George Frederick Pierce DCM No 2839, KIA 4.10.1917, refer Cat No 4136P for his service details. This photo is part of a photo that originally had 3 soldiers in it. It has been cropped out, enlarged and colour enhanced. The original photo can be viewed in Cat No 5459P.Framed and mounted Photograph of Private G.F Pierce DCM in a wooden frame with glass cover. Photograph - sepia toned half length portrait of soldier in uniform centred over a beige coloured background illustrated in colour, flags, animals and flowers. Frame - timber, mid brown stain, decorative edge, glass front. Mount - dark green cardboard.photography - photographs, frame accessories, history, army, ww1

Fredrick Lloyd CARLETON VX33476, 2/23rd Batt 9th Div AIF. Fred was one of ten to receive this special commendation signed by General Wavell. Refer Cat No 142.7 (medals) for his service history. .1) Framed certificate awarded to Cpl F.L. Carleton. Yellow background, black paint re an award for "good services in action in the Western Desert." Frame is wood cream colour .2) Photo, Sepia colour pasted on cardboard, Portrait of F.L Carleton. .3) copy of .2)photography, certificates, photographs, military history, army, commendations, documents

Frame - Golden timber/mottled. Inner frame - Gold embossed. Mount - Maroon flecked cardboard. Male - Facing front Black open jacket/button holes on lapel/vest. White shirt and black button. Full beard. Receding hair line. Background - white and greyFront: H.E. Brewer. Esq. M.D. 1866.portrait photography, portrait, photography, civic photography

Possibly Portland Town Council. Thomas Must, a wealthy Sydney merchant arrived in Portland in 1845. In 1855 prospect was built for Must to a design by local architect George Mathewson. The two storey home was built in expansive grounds with sweeping views of Portland Bay and the township. The stuccoed house is of Regency/Italianate style with a single storey verandah and single storey kitchen wing. In 1878 the original posted verandah was replaced by new verandah and a conservatory to a design of architect Daniel Nicholson. Nicholson had also been responsible for the design of the Assembly Rooms at the London Inn. Thomas Must was active in the Portland Community. He was a Trustee of the Port Philip Savings Bank, a Justice of the Peace, Treasurer of St. Peters Church at Bridgewater and the first Chairman of the Portland Borough Council. Prospect was Thomas Must’s home until his death in 1905. The building has been considerably altered over the years and much of the original Italianate character has been lost. Subsequent owners include B. Cunningham, G.S. Beresford (who changed the property’s name to Waterford), and long-term Liberal Senator Sir Magnus Cormack. Cormack was President of the Senate from 1971 to 1974. In 1976 the Prospect became an aged accommodation centre.Wooden Frame - light brown. Gold inner frame. Fawn mount. Man with long white beard and hair facing right wearing dark jacket. Front: (no inscriptions) Back: (no inscriptions)photography, opalotype, thomas must

Portrait photograph of a man looking to his right. He has a bushy dark grey beard and moustache. Receding hair. He wears a dark jacket and waistcoat. The background is grey. Mounted into a brown mount with oval window with gold trim. Wooden frame with gold inner frame. Glass covered.W. Learmonth Esq 1863portrait photography

Portland City CouncilRetouched black and white portrait of a bearded man in three-quarter view. He is wearing a suit and bow tie, and his hair has a central part. Photograph is framed in an oval burgundy mount with a wooden gold gilt frameFront: F. Schofield Esq., 1881 (engraved on brass panel, lower centre) Back: (no inscriptions)civic photography, civic, councillor

Event photography, AANS boarding a ship. "Photographs of AANS boarding ship 1940/41 farewelled by Matron Grace Wilson Matron in Chief. 1 framed copy, 1 unframed copy. Nurses groups AANS WWII, Matron Grace Wilson." [Former catalogued description, entry P36]Unframed, printed sepia photograph on photo paper of 4 AANS boarding a ship, being fare-welled by Matron Grace Wilson Matron in Chief in 1940-41."Leaving Australia 1940-41, L to R, Miss Wilson, Matron-in-Chief, Ruth Meaney, Jean Headberry, Patricia Chomley, Claire Meinoge, Photo: Ruth Millear" [Handwritten in biro on the back of the photo]aans, ww2, world war two, world war ii, world war 2, matron grace wilson, ruth meaney, jean headberry, patricia chomley, claire meinoge

CLUNES IN MELBOURNE CLUB - SEPTEMBER 1902- ON THE OCCASION OF PRESENTATION TO THE CITIZENS OF CLUNES A FRAMED PHOTOGRAPH ( IN BACKGROUND OF IMAGE)SEPIA PHOTOGRAPH OF CLUNES IN MELBOURNE CLUB."CLUNES" IN MELBOURNE SEPT. 1902photography, events and celebrations., clunes in melbourne1902

