Showing 1582 items
matching no 90
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Hawthorn Historical Society
Drawing - Property Illustration, 14 Oberon Avenue, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.14 OBERON AVE, HAW E Margaret Picken `90 WOODARDS -HAW EHTartist - margaret picken 1950- -
Kilmore Historical Society
LUCRETIA: THE CHILDREN OF NIGHT, Lucretia: The children of the night, 1867
Brown hardboard cover with gold detailing on the spine Blue spine label ' Lord Lytton's Novels - Lucretia' xiv ; 336 pages ; 19cm Handwritten inscription on front page '90' Stamp on various pages 'Kilmore Mechanics Institute'lord lytton, kilmore mechanics institute library. -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 4/26 Cornell Street, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 7 Darling Avenue, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 6 Albemarle Court, Glen Iris, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1/177 Wattle Valley Road, Camberwell, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 33 Glen Iris Road, Glen Iris, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 153 Glen Iris Road, Glen Iris, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 81 High Street, Glen Iris, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1/1 Mont Iris Avenue, Glen Iris, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Eltham District Historical Society Inc
Audio Compact Cassette Tape, Audio Recording; Research Primary School; Afternoon tea with senior residents November 1st, 1984, 1984
General chit chat and banter between group of senior citizens at an afternoon tea held for them at Research Primary School.Compact audio cassette GTape 90 Converted to MP3 file; 92.4MB, 1:14:13 Case and cassette labelled "Research Primary School; Afternoon tea with senior residents Nov 1st, 1984"audio cassette, audio recording, oral history, research primary school, senior citizens -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland coastline, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. 10% ocean, 90% land. See 'Other Information'Front: '820- 52' - handwritten, white, border 'RUN 6' 'PORTLAND', printed, white, borderport of portland, aerial photography, south west coastline -
Kiewa Valley Historical Society
Bottle - Stain Remover, circa mid to late 1900's
The Trade Mark "Preservene" was registered on 23 June 1914 and traded in that name until 1930 when Cussons Australia Pty Ltd incorporated the name and its products including the Preservene Cloudy Ammonia. The Preservene Company produced a book (19 pages) "The Presevene Method Of Housework" in 1911. This publication was not only a self promotion but also a useful tool for the rural household and commercial enterprises.This bottle is very significant as it details the type of household cleaning methods and products used in the early 1900's up until the mid 1900's, when greater product diversities became available for rural areas. This product was a general cleaning agent that could be used for a variety of household items. It was the one product that "fits all cleaning". This attitude by the manufacturer fits into the mores held by the populous not only in cities but especially in the rural sector. This was an era where the success of a product was measured by the degree of versatility that came with it. The war years, the great depression had a lingering affect upon those who lived through them not to "waste" money on a multitude of products if one product had multiple uses. This was more so in rural areas where semi remote locations (as the case of the Kiewa Valley in the early 1900's) did not have the market place choices of city dwellers.This oblong shaped brown stained bottle has a red,green and faded white label covering 90% of the bottle. The bottle has a screw on lid. The bottle has embossed at the top back "POISON NOT TO BE TAKEN"on front label starting from top down "POISONOUS" IN SMALLER LETTERS "NOT TO BE TAKEN", below in an eclipse red backed sphere "PRESERVENE CLOUDY AMMONIA" below this in smaller print "CONTENTS 15 1/2 ozs", "For Household & Laundry use " below this "Removing stains and clearing Silverware Jewellery Etc". On a slant with green lettering on off white background, "IMPORTANT NOTICE (underlined) NO TOIL PRESERVENE ONLY BOIL(underlined) SOAP". Below within a red dotted boundary "PRODUCED BY Preservene Pty. Ltd. Melbourne Victoria". Below this and in smaller print "This preparation contains not more than 10 percent and not less than 7 percent free ammonia" Both sides of the label detail manufacturers instructions for different applications.laundry cleaners, stain removers, preservene label -
Glen Eira Historical Society
Album - Album page, Ripponlea, 192 Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Vaginal irrigator associated with midwife Mary Howlett, c. 1866 - 1920
The vaginal syringe, also known as a female syringe, was introduced in the early 1900s and was in use until the late 1940s when it was replaced by the glass douche nozzle. (Thackray, 'Midwifery & Gynaecological Instruments, (M)463, p. 264.)Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920. She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993. Vaginal syringe with glass barrel and plunger and a cork bung. Fluid capacity of syringe 60-90 mls. Cotton thread is woven tightly around the end of the plunger. There are five holes in the end of the glass barrel.midwifery -
Clunes Museum
Magazine - BOOK / MAGAZINE, FPC. LIVING - A DIVISION OF EASTERN SUBURBS NEWSPAPERS, Aug-01
COLOURFUL MAGAZINE - AUSTRALIAN COUNTRY STYLE, CONTAINING ARTICLE -PAGE 90- BUILT ON GOLD. PHOTOGRAPH OF CLUNES TOWNSHIP, CEILING IN CLUNES TOWN HALL, MRS. PAT COOK IN FRONT OF CLUNES TOWN HALL.local history, books, magazine -
Bendigo Military Museum
Accessory - TORCH, MILITARY, FULTON U.S.A, c.1960's - 70's
This model was a Vietnam era issueTorch, green colour, plastic and metal, 90 degree angle shape, has metal clip for belt/other attachment, sliding on/off switch, battery end screws off same as globe end for replacement.Raised embossed on torch, " FULTON made in U.S.A, MX - 99IU"torches, military, accessories -
Glenelg Shire Council Cultural Collection
Equipment - Lamp - navigational, c. 1983
ex-'Tarragal', tug boat, Port of Portland|Port of Portland Authority CollectionFront: Seahorse/ G. B./ 59679 (on lid) PORT Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Pamphlet - Newspaper Supplement, Nov-90
Newspaper supplement - into the 90's. Printed by the Portland Observer for the Portland Development Committee November 1990, as a promotional publication for Portland businesses in early 1990's. Front and back covers - coloured images of local businesses. -
Bendigo Historical Society Inc.
