Norman Edward Maher enlisted in the AIF 11.6.43. At discharge from the AIF on 19.9.46 he was posted to the 2/11th Infantry Batt.Medal set, court mounted, set of (4) re N.E Maher. 1. 1939-45 Star 2. The Pacific Star 3. War Medal 1939-45 .4 Australian Service Medal 1945 - 45"VX141214 N.E. Maher"medals, military, history

Warick Niven Johanson No PM4958 enlisted in the RAN on 9.9.42 aged 17 years 9 months. Posted to HMAS Australia February 1943. Saw service through the Japanese Kamikaze attacks. At discharge from the RAN on 17.4.46 his rank was Signalman HMAS Lonsdale. Refer 2566P.Medal set, court mounted, set of (6) re W Johanson. 1. 1939-45 Star. 2. Pacific Star. 3. War medal 1939-45. 4. Australian Service Medal 1939 - 45 5. Australian Service Medal 1945-75 with clasp "SW PACIFIC" 6. Phillipines Liberation Medal."PM4958 W.N.Johanson"medals, naval, history

Russell James Emond VX15562 enlisted on 1.3.40 in the 2/8th Infantry Batt 2/nd AIF. On discharge from the AIF he held the rank of L/Cpl on 12.10.45. Post War he served in the the 38th Batt Northern Victorian Regiment No 392288 attaining the rank of Captain.Medal set, court mounted, set of (8) Re R EMOND. .1) 1939 - 45 Star .2) Africa Star .3) Pacific Star .4) Defence Medal .5) War Medal 1939 - 45 .6) Australian Service Medal 1939 - 1945 .7) Australian Defence Medal .8) Greek Campaign Medal.1) - .6) VX 15562 R J EMOND .7) 392288 R J EMONDmedals, military, history, passchendaele barracks trust

Daniel Vervon Frank Hufer "ED" No VX52861 enlisted in the 2nd AIF on 7.4.41. He was a POW of the Japanese. At discharge from the Army he was a Lieutenant in 2/29th Aust Infantry Batt. Awarded the Efficiency Decoration. He served in the 38th Batt pre and post WW11. Medal set, court mounted, set of (6) Re. D.F.V. HUFER. 1. 1939 - 45 Star 2. Pacific Star 3. War Medal 1939 - 45 4. Australian Service Medal 1939 - 45 5. Efficiency Decoration Medal 6. Efficiency Medal "VX 52861 D.F.V. HUFER" medals, military, history, awards, passchendaele barracks trust

Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible.The series of oral history interviews (1983-1990) captured the memories of some active early members of the Portland Council for Encouragement of Music and the Arts. First hand memories of the formation of the organisation in 1945, early activities of its groups, fundraising and building of the CEMA Arts Centre provide a window into community life in Portland and District in the post WW2 era. Recent digitisation (2025) has preserved deteriorating cassette tape recordings. community arts., oral history - portland c.e.m.a.

On the right is Stathi Raftopoulos and his business partner Pangiotis (Peter) Giannoudis. The photograph, taken in Sydney in 1972, at a meeting of men involved in the Greek theatre/film industry. One of the men is a Mr. Heliopolis, a member of the Greek Heliopolis Theatre visiting Australia. Stathi Raftopoulos was active in promoting Greek film and live performances in Australia from the 1950s through to the 1970s. As a result of the efforts of Stathi Raftopoulos to bring Greek theatre and films to Australia many of the post WW2 Greek immigrants who settled in Australia were able to enjoy entertainment from Greece. Stathi was a partner in the Cosmopolitan Film company which had a number cinemas in the inner suburbs of Melbourne in the 19600s - early 1980s. Although they screened almost exclusively Greek films, they were the first to bring Indian films to Australia.A black and white photograph of seven men sitting around a table in a cafe.

An advertising poster for the 1955 All Nations Festival which was presented by the Australia Red Cross Society, Victorian Branch. Nina and Olga Black participated in the festival and were featured on the poster (seated at front first and second from left) wearing Greek traditional costumes. Other recognisable national costumes are Scottish Piper and Dutch.The event held in 1955 by the Australian Red Cross promoted multicultural Australia and members of the Ithacan Philanthropic Club participated. It was the period of post WW2 mass migration which saw many nationalities making Australia their home.Photocopy of a poster for the 1955 All Nations Festival. Consisting of a group 3 men and 6 women dressed in different national traditional dress. There is a Red Cross symbol either side of the group.THE AUSTRALIAN RED CROSS SOCIETY / VICTORIAN DIVISION/PRESENTS THE / 1955 ALL NATIONS FESTIVAL / ST. KILDA CRICKET GROUND - SUNDAY, 27TH FEBRUARY 1955folk dancing, national costimes

Severe earthquakes struck across the Ionian Islands in Greece in 1953, causing widespread devastation. Some villages were totally destroyed resulting in many people forced to relocate and a further wave of emigration to other countries, including Australia.Following the post WW2 migration from Ithaca, the earthquakes brought about yet another wave of migration from the island. It was the last most significant period of migration from the island.A black and white photograph of ruins caused by the earthquake which occurred in the Ionian Islands in 1953.

