ISBN 0-0996-4430-4. Item in the Frank Dean collection.399 page, cut edged, paperback book with B&W photos. Cover has a photo of Capt Upham in uniform and one of a Victoria Cross. Title is yellow on a red background in upper left corner."Frank Dean"books, military history

Colour photographeltham (nz)

Twenty-two young New Zealand soldiers were posted to a clandestine intelligence unit in Melbourne called the Allied Intelligence Bureau. Their task was to undertake espionage and sabotage lines of communication, train natives as soldiers for local resistance and set up a radio link back to Australia. This is the account of the experiences of one soldier’s operation in Borneo – and is an account of their divine protection. Soft cover 174 pageSigned by author.ww2, australian special operations, nz special forces in ww2

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Two typed pages titled : Article 11. On New Zeeland for Melbourne Herald. By Emerald A. Goetzee. Dated : Wellington. May 25th 1952. The article includes a detailed description of the building and operations of the Wellington Central Library and mentions the other two Wellington libraries and other important buildings. Signed (typed) at the bottom of pl 2 Emerald. A. Goetzee. c/- A.N.Z. Bank, Box 31. P.O. Auckland, N.Z. In pencil on the back of p. 2 is written, ANZ Bank, Box 31 Auckland. Norman Oliver was a member of the Library Board of Victoria at one stage.cottage, miners, norman joseph oliver , norman oliver. library board. wellington (nz). wellington central library.

Information on O Class Trams, First introduced, Last Withdrawn, Electrics, Size and Seating, W2 with a small photo, where they can be found, some went to the USA, W5 with a small photo, W6 and the Bendigo Toastrack Tram with Nos, Introduced, Withdrawn, Electrics, Size and Seating/Crush Load. Also listed is where other trams can be seen. Also mentioned some early history of Bendigo, The Heritage Walk, The Central Deborah, Sandhurst Town, the early route from Melbourne to Bendigo, Creswick, Castlemaine and the Old Market. (7 pages).bendigo, history, long gully history group, the long gully history group - trams information, prahan and malvern tramway trust, hawthorn tramway trust, melbourne and metropolitan tramways board, australian electric transport museum, david hoadley, tramway musuem of victoria, hawthorn tram depot, david bromage, sydney tramway museum, bendigo tramways, museum of transport and technology nz, whiteman park tramway museum, haddon tramway museum, the old canberra tram company, ballarat vintage tramway, bendigo toastrack tram, kilmore cable tramway, railway museum, scienceworks, tasmanian transport museum, launceston tramway museum society, ballarat vintage tramway, central deborah gold mine, chinese joss house, castleton, sandhurst, shamrock hotels, dai gum san wax museum, post office, law courts, alexandra fountain, beehive store, fortuna villa, sandhurst town

Copy of a typed list for Mr. R.H.S. Abbott. List mentions where Scalebuoys were installed in boilers of Locomotives, Hospitals, Public Institutions, Dairy Factories, Freezing Works, Soap Works, Bakeries and Dye Works. Also listed at the end are Tanneries, Laundries, Household installations and Swimming Baths.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, mr r h s abbott, nz railways, mater misericordiae hospital, knox home, hawke's bay farmers' meat co, buchanan's bakeries, findlay's gold-krust bakery, moody's dye works

Typed letter, dated 8/4/49, with an Application Form for Hiring Radio-electric Medical Units attached. Letter is from Norman to Harold. Letter refers to the administrative side of Scalebuoys and a new business venture. Also some shares for Hartley's widow and that she can't sell or will them to anyone. Development in Great Britain is also mentioned.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, dr w n abbott, dr may, electronic co, mr a k duthie, hartley, stephenson, mackenzie, dr d h abbott, mr holt, electronic company of nz, wallace, bruce, duthie, voyce, stevenson, mccorkindale, medical research council, radio-electric research unit, stoke-mandeville hospital, capillograph, pasteur, mandevilles

