This copy of the incorporation of the Buninyong Joint Library Trust was issued on 2 May 2001 under the terms of the Associations Incorporations Act 1981. A foundation document for the Buninyong Joint Library Trust.incorporation, governance, buninyong, legislation

State Bank [Victoria] promotional ruler. Wooden ruler.Stamped with State Bank [Victoria] logo.state savings bank of victoria, state bank

Green cardboard string binder containing Victorian School Papers for Grades 3 and 4 issued by the Education Department of Victoria from February to December in 1968. Name: J. Paine, Grade: 1vb, School: Norwood (Ringwood, Victoria).

The photograph shows a cable tram entering Bourke Street from Spring Street bound for Spencer Street with the Victorian Parliament House in the background. The conductor is standing on the back platform. Photo has been copied and printed from a 120 Negative.Yields information about the Bourke St cable trams and Parliament House.Photograph, black and white, plain papertrams, tramways, cable tram, bourke st, parliament house, spring st, tram 543

The Centenerary of Government of Victoria and Centenary of Discovery of Gold was in 1951significant to the Pyrenees Shire and Lexton communitybronze plaque from the Centenerary of Government of Victoria and Centenary of Discovery of Gold EQUALITY, JUSTICE, FREEDOM

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s.Modern postcard produced by the Tramway Museum Society of Victoria. The photo is of a replica tram in Victoria's Tramway Museum, and was presumably purchased for display purposes for an exhibition relating to transport in Kew, and in particular to the Kew horse-tram which operated from the Victoria Street Bridge to the Boroondara General Cemetery in Kew.This replica tram, constructed by members Alan Antcliff and Newton Williams in Mildura represents the open car used between Sydney Road and the Royal Melbourne Zoological Gradens until 1923. The open "toast rack" type was use extensively on other horse and early electric tram systems. Photo by William F Scott. Produced by The Tramway Museum of Victoria Ltd Box 4916, Mail Exchange, Melbourne, Victoria, 3001. Operator of Victoria's Tramway Museum, Union Lane, Bylands (55 km from Melbourne off the Northern Highway) Open Sundays 11a.m - 5p.m. CS2036kilmore horse tram, tramway museum society of victoria, tramways - victoria, postcards

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s.Modern postcard produced by the Tramway Museum Society of Victoria. The photo is of a replica tram in Victoria's Tramway Museum, and was presumably purchased for display purposes for an exhibition relating to transport in Kew, and in particular to the Kew horse-tram which operated from the Victoria Street Bridge to the Boroondara General Cemetery in Kew.This replica tram, constructed by members Alan Antcliff and Newton Williams in Mildura represents the open car used between Sydney Road and the Royal Melbourne Zoological Gradens until 1923. The open "toast rack" type was use extensively on other horse and early electric tram systems. Photo by William F Scott. Produced by The Tramway Museum of Victoria Ltd Box 4916, Mail Exchange, Melbourne, Victoria, 3001. Operator of Victoria's Tramway Museum, Union Lane, Bylands (55 km from Melbourne off the Northern Highway) Open Sundays 11a.m - 5p.m. CS2036 kilmore horse tram, tramway museum society of victoria, tramways - victoria, postcards

Print of photograph looking south down Burke Road with St Johns Anglican church tower in the background. Inscription 'Camberwell, Victoria, view of Burke Road and stores c. 1950' Camberwell, Victoria, view of Burke Road and stores c. 1950camberwell

The Protestant Association of Victoria was established in 1858. It is distinct from the Victorian Protestant Association that was established in 1917 and was active during and after World War I.The card carries the signatures of the founding members of the Association, including John Pascoe Fawkner, who, after settling in Hobson's Bay in October 1835, amassed large land holdings, was a newspaper proprietor and served on the Legislative Council for 18 years. Cream coloured card certifying the membership of James Hinds of 61 Spring Street as Member no. 17 of the Protestant Association of Victoria on 5 March 1958. Printed in dark brown/purple. Handwriting in black ink. Rules printed on the back.James Hinds of 61 Spring Street was elected as Member of the Protestant Association of Victoria on Friday the 5th of March 1958. Dated this 12th day of July 1958. Signatures of John P Fawkner (President), William Hinds (Treasurer), William Robinson (Secretary). No. 17.1858, john pascoe fawkner, 19th century, protestant association of victoria, victoria - history

The Former Bank of Victoria in Avoca was built c1854.Colour photograph of the Former Bank of Victoria, Avoca. avoca, former bank of victoria

Account of the indexing project providing an index to the names and addresses of the women who signed the Women's Petition in 1891, which is available online on the Parliament of Victoria's website. The Women's Petition sought equal voting rights for women.1 p. article from Ancestor, Vol. 29, No. 4, December 2008womens suffrage petition, monster petition, womens suffrage, women's petition 1891

Black framed Certificate of Incorporation for the Buninyong Resident's Association Inc. dated March, 2000. A4 printed certificate issued by the Corporate Affairs Office, Victoria. Certificate of Incorporation Victoriabuninyong resident's association, buninyong, governance, community service

72 pages.

