1st Surrey Hills was the 3rd troop formed in Victoria. Harrison Buchanan was not old enough to join and for a time was the 'troop mascot' as the cubs had not been formed at this time. He later became the troop's 2nd Scoutmaster. Doug Jeffries lived at 12 Vincent Street. Alex Lucas was the son of the draper in Canterbury Road. Our documentation variously gives the date as 1901 or 1909.Six boys are pictured against a backdrop of scrub in the eroded creek bed, called 'The Alps', of Back Creek opposite Wattle Park. Three of them are identified as: Harrison Buchanan (with the stave), Doug Jeffries on the LHS and Alex Lucas next to him.Black and white photo measuring L 24.5 cm x H 17.4 cmback creek, 1st surrey hills scout troop, scouts, harrison buchanan, alex lucas, doug jeffries, childhood and youth, topography

Princess Theatre, Eighty first Birthday Souvenir Programme 1874 1955. Eight page booklet. Subjects include, History of theatre, Don Vincent Manager. Advertisements, Radio Taxis, Kings Dry Cleaners, John V Schenk Florist, Morley Johnsons, Ron Meurer, Melody Bar. Cinema photograph, Seven Brides Seven Brothers. Photograph Princess Theatre Staff 1955.theatre

35mm Kodak white cardboard colour slide by Keith Kings of W5 760 at Haymarket Junction, Royal Parade, with the destination of Coburg, Route 20 with an auxiliary board for Carlton Football Ground.. Has adverts for Neals, Victor Board and Courage beer and Vincents headache powders. In the background are adverts for Qantas and the CBA Bank. Taken 7/6/1969 See inscriptions re the tram.Keith Kings stamp and number "56-23", with details of exposure. W5 760 with half drop windshield, Sydney Rd cnr Flemington Road 7/6/69"trams, tramways, w5 class, haymarket, coburg, route 20, royal parade, tram 760

Plaque: "Sam Burston & Co Proprietory limited pneumatic maltsters". Vincent and Vi Burston owned the Culla Hill property through the 1940s and 1960s. Vi Burston was active in the Shillinglaw Cottage movement. Barrett Burston Malting operated today with "its origins in the various families of Burston, Hood, Smith and Barrett, pioneers who established the malting industry in Australia in the 1860's". https://bbmalt.com.au/ Roll of 35mm colour negative film, 2 strips Fuji HR100eltham, sweeney, sweeney's cottage, sweeneys lane, burston, maltsters, barn, plaque, stonework

The Julian Smith direct blood transfusion pump was invented by Dr Smith in Melbourne in the late 1930s. Smith founded St Vincent's Hospital in Melbourne and was known as an inventor and photographer as well as a pioneering surgeon. His blood transfusion innovations were adopted worldwide during the 1940s. This belonged to Dr Bill Rawling's and was in a medical bag that he was used in the 1940s and 1950s. It was donated by Dr Geoff Bishop.Julian Smith's blood transfusion pump, for direct (person to person) blood transfusion. Included is a rotary pump, clamps, a metal cup with clamp and a metal box and lid for autoclave sterilisation. Incomplete, polyvinyl tubing missing.blood transfusion, smith, julian

