This is a needle case produced in a novelty form. Sewing kits and needle cases were essential items for women to have in their houses, to take with them when travelling and to carry in their handbags for emergency repairs. Today needle cases are still used but less frequently as in past times, depending on the craft skills of the person and the hobbies pursued.This item has no known local significance but it is an interesting example of an early 20th century needle case and is retained for display purposes.This is a needle case in a wooden container made in a rectangular shape with a pointed top. The shape is in the form of a church with an affixed metal or paint shape of a church on the front of the container. The front of the container has been polished. The two sides of the container are affixed with two metal hinges and there is a metal clasp on one side. Part of the metal clasp is missing. Inside the container is padded with white/grey cotton material. On one side are two paper grey and black folders which once contained needles and on the other side there is a middle band to hold other needles or pins. This side has one rusty pin.‘Sharps 5/9 6, 7, Wartd. By Morris & Yeomans’household accessories, history of warrnambool

2 photographs from the Diamond Valley Gem Club taken by Rosie Bray. Photo 1 is captioned "Gem Club members showing some of their skills at Diamond Valley Gem Show, Watsonia Community Hall 2005"; photo 2 shows the Club banner and is captioned "Diamond Valley Gem Club 2005".2 colour photographs, captions on back.diamond valley gem club, lapidary, gem clubs, grace park

The Mission to seamen provided special services and support for cadets and officers of the merchant fleets. Officers had access to accommodation at the Mission and were encouraged as senior crew to improve pastoral and counselling skills that may benefit crews at sea. Padre Oliver is in his office, holding the book: Clanbrae: A Golfing Idyll by Pentland PeileThis image depicts Chaplain Oliver and three young seafarers possibly all officers / cadets (one is wearing a Merchant Navy badge) at the Mission circa 1944. Unclear if any of these men were related to Frank Ware.Black and white photograph depicting Padre Oliver, holding an open book and three seamen, one in naval uniform standing and two other men seated next to the Padre. A Mission to Seafarers Flag is in the background. mission to seafarers, frank ware, frank oliver, padre oliver, merchant navy, mn, clanbrae a holding idyll, josephine atkinson

One of a set of display images thought to be produced by the Shire of Eltham c.1979-1987. Outdoor woodworking class in action at either the Eltham or Panton Hill Living and Learning Centre. In 1977 the Centre offered two other related courses: "Carpentry and Wood carving" and "Home handyman skills" - Living and Learning (1977)Illustrative of services provided by former Shire of ElthamColour photograph 20 x 29 cm mounted on green-painted chipboard 28 x 35.5 cm (string on back for hanging)Title printed on label adhered to board below photograph (replaced June 2017)living and learning centre, woodwork, class

This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, collar, waist trim and yoke. There are five buttons and two ties down the front.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery

This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, neck trim and waist trim. Drawstring, tie and button closure.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery

This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, collar and waist trim. It has button closures down the front.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery

This handmade women’s camisole features hand-worked lace yoke and trim and a drawstring peplum waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's camisole, short sleeves and drawstring peplum waist. Handmade from white cotton fabric, with hand-worked lace sleeve tips, collar and waist trim. Front closure.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, handmade lace, hand-worked lace, camisole, paton family, trefnant, yangery

The photograph was taken in 1989 when students in Grades 4 and 5 from Bulla Primary School attended a school camp at Gundiwindi Camp. The camp is in the Yarra Valley area on the border of North Wandin and Silvan. At the camp the children were learning bush survival skills, which were practised by the local indigenous people.The emphasis on the camp at Gundiwindi was bush survival and skills used by indigenous people.A non-digital coloured photograph of four children in a bushland setting attempting to build a camp fire in the cleared area. the forested area is behind the group.school camps, gundiwindi, bulla primary school, indigenous culture

