The parents and other adults are in the background, some learning on the fence. There is a building the top right corner. Possible the old Ringwood sports ground in Ringwood Street. Some children have displays with "Victory" on them. Another has the British and Australian flags. -
Bendigo Historical Society Inc.
Newspaper - BENDIGO SANATORIUM: NEWSPAPER ARTICLE PHOTOS
Two photocopies of photos, published in the Bendigo Advertiser's series "The Way We Were" on March 24 and 25th , 2015. Photo LH side of paper shows '1954, The Queen's visit to Bendigo Hospital. In the photo are the tuberculosis patients with nurses Gwen Hill ( middle front ) and Brenda Hollis ( far right). Other photo 'The Chalet at Bendigo Hospital housed the tuberculosis patients and nurses all wore gowns and masks when tending to the patients'bendigo, hospital, sanatorium -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LARGE LACE COLLAR, Late 1800's early 1900's
Clothing. Very large, deep, linen lace collar.- Brussells Bobbin lace. Six large ''tear-drop'' shapes - 8cm long, enclose a delicate floral design. Thirteen daisy like flowers are spaced around the outer edge, along with leaves and smaller flowers. The long neck - edge is edged with a leaf - like design lace. This collar may have been worn over an evening gown with a deep back neckline.costume accessories, female, large lace collar -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Porcelain figurine of a doctor holding a newborn baby, Pucci
This piece bears an export mark associated with Arnart Imports. Arnart was an importer and distributor, rather than a manufacturer. It is likely that this is a Pucci porcelain piece, distibuted and sold by Arnart.Porcelain figurine of a male doctor holding a newborn baby. The figure has grey hair and is wearing an unbuttoned white surgical gown. Beneath the gown the figure is wearing brown, striped trousers, a blue shirt, a red tie and black shoes. The buttons on the shirt and his belt buckle are golden coloured. The figure is wearing gold framed glasses with round frames, and is smiling. The figure is standing with his left hand in the pocket of his surgical coat, while holding a baby in his right hand by its left leg. The baby is head down and facing away from the doctor figure. The figurine is standing on a oval shaped base and there is a gold coloured, abstract, decorative embellishment at the front of the base. There is a stamp on the underside of the base of the figurine consisting of the letter 'A' below a stylised crown. The number '44/768' is printed on the base below this stamp. A retail sale tag is tied to the right arm of the doctor figure with a small piee of orange ribbon. The tag reads 'TREASURES/TODAY/HEIRLOOMS/TOMORROW'. -
Brighton Historical Society
Clothing - Nightgown, Mid 19th Century
This nightgown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. The item appears to have been made or altered to accommodate a pregnant belly, however purpose made maternity clothing was not common at this time. Mrs Ward-Cole’s six pregnancies took place in 1843, 1844, 1845, 1847, 1849 and 1851. The style of this garment in particular the shape of the sleeves would indicate that it is most likely to have been constructed in circa 1860, so whilst it appears to be a maternity item, and historically has been referred to as thus, this purpose cannot be confirmed. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolishedA hand sewn ivory cotton muslin nightgown, c. 1842–1850. The bodice is made of delicately embroidered muslin in a floral design. The open flat collar features a scalloped lace frill underneath. The bodice fastens with thirteen mother of pearl buttons down the centre front. After the fourth button, the remaining buttons are concealed beneath a full gathered modesty skirt, which falls from just below the bust line. The modesty panel is secured horizontally across the bodice by six mother of pearl buttons. The sleeves finish over the back and palm of the hand in two flattened peaks. The front of the gown consisting of the modesty front is full length. The modesty gown at both sides joins two panels that are an integrated part of the bodice. At the centre back there is a very full gathered panel with lace trim that falls to create a train. It is semi-attached to the bodice with a top section secured with mother of pearl buttons and small ties. The purpose of this design feature is unknown. st ninians, george ward cole, brighton, night gown, thomas anne ward cole -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white:, 1952
This photograph is taken in the home of the lady and shows MDNS Sister J. Faust giving an injection, using a glass syringe, into the right upper arm of the lady. This type of syringe was re sterilized. These syringes remained in use until the mid 1960s when disposable plastic syringes took their place. This photograph was used in a video on the history of RDNS which is held by the organization. It is a record of the type of care given by Melbourne District Nursing Society (MDNS) Trained nurses in a patient's home.The Trained nurses of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing, and to people of many cultures, throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Sisters provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.Black and white photograph of Melbourne District Nursing Society (MDNS), Sister J. Faust who is wearing her grey brimmed uniform hat over her dark curled hair and is wearing a white gown over her grey uniform which is seen below her gown. In her right hand, she is holding a syringe, with needle against the lady's skin, and her left hand is on the upper right arm of the lady above the needle site. The lady, who has light coloured curled hair and is wearing a dark coloured long frock, is standing to the right of the Sister and is holding the right sleeve of her dress up with her left hand. A metal sink with cupboards below is behind the lady. To the left is fireplace which is now tiled at the rear and has a gas stove with kettle on a jet in the space. A row of three pale coloured kitchen canisters in decreasing size sit on the mantle piece. On a shelf above these sit a dark coloured box and a tall thin vase. Staff members name is written on the back of the photograph.melbourne district nursing society, nursing care, royal district nursing service, rdns, mdns, nursing care - medications, mdns uniforms, j. faust -
Whitehorse Historical Society Inc.