Mawul Rom Project: Openness, obligation and reconciliation Morgan Brigg (Universtiy of Queensland) and Anke Tonnaer (University of Aarhus, Denmark) Aboriginal Australian initiatives to restore balanced relationships with White Australians have recently become part of reconciliation efforts. This paper provides a contextualised report on one such initiative, the Mawul Rom crosscultural mediation project. Viewing Mawul Rom as a diplomatic venture in the lineage of adjustment and earlier Rom rituals raises questions about receptiveness, individual responsibility and the role of Indigenous ceremony in reconciliation efforts. Yolngu ceremonial leaders successfully draw participants into relationship and personally commit them to the tasks of cross-cultural advocacy and reconciliation. But Mawul Rom must also negotiate a paradox because emphasis on the cultural difference of ceremony risks increasing the very social distance that the ritual attempts to confront. Managing this tension will be a key challenge if Mawul Rom is to become an effective diplomatic mechanism for cross-cultural conflict resolution and reconciliation. Living in two camps: the strategies Goldfields Aboriginal people use to manage in the customary economy and the mainstream economy at the same time Howard Sercombe (Strathclyde University, Glasgow) The economic sustainability of Aboriginal households has been a matter of public concern across a range of contexts. This research, conducted in the Eastern Goldfields of Western Australia, shows how economically successful Aboriginal persons manage ?dual economic engagement?, or involvement in the customary economy and the mainstream economy at the same time. The two economies sometimes reinforce each other but are more often in conflict, and management of conflicting obligations requires high degrees of skill and innovation. As well as creating financially sustainable households, the participants contributed significantly to the health of their extended families and communities. The research also shows that many Aboriginal people, no matter what their material and personal resources, are conscious of how fragile and unpredictable their economic lives can be, and that involvement in the customary economy is a kind of mutual insurance to guarantee survival if times get tough. Indigenous population data for evaluation and performance measurement: A cautionary note Gaminiratne Wijesekere (Dept. of Families, Housing, Community Services and Indigenous Affairs, Canberra) I outline the status of population census counts for Indigenous peoples, identifying information on Indigenous births and deaths, and internal migration estimates. I comment on the ?experimental? Indigenous population projections and question the rationale for having two sets of projections. Program managers and evaluators need to be mindful of limitations of the data when using these projections for monitoring, evaluating and measuring Indigenous programs. Reaching out to a younger generation using a 3D computer game for storytelling: Vincent Serico?s legacy Theodor G Wyeld (Flinders University, Adeliade) and Brett Leavy (CyberDreaming Australia) Sadly, Vincent Serico (1949?2008), artist, activist and humanist, recently passed away. Born in southern Queensland in Wakka Wakka/Kabi Kabi Country (Carnarvon Gorge region) in 1949, Vincent was a member of the Stolen Generations. He was separated from his family by White administration at four years of age. He grew up on the Cherbourg Aboriginal Reserve in the 1950s, when the policies of segregation and assimilation were at their peak. Only returning to his Country in his early forties, Vincent started painting his stories and the stories that had been passed on to him about the region. These paintings manifest Vincent?s sanctity for tradition, storytelling, language, spirit and beliefs. A team of researchers was honoured and fortunate to have worked closely with Vincent to develop a 3D simulation of his Country using a 3D computer game toolkit. Embedded in this simulation of his Country, in the locations that their stories speak to, are some of Vincent?s important contemporary art works. They are accompanied by a narration of Vincent?s oral history about the places, people and events depicted. Vincent was deeply concerned about members of the younger generation around him ?losing their way? in modern times. In a similar vein, Brett Leavy (Kooma) sees the 3D game engine as an opportunity to engage the younger generation in its own cultural heritage in an activity that capitalises on a common pastime. Vincent was an enthusiastic advocate of this approach. Working in consultation with Vincent and the research team, CyberDreaming developed a simulation of Vincent?s Country for young Aboriginal and non-Aboriginal persons from the Carnarvon Gorge region to explore Vincent?s life stories of the region. The use of Vincent?s contemporary paintings as storyboards provides a traditional medium for the local people to interactively re-engage with traditional values. Called Serico?s World, it represents a legacy to his life?s works, joys and regrets. Here we discuss the background to this project and Vincent?s contribution. A singular beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land RG Gunn (La Trobe University) and RL Whear (Jawoyn Association) Samples from a beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land were analysed for radiocarbon and dated to be about 150 years old. An underlying beeswax figure was found to be approximately 1100 years old. The Dreaming Being Namarrkon is well known throughout Arnhem Land, although his sphere of activity is concentrated around the northern half of the Arnhem Land plateau. Namarrkon is well represented in rock-paintings in this area and continues to be well represented in contemporary canvas-paintings by artists from the broader plateau region. We conclude that representations of Namarrkon in both painted and beeswax forms appear to be parallel manifestations of the late Holocene regionalisation of Arnhem Land. ?Missing the point? or ?what to believe ? the theory or the data?: Rationales for the production of Kimberley points Kim Akerman (Moonah) In a recent article, Rodney Harrison presented an interesting view on the role glass Kimberley points played in the lives of the Aborigines who made and used them. Harrison employed ethnographic and historical data to argue that glass Kimberley points were not part of the normal suite of post-contact artefacts used primarily for hunting and fighting or Indigenous exchange purposes, but primarily were created to service a non-Indigenous market for aesthetically pleasing artefacts. Harrison asserted that this market determined the form that these points took. A critical analysis of the data does not substantiate either of these claims. Here I do not deal with Harrison?s theoretical material or arguments; I focus on the ethnographic and historical material that he has either omitted or failed to appreciate in developing his thesis and which, in turn, renders it invalid. The intensity of raw material utilisation as an indication of occupational history in surface stone artefact assemblages from the Strathbogie Ranges, central Victoria Justin Ian Shiner (La Trobe University, Bundoora) Stone artefact assemblages are a major source of information on past human?landscape relationships throughout much of Australia. These relationships are not well understood in the Strathbogie Ranges of central Victoria, where few detailed analyses of stone artefact assemblages have been undertaken. The purpose of this paper is to redress this situation through the analysis of two surface stone artefact assemblages recorded in early 2000 during a wider investigation of the region?s potential for postgraduate archaeological fieldwork. Analysis of raw material utilisation is used to assess the characteristics of the occupational histories of two locations with similar landscape settings. The analysis indicates variability in the intensity of raw material use between the assemblages, which suggests subtle differences in the occupational history of each location. The results of this work provide a direction for future stone artefact studies within this poorly understood region.document reproductions, maps, b&w photographs, colour photographskimberley, mawul rom project, 3d computer game, storytelling, vincent serico, beeswax, namarrkon, artefact assemblages, strathbogie ranges, groote eylandt, budd billy ii

