Cardboard folder for developed prints and negatives. Red cover with yellow circle at centre, bearing words, 'Kodak Prints'. Two cameras depicted at lower edge. Yellow and black lined frame.Kodak Prints|We use Velox|This is the stamp of qualityphotography, camera accessories

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

A 52 playing card set (plus two jokers) with large print numbers and suit types. Playing cards with William Grant's Scotch Whiskey printed on back and numbers and suit in large print in paper packet. recreation equipment, games

Price list for repairs & New Work used by coach builders in StawellWater stained Purple cover, black faded Print.Master Coachbuilders, Wheelwrights and Farriers' Association of Stawell. In Faded Printstawell industry

John Cook sitting at his desk.B/W photographs and negative print of John CookJ. Cook 28/6/91 on back of triple print.association for the blind, john cook

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This bear is in an Australian navy sailor outfit and white cap with the band saying HMAS Sydney. He was given the name Salty. A previous edition had The Australian Navy on the cap band. Sometimes special editions of the bears were produced. In 2021 the price was increased to $20 per bear.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in a white navy uniform with HMAS on his cap band with a printed cardboard tag.Printed tag gives the price as $20.legacy appeal, fundraising, legacy bear

Black and white photograph, printed on postcard, with a decorative printed frame. This one is of the bowling green with a shed shown at the left of the photo with a banner reading Welcome, and with a long pavilion erected behind the greens. The Union Jack is flying from the flagpole.Printed at bottom of photo: "The Bowling Green, Rutherglen"bowling green, rutherglen bowling club, sports grounds

A children's toilet product to aide in relief of suffering from chafing caused by nappy rash. A far cry from the present day products as the item has no description of contents. This was before legislation was introduced making the listing of ingredients compulsory.659.1 - Small cylindrical can for Pears' Precipitated Fuller's Earth. Sides printed with product details. Lid printed with coloured picture of nurse and child.Printed on base of side in black; " A & F PEARS, Limited LONDON and SYDNEY"baby product, a & f pears, tin, sydney, london, printed tin, round tin, children, mothers, nappy rash, powder product, medical, victorian, printing process, font, collectable

Kaiser inspecting the troops on the Somme 1917. The film that this print is from, was confiscated from a prisoner of war.Rare photograph of The Kaiser inspecting troops at the Somme. Of historical significance.Black & White photographic print.On reverse is written: Ñ'oublions jamais! ( "Never Forget") Somme 1917the kaiser, somme, ww1, german, soldiers, pickelhaube, helmet, military, inspection, somme, 1917, world war 1, war

Wooden frame, glass fronted montage of printed, drawn guns from 1245 to 1954.In centre printed inside scroll: “EVOLUTION OF THE GUN”military history-army, arms-firearms, illustrations-prints, glass technology, gun, artillery

Black and white photograph, printed on postcard, showing the cellars at Fairfield, with an agricultural dam in the foreground.Printed at tow of photo: "Fairfield Cellars, Rutherglen"fairfield cellars

For those interested in the history of Melbourne Legacy this book is a must read. Filled full of larger than life characters and the good will of many volunteers and benefactors of Legacy. The book should be read in conjunction with Part One (item 00363). These type written sheets were set in order and put together by some members of The Advisory, History And Tradition Committee (Melbourne Legacy).Significant in that this is a scholarly attempt at recording the early history (1932-1944) of Melbourne Legacy. These were the years of the Great Depression and World War 2, hence shortages of all manner of things.Navy blue hardback book, title printed in gold lettering on front cover and spine.Title on cover and spine printed in gold letteringhistory, founding legatee, committee

Twelve page product catalogue with a blue front and back cover and black printed text. front: [printed] Geigy / Diazinon / for Lice and Kedagriculture, animal management, chemicals, treatment, diazinon, lice, geigy, parasites, sheep, ked, rural industry

