These films were used c1940s and 1950s to educate students in Bogong and Mt Beauty Primary Schools. The visual experience enabled all students to see the same picture as the teacher read out the caption. Bogong and Mt Beauty Primary Schools are in the Kiewa Valley established as a result of the State Electricity Commission of Victoria's Kiewa Hydro Electric Scheme. As the schools were remote from large towns and cities these films were useful to enhance the students' education using a different media to that of books.450 - 500 Metal canisters with fitted lid and base soldered on. Each lid is marked with a number and / or title / subject of film. Film is rolled up inside canister. It is plastic and is in negative form - black and white. The number of frames and length of film varies. The edges have rectangular holes for threading onto a viewing machine.Varies with each canister - subject / title. Some have a number and some have a number and title / subject. Some are inscribed on and some are on paper attached to lid. photographic equipment, films, film canisters, education, schools, bogong primary school, education department of victoria, photography, mt beauty primary school.

"Using both official and unofficial photos, this is a powerful visual record of the ANZAC experience of the Western Front, WW1 - the scene of some of the bloodiest horrors and the greatest loss of life. Australian photographer." --Publisher's description.138 pages : illustrations, portraits, map ISBN 0733312802world war 1914-1918, australian imperial force, anzacs, military campaigns, western front

David McMASTER David was a student at University of Ballarat (now Federation University) Arts Academy when this work was undertaken. In 2007 David McMaster completed a Bachelor of Visual Arts (Fine Arts) Honours at the University of Ballarat Arts Academy, after undertaking a Bachelor of Visual Arts (Fine Arts) at the University of Ballarat Arts Academy from 2004 to 2006, with major studies in Painting, and minor studies in Ceramics and Papermaking. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of Federation University Australia Vice Chancellor Professor David Battersby, on custom made shaped stretchers.art, artwork, david battesby, david mcmaster, vice chancellor, portrait, mcmaster, federation university

The 41 alphabetic and numeric visual signalling flags (including substitute and answering pennants) have either square or pointed ends. They are made of bunting, a coarse fabric of worsted (open yarn wool) in various colour combinations. Some of the flags are marked with inscriptions, for example “B”. Attachments to the flags include hemp rope and metal clips. Each flag has its own galvanised canister and lid, each of which is painted grey and marked with a letter, number or word. The flags were used for communicating messages to passing ships. Knowledge of visual signalling was mandatory for all lightkeepers and all lightstations maintained a set of flags. Although used for centuries, visual flag signalling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages. The signal flags and canisters at Gabo Island form a complete set and are not historically linked to the lightstation and their provenance is unknown. It is known however that they originate from a lightstation in Victoria and for some years were on loan from AMSA to the Queenscliff Maritime Museum, where they were held in storage and not displayed. Three of the six lightstations that Parks Victoria manages have sets of signal flags in their collections. Forty navigational signal alphabet flags & numeral pennants. Flags are made of wool.

The 41 alphabetic and numeric visual signalling flags (including substitute and answering pennants) have either square or pointed ends. They are made of bunting, a coarse fabric of worsted (open yarn wool) in various colour combinations. Some of the flags are marked with inscriptions, for example “B”. Attachments to the flags include hemp rope and metal clips. Each flag has its own galvanised canister and lid, each of which is painted grey and marked with a letter, number or word. The flags were used for communicating messages to passing ships. Knowledge of visual signalling was mandatory for all lightkeepers and all lightstations maintained a set of flags. Although used for centuries, visual flag signalling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages. The signal flags and canisters at Gabo Island form a complete set and are not historically linked to the lightstation and their provenance is unknown. It is known however that they originate from a lightstation in Victoria and for some years were on loan from AMSA to the Queenscliff Maritime Museum, where they were held in storage and not displayed. In three of the six lightstations that Parks Victoria manages have sets of signal flags in their collections. Forty-one galvanised canisters with separate lids. The canisters are painted a grey/white colour and have either numbers, letters or words painted on the lid and on the cannister in black paint. There are variations in the style of canister and in the style of the inscriptions.