Conditions of sale by private contract dated 13th September, 1929 between F. Vincent (seller) and J. Taylor (buyer) for land situate Upper Road, California Gully being Crown allotment 292 section M at California Gully, Borough of Eaglehawk described in certificate of title volume 2959 folio 591717, together with 6-roomed weatherboard dwelling and all sundry. Price 210 pounds.organization, business, h.a. & s.r wilkinson real estate

Conditions of sale by private contract dated 13th September, 1929 between F. Vincent (seller) and J. Taylor (buyer) for land situate Upper Road, California Gully being Crown allotment 292 section M at California Gully, Borough of Eaglehawk described in certificate of title volume 2959 folio 591717, together with 6-roomed weatherboard dwelling and all sundry. Price 210 pounds.organization, business, h.a. & s.r wilkinson real estate

COLLECTION OF RECORDS OF BENDIGO AND DISTRICT OLD PEOPLES WELFARE SOCIETY / Manilla folder / writing note on front B.O.P.W.S.Salvation Army , St Lukes , St Vincents De Paul , Bendigo Uniting Church Outreach , Notice to Members / inside includes news clippings , Bank statements , passbook , letters / history of the society , mention of founder Ken Hesse , Annual Return , Rules , map of Golden Oaks Villagedocument, ken hesse

A wooden, slotted handle racquet. Inscription across throat of obverse: VINCENT RICHARDS/GOOD SHOT! Inscription across throat of reverse: HARRY C. LEE & CO/NEW YORK. Inscriptions featuring manufacturing and patent details situated along the sides of the stem. Company logo 'LEE' is stamped across leather butt cap. Materials: Wood, Glue, Lacquer, Ink, String, Gut, Leather, Metal, Plastictennis

Copy of two fire brigade photos. The top one shows the Review in the Upper Reserve with the band in the foreground and the brigade teams marching on the reserve. The lower photos Long Gully, Winners Hose Practice for Eight Men. Team members are: B Mitchell, T Smith, G Hall, W Wearne, W Trahair, J Waterson, A Polglaise and A Truscott. Photographers were Vincent Kelly and W H Robinson.bendigo, history, long gully history group, the long gully history group - brigade review and long gully winners hose practice for eight men, w tibbett, f arthur, w stewart, e miller, h harvey, h derham, w h robinson, vincent kelly, b mitchell, t smith, g hall, w wearne, w trahair, j waterson, a polglaise, a truscott

