The copy was part of the conservation plan written by Peter Doig Architecture. Doig Architecture joined Baldasso Cortese in 2019.Large copy in black and white on glossy strong paper of the original bButler plan for the first central mission, Siddeley Street, held at the State Library of Victoria.peter doig, redevelopment, built heritage, walter richmond butler (1864–1949), siddeley street institute

This original drawing for the St Peter chapel on Flinders Street building designed by Walter Richmond Butler. Butler changed the design of the chapel for the Spanish Mission style. This drawing seems to be for a printing block and doesn't have Butler's signature.The drawing show the first design of the chapel.Small black and white sketch depicting the facade of the St Peter chapel.walter richmond butler (1864–1949), flinders street, building, built heritage, st peter chapel, bell tower

255 pages with colour and black and white illustrations; notes, bibliography, index.non-fictionAlmost hidden within religious buildings, hospitals, school chapels and civic buildings, stained-glass windows tell of Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women who fought and died for their faith and their country. It has a tragic beauty. The book includes stained glass windows from the St Peter chapel of the Mission to Seafarers.australian history, ww1, ww2, boer war, vietnam war, stained glass windows, bronwyn hughes

One of two photographs donated by Jean ArchibaldBlack & White photograph - large image of Chicory Kiln and trough owned by Peter Forrest Jnr.chicory kiln, peter forrest, phillip island, jean archibald

Business card for a local bank, Bank of Melbourne Greensborough branch, at 15-23 Main Street, Greensborough. Peter Petropoulos, Branch Manager.Business card, white card with blue text.business cards, bank of melbourne, peter petropoulos, banks

224 p., Black and white illustrations.non-fictionThis book is a catalogue of items used in Australian homes from 1880-1940. Includes items as diverse as jewellery to household furnishings and farm equipment.catalogues, household equipment, farm implements

A history of the Batman Apple Tree and Pioneer Children's Cemetery along the Plenty River. Prepared by Samantha Westbrooke Pty Ltd in association with Peter Mills, historian. The Batman Apple tree is said to be over 170 years old, being brought to Greensborough in the 1840s from the Melbourne orchard of John Batman, following Batman's death in 1839. The Pioneer Children's Cemetery is the burial place of 7 children from the Whatmough and Partington families who dies between 1845 and 1858.11 page photocopy, text and black and white illustrations.batman apple tree, robert whatmough, plenty river trail, pioneer childrens cemetery

120 p., black and white illustrationsnon-fictionpersonal items, household implements, furniture, domestic furniture, federation australia

The Poulter Reserve precinct is bordered by the railway line, Main Street and the Plenty River. This booklet accompanies a guided walk around the area.20 p., text and color and black and white images.poulter reserve greensborough, main street greensborough, plenty river greensborough

History of the Greensborough and St Helena areas 1837-1900GHS produced publication113 p. black print on white paper, illus., maps.st helena, greensborough, greensborough historical society

The Chapel attached to the 1917 Mission Building has been known variously over the years as: Memorial Chapel ( WWI Merchant seamen) ; St Peter Mariner's Chapel and St Peter's, Mariner's Church. In current day usage due to modest size it is referred to as Chapel. This postcard provides a sample record of the appreciation of volunteers by committee members at the Mission in the 20th C. and forwarded on their behalf to the donor's Grandfather Mr Arthur Ware countersigned by Padre Oliver ( Chaplain 1930-1960)A black and white photographic postcard of the interior of St Peter's Chapel, Mission to Seafarers, 717 Flinders St Melbourne. Image has a 5cm white border.On the back is a message from Padre Oliver on behalf of the Christmas Committee to Mr Ware and dated 14-12-51. "Thanking Mr Ware for ... all your kindness..."photograph, josephine atkinson, arthur ware, padre oliver, st peter chapel, flinders street, mission to seafarers, mission to seamen, seamen's mission, donors, supporters, frank leslie oliver, 1951