A set of 70 colour photographs of various Naval vessels visiting Melbourne and berthed at Station and Princes Piers, pre 1986 to 1996 inclusiveDetails on back in ink/penciltransport - shipping, piers and wharves - station pier, piers and wharves - princes pier, ron laing, hmas melbourne, hmas tobruk, hmas warrnambool, hmas brisbane, hmas jervis bay, hmas canberra, hmas ovens, hmas adelaide, hmas perth, hmas anzac, hmas onslow, hmas sydney, hmas success, hmas parramatta, hmas darwin, hmas stuart, uss reuben james, uss polar star, uss kinkaid, uss kirk, uss blue ridge, uss paul f foster, uss ingersoll, nz waikato, nz endeavour, nz southland, balny, commandant dirot, colbert, commandant bory, caio dulio, sawayuki, kashima, wallaroo, yukon, quappelle, sackatchewan

George Barraclough (1907-1981), a landholder from north of Licola, in the Victorian Great Divide, made a number of these spikes, as needed. As accounts were paid, receipts were pasted to the account, the account was impaled on the spike, and the spike was rehung on a nail on a wall stud. All transactions dealing with money were filed in this manner, as an orderly way of tracking items that were usually remotely ordered and delivered on the mail car. George Barraclough used No8 in a number of creative ways, and his durable and untilitarion toasting forks are still in family use today. After George died in 1981 the spikes with their accounts passed to his daughter Linda Barraclough, who archived the accounts and later made copies available for study. Those accounts form a record of the businesses of Heyfield for 1940s and 1950s.This bill hook is of historical significance as a survivor of bush ingenuity and bush filing systems. Commercially made bill spikes were in common use in offices, where they usually consisted of a heavy metal base with an upright pointed piece of wire. Number 8 fencing wire was an important and readily accessible repair commodity for rural dwellers, and achieved iconic status as the most generic method of repair for cars broken down (resort to nearest fence) and was even used to hold houses together. Referring to "No 8 fencing wire" became a type of Australian shorthand for bush ingenuity. It is no longer available, being replaced by 4mm high tensile wire. This item is important both as an example of inventive use of No8 wire, and also as an example of the bush filing methods in use in the 1940s and 1950s. No 8 fencing wire holds a similar position in New Zealand - see Wikipedia NZ at http://en.wikipedia.org/wiki/Number_8_wire A section of number 8 fencing wire twisted to form a bill spike. It has a rounded.base made from several twists of wire in a flat platform, with the remaining wire rising from the centre to form a stem that terminates in a hook with a sharpened point.wire, bush ingenuity, barraclough, licola north

Yellowed card showing 5 flags of various nations. Black & red printing in two languages: Vietnamese & English. A4 size.australian flag, usa flag, vietnam flag, nz flag, korean flag

Barry O'Donohue was conscripted into National Service in 1967 at the age of 20. He went to Vietnam in 1968/69 where he served as a forward scout in 4RAR/NZ. He was wounded in action during his tour of duty, and survived many life threatening situations.australians - vietnam - poetry, vietnam war, 1961-1975 - veterans - poetry, national service, 4rar/nz, wound, wounded serviceman

Unframed photo showing Pte Ted Merritt receives an unexpected visit fron Lt Gen Sir Thomas Daly. Merritt mas an M-60 machine gun at Fire Support Base discoveryAWM BEL/69m 60, lt gen daly, pte merritt, grar/nz

The Finn Koren Collection.Full colour A4 flyer advertising the Williamstown High School Concert Band New Zealand tour.williamstown high school, new zealand concert band tour, 1992, music, performances

The Finn Koren Collection.A4 size booklet with black comb binding and plastic covers back and front. 20 pages. Details all components of the Williamstown High School Concert Band tour to New Zealnad in 1992. Itinerary, flyer, information about New Zealand, band profile, extra-curricula activities, emergency procedure, items to take,procedure for taking musical instruments on flights, items played, stage set up, instruments, students and staff list (phone numbers redacted.)Student comments inside front cover. "Fk" top right front cover. See pdf.williamstown high school, music tours, new zealand concert band tour, 1992

