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The Dunmoochin Foundation
Oil Painting, Portrait of Brian Mooney, 1965
Portrait of a seated man with dark curly hair and brown jacket playing a guitar against an abstract multi-coloured background. Signed and dated lower right 'Clifton Aug 65'.clifton pugh, painting, portrait, brian mooney, guitar -
The Dunmoochin Foundation
Oil Painting, Frank Hodgkinson (Subject in Rain Forest Setting), 1963
Portrait of a middle aged man with dark hair wearing a pink shirt and black tie in a rainforest setting. Signed and dated lower right 'Clifton March 63'.clifton pugh, painting, portrait, frank hodgkinson, landscape -
The Dunmoochin Foundation
Oil Painting, Noel MacAinsh, 1967
Portrait of a man with dark hair wearing a turtleneck jumper and blazer seated in front of a bookshelf with books. Signed and dated lower right 'Clifton 1967'. Inscribed on reverse in chalk: upper left 'A24 Youngs', lower right 'Archibald 1967' and lower centre 'Clifton Pugh Hurstbridge Vic'. clifton pugh, painting, portrait, archibald prize, noel macainsh -
The Dunmoochin Foundation
Conte Drawing, Portrait of Clif, 1983
Red chalk line drawing of the head of a man with glasses. Inscribed in pencil lower left ' Clif Pugh by Bert Irvin'. Signed and dated in red chalk lower right 'Irvin '83'. bert irvin, drawing, conte, clifton pugh, portrait -
Friends of Westgarthtown
Coat hanger
Slightly curved wooden coat hanger with wire hanging hook. Hanger section has been painted cream, with black printed symbols and German text following the curve.Kein Flicken zu Hause!; Lapt die Jugend "Bleyle" fragen! Symbol of man with a B on his chest holding a flag with letters on it and underneath him the word schutzmark.costume accessories, clothes accessories, clothes, wood, hook, german, hanger. -
Friends of Westgarthtown
Vessel, drinking
Moulded glass drinking vessel with vitreous enamel lid mounted on silver base with lifting mechanism. Lifting lever decorated with fleur de lis. Painting on lid depicts a pastoral scene with a seated male next to standing female with a staff, a dog lying next to the man, and sheep in background. 8 cut planes of glass around 2/3rds of glass circumference, and a rounded, moulded handle.'Schalerin, Schalerin, fri auf der hut!'domestic items, food and drink consumption, drinking, vessel, enamel, picture -
Friends of Westgarthtown
Top hat
Worn by Pastor Steiniger. Collapsible black top hat, leather band inside, lined.gold symbol of man walking on globe in top hat on inside top of hat.costume, male headwear, pastor, top hat, lutheran, steiniger -
Friends of Westgarthtown
Sewing machine, Wertheim, Frankfurt
Hand sewing machine on stand with storage compartments. Ironwork frame, very decorative casting. Large wheel on right as part of sewing machine. Two wooden boxes on each side, with brass pull rings. Wooden box also for covering sewing machine. Decorative border around sewing mechanism. Frame is on wheels.Wertheim' cast in iron in centre of frame, and on both sides. 'Wertheim Francfort' on brass plaque nailed onto sewing machine, along with Wertheim symbol of man with pick.domestic items, sewing, machine, wertheim, francfort, domestic -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Bearded Man, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Bearded Man, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, Leopoldine Mimovich, Bronze Sculpture : Bearded Man, 1990
Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich -
Kew Historical Society Inc
Photograph, The Sears Studio, Centenary Celebrations : Kew "Strong Post" St Kilda Road, 1934
Cr. W.D. Vaughan in 'Kew's Civic History' (1960) records that: "In connection with the Melbourne Centenary Celebrations in 1934, the Kew Council decided to organise a strong post as an appropriate gesture of welcome to H.R.H. the Duke of Gloucester. Also that the municipality be represented by a symbolic floral float in the Royal pageant. This was a striking entry and won first prize, and evoked much comment on account of its originality and truly Australian motif." The photograph of the Kew Strong Post was once part of the Municipal Collection of the former City of Kew and was presented to the Kew Historical Society before the move from the Walpole Street (Kew) Town Hall to new Civic offices in Charles Street in 1971.Historic photograph of