Roderick William Mills, known as Saltbush Bill (left) with his sons, James Charles Mills (centre) and John James Mills (right), in London. In 1917 Saltbush Bill travelled from America to London after giving shows in various cities of the US, to spend time with his sons. James and John Mills were serving with the AIF and on leave from the French front in London. Saltbush Bill remained in London for the rest of the war as he was unable to return to Australia. Saltbush Bill, was the inspiration for several poems by A.B. Paterson. Born at Balnarring in 1869, Mills earned the title of Saltbush Bill whilst working on a cattle station in Queensland. On these long droving trips, he learnt the art of cracking stock whips of many different lengths and sizes, a skill that earnt him £100 after a Melbourne saddler, J.K. Jennings, suggested that no man could crack a 65-foot stock whip in three tries. Saltbush Bill succeeded on his first attempt and decided to make a career in entertainment with his skill. Over his career he performed for royalty, travelled and performed extensively overseas and lent his skill to fundraising efforts, particularly during the war. His last concert was given in the Boomerang Hall in Dandenong in 1926.A local resident of the City of Moorabbin, Saltbush Bill was an ambassador for Australia and a literary inspiration to A.B. (Banjo) Paterson. Saltbush Bill, his wife Hannah Louise Porter and their 11 children lived in Old Dandenong Road, Heatherton, where Saltbush Bill and Hannah conducted a market garden for many years. Saltbush Bill is buried in Cheltenham's Pioneer Cemetery.Black and white photograph of three men, one seated behind a table and two standing. The two standing are in military uniformsHandwritten in blue ink: K000733saltbush bill, stock whip, entertainment, heatherton

These hat pins represents women's fashion in the late 19thC and early 20thC. As the material used in the construction is not of a high monetary value it can be assumed it was everyday woman's apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important and many women used their craftwork skills to create their own hat pins. This item is a reflection of the fashion mode of the late 19thC and early 20thC when long hair needed to be controlled by hair pins It is also an example of society's mores of tidiness 14 lady's steel hat pins in various styles numbered A -i A) 6x pearl tear-drop ; B) 1x pink metal beads;C) gold ball in 'oyster shell'; D) gold ball; E) pink plastic weave; F) silver metal ball; g) black bead; h) white ball; i) pale blue glass set in brassmoorabbin, brighton, early settlers, pioneers, cheltenham, craftwork, clothing

Maurice Miles served in the Australian Army in World War Two and was present at Cowra when the Japanese POW breakout occurred. He joined Citizien Military Forces in 1965, serving with 8/13 Victorian Mounted Rifles till 1985. He was a keen rifle shot and this shield was a way of fostering the skill within the regiment.Representative of community efforts to foster military skills in citizen soldiers.Wooden shield with 8/13 Victorian Mounted Rifles badge at centre and plaques arranged around edges recording winners of competition.Donated by / S Sgt Maurie Miles / & Family / upon his retirement / 8/13 VMR / 1965-1985cowra, cmf, vmr, military, world war two, marksmanship

'Rupertswood' mansion, in Sunbury, was the former home of Sir Rupert Clarke. His original estate covered 137317 acres in various areas in the district of Bourke in the 1880s. The 'Rupertwood' property was eventually acquired by the Salesian Order and functioned as a boys' school where many were trained in farming skills. In the 1990s it became a coeducational secondary college. The Clarke family acquired and settled much land in the Sunbury area and today 'Rupertswood' Mansion is one of the surviving grand nineteenth century mansions in Victoria. The Catholic Church has also played a prominent role in educating many of the young people in the district. A sepia photograph of the 'Rupertswood' mansion set on a rise with surrounding farmland and some outbuildings.rupertswood mansion, salesian college, catholic church, catholic education, education, schools

Vision Australia Enterprises was the division that provided employment opportunities and training for people who are blind or have low vision. It continued the initial approach that began with the formation of the first workshop in 1867. In these images, packaging items for external vendors, office skills and woodwork are shown. In 2009, the Prahran building was sold, and a new centre opened at Kensington. 52 digital images of workers in the Prahran buildingvision australia, employment, mary pipczak, norm richards, alan binginic, gena kacowicz, adrian smith