Part of the Alfred Boland collection, refer Cat No 2473.Canvas "Square" bag with shoulder strap bypass buckle. Colour green/brown. Both sides have little pockets, kept shut with press studs. The top lid is kept shut with an American Pattern clip and post system. Inside the bag are two little pockets. The bottom 'Pocket' covers the drain hole. On the back are two belt mounting steel loops.Inside the lid is a broad arrow.equipment, canvas bag, ww2

STANLEY BAYLISS, VX138816 enlisted on 7 May 1943 and discharged on 26 March 1946. On discharge he was listed as being posted as a Private to 2/108 General Transport Company..1) RSSAILA Badge (RSL) with clip 1940 denoting membership that year. .2) Ribbons set of 2, Pacific Star & 1939 - 45 Star. .3) Australia Service Medal 1939 - 1945 .4) War Medal 1939 - 1945 .5) Pacific Star.2) “37779”Stamped on reverse .3) & .4) “ VX138816 S BAYLISS” on rim .5) “VX138816 S BAYLISS” on rearbadges, membership, medals

The photos were in a collection of George Henry Haw No 128091 RAAF, enlisted 0n 22.3 1943 age 30 years initially in 79 Sqd RAAF Laverton. His overseas service is listed as from 16.6.1943 to 1.10.1944 on Goodenough, Kiriwina and Los Negros Islands. Then Madang from 5.6.1945 to 22.10.1945. Other service was Townsville QLD. Discharged from the RAAF on 18.12.1945 with the rank of LAC in No 2 Medical Recieving Station. Los Negros is in the Admiralty Islands, Goodenough is north of Milne Bay and Kiriwina is in the Trobriand Islands north of Milne Bay.Five photographs B & W relating to RAAF service in the Islands; .1) Group photo showing 51 personnel with an Aircraft behind. .2) Group photo showing 39 personnel with an Aircraft behind. .3) Three personnel standing beside a post with distances to various places. The post shows that they are on Los Negros Island. .4) Three Japanese POW’s in the back of a truck. .5) Five Japanese POW’s in the back of a truck with Americans on ground.photographs, raaf, islands, pow’s

Pdf transcription of Interview 1984non-fictionTranscription made in 1984 of an oral history recording. Eric Thorpe was a foundation member of Portland C.E.M.A., active in the Literary and Dramatic Groups and on the Executive. His memories of the early decades of the organisation were recorded by Lesley Jackson in 1984. Recording is no longer available. Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible.oral history - portland c.e.m.a., portland council for encouragement of music and the arts

Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible. Olive Meissner was a foundation member of C.E.M.A. and an active member of C.E.M.A. Dramatic Group for many years. She explains the quest to find a "clubrooms" for C.E.M.A. and chats about festivals and plays that she performed in. An entertaining story about visiting Ireland and meeting up with an adjudicator of a play festival concludes the interview. The series of oral history interviews (1983-1990) captured the memories of some active early members of the Portland Council for Encouragement of Music and the Arts. First hand memories of the formation of the organisation in 1945, early activities of its groups, fundraising and building of the CEMA Arts Centre provide a window into community life in Portland and District in the post WW2 era. Recent digitisation (2025) has preserved deteriorating cassette tape recordings.pdf documentcommunity arts., oral history - portland c.e.m.a.

Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible. Fred Merryweather was an active member of the C.E.M.A. Dramatic GroupThe series of oral history interviews (1983-1990) captured the memories of some active early members of the Portland Council for Encouragement of Music and the Arts. First hand memories of the formation of the organisation in 1945, early activities of its groups, fundraising and building of the CEMA Arts Centre provide a window into community life in Portland and District in the post WW2 era. Recent digitisation (2025) has preserved deteriorating cassette tape recordings.pdforal history - portland c.e.m.a., portland council for encouragement of music and the arts

Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible. Dorothy Woolcock's recording was damaged, but the full 1983 transcript and most of the audio have survived. Dorothy was an office bearer on the CEMA executive and the Arts Council Branch and instrumental in running Arts festivals in the 1960s and early 1970s.The series of oral history interviews (1983-1990) captured the memories of some active early members of the Portland Council for Encouragement of Music and the Arts. First hand memories of the formation of the organisation in 1945, early activities of its groups, fundraising and building of the CEMA Arts Centre provide a window into community life in Portland and District in the post WW2 era. Recent digitisation (2025) has preserved deteriorating cassette tape recordings.community arts., oral history - portland c.e.m.a.

Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible. Collin Woolcock had been C.E.M.A. President for 17 years at the time of this interview, he was instrumental to the lobbying, fundraising and achievement of an Arts Centre for Portland. He discusses the role of Keith Stirling Anderson in assisting C.E.M.A. to find a home.The series of oral history interviews (1983-1990) captured the memories of some active early members of the Portland Council for Encouragement of Music and the Arts. First hand memories of the formation of the organisation in 1945, early activities of its groups, fundraising and building of the CEMA Arts Centre provide a window into community life in Portland and District in the post WW2 era. Recent digitisation (2025) has preserved deteriorating cassette tape recordings.portland council for encouragement of music and the arts, oral history - portland c.e.m.a., portland arts centre history