Possibly produced as one of a series of photographic post cards of various areas of the Mission especially of the Chapel in the pre-war WW2 period of the 20th century. There are several such cards in the MTSV Collection. The Chapel, opened in 1917, was a special fundraising project of the Ladies Harbour Light Guild and was originally dedicated as a Memorial Chapel in remembrance of those who served in the Merchant Navy of WWI. The Chapel is still used for marriages, baptisms,funerals and memorial services, and is often referred to as St Peter's, the Mariners' Chapel. Photographic postcards were produced soon after the new 1917 Mission to Seamen building was first opened. Available to supporters and visiting seafarers alike, effectively promoting the Mission and the role it played in ensuring both spiritual and pastoral care available to seamen and shipping to and from Australia. Black and white gloss print postcard featuring an interior view of St Peter's Chapel at the MTSV 717 Flinders St showing the baptismal font and front door.Pencil inscription " Ret to B. Kent" (see also gift comments below) ; Printed : "POST CARD / A Real Photograph Produced in Australia"mtsv, missions to seamen institute, baptism, merchant navy, st peter chapel, mission to seafarers, baptistry, baptismal font, seamen's mission, flinders street

This photograph taken by the Australasian, depicts the central Institute in September 1917. It was published on the 15th of September 1917 along with other photographs taken during the dedication of the St Peter chapel on the 6th of September. The photograph was also used in a Jottings mentioning "Courtesy of the Australasian".This is one of the first photographs of the Mission's building opened in 1917 before the Norla Dome was erected in 1920. Black and white postcard with a photograph taken at a 45 degree-angle showing the front of the mission in Flinders Street probably in 1917. Three men are standing in front of the church and three cars are parked in front of the mission. The Flying Angel flag. Behind the mission we can see the masts probably from ships berthed on the Australian wharf.Right bottom corner: Seamens Church and Institute, Melbourneflinders street, melbourne, central institute, walter richmond butler, men, cars, sailors, seamen, mission to seamen, seamen's mission, mission to seafarers, flying angel flag, australian wharf, ships, australasian, 1917

small b & w photograph depicting church service at the St Peter the Mariner chapel, seated congregationstamp: 8940, photographic paper markings ILFORD, hand written number 7st peter chapel, mission to seafarers, seamen's mission, chaplain, service, pulpit

The photograph depicts the interior of the chapel located on the east wing of the Siddeley Street Mission.The chapel is decorated for Easter service. The altar, the pulpit were reused in the St Peter's chapel of the Flinders Street Mission. On the wall hangs the plaque erected to Celia Little, another plaque in memory of Celia Little is now in the "Celia Little" room at the Flinders Street Mission. In the "Jottings from our log" number 30, dated from Easter 1913, it is written: "Miss Tracy kindly did The Easter decorations with white flowers and palms in pots, all in beautiful keeping with the glad thoughts of Easter." Maybe the picture was taken on that occasion.The chapel was built in 1909. Celia Little (1822-1895), was the Reverend Alfred Gurney Goldsmith's aunt. Some funds from her estate were used to build the chapel. Small monochrome photograph, inside chapel, Siddeley Street Institute, decorated with white flowers and palms.'Stevedore's Bldg Siddeley St Easter Sunday in the Chapel old Institute' siddeley street institute, chapel, easter, pulpit, reverend w.f. haire, celia little, plaque, alfred gurney goldsmith

Dora Walker, a member of the Ladies Harbour Lights Guild married H.P. Simpson on 14 February 1928. The wedding was celebrated at the Mission's chapel at 2.45pm. The article in the Herald of the day describes the event: "WEDDING AT SEAMEN'S CHAPEL Reception at Hotel Windsor The pretty little chapel at the Sea men's Institute was packed with interested friends this afternoon, when Miss Dora Walker, one of the Mission's most enthusiastic and efficient voluntary helpers, chose it as the setting for her marriage with Mr H. P. Simpson, son of Mr and Mrs J. H. Simpson, of Mornington. A group of her fellow workers decorated the chapel with lovely pink and white gladioli, carnations and roses. The ceremony was performed by the Rev. J. R. Weller, chaplain of the Mission, and the bride was given away by her father, Mr A. W. Walker, of Manning road, East Malvern. She wore a lovely ivory georgette frock, the finely tucked skirt being fashioned with a deep transparent hem of Chantilly lace. Over it fell a beautiful Honiton lace veil mounted on tulle and arranged to give the ef fect of a train. Fragrant white roses composed her bouquet. Two attendants followed her down the aisle — her sister, Miss Molly Walker, and Miss Ella Kendall — both wearing dainty shrimp pink georgette frocks and large crinoline straw hats in the same shade with a dainty edging of tulle. They carried bouquets of pink cactus dahlias nnd delphiniums. Mr Louis Buscombe was best man, and Mr George Thompson grooms man. After the ceremony Mr and Mrs Walker entertained about 50 guests at the Hotel Windsor."2 original prints and a reprinted version depicting the St Peter chapel decorated with flowers for Dora Walker's wedding in 1928 wedding, dora walker, st peter chapel, mission to seamen, mission to seafarers, flinders st, lhlg, dora simpson, 1928, valentine's day, amy dora walker, ladies harbour lights guild, malvern, reverend j.r. weller, molly walker, ella kendall, flowers