Wooden frame, green border with glass front. Sepia photo of a large group of Military & civilian people, Bradford Military Hospital.On front, bottom centre on white sticker: “Robert Ross HEDDLE*, Rgt No 5 17616 Seaforth Highlanders. (* This name should read Robert Heddle ROSS) Robert came from the Orkney Islands in Scotland. It is believed that he was treated for wounds in Bradford Military Hospital during WWI hence the photo in his possession. Donated by Peter Ross MacIver”photography-photographs, frame accessories, military history, hospital

This work is from a series centred around the Chinese proverb “to hold a book in one’s hand is to hold a house of gold” in which the artist positions himself within sites of colonial power. Set within the National Wool Museum gallery, the artist references the pose of an exhausted shearer after a long day of arduous labour. However he is reclining while reading The Fire Stick by Wulla Merrii, a novel set against the 1891 Queensland Shearer’s Strike, questioning cultural stereotypes and how they pertain to concepts of work and leisure. Dressed in sub fusc, his official uniform as an Oxford scholar, Thompson is a defiant intellectual challenging past and continued misperceptions of First Nations people, while embracing both the intersections of his identity and his ancestral heritage. Dr Christian Thompson AO is a Bidjara man of the Kunja Nation with Irish and Chinese heritage. His practice spans across video, photography, sculpture, textiles, performance and sound, evolving through a process of auto – ethnography. While employing various modes of research, he connects his own experience to larger social, political, cultural meanings and understandings. His doctoral research and art practice has had a critical impact on International and Australian art, making global history as one of the first Australian Indigenous students at Oxford University. In 2018 he was made an Officer of the Order of Australia for distinguished services to the visual arts and as a role model to young indigenous artists in the Queen’s Birthday honours list.Framed photograph showing a man dressed in an academic gown, laying on their back holding a book. The setting is a reconstructed shearing shed, inside the galleries of the National Wool Museum.dr christian thompson, first nations, artwork, photography, oxford, heritage, national wool museum

Council collectionRetouched photograph on opaque glass. Portrait in three-quarter view of a man with red hair and beard in a brown suit jacket. Mounted in brown matt with gold edging. Inner frame is gold-coloured metal. Outer frame is timber.Front: A.D. Stewart Es./1888-89 (brass plaque, lower centre) Back: (no inscriptions)portland portrait photography, portrait

Monochrome portrait photograph of a man. He has a beard and bushy eye brows and sits with his face slightly in profile. He wears and double breasted jacket with a bow tie. His portrait is placed in an oval framed mount board which is in a rectangular wooden frame. The frame is painted dark brown but has a border of flowers and foliage picked out in gold colour.official portrait photography, civic portrait, mayor, portland mayor, 1800s

Portland Town CouncilFront: (no inscriptions) Back: Top left: yellow sticker with no. 3504 on it.reuben halliday, civic photography, mayoral chain, mayor, mayoral robes

Portland Town CouncilFront: Bottom centre: Councillor Arthur J. Thomas, Mayor, 1951-1953 Back: Top left: yellow sticker, numbered 3506.arthur j thomas, mayor, mayor of portland, civic photography

Front: Bottom centre: PORTLAND TOWN COUNCIL Councillor A.B. Frost JP Mayor 1854-56 Back: 3502 on it (top left, yellow sticker)civic photography, civic history, mayor, mayoral chain, mayoral robes

Portland Town CouncilFramed black and white photograph of a man wearing a 3 piece suit. He has a white shirt with a patterned tie. Dark jacket and waistcoat (Percival Hodge). He has receding hair and is smiling.Front: Bottom centre: PERCIVAL HODGE, Esq. Mayor, Town of Portland 195--51 Back: Top left: Yellow sticker numbered 3503percival hodge, mayor, portland, civic, local government, civic photography, mayor of portland

Portrait photograph of a man. He has a white beard and hair which is parted on his left and smoothed across. He is wearing a white shirt and black jacket and looks straight ahead. The photograph is framed in an oval mount board in burgundy. Framed in an ornate gold, gilt frame.J. Marriott Esq / 1868 - 73 - 4portrait photography

Portland Town CouncilRetouched (colour) photograph of a man in a suit, posed in ¾ view, upper torso. He has grey hair, cut short, glasses and is wearing a badge on his left lapel. Framed in decorative paper mache/plaster and wood frame, painted gold, in gold mount.Front: Portland/Town Council (Black and red text, upper centre) The Honorable/H.V. MacLeod MLC JP/Mayor 1946-49 (black and red text, lower centre) Back: (no inscriptions)hv macleod, civic photography, civic

PORT PHILLIP GOLD MINE OF CLUNES EMPLOYED MANY MINERS WHO EVENTUALLY WENT TO WESTERN AUSTRALIA WHEN GOLD WAS DISCOVERED THEREBLACK AND WHITE ORIGINAL PHOTOGRAPH OF EMPLOYEES OF THE PORT PHILLIP MINE .1 FRAMED ORIGINAL PHOTOGRAPH WITH BROWN MATT BOARD. WOODEN FRAME .2 & .3 PHOTO PRINT ORIGINAL, SLIGHTLY BLURREDSOME OF THE EMPLOYEES OF THE PORT PHILLIP GOLD MINING COMPANYlocal history, photography, photographs, mining