Blackand white photograph of a group of men in front of a stone building (Possibly Bendigo Town Hall). 33 men dressed in 3 piece suits, most wearing a ribbon on their jackets. All expect three men are wearing hats. Possibly members of a Lodge. Inscription: B.R. 'W. Vincent Kelly Mitchell St Bendigo'. On Back: 'To Bendigo Historical Society with compliments of 'The Horsham District Historical Society''.W.Vincent Kelly/Mitchell St/Bendigo

From Roger Skien Collection. Back Row: W.Gilbert (Property Steward), J. Cpburn, M. Gravina, P. Kalegerakos, M. Rossin, D.White, A. Mckinnon, J. Lamont (Trainer) 2nd Back Row: R. Skien (Team Manager), D. Filo, R. Andrews, B. Dixon, G. O'Mera, D. Ellis, J. D'Angelo, G. Buck, B. Wallis (Trainer) Center Row: J. Vincent, S. Kerr, I. Atiken, D. Noonan, G. Potter, J. Hullin, W. Burke, D. Bolzonello (Doctor), L. Jones (Head Trainer) G. Walsh (Development Officer) Front Row: B. Baker, G. Reynoldson, M. Edwards, P. Starbuck (Captain), D. McKay (Assistant Coach), G. Southby (Coach) A. Bassett (Vice Captain), I. Wrigglesworth, P. Poursanidis, T. Holding (Runner) Sitting: P. Donohue, H. Buck, B. Carter, M. Vincent, S. Graham, B. Cavigan Coloured photograph mounted on cardboard.

Article published in The Age, Friday, August 11, 1961, p12 as part of the "In the Churches" column by Beatrice Neilson describing the plans for expansion by Melbourne City Mission for the Judge Book Memorial Village at Eltham. Includes image of the architect's sketch. Article also refers to plans or new sites by the Mission at Kilsyth, Hawthorn, Sandringham and East Brunswick. In 2021 Judge Book is now known as St Vincent's Care Services, Eltham.judge book memorial village, aged care, melbourne city mission, beatrice neilson, the age, sister mildred greenwood, rev r h barnes, seniors, nursing home, aged care facility, judgebook

The two names hand written are, VX43695 KM Casey (Kevin Michael), VX52172 JV Casey (John Vincent) The 2/7th AIF ..... ? Kevin was discharged in the 2/17th Bn and John in 2/1st Guard Bn. The first page relates to joining the 6th Division AIF in 1939 and Marching through Melbourne. These items were in the collection Lawrence Vernon Andrews VX114736. Refer Cat No 4228 for his service details..1) - .4) Four pages of poetry on ruled Salvation Army letter head in red, hand writing is in black pen. Two names have been written on the paper in ink at the top of the pageMain heading, “Remember us Australia by Will Handy”.poetry, will handy, 6th division

Dark green school uniform blazer size 15. Single breasted. Three dark green buttons. Breast pocket on LHS with white and green embroidered school emblem showing an emu and a kangaroo on either side of an open book with a golden three layered crown above it with two ribbons. Motto: OMNIA IN CHRISTO. Two pockets either side of front. Split at lower back. St Vincent College, Junortoun.TEE DEE quality uniform ware. Labels inside neck and inside LHS.costume, male, school jacket

Five Bendigo Advertiser articles from May 1954 on two vocal contests, one the Bendigo Advertiser ballad the other Sutton's "Star of Lieder". Miss Gertrude Perry was a finalist in the Bendigo Advertiser contest. ther attendees were; Douglas Stuchberry, Peter Campbell, Arthur Mee, Jennifer Eddy, Helen Foster, Vincent Warrener, Joan Levecke, Gordon Wilcock, Elizabeth West, Loris Sutton, Joy Mammen.newspaper, bendigo, the bendigo advertiser

