Showing 7650 items
matching pen-knife
-
Whitehorse Historical Society Inc.
Domestic object - Bread Knife
Serrated edge bread knife with curved metal handle.Standard U.S.A.domestic items, cutlery -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Knife
Mess knife with rising sun emblem - Sheffield plate.equipment, ww1, army -
Clunes Museum
Tool - KNIFE, SMALL PARING
Short curved blade knife with bone type handleNilknife, cutting tool -
Bialik College
Photograph - Sports Day contact sheet c1990s 2000s
A contact sheet, black and white, six rows of negatives, presented positive, some items circled in black and red pen. Created by Michael Silver, Photonet. C134. c1989/1990s. For information regarding the access or permissions of this material please contact the archive at [email protected] x 10 glossy photograph paper, contact sheet of black and white imagesBlack pen, red pen. Sticker 'Photo Michael Silver Photonet C 134. PO Box 386, Williamstown, 3016. Victoria. Australia. Phone and Fax numbersport, students, bialik, judaism -
Melbourne Legacy
Letter - Document, letter, (H48), 1925
A letter from the M.B. Ryan, Deputy Commissioner of Department of Repatriation about a meeting with Legatee Frank Doolan in November 1925. They had met to discuss Legacy wishing to cooperate with the department in the administration of its Scheme for the Education of the Children of Deceased and Totally Permanently Incapacitated Soldiers. He goes on to outlines ways Legacy can help and details of the scheme. The notation H48 in blue pen shows that it was part of the archive project that was trying to capture the history of Legacy. L/ Frank Doolan was part of the archive project around the 1970s.A record of Legacy working with the Department of Repatriation from very early in its history to aid the education of children of deceased servicemen. File copy of a foolscap letter x 3 pages dated 12 November 1925.Handwritten H48 in blue pen.history, founding legatee -
Melbourne Legacy
Document - Document, rules and objects, Legacy Club, Melbourne. RULES / POLICY AND OBJECTS (H14)
A document detailing rules and regulations of the running of the Legacy Club, Melbourne. The date is not known. The policy and objects covers: loyalty, comradeship, dependents of deceased soldiers, cooperation with other organisations, education, preference, national development, and Shrine of Remembrance. Other parts of the document covers eligibility for membership, transfer of members, subscriptions etc. Meetings and their procedures as well as management structure. It is possibly before 1940 when the RSSILA changed it's name to RSSAILA. The notation H14 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. Documents the details of the rules and policies of the Legacy Club, Melbourne.White foolscap paper with black type x 7 pages of a document of regulations.Handwritten H14 in red pen. history, rules, organisation structure, objectives, goals -
Melbourne Legacy
Document - Speech, WD Joynt VC Guest Speaker 28/10/52 'Where there is no vision the people perish' (H21), 1952
A speech by Legatee Dono Joynt at a Legacy luncheon on 28 October 1952. His talk mentions that 'Harelands' the Club's fourth residence about to be opened. The Club was in need of funds for the next year. He says; 'I am convinced that this Club can FACE anything, and DO ANYTHING and OVERCOME anything, if the members of the Club are STRONG enough in their desire for whatever it is they want to achieve.' which is the theme of his speech. The notation H21 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. A record of Legatees making recommendations about loyalty and behaviours to install in junior legatees.White A4 paper with black type x 6 pages of a speech by L/ WD Joynt VC.Handwritten H21 in red pen.history, speech -
Shepparton RSL Sub Branch
Uniform, Pants, Circa 1942
WW2 Royal Australian Air Force. Also see statement of Signifiance.Example of WW2 Officers Pants. Tunic material can determine which country the tunic came from, Dark Blue- Australia, Light Blue-England, in between, South Africa, Canada and New Zealand.RAAF Officers Pants Dark Blue Wool Serge, multiple moth holes both legs. High waist 6 x buttons for suspenders, 6 buttons to fly, 2 pockets, striped material to waist, lable MTX along with indelable pen CRA.Label MTX and indelible pen CRAraaf, officers uniform -
Melbourne Legacy
Document - Document, agenda, Legacy Club : Proceedings at Luncheon (H6), 1928
