Photocopy of the original document of c. 1895-1897 listing all places not a Post Town in Victoria.listing of place and street namesvictorian geographical names, street names

Coloured postcard of Victoria Hotel on south east corner of Main Street and McMillan Streets Bairnsdale VictoriaMurray Views No 5 Victoria Hotel Bairnsdale Vicbuildings, hotels

Souvenir programme from Back to Portland High School, March 27 - 28, 1982, celebrating 25 years. White, heavy glossy paper, black and white photos of PHS in 1957 and 1982, on front, Portland Higher Elementary School chemistry class 1928 and Portland High School chemistry room 1982, on back.

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 4/21 Neg. No ..../ Date taken 28-7-53/ SUBJECT./ Weigh Bridge. / Victoria Parade. (Ink stamp with blue pen and pencil additions, centre)port of portland archives

Sign - with an adhesive backing, titled "Public Transport Victoria", PTV logos, Myki - with grey background. 2 copies.trams, tramways, ptv, tickets, signs, myki

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting of port with 14 large silos and a large domed shed in background. On horizon line is a wharf with a ship berthed. In foreground left is a pier stump with wood nailed to it, and leaning on it is a large anchor with a rope tied to it. In foreground left is a beach area, diminishing rapidly toward port in background.Front: (no inscriptions) Back: (unknown)sculpture, bas-relief, copper, port of portland, portland harbour

Owned by Darryl Kennedy, given to Anne Grant for donation to the collection.Folded colour invitation. On front is a picture of Portland Aluminium Smelter. Inside pages depict black and white photographs of smelter and an invitation. Invitation to Alcoa Portland Aluminium 20th Anniversary celebrations, 12th October 2006Front: Darryl Kennedy (black pen, inside invitation) Back: -alcoa, celebration, 20th anniversary

Limited edition poster displaying images of Australian Victoria Cross recipientsThe Victoria Cross (VC) is a military decoration awarded for valour "in the presence of the enemy" to members of the Australia Armed Forces. It may be awarded to a person of any rank in any service, and to civilians under military command. Being the highest award in the Australian Honours Order of Wearing, the Victoria Cross takes precedence over all other postnominals and Australian orders and decorations. Timber frame containing images of Victoria Cross Medal recipients AUSTRALIAN VICTORIA CROSS AWARDS Limited Edition Seriesvictoria cross, vc

Marine life set in front of a blue and white patchy background. Seawater swirling. Each animal is outlined in black. In front are two whales, one with mouth open and the other with mouth closed. There are four seals and several crustaceans and other plant life. There are swirling black lines and in the bottom lefthand corner there is an 8 pronged spoke and above it a semi circle with five arrows pointing in different directions. The image has the feel of a scientific diagram. some of the smaller images of marine life anmd plants are in red.Bottom left: Rush Hour: Bonney Upwelling Portland Vic 14/20 Bottom right: Beth Croce '17bonney upwelling, portland, blue whales, marine life, scientific, diagram, print, female artist

Colour-printed cover, newspaper quality interior pages. 11 pages.alcoa; Portland industry

A colour photograph of autumn trees along a street in Marysville, Victoria.A colour photograph of autumn trees along a street in Marysville, Victoria. This postcard was produced by scancolor in Victoria as a souvenir of Marysville.MARYSVILLE - VICTORIA/ The vivid beauty of Autumn scancolor Australia (03) 429 1477 CS 1859marysville, victoria, postcard, souvenir, scancolor, autumn, trees

A colour photograph of autumn trees along a street in Marysville, Victoria.A colour photograph of autumn trees along a street in Marysville, Victoria. This postcard was produced by scancolor in Victoria as a souvenir of Marysville.MARYSVILLE - VICTORIA/ The vivid beauty of Autumn scancolor Australia (03) 429 1477 CS 1859marysville, victoria, postcard, souvenir, scancolor, autumn, trees

A black and white photograph of the Marguerita Tea Rooms in Buxton in Victoria.A black and white photograph of the Marguerita Tea Rooms in Buxton in Victoria.Photography by Malmack/ Phone WF4630 Marguerita Tea-Room/ Buxton/ Victoriabuxton, victoria, marguerita tea rooms, photograph

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A colour photograph of Gallipoli Park and Darmody's Lake in Marysville, Victoria. Darmody was a prominent builder at one time in Marysville and this lake was named after him. The Rose Series postcard No. 3529.MARYSVILLE VICTORIA/ Gallipoli Park & Lake POST CARD The "Rose" Series/ De Luxe Proudly Printed in/ Australia Since 1880 AFFIX/ STAMP/ HERE/ Rose Series/ Post Card No./ 3529 ADDRESS/ POSTCODE Beautiful Gallipoli Park and Lake/ MARYSVILLE, VICTORIA, AUSTRALIA/ Photos Neil Cutts Copyright Rose Stereograph Co., Glen Waverley, Victoria (03) 9560 7772marysville, victoria, gallipoli park, postcard, souvenir, rose stereograph co, 3529, darmody's lake