The Albertville 1992 Winter Olympics were the last Games to be staged in the same year as the Summer Games. It was the third time France had hosted the Winter Olympics. Australia sent 23 athletes to the 1992 Winter Olympic Games.Burgundy and cream women's woollen jumper printed with eucalyptus leaves and gumnuts.On hem of jumper - 'Eucalyptus' - Hand printed by 'Elly Originals'1992 albertville winter olympics, france, design, australian, the woolmark company, athletes, uniform, jumper, textile, fashion, eucalyptus, gumnuts

Photographs from 17th Light Horse Regiment collection box. .1) Black print bottom: Two hundred officers & men of the 17th & 19th Light Horse were in training at Bendigo last week. 1. LIEUT A V PALMER 2. Jumping in pairs 3. The camp trumpeter 4. LIEUT COL H K RAWSON CO of camp on right with his staff 5. Watering the horses 6. Machine gun practice 7. Some of the men.1) Laminated photocopy of 7 numbered black & white photographs, Light Horsemen Soldiers in uniform, horses, machine gun, mounted on archival cardboard, from newspaper article, black & white top & bottom. .2) Laminated photocopy of colour photograph, 8 Soldiers in uniform mounted on horses, white print label lower right..1) Black print: "March 18 1933 The Weekly Times Magazine Section, Light Horsemen in Camp in Bendigo" (see notes for bottom details). .2) White print: "The Army, then, now, and for the future. All had a part to play"photography-photographs, military history - army, light horse, passchendaele barracks trust

sepia studio photograph of adult male, bearded and moustache , bareheaded, jacketed, hear and shoulders shown in oval on white surround. Glazed surface to print. Print mounted on rectangular black card.printed on front 'Bartlett Bros, Sandhurst. Printed on back 'Bartlett Bros, Photographers, Sandhurst, William Street Opposite Shamrock Hotel and New Public Buildings.person, individual, male, bartlett bros., sandhurst

The main items is the attempted assassination of Hitler.Scottish newspaper, cream with black print, No 30,635Printed top centre: “News Chronicle Friday July 21 1944”newspaper, scottish, 1944, hitler

Colour print of Z3 203 (Route 57) at the Newmarket Plaza shopping centre, stop in Racecourse Road. The tram is in The Met/PTC colour scheme. In the background are the Douta Galla Hotel, the Newmarket Station railway overbridge and a rainbow. Photo c2000.Yields information about the use of the use of Z3 trams on route 57.Colour print - printed on Kodak Professional paper.trams, tramways, z3 class, tram 203, racecourse road, newmarket, route 57

A light blue programme with dark blue print. On the front cover is a photo of The Conductor Mr. W.C. Frazier and the words, ' 'The Bendigo Choral Society.'' Season 1928. Third Concert. Town Hall, Bendigo. Tuesday, November 27th, 1928. Followed by a list of the artists. E.H. Collett, Hon. Sec. W.F. Mansell, Asst. Hon. Sec. Programme: Price 3d. Boltons Print, Bendigo. 4 pages.Boltons Print, Bendigoprogram, music, bendigo choral society, lydia chancellor, collection, ' the bendigo choral society, ' entertainment, music, singing, choir, amusements, bendigo town hall, programme, buildings, concert