participation by the City of Kew in celebrations for a royal visitFramed and glazed photograph on its original inscribed mount and original frame of the Kew "Strong Post" in St Kilda Road on the occasion of the visit to Melbourne of the Duke of Gloucester. The photograph has two components, at the upper left is a photo of the royal carriage while the man photo shows the people of Kew on a decorated 'Strong Post' on St Kilda Road, along which the procession progressed. T"Centenary Celebrations / Kew "Strong Post" St Kilda Road / On the occasion of the visit of / H.R.H. The Duke of Gloucester / October 18th 1934."royal visits - melboure - 1934, duke of gloucester, kew (vic.) — municipal collection -
Tatura Irrigation & Wartime Camps Museum
Photograph, D. Kilmartin Home, 1906
Original photograph of Denis Kilmartin on verandah of his home on Springvale Road Tatura. Now Moulders property. Man with horse possibly his brother.Sepia toned photograph of D. Kilmartin on verandah of his weatherboard home on property at Springvale Road, Tatura.on back: D. Kilmartin homestead, Springvale Road, Tatura. Now Moulders. D. Kilmartin on verandah.denis kilmartin, springvale road tatura -
Stawell Historical Society Inc
Photograph, Horse Drawn Gig outside the home of Willian Cuthill in Barnes Street 1909
Man and Woman with child in horse drawn gig outside home in Cemetery Road (Barnes Street) of William Cuthill 1909.stawell -
Ballarat and District Irish Association
Image, Joseph Chamberlain, 1864
Joseph Chamberlain was was an important businessman and a politician. He worked to improve education, and cities. He was a Member of Parliament from 1876 to 1914, and Colonial Secretary (controlling British colonies) from 1895 to 1903. His son Austen won the Nobel Peace Prize and another son Neville was Prime Minister from 1937 to 1940. (Wikipedia) Chamberlain was a Unitarian, a Christian who believes Christ was an example of the way to live life, but was not divine (not a part of God). Unitarians try to work to help society. There were many problems in Birmingham after the industrial revolution, and many men were not allowed to vote. In 1868 Chamberlain helped a liberal man to become the Member of Parliament for Birmingham. In 1869, he started a group working for free primary education for all children. In November 1869, he became a member of Birmingham City Council. There he worked for cheaper land prices for rural (countryside) workers, and became very popular. In 1873 he became the Mayor of Birmingham. He bought the gas companies and water companies for the city, so people were able to have clean and safe water. He made parks, roads, schools museums and built new houses for poor people. In June 1876 he became the Member of Parliament (MP) for Birmingham. In parliament he worked to unite radical M.P.s (MPs that wanted change) against the Whig party who were in power. His work helped William Ewart Gladstone to become Prime Minister in 1880. Chamberlain often spoke about education in parliament. (Wikipedia)Image of a man called Joseph Chamberlain.ballarat irish, chamberlain, joseph chamberlain -
Ballarat and District Irish Association
Image, Charles Parnell, c1864, 1864
Parnell was an Irish nationalist and statesman who led the fight for Irish Home Rule in the 1880s. Charles Stewart Parnell was born on 27 June 1846 in County Wicklow into a family of Anglo-Irish Protestant landowners. He studied at Cambridge University and was elected to parliament in 1875 as a member of the Home Rule League (later re-named by Parnell the Irish Parliamentary Party). His abilities soon became evident. In 1878, Parnell became an active opponent of the Irish land laws, believing their reform should be the first step on the road to Home Rule. In 1879, Parnell was elected president of the newly founded National Land League and the following year he visited the United States to gain both funds and support for land reform. In the 1880 election, he supported the Liberal leader William Gladstone, but when Gladstone's Land Act of 1881 fell short of expectations, he joined the opposition. By now he had become the accepted leader of the Irish nationalist movement. Parnell now encouraged boycott as a means of influencing landlords and land agents, and as a result he was sent to jail and the Land League was suppressed. From Kilmainham prison he called on Irish peasants to stop