Container - SNUFF JAR CERAMIC TADDY AND COMPANY. H.G.J.BIGGS
Ceramic Snuff Jar (Previously # 90 from Mechanics Institute Eaglehawk ) Ceramic jar decorated with 'Taddy and Company , Wholesale Manufacturers of Tobacco and Snuff. For Exportation, 45 minories, London' Label attached H.J.G.Biggs , Eaglehawk -
Port Melbourne Historical & Preservation Society
Photograph - 90 Evans Street, Port Melbourne, Meredith Turnbull, Dec 1996
Meredith Turnbull photographed this series in 1996 to record the rapidly changing streetscape, which had already had a number of old houses replaced by concrete two-storey structures under the State government's urban consolidation policyFrom a series of 70 colour photos recording all buildings in Evans Street from Graham Street overpass to Ingles Street, as photographed from the railway reservation, by Meredith Turnbull in December 1996 - number 90House numbers noted on backbuilt environment - domestic, meredith turnbull -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: PETER ELLIS
Colour photograph. Man in front of toilet block. Geldings. Mares. Large bird in orange dress painted on side. Peter Ellis no beard. Back of photo reads: Gamerucha S.A. 4/90 24 Ephoto, individual, peter ellis -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - London Inn Portland, c. 1970
Photographic print of a rephotographed photograph. Image shows London Inn on right, corner Bentinck and Julia Streets, Railway Pier, Observatory Hill and Lighthouse also visible.Front: 'London Inn' - green ink Back: '90 x 62 app' - blue biro -
National Wool Museum
Book, Knitting, Villawool L450
This pattern book was produced by the Villawood Textile Company, Sydney and contains a knitting pattern for a childs jacket.L450 / Villawool / KNITTED / in 8 Ply / SIZES 60 to 90 cm / 24 to 36 in. / 30cknitting handicrafts - history, villawood textile company, knitting, handicrafts - history -
National Wool Museum
Shearing Handpiece
Moffat Virtue No 9 shearing handpiece with GRAZCOS label. Handpiece has duck feet yokes and grit proof nut equivilent to Lister design. Missing rear leather retaining ring. C.1892, used up until the 1950's.from/GRAZCOS/ CO-OPERATIVE LIMITED/ 90 WILLIAM STREET MELBOURNE Moffat Virtue No 11shearing, grazcos co-operative limited -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 2/26 Lyndon Street, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 11 Balmoral Court, Burwood East, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 149 Glen Iris Road, Glen Iris, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Bendigo Historical Society Inc.
Photograph - Posed sepia studio photo of Kenneth Cyril Abbott, 1891
From Abbott Family album (Box 892). Kenneth Cyril Abbott was the 5th child and fourth son of Mary Hannah Gibbs and Richard Hartley Smith Abbott.A Bartlett Bros Sandhurst sepia sitting studio photo of Kenneth Cyril Abbott in a striped frilled smock with bows at shoulders. aged 9 months.In gold on reverse is written ' born August 90, taken May 91, aged 9 months.bartlett bros., k.c abbott -
Conservation Volunteers
Conservator, Vol 24, No 1, Autumn/Winter, 2006 (Final Issue), Mr Colin Newell of FRP Printing Pty. Ltd, 9 Traminer Court, Wendouree 3355 has printed all CVA material from 1987-2010. Prior to this newsletters were photocopied inhouse, 1982
This set of magazines is a vital tool for those researching the early days and later development of ATCV and CVA. It was modelled loosely on the magazine "Conserver" of the British Trust for Conservation Volunteers (BTCV). Issues become more sophisticated in format over time and each includes news, project reports, lists of upcoming projects, and stories. The editor for 62 issues was Mr Alf Bailey (staff 1987-current (2010)who edited the Conservator from Mar 1987 to mid-2006.Alf was a former high school principal and set a high standard. Since 2006 a more compact and economical newsletter "Conservation Volunteer" has been mailed to CVA and CVNZ members and is also downloadable from the CVA website.This set of magazines is significant because it is the most comprehensive record of all aspects of the establishment, growth, expansion, and nature of ATCV/CVA and its activities. It reveals the change from a local charity to a nation-wide corporate structure engaging thousands of volunteers tackling hundreds of projects a year in Australia and New Zealand in the present day.This was the final issue of a magazine produced by ATCV/CVA from 1982-2006 (c. 90 issues). This issue was a high quality, profusely illustrated colour magazine, representing a quantum leap in professionalism from the earliest photocopied editions. magazine, conservator, conservation, volunteer, promotion, alf, bailey