Agfa colour slide, blue / white plastic mount, photo by Keith Caldwell of SW6 919 nearing the corner of Swanston St and Victoria St, showing Glen Iris, route 6. Tram is northbound. The tram has adverts for Vincents headache powders, Rent A Holden and Tucker box. Alongside is a bucket with a red flag and equipment used by the point cleaners. In the background is the Ansett ANA building, 25/4/1964In ink "SW car 25.4.64"trams, tramways, swanston st, route 6, glen iris, victoria st, track cleaner, sw6 class, tram 919

In 1899 John Vincent Smith acquired the property known as 'Bundoora Park'. In the same year he organised a public competition for a design for a house to be built on the property. The competition (worth $50) was won by architect Sydney Herbert Wilson who also designed the Malvern Town Hall. In 1990 a fourteen room mansion was erected. The Australia Tesselated Tile Co of Mitcham supplied most of the tiles for the walls and floors, and Griffins and Lilials for the roof decoration.Coloured photograph detailing the history of Bundoora Park Homestead, Bundoora. Features a drawing of the mansion. The Australian Tesselated Tile Co. Pty Ltd of Mitcham supplied tiles and other materials.bundoora park homestead, australian tesselated tile co pty ltd, tiles

Black and white photograph showing a view from the Eastern Hill Fire Station lookout tower over the intersection of Victoria Parade and Brunswick St, now known as St Vincents Plaza. There are three W2 class trams in the view. Has in the view the Eastern Hill Hotel, Penfolds Wines building on the former site of the Brunswick St / Victoria Parade engine house, the MMTB Traffic Offices, the MMTB substation, and the Bank Note Printing works. Yields information about the intersection of Victoria Parade and Brunswick St. late 1930s.Photograph with hand written notes on rear and stamps on the rear.In ink "Taken from the top of the Fire Station Eastern Hill, Melbourne.", The Argus copyright and the Ken Magor stamp.trams, tramways, w2 class, victoria parade, brunswick st, st vincent's plaza, engine houses

Repousse World War One tablet: 1914-1919 For God, King and Country The windows above have been erected as a memorial to the heroic lads of this school and church who fell in the Great War. Brittain, H.O. Butcher, J.C. Cornish, H. R. MM Eady, Jas Edmends, W.H. Ferguson, F. Farrar, A.Z. Gist, C.H. Gates, S.C. Grave, H.B. Hughes, A.W. Hughes, G.A.C. Jones, Stan Marshall, R. McConnell, A.R. Muller, A.V. Polkinghorne, E.C. Ridgwell, H.R. Sansum, A.H. Smith, A.G. Tait, R.E. Tait, Laurie Veal, T.P. Vincent, L.A. World War Two tablet: This memorial tablet is dedicated to the memory of P. Sullivan, who fell and to those who enlisted in World War II.world war, world war one, world war two, p. sullivan, brittain, butcher, cornish, eady, edmends, ferguson, farrar, gist, gates, grave, hughes, jones, marshall, muller, polkinghorne, ridgwell, sansum, tait, veal, vincent, stained glass memorial, barkly street uniting church, mmm

Article by Judy Lewis published in the Eltham Town Community News [2009] page 10 describing the history of the property known as Judge Book Villlage / Eltham Retirement Centre operated by Melbourne CityMission as the Centre is placed on the market for sale. The detailed article includes a table of milestones including in 1956 when Prime Minister Robert Menzies laid the foundation stone. Includes colour photos. In 2021, Judge Book is known as St Vincent's Care Services Eltham. judge book memorial village, aged care, melbourne city mission, seniors, nursing home, aged care facility, judgebook, ken patterson, willandra, judy lewis

Photo of a cable tram set, trailer 306, in Park St South Melbourne with the St Vincent Gardens in the background. The photo is taken after the construction of the Collins St electric line in 1929 as the destination board notes the tram is connecting with Collins St electric trams. The gripman is waiting for the phtograph to be taken, with the Conductor on the platform of the trailer car. In the background are the Gardens and housing of this area. Photo c1930. The South Melbourne cable tram line closed for conversion in 1937.Yields information about the South Melbourne cable tram line and Park St.Black and white print with a plain backtrams, tramways, south melbourne, tram 306, cable trams, park st