paying rent. In March 1882, he negotiated an agreement with Gladstone - the Kilmainham Treaty - in which he urged his followers to avoid violence. But this peaceful policy was severely challenged by the murder in May 1882 of two senior British officials in Phoenix Park in Dublin by members of an Irish terrorist group. Parnell condemned the murders. In 1886, Parnell joined with the Liberals to defeat Lord Salisbury's Conservative government. Gladstone became prime minister and introduced the first Irish Home Rule Bill. Parnell believed it was flawed but said he was prepared to vote for it. The Bill split the Liberal Party and was defeated in the House of Commons. Gladstone's government fell soon afterwards.(http://www.bbc.co.uk/history/historic_figures/parnell_charles.shtml, accessed 21 January 2014) The Irish National Land League (Irish: Conradh na Talún) was an Irish political organisation of the late 19th century which sought to help poor tenant farmers. Its primary aim was to abolish landlordism in Ireland and enable tenant farmers to own the land they worked on. The period of the Land League's agitation is known as the Land War. Within decades of the league's foundation, through the efforts of William O'Brien and George Wyndham (a descendant of Lord Edward FitzGerald), the 1902 Land Conference produced the Land (Purchase) Act 1903 which allowed Irish tenant farmers buy out their freeholds with UK government loans over 68 years through the Land Commission (an arrangement that has never been possible in Britain itself). For agricultural labourers, D.D. Sheehan and the Irish Land and Labour Association secured their demands from the Liberal government elected in 1905 to pass the Labourers (Ireland) Act 1906, and the Labourers (Ireland) Act 1911, which paid County Councils to build over 40,000 new rural cottages, each on an acre of land. By 1914, 75% of occupiers were buying out their landlords, mostly under the two Acts. In all, under the pre-UK Land Acts over 316,000 tenants purchased their holdings amounting to 15 million acres (61,000 km2) out of a total of 20 million acres (81,000 km2) in the country. Sometimes the holdings were described as "uneconomic", but the overall sense of social justice was undeniable. (http://en.wikipedia.org/wiki/Irish_National_Land_League, accessed 21 January 2014) The Irish National Land League was founded at the Imperial Hotel in Castlebar, the County town of Mayo, on 21 October 1879. At that meeting Charles Stewart Parnell was elected president of the league. Andrew Kettle, Michael Davitt, and Thomas Brennan were appointed as honorary secretaries. This united practically all the different strands of land agitation and tenant rights movements under a single organisation. The two aims of the Land League, as stated in the resolutions adopted in the meeting, were: ...first, to bring out a reduction of rack-rents; second, to facilitate the obtaining of the ownership of the soil by the occupiers. That the object of the League can be best attained by promoting organisation among the tenant-farmers; by defending those who may be threatened with eviction for refusing to pay unjust rents; by facilitating the working of the Bright clauses of the Irish Land Act during the winter; and by obtaining such reforms in the laws relating to land as will enable every tenant to become owner of his holding by paying a fair rent for a limited number of years. Charles Stewart Parnell, John Dillon, Michael Davitt, and others including Cal Lynn then went to America to raise funds for the League with spectacular results. Branches were also set up in Scotland, where the Crofters Party imitated the League and secured a reforming Act in 1886. The government had introduced the first ineffective Land Act in 1870, then the equally inadequate Acts of 1880 and 1881 followed. These established a Land Commission that started to reduce some rents. Parnell together with all of his party lieutenants, including Father Eugene Sheehy known as "the Land League priest", went into a bitter verbal offensive and were imprisoned in October 1881 under the Irish Coercion Act in Kilmainham Jail for "sabotaging the Land Act", from where the No-Rent Manifesto was issued, calling for a national tenant farmer rent strike which was partially followed. Although the League discouraged violence, agrarian crimes increased widely. Typically a