Taken on 25 October 1930, various houses with the Hume Dam under construction are depicted in the background. The construction of the Hume Dam took place from 1919 to 1936. At the time of construction, it was the second largest dam in the world. It was also one of the earliest civil projects developed after the Federation. Some of the Dam workers consisted of World War I veterans. Dam workers often settled their families in Mitta Junction Village and Wodonga. Archaeological surveys were completed by Austral Archaeology, which was done when the Department of Land & Water Conservation was doing work to improve Hume Dam. The archaeological report that came out of the survey recommended three sites of interest where archaeological excavation should be done: Camp Ganger’s Quarters, Stableman’s Quarters, and the Industrial Dump. The excavation uncovered artefacts. Mitta Mitta: Mitta Mitta is situated between Mount Welcome and Mount Misery. It is named after the river that explorers Hume and Hovell discovered in 1824. The town would eventually become a huge gold mining town. Mitta Mitta is called Midamodunga by the local Indigenous peoples Wodonga: Wodonga is situated on the Murray River and is part of North East Victoria. Hume and Hovell: Hamilton Hume (1979-1873) and William Hilton Hovell (1786-1875). W. H. Hovell was born in Norfolk England and Hume was born in Parramatta, New South Wales Hovell and Hume undertook an exploration journey in 1824 and thought they discovered a river, which turned out to be the Murray River. They returned home in 1825, but returned to the area in 1826 and discovered coal in the area.This photo is historically significant as it shows the Hume Dam under construction in 1930. The Dam was named after Hamilton Hume, who is an important historical figure for this area as he helped discover the area where resources were found.Sepia rectangular photograph printed unmountedReverse: 84-19-6/ 1997.3187/ The spillway [featuring trademark: kodak print] construction, houses, veterans, mitta junction village, hume dam, world war i, federation, wodonga, archaeological survey, excavation, austral archaeology, department of land & water conservation, camp ganger's quarter's, stableman's quarters, industrial dump, artefacts, mitta mitta, mount welcome, mount misery, murray river, hamilton hume, william hilton hovell, hume and hovell expedition

See also Cat No 3477. Part of the HEWSTON collection re WW1 & WW2..1) 6 pages stapled together from 2nd edition of above book. .2) 11 pages from 1st edition of above book printed in greenish ink..1) Printed bottom in centre: “In the Support Trench” Printed bottom L: “Bruce Bairnsfather” .2) Printed bottom in centre: “Still Keeping His Hand In” Printed bottom L: “Bruce Bairnsfather”booklet, fragments, bystanders

.1 .2 REPRODUCTION PHOTOGRAPHS PRINTED ON GLOSS PAPER OF STUDENTS AT CLUNES STATE SCHOOL 1552 1 CLASS.Printed on reverse; Shire of Talbot and Cluneslocal history, photography, photographs, schools 1552

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Christ Church Warrnambool – The image on this card shows Christ Church, a stone building built in 1856. The Anglican church is in Henna Street, Warrnambool. The church, outer buildings and grounds are heritage-listed. Its bell tower harbours German bells. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time, he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.This card is the only one of the nine cards with the location of Warrnambool added to the name 'Joseph Series'. It is also the only one that has text within the outline for the postage stamp. The font used for the test of the headings is slightly different to the other cards. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool. This postcard of Christ Church Warrnambool is significant for its connection to the church. The early building of the church in 1856, within the first decade of Warrnambool being proclaimed a town, shows the strong religious desire of the community. The church is part of Warrnambool's life events and the historical significance of the building,Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image is of the Interior of the church chapel, with exposed timber beams, white arches decorated with flowers, pews with books on shelves, and organ pipes. There is text on the image. The title is in red print on the front of the card. The back has inscriptions and outlines for a postage stamp. There is no correspondence written on the card. Jordan Series, printed in Great Britain.Front, in red: “CHRIST CHURCH, WARRNAMBOOL” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here” Text on the arch: "THE LORD OF HOSTS"flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, christ church, bell tower, german bells, warrnambool church, religious building, stone building, anglican church, parish of warrnambool, arch pillars

A colour slide of children at Harelands in the 1960s in the dining room doing their homework, helped by Legatees. It is similar to a black and white photo at 02542. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of legatees helping children at Harelands.Colour slide of children doing homework in a dining room in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and '10' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands

A colour slide of two young men playing billiards in a recreation room at a Legacy residence in the 1960s. It is possibly Blamey House in Burke Road or Harelands in Willesmere Road, Kew. It appears to be the same roll of film as 03023 - which is at Harelands dated early 1960s. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children in their education.Colour slide of two young men playing billiards in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and '18' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands, blamey house