This photograph is detached from the 1925-1927 photographic album depicting the Weller years.Black and white with thin white frame, photograph depicting the pews, pulpit in the St Peter chapel Stamps on verso: in blue ink "384" / in purple ink: Herschell's Print Pathe Agents Handwritten in black in and in pencil "5"st peter chapel, reverend john reginald weller (1880-1969), pulpit, pews, mission to seamen, weller album, altar, altarn lectern, cross, lectern, prayer desk, alm's dish

photo of Peter Smith, Lay Reader at the Mission.small rectangular black and white photograph in portrait format - slight touch of rouge coloring in background.peter smith, lay reader

Note - Identification as David Kent needs to be confirmed.small b & w photograph of a young chaplain conducting a service in St Peter the Mariner chapel, chaplain facing away from congregationstamp: 8940, photographic paper mark ILFORDst peter chapel, services, seamen, pews, altar, chaplain, david kent

Note - Identification as David Kent needs to be confirmed.small b & w photograph of a young chaplain conducting a service in St Peter chapel, chaplain facing away from congregationstamp: 8940, photographic paper mark ILFORDdavid kent, st peter chapel, mission to seafarers, services, chaplains, lay readers, rededos, altar, flinders street

Note - Identification as David Kent needs to be confirmed.small b & w photograph of a young chaplain conducting a service in St Peter the Mariner chapel, chaplain facing congregationstamp: 8940, photographic paper mark ILFORD, handwritten number possibly 9st peter chapel, services, pews, seamen, chaplain, david kent

Small rectangular (landscape orientation) monochrome photograph of man praying in Chapelst peter chapel, flinders street, praying, services, mission to seafarers

Note - Identification as David Kent needs to be confirmed.small b & w photograph of a young chaplain conducting a service in St Peter the Mariner chapelhandwritten number 2, photographic paper mark ILFORDst peter chapel, david kent, service, flinders street, mission to seafarers, seamen's mission, mission to seamen

small b & w photograph of seated congregation at service in St Peter the Mariner chapelstamp: 8940, photographic paper markings ILFORDst peter chapel, services, seamen, hlg

small b & w photograph depicting congregation at St Peter the Mariner chapel. Two blurry figures in foreground, seated figure in background.stamp: 8940, photographic paper markings ILFORDst peter chapel, seamen, services, pews

small b & w photograph of attendees seated at St Peter the Mariner chapel, figure in foreground slightly blurrystamp 8940, photographic paper markings ILFORDst peter chapel, flinders street, seamen, hlg, services

small b & w photograph of attendees seated at St Peter the Mariner chapelhandwritten number 8, stamp: 8940, photographic paper markings ILFORDst peter chapel, seamen, services, hlg

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Small b & w photograph of baptismal font at St Peter the Mariner chapel. On the wall to the left hangs the illumination: Believe in God The Father Almighty (see item 1537). handwritten number poss. 3, stamp: 8940, photographic paper markings ILFORDbaptismal, font, st peter chapel, illumination, charles edward murray puckle (1887-1915)

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Small b & w photograph of baptismal font of St Peter the Mariner chapel. On the wall to the right hangs the illumination: Believe in God The Father Almighty (see item 1537).stamp: 8940, photographic paper markings ILFORDbaptismal font, illumination, baptistry, st peter chapel, charles edward murray puckle (1887-1915)

Early photograph of the courtyard showing the absence of bricks on the pavement and the plants used in the gardens.The photograph taken by Reverend Weller was published in the Annual report for 1927.Small balck and white photograph depicting the plants, the arches and the side entrance of the St Peter chapel in the courtyard of the MissionHandwritten in. white ink below: The courtyard showing side entrance to the chapel Althought the photograph is glued on a photographic album page we can see on verso a purple stamp: Herschell's Print / Pathe Agents / Another stamp in blue ink: THE MISSIONS TO SEAMEN / handwritten in red ink and in pencil some instructions for printingweller album, courtyard, plants, pavement, porch