Sepia photograph. Slab hut with bark roof, verandah. One brick chimney, weatherboard skillion at L end. One male under verandah. One male in yard. One male mounted on horse. Barrels, wheelbarrow, four wheeled horse drawn vehicle under or near verandah. Inscriptions on front 'MP94', in red ballpoint ink '28'.On Back in grey lead 'Axedale family near Sugarloaf'.( near Fosterville ) On back in red ball point pen '28'. History of object: Previous Acc. No. 'MP 94'. An important photo of early settlers showing type and construction of farmhouse, type of farm implements and clothingBendigo Advertiserbuildings, residential, cottage

Scythes were used with a long sweeping movement which made them much less tiring for labourers to use than reaping hooks or sickles though they still involved great physical labour and considerable skill to perfect. Both hands were in use and the operator did not have to bend his back to reach down to the crop. Scythes were not used as often on farms after the mechanisation of harvesting. They were still used for cutting awkward shaped small plots and for opening a path for the tractors. This item is an example of a tool used by the early settlers of the Orbost district. A curved wooden scythe handle with two nailed grips attached with metal rings. There is no blade. There is a metal hook at the bottom.scythe agricultural tool farming

Scythes were used with a long sweeping movement which made them much less tiring for labourers to use than reaping hooks or sickles though they still involved great physical labour and considerable skill to perfect. Both hands were in use and the operator did not have to bend his back to reach down to the crop. Scythes were not used as often on farms after the mechanisation of harvesting. They were still used for cutting awkward shaped small plots and for opening a path for the tractors. This item is an example of a tool used by the early settlers of the Orbost district.A curved iron blade with one sharp edge. It is attached to a curved hollow handle with two extensions on one side where the scythe can be held by two hands.scythe agriculture tool

Photos of the Melbourne Junior Legatees Annual Demonstration held at the Olympic Pool Stadium on Friday, 7th and Saturday 8th October, 1960. These Demonstrations were held annually from 1928 through to the late 1970’s. Legacy provided classes for junior legatees such as gymnastics, exercises, dancing and swimming. The skills learned were showcased in the annual demonstration.A record of the skills the junior legatees showcased in the annual demonstration. Black and white photo x 26 of the Melbourne Junior Legatees Annual Demonstration held at the Olympic Pool Stadium on Friday, 7th and Saturday 8th October, 1960.annual demonstration, junior legatee

The photograph was taken in 1989 when the children in grades 4 an 5 attended a school camp at Gundiwindi, which is in the Yarra Valley on the border of Wandin and Nth. Silvan. At the camp the children were acquainted with the skills used by the local indigenous people. The children the photograph attempted to construct a bark shelter along the lines of those build by the local indigenous people. While the children from Bulla Primary School attended the camp at Gundiwindi they were introduced to skills used by local indigenous people.A coloured non- digital photograph of three children sitting at the entrance of a primitive bark shelter. The immediate surrounding area has been cleared but native woodland is growing beyond the fence line. school camps, gundiwindi, bulla primary school, indigenous culture

The children from Bulla Primary School visited Glengala Primary School near Sunshine in March 1993. During their visit they joined in a number of activities with the Glengala children. In this photograph they were practicing soft ball skills in the covered courtyard area. Glangala school was one of the newer schools built in the Western suburbs in the late 1980s-early 1990s. A non-digital coloured photograph of five young children being supervised by two adults in a sheltered courtyard of a school. The children are playing with a softball bats and balls. glengala primary school, bulla primary school, ball handling skills, school excursions

Booklet issued by the SECV Transport Branch, titled "Safety in Driving" advises its drivers on the skills of driving motor vehicles or trucks. Written by Arthur F Mason, Victoria Poilice Chief instructor, motor driving school. Very much based around male motor car drivers. Reprinted from the IAAE journal of March 1960.Demonstrates a guide issued by the SECV to it's motor vehicle drivers about driving.Booklet - manila card covers, containing 16 printed pages stapled on left hand side.secv, motor vehicles