rent strike would be followed by evictions by the police, or those tenants paying rent would be subject to a local boycott by League members. Where cases went to court, witnesses would change their stories, resulting in an unworkable legal system. This in turn led on to stronger criminal laws being passed that were described by the League as "Coercion Acts". The bitterness that developed helped Parnell later in his Home Rule campaign. Davitt's views were much more extreme, seeking to nationalise all land, as seen in his famous slogan: "The land of Ireland for the people of Ireland". Parnell aimed to harness the emotive element, but he and his party preferred for tenant farmers to become freeholders on the land they rented, instead of land being vested in "the people".(http://en.wikipedia.org/wiki/Irish_National_Land_League, accessed 21 January 2014)Image of bearded man known as Charles Stewart Parnellballarat irish, parnell, charles parnell, home rule -
Peterborough History Group
Document - James Irvine II
Mr James Irvine II was described as the "grand old man of Peterborough", significant local figure within this small town. There is a granite monument to his memory.History of a significant local figure.4 page photocopy of a history of James Irvine II compiled from books, newspaper articles, periodicals and lettersjames irvine ii, peterborough -
Nillumbik Shire Council
Public Art: Edward GINGER (b.1951 Kegalle, Sri Lanka - arrived 1975 Aus), Edward Ginger, The Breeze, Location: Main Road, Research - opposite Eltham Little Theatre, 1990
The first sculpture awarded the Shire of Eltham 'Art in Public Places' Award/Commission. The Judges were Inge King, Jenny Zimmer and Daryl Jackson. The work deals with the juxtaposition of suburban and rural surroundings. This scupture is a typical example of the artist's oevre of the period. This sculptre is site specific and refers to the nature of the environment. The colour - bushfire red / sienna - alludes to the history of fire in the urban/rural fringe and the title, as well as the sculpture's shapes, forms and material refer to the natural and local elements. Judges report noted: "The most vital and expressive work for the site...with a great sense of dynamic movement and vibrant colour. Its' abstract forms will enliven the surroundings and the urban and natural environment. This work is the most appropriate for the site and expressive of the dynamics of an evolving community in which artistic discourse and debate has always thrived." The work has acquired the status of a major landmark from the National Trust. The Breeze is an abstract work made out of welded steel and painted in enamel in bush fire red / sienna. It comprises a series of flat, cut-out shapes, interlocking at different angles, giving the impression of being hinged together rather than fixed. The work references nature and the built environment. Its geometric shapes suggest man-made structures within industry and suburban life, while rural areas can be identified by the organic flame-like shapes fanned by the wind. The circular cut-out in the eye mimics the sun, symbolising the intense heat of the Australian climate, while the colour red alludes to the history of bushfire within the urban and rural fringe. N/Apublic art, ginger, red, sienna, elements, steel, abstract, breeze, fire, sculpture -
Tatura Irrigation & Wartime Camps Museum
Photograph, Nicola Cua, c. 1950
Photo of Nic Cua who was, after the formation of the Tatura Historical Society, the first former internee to return from the U.K. to visit the Camp 2 site. Now deceased.Head and shoulders sepia photo of man with collar and tie, neatly combed hair.On back of photo- Nicola Cua; 6 Shirley Heights; Shirley Road; Wallington. SMG 9QD Surrey. 01 647 2719.camp 2, italian internee, "dunera", "arandora star", photography, photograph, slides, film -
Victorian Aboriginal Corporation for Languages
Book, Tim Bonyhady, Words for country : landscape &? language in Australia, 2002
Landscape and Language -- Lubra Creek -- The River Runs Backwards -- These Blarsted Hills -- Scarcely Any Water on Its Surface -- Everyone Who Has Ever Done A Tree Sit Always Says That The Tree Talks To You -- The Spirit of the Plains Kangaroo -- The Graveyard of a Century -- So Much for a Name -- Blackfellow Oven Roads -- The Ends of the Earth -- Natural Beauty, Man-Made -- Uluru -- The Outside Country -- It's Only Words.Mapslanguage and landscape, language essays, writing, storytelling -