File copies of agendas for early Legacy Club luncheon meetings. One was 2nd October and the other 9th October 1928. The format of the meetings were: 1 Fallen Comrades 2 Announcements 3 Introduction of guests (to build on numbers members would bring comrades and friends along to meetings). 4 New members 5 Past president badge present on 2nd October to HE Cohen, TW White, MC Gardiner and CH Peters. The notation H6 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. This is one of the first documents that pertain to meetings of the early Legacy Club. White file copy with black type x 2 pages of agendas for Legacy Club meetings in 1928.Handwritten H6 in red pen. history, founding legatee -
Frankston RSL Sub Branch
Knife, Paper
Trench art paper knife made from a spent World War 1 French 8mm Berthier carbine bullet. The copper knife blade is marked with the words "Villers Bretonneux"."Villers Bretonneux"french, ww1, bullet, trench art, villers bretonneux, berthier carbine, berthier, 8mm -
Bendigo Military Museum
Card - CARD, RATION 1949, Commonwealth of Australia, C. 1949
Item in the collection relating to A.G.Ferris No 2156 AIF. Refer Cat No 4183.3P for his service details.Tea and Butter ration card No A908246, all print in black, “Commonwealth of Australia”, hand writing in pen, item has a couple of coupons missing ie used.Hand written in black pen,” Ferris A.M, Pte Bag Pyramid Hill”ration cards, team and butter, post ww2 -
Glenelg Shire Council Cultural Collection
Souvenir - Butter Knife - Portland souvenir, Apex, n.d
Silver plate butter knife, with enamelled image of Portland Harbour.Front: 'THE HARBOUR PORTLAND VIC' Back: 'APEX EPNS' -
Flagstaff Hill Maritime Museum and Village
Tool - Cooper’s Hollowing /Jigger Knife, William Greaves & Sons, 1823 -1850
William Greaves was once a prolific company that highly prospered in the 19th century during the boom of the tool and cutlery trades in Sheffield England as steel became more commercially available. William Greaves's works were situated at the Sheaf Works in the heart of Sheffield, at Maltravers Street, opening in 1823 and was known to be the largest business in this area at this time. The Sheaf Works made a range of tools and saws including cutlery, penknives and razors and also even made its steel in-house. The factory used its perfect position for water power being built on the edge of the Sheffield canal and also used the railway line nearby giving them the perfect opportunities for transporting its goods. The factory itself was also a revolution because it attempted to bring together as many cutlery manufacturing processes as possible together in one place, something that had not been attempted before. The money to build these huge works came from Greaves' trade with America, where they sent razors, table cutlery and sturdy Bowie knives. This allowed the Greaves’ to build the factory and expand their production, which made them even more money. This made William Greaves very rich indeed, and it was reported that when he died in 1830 he left each of his five surviving daughters £30,000 each, an astronomical sum at the time. In today’s money that is approximately £2.3 million. The firm finally dissolved in 1850, but Sheaf Works continued to be used by many cutlery manufacturers until the 1980s. With most of the buildings still standing today.A significant item made by a successful cutlery manufacturer in England during the first half of the 19th century. This company undertook many new processes to streamline cutlery production and introduced innervations regards working with steel that are still in use today. This item is now regarded as a collector's item given the company ceased trading in 1850. jigger/hollowing knife with internal bevel, Electro Boracic Steel. Stamped 3.1/2″ William Greaves, Sheaf Works, Sheffield flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, cooper's jigger, howeling knife, wm greaves & sons -
Flagstaff Hill Maritime Museum and Village
Knife
Butter knife. Antler handle curved. Blade has "in Sheffield". flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, butter knife -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Kitchen Equipment, Bread Knife 'Clauss', c1900