This is a set of twenty photographs of the Army Survey Regiment undertaking regimental training in state forest north of Costerfield, Victoria, 1995. The state forest is now part of the Heathcote-Graytown National Park. The aim of the training was to provide personnel practical revision of infantry and minor tactics at the section level, navigation and map reading, RATEL and Survival in the Field. This was the Army Survey Regiment’s last military skills field training exercise before disbandment of RA Svy and the weather on the last day was wet and cold. It provided soldiers who decided to continue their military service essential military skills revision and for those who chose to discharge from the Army, it reinforced their decision to leave. LTCOL Duncan Burns was the last CO of the Army Survey Regiment from 1994 to 1996 and WO1 Ken Johnston OAM MM from RA Inf was the RSM for one year in 1995.This is a set of twenty photographs of the Army Survey Regiment undertaking regimental training in state forest north of Costerfield, Victoria, 1995. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, 1995, unidentified personnel. .2) - Photo, colour, 1995, L to R: Derek Percival, Damien Cole, unidentified. .3) - Photo, colour, 1995, L to R: unidentified, Chris ‘Charlie’ Brown, unidentified (x2). .4) - Photo, colour, 1995, unidentified personnel. .5) - Photo, colour, 1995, unidentified. .6) - Photo, colour, 1995, unidentified personnel. .7) - Photo, colour, 1995, unidentified personnel. .8) - Photo, colour, 1995, L to R: Jim Ash, Syd Anstee, unidentified, Rob Bogumil. .9) & 10) - Photo, colour, 1995, L to R: Steve Hill OAM CSM, Rob Bogumil, Brian Paul, Jim Ash, Syd Anstee, Colin Davidson. .11) - Photo, colour, 1995, L to R: Paul ‘Hutch’ Hunter, Stu Ridge, Chris ‘Charlie’ Brown. .12) - Photo, colour, 1995, RSM WO1 Ken Johnston OAM MM. .13) - Photo, colour, 1995, Peter Imeson. .14) - Photo, colour, 1995, L to R: Stu Ridge, Alan Virtue. .15) - Photo, colour, 1995, CO LTCOL Duncan Burns. .16) - Photo, colour, 1995, unidentified personnel. .17) - Photo, colour, 1995, L to R: Tony Harder, CAPT Sutiman (Indonesian Exchange Officer), Kasey ‘Tiges’ Northausen, unidentified (x2), Mick Duggan. .18) - Photo, colour, 1995, CAPT Sutiman (Indonesian Exchange Officer). .19) & 20) - Photo, colour, 1995, unidentified personnel..1P to .20P – No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Photograph of the finale of the Legacy Demonstration in 1973, the Golden Jubilee year to celebrate the 50th anniversary of the founding of Legacy. It is at the Melbourne Town Hall and the stage is filled with children in costumes, some holding Australian flags. President Geoff Handbury is speaking at the microphone. Large Legacy Golden Jubilee sign and torch symbol above the performers. Legacy would stage annual demonstrations for many years to showcase the skills of the junior Legatees. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. A record of a Junior Legacy Demonstration for the Golden Jubilee in 1973.Black and white photo of the Golden Jubilee Demonstration in 1973.Stamped "This Photograph is the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge / Photo: Michael Cheshire" in black ink.junior legatee, annual demonstration, golden jubilee

65 Albert Road. the land was first owned by George Bull when he bought it in 1860. The house was built around 1862. Members of the family owned it until 1893 when it was sold to William Johnson. Johnson died in 1897 and Catherine Sara Ryan nee Hain bought it and lived there until she died in 1927. The cottage was then sold to the Coffey family who retained the property until 1974. The cottage is conventional coursed limestone building with bluestone quoins, gabled roof, chimneys at each end and a skillion on the western side, added at a later date. It was originally a two-roomed dwelling with kitchen. Behind the cottage is a slab-sided wooden gable ended shed, containing a large limestone rubble chimney and a sleeping area within the south facing skillion section. It is unlikely that it is older than the cottage, but it is an unusual, crude structure, presumably for general farming purposes.Coloured photographcottage, building, home, house, coffey's cottage, albert road, ryan, hain, johnson, george bull

This handmade women’s pair of bloomers, or drawers, features hand-worked Broderie Anglaise and applique trim and a drawstring rear closure at the waist. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's bloomers or drawers, handmade from white cotton fabric, with hand-worked Broderie-Anglaise trim around the bottom of legs with applique motifs. Bloomers have a drawstring, back of waist closure.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, women’s underwear, ladies’ underwear, undergarment, under-structure, 1900s undergarments, 19th-century undergarment, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, broderie anglaise, hand-made broderie anglaise, paton family, trefnant, yangery, bloomers, drawers, underpants