Two page letter dated 16/1/2015 from Margaret Knight nee Barrass outlining her relationship with Margaret Barrass who died in a 1918 train smash in Tasmania. Two 1918 cuttings from the Bendigo Advertiser detail the funeral and the circumstances surrounding the accident. A contemporary brown manilla envelope printed with heading Vincent Barclay Studio, Beehive Buildings 94 Elizabeth Street Melbourne once held newspaper cuttings.bendigo, history, margaret barrass

A wooden tennis racquet with string whipping around shoulders and shaft, and a bald leather handle. Decal across base of head, on obverse: SUPERIOR/DUNLOP/PRODUCTS. Head and neck decal image of Vincent Richards, with signature reproduction feature across shaft on obverse. Inscription along throat on reverse: DUNLOP/SPEED/THROAT. 'D' trademark features on black butt cover. Materials: Wood, Gut, String, Ink, Leather, Glue, Lacquer, Metaltennis

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Thelma Hiscock in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 24 or 27 June when Hiscock was performing the role of Lazarillo.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Thelma Hiscock."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

Quamby was built in 1898. From 1900/1903-1924 it was the home of Andrew Sherar and family. From 1924-1960s it operated as Mosgiel Hospital under the direction of Matron Elizabeth Anderson. Until Box Hill Hospital opened most Surrey Hills children were born at Mosgiel or at Nethercourt Hospital in Wilson Street or later in Union Road when Matron Tank moved her hospital here. Mosgiel Hospital was demolished c 1975 after it was sold by Box Hill Hospital. It was replaced by units. Andrew Sherar was conductor of the Wyclif Church choir for many years and was a member of the Melbourne Liedertafel. Isie Sherar was organist at Wyclif Church and also taught piano in Union Road. Connie Sherar was in the Wyclif choir and married Ernest Swan, an elocutionist and orator. Dorothy Sherar was a pianist and accompanist. Elsie Sherar was also in the Wyclif choir and was a soloist; she later moved to Templestowe. Ken Sherar was a boy soprano at St Paul's Cathedral; he later moved to Queensland.Black and white photo looking south down Vincent Street from 'Quamby', located at 293 Mont Albert Road, Surrey Hills. In the centre foreground is a timber house with 2 chimneys and a tiled hip roof. It has a return veranda and is fenced on 2 sides by paling fences and picket fences on the other two. In the background are many more houses. A road lined with power poles runs from the right foreground to the middle distance.quamby, vincent street, edwardian style, topography, andrew sherar, isie sherar, connie sherar, dorothy sherar, ken sherar, elsie wappet

Postcard, a B&W Vincent Kelly photo of a residence called "Cwmciofran" in Bendigo. A gravel path leads through a rose arbour up to the house, garden bed on left and lawn on right. On the back the PC is addressed to Mrs Randal, City Family Hotel, Bendigo with the message 'I wish you a happy Xmas and bright New Year.' Senders signature not decipherable. Affixed is a one penny Victoria stamp. Postmarked 'Bendigo 23 ? 05'postcard, photograph, postcard, cwmciofran, bendigo, city family hotel, vincent kelly

Theatre program: Bendigo Operatic Society presents by arrangement with J. C. Wiliamson Theatres Ltd 'Wildflower'. A Cid Ellwood Production. Books & Lyrics by Otto Harbach and Oscar Hammerstein 2nd. Music by Herbert Stothart & Vincent Youmans. Opening for five nights commencing 29th July 1966. At the Capital Theatre , View Street. Cambridge Press. Gertrude Perry was 'Wildflower' ( see Gertrude Perry Collection for other items relating to this production)event, entertainment, theatre, wildflower, bendigo operatic society, j c williamson theatres ltd, cid ellwood, otto harbach, oscar hammerstein 2nd, herbert stothard, vincent youmans, cambridge press