This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This lithograph comes from a series of still life by Wegner from the early 80's; a subject matter in which he has not returned to. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. Lithographic print - still life in black and white. Details several kitchen/household items: spoon, tea pot, egg holder, cup and saucer, bowl, chop sticks and mandarin.Lower far left: 'A/P'; Low centre: 'Mandarin on Kitchen Table'; Lower far right: 'PW 83'wegner, lithograph, still life, black and white, utensils, table, fruit, print

Eltham was a creative hub during the twentieth century, attracting innovative visual artists, architects, writers and film makers to collaborate, forging lifelong friendships and artistic legacies. Skipper produced this bronze sculpture of friend, Composer George Dreyfus for the then Shire of Eltham Art Award. Matcham Skipper (b.1921 NZ - d. 2011 Melb.) was a renowned local sculptor, jeweller and builder and an accomplished teacher, designer, ironworker, and photographer. His work is held by many museums and public collections in Australia and overseas. He was a long term resident of Montsalvat in Eltham with his family deeply involved in the building and evolution of this artists colony, which was the vision of architect and painter Justus Jorgensen. George Dreyfus (b.1928 Germany - arrived 1939 Aus) is an Australian contemporary classical, film and television composer. He has composed numerous film and television scores, including Tim Burstall's 'The Adventures of Sebastian the Fox' (1963), 'A Steam Train Passes' (1974), 'Rush' (1974), 'Dimboola' (1979) and 'The Fringe Dwellers' (1986). It was the score for 'Rush' which brought him wider recognition. He has written four operas, two symphonies, chamber music and film scores spanning five decades. Dreyfus is well known for having worked with the late director, writer and producer Tim Burstall, a key figure in Australian postwar cinema and local who lived in Eltham. Burstall was instrumental in rebuilding the Australian film industry in the 60s, creating groundbreaking Australian films including 'Stork' and 'Alvin Purple'. Figurative bronze bust of well known Australian composer George Dreyfus. He is wearing a shirt underneath a sweater. His left arm/hand is placed over his chest. His eyes are half closed as if immersed in the music. A green patina can be seen in areas on the sculpture. Signature and date cast (incised with tool) onto the back shoulder blade: 'MATCHAM SKIPPER 1987'ek prac 2015, montsalvat, eltham, george dreyfus, matcham skipper, bronze, bust, tim burstall, sculpture, rush

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wrapped in a blanket, clutched to his chest and over his head. Surface treatment is textured. Metallic brown colour with base starting to turn a green patina. Sticker underside of sculpture 'WEGNER THE BLANKET AG205642'wegner, bronze, figurine, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wearing a long hooded coat clutching his hands underneath his chin in shock. Surface treatment is textured. Dark metallic brown colour. Hand carved on base, back of figure '2/6 WEGNER 10'wegner, bronze, figurine, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Two men embrace in despair. One man throws his arms around the other man's shoulders. The other man holds the other's back. Surface treatment is textured. Dark metallic brown colour with figures starting to turn a green patina. Note stuck with tape underside of sculpture 'Savage Art Prize Peter Wegner (phone number) The Embrace 2011'wegner, bronze, figurines, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary figure sitting on rock/log with elbows resting on knees and hands on head. Face looking down in despair. Surface treatment is textured. Dark metallic brown colour with figure starting to turn a green patina.Sticker underside of sculpture 'No. 205640 (AP)'wegner, figurine, bronze, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Three figures embrace in despair (two men, one woman). One throws his arms around the other two figures who are consoling each other in an emotional embrace. Surface treatment is textured . Metallic brown colour. 'WEGNER THE WAKE 1 AG205643'wegner, figurines, bronze, black saturday, sculpture