Demonstrates the signage used on the trams to indicate to passengers when the trams were operating as a one-man tram. Yields information about the construction of the sign and paintwork.Pay As You Enter sign once fitted to side of SEC tramcar by door - with pins, - Sign writing gold leaf, black shading, green background paint. See original catalogue sheet for more details including sketch. See photo in use on No. 14 in an accident with a Ford Truck when in SEC early colour scheme. Has actual paint used at the time. See photo of No. 14 and a collision with a Ford Truck. To be kept in light controlled areatrams, tramways, advisory sign, passenger signs, one man trams

Photo of tram No. 38 in Sturt St. at Lydiard St. in transition of having dash canopy lighting fitted. Tiger stripes on bumper bars, and white stripe under windscreen. Has large reflective tri-angles. Has Castrol Ad on roof of tram. In background is old Commonwealth bank building, Mutual Life Association building. On tram stop pole is section sign, 'Cars stop here' sign and it is painted as a compulsory stop. Taken 26-12-1960.SEC Ballarat No. 38 in Sturt St. 26-12-60' in blue ink and 'W.Jack' stamped in purple inktramways, trams, sturt st., dash canopy lights, tram stops, tram 38

Bendigo, Charing Cross, 8-1-1961. Trams 30 (large white bumper) and 19 (top and bottom safety stripes, but no lighting) on Eaglehawk/Quarry Hill run, and trams 29, 28 on North Bendigo/Golden Square. Both Birneys have had bumpers painted white. Large white painted traffic island on North side. Ezywalkin, Beehive buildings and Mobilgas sign. By front door of tram 30 is a 'Safety Zone' sign. Tram 19, has a 'Briquette' ad on front panel. Photo by Keith Kings.Stamped 'K.S.Kings etc' and in blue ink, 'K(r)(335)m, Bendigo, 1/250. f4.5, 8/1/61, 29, 28, 19 and 30 at Charing Cross'tramways, trams, bendigo, birney, charing cross, tram 19, tram 29, tram 28, tram 30

Bendigo No. 6 arriving at Charing Cross ex North Bendigo, with 'Golden Square' destination. Tram has all blinds down, fitted with briquettes ad on front dash, has had bumper and top of roof painted with safety stripes, and under front window small white stripe has been painted, no lights as yet. On a centre of road pole, on a sign is 'ALL CARS STOP HERE'. Photo taken 7-1-1961. Photo by Keith Kings.Stamped on 'K.S.Kings etc' and in blue ink 'K(k)(329), 1/250,. f5.6, 7/1/61, Bendigo No. 6, ex Ballarat 25, at Charing Cross, in Pall Mall.'tramways, trams, bendigo, charing cross, pall mall, north bendigo, tram 6

A Dunlop Fort 'Maxply' model tennis racquet, signed by Fred Stolle. Has whipping on shoulders & shaft, handle wrapped in perforated leather, and a butt cloth with manufacturer logo. Model name on base of head/throat on obverse; manufacturer name on base of head on reverse. Fred Stolle autograph in black marker on obverse. Materials: Wood, Vinyl, Leather, Ink, Plastic, Painttennis

A Spalding, "Ashley Cooper" Anzac Model tennis racquet, featuring whipping around shoulders and shaft, leather perforated handle grip, and embroidered white butt cloth. Manufacturer's name across base of head; model name across throat. Graphic of kangaroo wearing a hat on throat. Wreathed 'S' trademark features on lower shaft and embroidered on butt cloth. Signed by Ashley Cooper on shaft (both sides). Leather butt wrap. Butt cloth stained with black ink writing, now illegible. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Cloth, Threadtennis

A Spalding, "Fred Stolle" Challenge Model tennis racquet, featuring whipping around shoulders & shaft, perforated leather handle grip, and white leather butt cloth. Manufacturer's name across base of head; model name across throat. 'Shining world globe' symbol on throat. Wreathed 'S' trademark features on shaft and butt cloth. Throat on reverse signed by Fred Stolle in black marker ink. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis

A Spalding, "Fred Stolle" Pro-Flite Model tennis racquet, featuring whipping around shoulders, perforated leather handle grip, and white plastic butt cap. Manufacturer's name across base of head; model name across throat. 'Two-tone diamond' symbol on shaft & shoulders. Wreathed 'S' trademark features on shaft. 'S' symbol on butt cap. Throat on obverse signed by Fred Stolle in black marker ink. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, String, Plastictennis

A Spalding, "Fred Stolle" Pro-Flite Model tennis racquet, featuring whipping around shoulders, perforated leather handle grip, and white plastic butt cap. Manufacturer's name across base of head; model name across throat. 'Two-tone diamond' symbol on shaft & shoulders. Wreathed 'S' trademark features on shaft. 'S' symbol on butt cap. Throat on reverse signed by Fred Stolle in black marker ink. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, String, Plastictennis