Post mortem? As a veterinary officer Stan Mountjoy became expert in the care and treatment of troop horses and his skill won him commendation from Army Command. The horse carcass, inside a perimeter fence suggests it died at a depot, not in combat. The rigors of the deserts often meant there were several hundred cases of sick horses and mules each week. post mortem, veterinary, horse, war, world war 1, ww1, soldiers, officers, light horse, vet

This Carte-de-viste (CdV) previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. It is unclear; however, whether or not the man depicted in the photograph is Daniel Mullins or a different police officer. The Police Station at Glenrowan depicted in this CdV stood during the events of the Kelly gang's siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak. This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Items pertaining to the Kelly gang, including photographs like this one which depicts a police officer standing outside of the Glenrowan Police Station, are of great historical significance. Photographs like this can provide valuable information on the architecture, lifestyle and dress of colonial Australia. When studied, photographs have the ability to shed more light on the events of the Kelly gang and colonial Australia. This photograph is also of artistic significance because of the popularity of the CdV during the nineteenth century.A sepia toned photograph mounted on grey card with rounded corners. The image has been captured by an unknown photographer and depicts the outside the Glenrowan Police Station. In front of the Station stands an unidentified policeman and lying on the ground behind the policeman is a medium sized dog with dark colouring. The Police Station depicted in this photograph is a classic example of Australian country colonial architecture typically seen dating to the nineteenth century. It has the typical features of an Australian colonial 'miners' cottage' with the gable roof and a skillion at rear. A white picket fence is stands between the Station and the policeman. A small building is located at the rear of the Station which may have served as a lockup.BMM 8083kelly album, glenrowan, police, police station, photograph, ned kelly, australia, colonial australia, victoria, james bray, william e barnes, daniel mullins

lemon coloured, bifold A4 'Welcome to Bendigo' brochure. On front ' Welcome to Bendigo' and coat-of-arms of City of Bendigo in top RH corner. Photo of Charing Cross in centre. Below photo: 'As to the City's name, it seems most likely to have been taken from a shepherd who was nicknamed 'Bendigo' for his pugilistic skill, Bendigo then being a notable figure in the ring in England' In centre 'Evolution of Bendigo tramways' 6 photos of trams: 1890 battery electric; 1903 electric traction; 1945 maximum traction; 1892 steam tram cars, 1913 open cross seat cars, 1947 Birney safety cars. On back, diagram of Bendigo Tramway routes.tramways, history, tramways brochure

Set of two printed A3 photos, full colour gloss for the 2018 National Trust Ballarat Heritage Awards. .1 - "2018 Greg Binns Award Recipient - Ballarat Tramway Museum" - with photos of the Horse tram, 939 and single truckers at the front of the depot and text about the Museum and tramway operations in Ballarat. .2 - "Finalist - Excellence in Heritage Skills - for the restoration of Horse Drawn Tram No. 1", showing photos from the time it was recovered until it was operating along with some text about the project. See June 2018 Fares Please! for details of the events and awards and August 2018 Trolley Wire. Each poster has four Velcro dots on the rear.trams, tramways, btm, horse tram, volunteers, national trust, awards

This machine was given to Ada Healey as a child. Ada Healey was for 20 years a volunteer and organizer at the Orbost Slab Hut (Orbost Information Centre). She was known for her craft skills and was a particularly fine knitter. Ada was the only child of Tom & Queenie Warne, born in Bombala/Delrgate. She was married to Keith Healey. The Healey family were early settlers in Marlo.This is an example of a toy given as a "teaching" toy. It was used by its owner to practise sewing before graduating to an adult type machine.A small hand-operated sewing machine. The body of the sewing machine is painted black. The top arm appears to have been painted in a white/cream colour. The machine could have been used to make small articles. There is no bobbin.On the stand- A.L.L.sewing handcraft toy toy-sewing-machine