Construction of the main road from South Tawonga to the Bogong High Plains, to provide access to the construction sites for the new Kiewa Hydro Electric Scheme, was commenced early in 1938, the work being undertaken on behalf of the Commission by the Country Roads Board. For the construction work, the Commission purchased three Caterpillar - model R07 - diesel crawler tractors equipped with Kay Brunerei (Brunner) hydraulically operated trail builders (angle dozers)). This acquisition resulted from a visit to the United States of America in May, 1937 by the Construction Engineer ( Mr. C.H. Kernot) and Assistant Civil Engineer (Mr. J.F. Douglas) where they saw this relatively new type of equipment in use. With the co-operation of the CRB, the Commission demonstrated the operation of these machines at Fishermen's Bend on 6th April, 1938. They were then sent to Kiewa where they commenced operation towards the end of the month. From South Tawonga, the route led immediately across the Western Branch of the Kiewa River necessitating the construction of a bridge 100 feet long. By the end of 1939,the excavation had been 'opened up' for a distance of 19 1/2 miles (approx. 31 km.) and of this length, 10 miles (approx. 16 km) had been surfaced.The purchase and use of this type of mechanical equipment in road making was a huge investment, as prior to this most of the work would have been done manually with the use of picks and shovels. Not only were many months of hard manual labour saved, but a very significant amount of time in providing access to the proposed work sites for the new Kiewa Hydro Scheme. This photo is an excellent reminder of how primitive the early machinery was compared to the present but also represents the forward thinking of the State Electricity Commission's Engineers in purchasing such new and innovative equipment.A black and white photograph of a Caterpillar diesel crawler tractor and a hydraulically operated trailbuilder (angle dozer) making a road in the Mt. Beauty area.Hand written in black ink in the top left hand corner are the words "Kiewa Road Making 25/8/1938". On the upper right hand of the photograph has been stamped the number 3. On the back is stamped the word 'Velox' severaly times, which is the make of the photograhic paper. roadmaking, caterpillar tractor, kiewa, state electricity commission

Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria

On the 24th January 1933 Certificate No.12002, a Special Certificate for Regular Attendance, is issued to Helen Young who had been a pupil at School No.3235 Beech Forest from 24th March 1928 to 12 December 1932 for attendance at every school meeting during that period. It was signed by the Minister of Public Instruction, Mr. J.W. Pennington, and the Acting Director, Mr. J. McRae.Special Certificate for Regular Attendance, Education Department, Victoria. A4 printed and filled in by hand.education department; victoria; beech forest; helen young; certificate; attendance;

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

This booklet details the minutae of the visit of His Royal Highness The Prince of Wales. It details aspects of his visit to Warrnambool on 8th November 1977. It lists procedures and local members of parliament, local councillors and officials. There was a visit to Tower Hill Reserve and a reception at the Warrnambool Racecourse. This booklet has local interest as it provides a snapshot of local people who were holding office in various roles in the 1970's.Small cream coloured booklet with mustard binding and text of the same colour. 84 pages white with a yellow and green section towards the back.On front cover : Visit to Victoria of His Royal Highness the Prince of Wales Working Programme. Monday 7thto Wednesday 9th November 1977. Issued by direction of the secretary , Premier's department Melbourne. John Kelly written in pen on the back cover.warrnambool, prince of wales 1977, prince of wales visit to warrnambool

Schedule of prizes (including Champion prizes of Australia), Sixty-fifth Grand Agricultural Exhibition, 17th to 26th September, 1936. The Royal Agricultural Society of Victoria; Melbourne (Vic); 1936. 336 p.; illus.; index to advertisers. Soft cover. agriculture; horses; cattle; sheep; pigs; poultry; birds; farm produce; machinery; dairy produce; wine; fruits;

Calendar, four pages, full colour titled "Cavalcade of Transport in Victoria - 1980 Calendar", four months per sheet, featuring Harold Freedman, Transport Mural at Spencer St Railway station. The front cover has a short description of the mural. Features Melbourne's trams. Tear off calendars with hanging hole in the top edge centre and Perforated to enable the image to be framed separately. See Reg Item 3671 for the launch of the Mural at the 1978 Cavalcade of Transport.trams, tramways, calendar, spencer st, mural, southern cross station