A Dunlop 'Maxply Fort' racquet with clear plastic packaging on handle. Signed on shaft by Rod Laver. Materials: Wood, Paint, Adhesive tape, Leather, Plastic, Nylon, Stringtennis

Painting: 'Tennis in the Park' on stretched canvas, in bevelled display frame. Signed lower right 'RAYMOND SIPOS-76'. Inscription on back of canvas: 'ALL REPRODUCTION RIGHTS/ ARE RESERVED BY THE /ARTIST/ PAINTING BY/RAYMOND SIPOS/12-15-76'. Has horizontal hanging wire between D-rings. Materials: Oil paint/Pigment, Canvas/Cotton, Metal, Wood, Clothtennis

A pair of spiked wooden tennis net posts. Trademark inscription stamped on each, reads: A.J. REACH COMPANY/.../SIGN OF QUALITY. Materials: Wood, Lacquer, Metal, Paint, Inktennis

Painting on board of female figure playing tennis. Signed bottom right: 'BE. LONG' Materials: Oil paint/Pigment, Wood, Cloth, Papertennis

Pair of solid plaster figurines; a male (.1) and a female (.2) figure each painted in yellow and brown pigments. Each figure holds a racquet and ball. Signed 'DUBRAY' on base, and numbers 23 (on .1) and 152 (on .2). Materials: Plaster, Pigmenttennis

This and another photograph (Catalogue 2591) was taken at a gathering of Officers and NCOs of the 2nd Armoured Brigade (RAAC) to meet Prince Philip in Melbourne during the Royal Visit 1954. The two photographs were framed and hung on the wall of the Headquarter Building at Buna Barracks Albury till 1991 when they were relocated to the Regimental Collection.Rare record of an historic gathering during the Royal Visit to Victoria in1954.Framed black and white photograph of large gathering of soldiers in uniform standing on steps of a Government House Melbourne. Frame is narrow wood painted gloss black. The group is the Non-Commissioned Officers of the 2nd Armoured Brigade, Royal Australian Armoured Corps (RAAC). Standing at front centre dress in dark suit is HRH Prince Philip Duke of Edinburgh and to his right is Lieutenant Colonel Tom Fogarty, Commanding Officer of 8/13 Victorian Mounted Rifles..Signed at lower centre "Philip 1954"philip, hrh, edinburgh, fogarty, royal

In the 1920s and 30s, rowing on the Yarra was a very popular weekend pastime. Each of the early boats was individually named in gold letters on its varnished wooden backboard. This is all that remains of one of the Thames pulling boats from Burns' Boatshed at Studley Park which was destroyed by a falling tree in a storm. Their entire fleet of rowing boats has now been replaced by fiberglass boats.Varnished wooden backplate of a rowing boat. The shaped sign is embossed with the name 'Wagana" in gold lettering, outlined and shaded in black paint. Gilt scroll work surrounds the name. The ends of the backplate shows the holes where the plate was once attached to the seat of the boat. The name Wagana means 'to dance' in Wiradjuri language."Wagana"burns' boatshed, thames pulling boats, yarra river -- kew (vic.), boathouses - river yarra

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Painted brick, two storey townhouse; one of a group of eight. Pen and ink architectural drawing on drafting film of 4/8 Mary Street, Kew by Margaret Picken.4/8 MARY ST., KEW / WOODARDS ~ artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 4/8 mary street - kew (vic).

Old cast iron butter churn stand, with four legs. Mechanism includes wheel, stand for container and handle. Signs of having been painted black, but paint has chipped offPlaque saying 'McCormick Deering Chicago USA, made by International Harvester Company' with makers symbol of 'C H H'food technology, dairying, butter, churn, dairy, milk, food, industry

Hand painted Sheet MetalSign carrying the coat of arms

In 1870 the Earl de Grey was Grand Master of England, but his rule was short lived. After being converted to Roman Catholicism, he felt it was essential that he resign from Freemasonry as his church at the time was opposed to Freemasonry. Albert Edward Prince of Wales, later King Edward VII, readily accepted nomination as Grand Master of England and continued in office until his Accession in 1901.This portrait the Prince of Wales was painted by Thomas Flintoff. It is held within a very elaborate gilded frame which comes apart in 3 sections and is one of only two known types existing.Portrait oil painting of Prince Albert on canvas stretched over stretcher/strainer. Framed in a very elaborate qilded wood and rosen frame. Heavy ornamentation on top and bottom of the frame. Signed: 'T. Flintoff 1880', Placque: 'Grand Master U.G.L. of England 1874-1901 H.R.H. Albert Edward Prince of Wales by T. Flintoff'. portrait, painting, his royal highness albert edward prince of wales, freemasonry, freemasons, freemasons victoria