Clauss Cutlery’s long and vivid history started in early 1880’s when John Clauss and his younger brother Henrie established Elyria Shear Works in Elyria, Ohio. At one time the company was the largest manufacturer of scissors and shears in the world and was acquired by Acme United Corporation in 2004. John and Henrie Clauss, of German origin, started Elyria Shear Works from a one-room building in Elyria, Ohio Together with five employees, they began manufacturing scissors, shears, straight razors and serrated kitchen knives In August 1887, the Company moved to Fremont, Ohio to be near an accessible, abundant supply of natural gas which had recently been discovered. 1889, disaster struck as the plant was completely destroyed by fire, In 4 months Clauss built a new plant and was back in full operation and changed the company’s name to Clauss Shear Company. 1919 Clauss Shear merged with Henkel Company, to become Henkel-Clauss Company. Henkel Company was founded in 1906 to manufacture manicure and pedicure files, knives, shears and razors. After World War II, Clauss was unable to compete with European firms producing household scissors and shifted its focus to industrial scissors. In 1967 Clauss was taken over by Alco Standard Corporation who integrated Clauss into its existing structure to manufacture tools for industrial niche markets. Clauss made surgical scissors for eye operations, heavy duty metal cutting shears, poultry shears for gutting chickens and specialty items such as anti-acid, anti-magnetic tweezers for the electronics industry. Clauss had approximately 100 employees and produced about $18 million in annual revenues in the late 1980s, but profits continued to decline. In 2004, Acme United Corporation acquired the Clauss inventory, trademarks and brand names from Alco Industries for approximately $500,000A large Bread Knife with scalloped / serrated edge and looped handle Front : CLAUSS Back : FREEMONT / OHIOcutlery, knives, clauss shear company, ohio, freemont, market gardeners, early settlers, moorabbin, cheltenham, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Kitchen Equipment, cutlery butter knife, c1930
Rodd's was established by George & Ernest Rodd in Melbourne in 1919.They were manufacturers and wholesalers of precious metal jewellery. Later they began to manufacture high quality silver plated cutlery under the brand name “Rodd”. They then expanded into holloware when they took over Platers Pty. Ltd. who produced a very high quality range of silver plated Sheffield Reproduction Silverware, under the brand name “Hecworth”. Rodd’s established a large factory at 150 Barkly St., St. Kilda, Melbourne. During WW2 with a staff some 200, the factory produced ordnance components to help with the war effort. Rodd’s established sales offices in the main city centres of all States. The company prospered. In December, 1960, Rodd [Australia] Ltd. was merged with Mytton’s Ltd., Melbourne, and became part of the newly formed company Mytton Rodd [Australia] Ltd. Mytton’s were also producers of silver plated cutlery under the brand name “Grosvenor” and were strong competitors to the Rodd brand of cutlery Australia wide. It was a friendly take over and the Directors of Rodd [Aust.] Ltd. were appointed to the board of Mytton Rodd [Aust.] Ltd., and some to the Holding Company Mytton’s Ltd. Mytton’s were heavy manufacturing engineers producing a large range of stainless steel products including: kitchen sinks of various design, beer barrels [9 and 18 gallon kegs] for the breweries, milk vats for cooling and storing milk on dairy farms, a large range of dairy and industrial vessels, road transport tanks, LPG tanks, low pressure pre-mix vessels for the soft drink industry. They also produced a range of domestic bathes, steel railway sleepers, using their 3000 ton hydraulic presses. Mytton’s also had their own non ferrous foundry and rolling mill which produced nickel silver sheet used in the manufacturer of their silver plated cutlery. They also produced copper sheet for their own and industrial use. Mytton’s had factories in York St., South Melbourne and Port Melbourne. Rodd [Aust.] Ltd. set up a manufacturing, distribution plant in Auckland, New Zealand, circa 1960. This company began producing precious metal jewellery in a rented space in the premises of Matthey Garret Ltd., Bullion Merchants, in Drake St., Auckland. Later they moved into their own building in Sale St., Auckland. The company prospered and purchased land and built a factory at 121 Apirana Ave. Glen Innes, Auckland, circa 1964. ( B. McCulloch Rodd Pty Ltd)A butter knife with stainless steel blade and bone handle c1930on blade; RODD / STAINLESScutlery, stainless steel, cheltenham, moorabbin, bentleigh, early settlers, rodd aust ltd, mytton rodd pty ltd, aukland, port melbourne -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Trench Art
Paper knife made form Bullet casing & brass blademiscellaneous, ww1, army -
Whitehorse Historical Society Inc.
Domestic object - Butter Knife
Large butter knife with leaf pattern on blade and engraved handle.EP on NSdomestic items, cutlery -
Whitehorse Historical Society Inc.