Wedding dress, 1938
Dress worn by Mary (Molly) Sprunt on marriage to John (Jack) Leith on 12 March 1938 at St Andrews Presbyterian Church, Rushworth. Veil was handmade by mother Madge Brydon in 1912 for her wedding. Dress and veil donated by Molly's daughter. Dress also worn by sister - Lyndsay (Lyn) Sprunt for her marriage to George Hendrie on 10 November 1945 at St John's Church Elsternwick. Gown made by Molly and Lyn's aunt Edith Brydon. Veil (NA3495) worn was made by mother Madge Brydon. Donated by Molly's daughter.Cream damask 1938 satin dress. Long sleeves, cross over neckline to a diamond front panel. Skirt cut on the cross, with front pleat. Back skirt has long train. Self-covered buttons at centre back.|See also NA3495 - Veil. Also worn for 1945 wedding with veil. NA3496 - Shawl.costume, female ceremonial -
National Vietnam Veterans Museum (NVVM)
Film, Admission and Discharge Book
Coloured image taken from Ektochrome slide by 313138 Robert K Bell. Image of admissions and discharge book dated 19-10-68 - 26-10-68War has no boundaries and no time clock, it would happen whenever it wanted to. You only ever got short notice of a Dustoff comming in and would have to act swiftly to be ready. sometimes we were so busy with operations that they had to feed us one at a time and out of hot boxes, so you sat just outside the theatre in blood soaked gowns for five minutes whilst downing a meal.ektachrome slide, photograph, 1st australian field hospital -
Bendigo Military Museum
Print - PRINT, FRAMED, WW1, Reader's Digest (Australia) Pty Limited, 2015
From information Book "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/Centenary Commemorative Prints". Collection of 20 Prints' Refer Cat No. 7300. "John Hugh Allen died on 6th June 1915 at Gallipoli, a Lieutenant in the Worcester Regiment." Framed print. Print - colour print on paper. Colour photograph of a stained glass window. Depicts - top - a knight and an angel with the words "War" and "Peace" below figures. Below - battle scene of soldiers on left, on right, university buildings and quadrangle with figure in an academic gown in foreground. Words below - "In Memoriam John Hugh Allen/ Gallipoli 6th June 1915". Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print'- "STAINED GLASS WINDOW War and Peace, All Saint's Anglican Church, Dunedin, New Zealand."framed accessories, prints, ww1, galli[poli, centenary -
Bendigo Historical Society Inc.
Document - CONNELLY, TATCHELL, DUNLOP COLLECTION: LEGAL PAPERS, 1896
Documents. Connelly, Tatchell & Dunlop. 1 - Letter from Campbell Colin H, Barrister and Solicitor, Echuca. 2 - 1896 - Letter re Hosking R. 3 - 1896 - Letter from J R Cole, Leicester St, Carlton regarding Barrister's gown and prices for Barristers wigs. 4 - 1896 - Letter from Kennedy C Fred re Kelly. 5 - 1896 - Letter from Charlton J V, Sebastion re Lea Mrs.cottage, miners, connelly, tatchell & dunlop, campbell colin h, hosking r, cole j r, kennedy c fred, kelly, charlton j v, lea mrs