Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 4/21 Neg. No ..../ Date taken 28-7-53/ SUBJECT./ Weigh Bridge. / Victoria Parade. (Ink stamp with blue pen and pencil additions, centre)port of portland archives

An A4 size document outlining findings into an investigation into the state of flora and fauna in Victoria.This publication was produce as a discussion paper to inform decisions related to changes in land management and conservation regulations and policy in 1986land management, conservation victoria, water conservation

The negative came from Record Book, Stock Breeding Record [Cows] (B91.453) and is stored with photographs catalogued as B91.71.Black and white photograph. Rear view of Jersey cow held by a man standing in a paddock. On reverse, "Victoria Fire Flame. Height 4ft 1in Length 6ft 3in."cows, stock breeding record, victoria fire flame, jersey cow, stockman, cow uddder, butter fat

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting of port with 14 large silos and a large domed shed in background. On horizon line is a wharf with a ship berthed. In foreground left is a pier stump with wood nailed to it, and leaning on it is a large anchor with a rope tied to it. In foreground left is a beach area, diminishing rapidly toward port in background.Front: (no inscriptions) Back: (unknown)sculpture, bas-relief, copper, port of portland, portland harbour

Owned by Darryl Kennedy, given to Anne Grant for donation to the collection.Folded colour invitation. On front is a picture of Portland Aluminium Smelter. Inside pages depict black and white photographs of smelter and an invitation. Invitation to Alcoa Portland Aluminium 20th Anniversary celebrations, 12th October 2006Front: Darryl Kennedy (black pen, inside invitation) Back: -alcoa, celebration, 20th anniversary

A postcard with four colour photographs of local attractions in an around Marysville in Victoria.A postcard with four colour photographs of local attractions in an around Marysville in Victoria. This postcard was produced by the Murrindindi Shire Council as a souvenir of Marysville.THE HEART/ OF VICTORIA/ #discoverdindi/ @idscoverdindi www.discoverdindi.com.au Murrindindi/ Shire Councilmarysville, murchison street, keppel lookout, black spur, steavenson falls, victoria, murrindindi shire council, postcard, souvenir

On the 24th January 1933 Certificate No.12002, a Special Certificate for Regular Attendance, is issued to Helen Young who had been a pupil at School No.3235 Beech Forest from 24th March 1928 to 12 December 1932 for attendance at every school meeting during that period. It was signed by the Minister of Public Instruction, Mr. J.W. Pennington, and the Acting Director, Mr. J. McRae.Special Certificate for Regular Attendance, Education Department, Victoria. A4 printed and filled in by hand.education department; victoria; beech forest; helen young; certificate; attendance;

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Four-page folded A4 size brochure on the activities of the National Trust of Australia (Victoria)national trust of australia (victoria)

Marine life set in front of a blue and white patchy background. Seawater swirling. Each animal is outlined in black. In front are two whales, one with mouth open and the other with mouth closed. There are four seals and several crustaceans and other plant life. There are swirling black lines and in the bottom lefthand corner there is an 8 pronged spoke and above it a semi circle with five arrows pointing in different directions. The image has the feel of a scientific diagram. some of the smaller images of marine life anmd plants are in red.Bottom left: Rush Hour: Bonney Upwelling Portland Vic 14/20 Bottom right: Beth Croce '17bonney upwelling, portland, blue whales, marine life, scientific, diagram, print, female artist

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

Colour-printed cover, newspaper quality interior pages. 11 pages.alcoa; Portland industry

Coloured postcard of Victoria Hotel on south east corner of Main Street and McMillan Streets Bairnsdale VictoriaMurray Views No 5 Victoria Hotel Bairnsdale Vicbuildings, hotels

Photocopy of the original document of c. 1895-1897 listing all places not a Post Town in Victoria.listing of place and street namesvictorian geographical names, street names

Port of Portland AuthorityFront: (no inscriptions) Back: 177 (top left, pencil)port of portland