Tool - Vegetable peeler
Small wooden handled 'knife' shaped utensil with blade on shaft -
Mont De Lancey
Half-Moon Knife
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Cast iron handmade knife with a wooden handle, attached by a nail.bootmaking tools, cutting tools -
Trafalgar Holden Museum
Functional object - Leather knife scabbard
manufactured and sold by Holden and Frostdagger knife scabbard, brown leather with belt loop at toplesather, knife, scabbard -
Kew Historical Society Inc
Work on paper, Joy Stewart, Villa, Mountain Grove [Kew], ca. 1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen and ink drawing of a Victorian villa in Mountain Grove, Kew by the artist Joy Stewart.Inscription: "Mountain Grove, Kew"joy stewart, artists - kew (vic), mountain grove -- kew (vic.) -
Kew Historical Society Inc
Work on paper, Joy Stewart, 34 Stevenson Street, Kew, c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 34 Stevenson Street, Kew by the artist Joy Stewart. Inscription: "Stevenson Street, Kew". Signed lower right: "JStewart".stevenson street (kew), joy stewart -
Kew Historical Society Inc
Work on paper, Joy Stewart, South Wing, Xavier College, c. 1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations. Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 'South Wing, Xavier College' by the artist Joy Stewart. Inscription: "South Wing, Xavier College". Signed lower right: "JStewart".joy stewart, xavier college (kew) -
Kew Historical Society Inc
Work on paper, Joy Stewart, 14 Marshall Avenue, Kew, c. 1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 14 'Marshall Avenue, Kew' by the artist Joy Stewart. Inscription: "Marshall Avenue - Kew". Signed lower right: "JStewart". joy stewart, marshall avenue (kew) -
Kew Historical Society Inc
Work on paper, Joy Stewart, Terrace House, c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & ink sketch on paper of a two-storey terrace house by the artist Joy Stewart. Inscription: "Terrace House". Signed lower right: "JStewart"joy stewart, terrace houses -
Kew Historical Society Inc
Work on paper, Joy Stewart, Roxeth, Trinity Grammar School, c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 'Roxeth, Trinity Grammar School' by the artist Joy Stewart. Inscription: "Roxeth, Trinity Grammar School". Signed lower right: "JStewart".joy stewart, roxeth (trinity grammar school) -
Clunes Museum
Artwork, other - ETCHING-PEN-INK
PEN AND INK DRAWING GIVEN TO MRS. JEAN HOLLAND ON THE OCCASION OF HER WEDDING. THE ARTIST, MRS. JANET McDONALD, WED. IN WESTERN AUSTRALIA, LIVED THERE FOR 50 YEARS BEFORE RETURNING TO CLUNES, TO LIVE IN SERVICE STREET, NEXT DOOR TO RIDLEYS.WOODEN FRAMED GLASS COVERED PEN AND INK DRAWING WITH CUT CARDBOARD SURROUND. PORTRAIT OF HEAD AND SHOULDER OF LADY WITH HEADBAND OF RIBBON, OF BERRIES, FLOWERS AND EARS OF WHEAT. LACE EDGING ONNECK OF DRESS.local history, illustration, etching, paintings, drawings -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Functional object - Education, 3 ink wells, c1800 -1900
a) 1 common, clear glass ink bottle with 'burst-off' straight finished neck and a groove on two sides upon which a pen would rest. There are variations of this largely English-made style glass inkwell made in cup base moulds. Cursory grinding smoothed out the sharpness of the rim. b) 2 cylindrical, plain, pottery inkwells These three inkwells were commonly used in homes, schools and Churches by pioneer settlers in Moorabbin Shire c1880 -1900 2 cylindrical pottery inkwells and 1 square, clear glass inkwell with a distinctive groove on 2 sides to rest a pen c 1800 - 1900education, inkwells, pottery, glasswork, craftwork, moorabbin, brighton, early settlers, pioneers -
Melbourne Legacy
Pamphlet - Document, brochure, Legacy Club Melbourne (H15), 1939
A card given to Legatees by the Comradeship Committee in 1939. 'Dear Legatee, Another year of Legacy has passed, another year of Service has commenced. May it continue to bring you much happiness in the appreciation of a great Comradeship. Comradeship Committee, 1939. The poem on the reverse says: 'I shall pass through this world but once, Any good thing that I can do, or any kindness That I can show any human being, Let me do it now and not defer it, For I shall not pass this way again.' The notation H15 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. A record of the sentiment that Legatees felt towards their duty to Legacy.White card printed and given to Legatees with best wishes for 1939 and a poem.Handwritten H15 in red pen.comradeship, history