Maldon Vintage Machinery Museum Inc
Chainsaw, c 1950
Early model Stihl chainsaw with a gravity fed swivel carburetor. Painted grey and black, rear shield unpainted aluminium. Red plate fixed to side with name and specifications.On red plate Sthil logo, "A. Sthil, Maschinenfabrik /Waiblingen Neustadt / Type BL Motor Nr 55101 / Leistung 5.5 PS Nrehzahl 4000 / Nubraum 125 ccm Daujahr F / Zur Schmierung verwonde man Markenole wia / Motor Mobiloil TT / Mischungsvethaltnis 1:20 / Getriebe. Mobilube C140"machinery, timber cutting -
Port Fairy Historical Society Museum and Archives
Container - Cup, c. 1930
These paper cups were given to patrons of the The Star of the West Hotel Cnr, Bank and Sackville Streets during the time A.E.Spence was proprietess.waxed paper disposable cup, manufactured for Star of The West Hotel: White waxed paper with coloured letteringWith the compliments of the Star of The West Hotel Port Fairy "There are several good reasons for drinking, and one has just entered my head, if a man cannot drink when he's living, how the hell can he drink when he's dead. A.E.Spence. Proprietress Phone 12local history, domestic items, food & drink consumption, a.e.spence -
Port Fairy Historical Society Museum and Archives
Work on paper - Lithograph, S.T.Gill, Belfast, Port Fairy, 1857
Seascape from original drawing ascribed to S.T. Gill - "Belfast, Port Fairy" published 1857Photograph of etching of seascape drawing of Port Fairy (artistic view) town looking north west from the sea showing town and windmill on the left, a man in a dingy, island in the middle and a sailing ship and Battery Hill on the rightBelfast, Port Fairy - Published by Sands and Kenny Melbourne and Sydney 1857beach, ocean, dingy, windmill, town, sea, ship -
Port Fairy Historical Society Museum and Archives
Photograph
Ladies bathing boxesPhotograph Ladies bathing boxes on stone reef with two women and a man standing in frontbathing boxes, ladies, beach, south, ocean, sea -
Port Fairy Historical Society Museum and Archives
Container - Tin, John Oakley and Sons Ltd Wellington Emery Black Lead Mills
Used by the Powling Family.Used in the residence of the Powling familyMetal container for knife polish with a perforated lid for sprinkling. Contents now solid. Label on the front is green and red with an illustration of a manWord - "Wellington" above the illustration of a man Words- "knife Polish across the figure Words underneath - "John Oakley and Sons Ltd." "Wellington Emery Black Lead Mills London" Back of tin - directions for use and also information of productj.w.powling. port fairy, polish, knife, black lead -
Port Fairy Historical Society Museum and Archives
Photograph
P.F. Garrison (bearded man Andrew Kell) Andrew Kell was the leader of PF Garrison so would assume he is the man in the front.Black and white Photograph of 10 members of the volunteers defence force garrison in uniformdefence, port fairy, garrison, group, men, uniform, andrew kell -
Port Fairy Historical Society Museum and Archives
Photograph, Mills, Charles
Mills, CharlesBlack and white portrait photograph of man with hair parted on left and a full outline beard wearing a wide collared jacket and a watch chain is visible on his chestpioneer, portrait, settler, people, family, sailor -
Vision Australia
Photograph - Image, Young man typing as he listens to a recording
A young man sits in front of bookshelves of labelled black folders and listens to headphones as he types.Digital image of a male listening and typing on a typewriterroyal victorian institute for the blind, talking books -
Vision Australia
Photograph - Image, Man using white cane with mobility instructor
Two people are walking in the front garden of RVIB. The man holds a white cane in front of him, whilst the woman raises her arm as she helps advise in use of the cane.Digital image of a male using a white cane with a woman along side to assistroyal victorian institute for the blind, orientation and mobility -
Vision Australia
Photograph - Image, Blind Sport needs your support
Poster created to promote and advertise blind running. Two runners, a man and woman, run on a athletics track and hold a tether between them as guidance. B/W photograph mounted on boardBlind Sport needs your supportrecreation, blind sports victoria