This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and usage inquiries. W.E Longhurst & Sons Bread Manufacturers were located at 408 Mair St

Jo FOLEY Jo Foley studied Visual Art of the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mobile If you can assist with information on this artist or artwork please use the comment link below.art, artwork, jo foley, mobile, human movement collection, alumni

Alexandria LANGLEY HALL (1954- ) Born England Arrived Australia 1960 Alexandria Langley Hall graduated from University of Ballarat (now Federation University) in 2013 with a Bachelor of Fine Arts (Visual Art).Eight framed works depicting slaughtered animals.alexandria langley hall, animals, slaughter, slaughterhouse, butcher, meat, available

Ultratec Superprint 4425 is a text telephone which aids hearing impaired individuals to communicate via telephone. A landline text telephone with a physical keypad, with visual alerts for incoming calls. This device came into production in 1994.Ultratech Superprint 4425 - Landline Text TelephoneModel Superprintequipment, equipment and aids, hearing impaired, deaf, divisibility services, telephone

Laura DICKINS Laura Dickins studied Visual Art of the University of Ballarat in 2000. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print of an oriental costume. If you are able to assist with information on this artist or artwork please leave a message in the comments box below.art, artwork, printmaking, dickens, laura dickens, churchill, printmaking limited edition, edition, oriental, ink, ink on paper, gippsland

Andrew BECKERS (1981- ) Andrew Beckers studied Visual Art of the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pastel drawing. If you can assist with information on this artist or artwork please use the comment box below.art, artwork, andrew beckers, alumni

Andrew BECKERS (1981- ) Andrew Beckers studied Visual Art of the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.AbstractFramed soft pastel drawing on paper. If you can assist with information on this artist and artwork please use the email link below. art, artwork, andrew beckers, human movement collection, pastel, drawing, alumni

Andrew BECKERS (1981- ) Andrew Beckers studied Visual Art of the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed work.art, artwork, andrew beckers, human movement collection

Anderson HUNT Anderson Hunt is associated with Down Street Studios. He studied a Graduate Diploma in Visual Art at the Gippsland Centre of Art and Design (GCAD) This work was purchased by the Gippsland Campus Enhancement Project, 1996.artist, artwork, anderson hunt, sculpture, gippsland campus, alumni

Ultratec Superprint 4425 is a text telephone which aids hearing impaired individuals to communicate via telephone. A landline text telephone with a physical keypad, with visual alerts for incoming calls. This device came into production in 1994.Ultratech Superprint 4425 - Landline Text Telephone Model Superprint equipment, equipment and aids, hearing impaired, deaf, divisibility services, telephone

The Victorian Regional Theatre Company was created in the belief that good theatre in all its forms is a vital ingredient to the cultural life of any community. The Company is based in the faculty of Visual & Performing Arts at the Ballarat College of Advanced Education.Red theatre programme for Equus by Peter Shaffer for the production held at Founders Hall Theatre at the Ballarat College of Advanced Education in May 1988.ballarat college of advanced education, victorian regional theatre company, peter shaffer, david addenbrooke, geoff tunbridge, sonja kinnersly, paul sladdin, ray cotsell, theatre, entertainment, performing arts

The man with the camera helped out at the Bulla Primary School with the audio-visual equipment. He was filming the children and community at the concert that the school had mounted, with the help of the community, in 1988. The concert took place at the Bulla Community Hall.A non-digital coloured photograph of a man seated behind a camera, which is mounted on a tripod.school concerts, bulla primary school

Pattie BEERENS (1962- ) Born Sunshine, Victoria Pattie Beerens was enrolled in the Graduate Diploma of Ceramics at Federation University in 2018 after completing a Graduate Certificate Visual Art at the Victorian College of Arts, University of Melbourne in 2017.Artists' Statement: Red. Broken structure on its side supported with an unrecognisable form. It is cast from an electronics packaging carton. Triangular arrows piece the structure with a spider on either side. I created fertility spiders to protect the Minoan women from predators. I collected spiders as a child to ward off the bullies and, like the octopus, spiders have eight legs and a head and body. The stylised spiders reference links between the Minoan octopus and other symbols of fertility. The natural light elongates the form in a shadow reflection on the floor. The form is surrounded by black space. This piece took on an anger I felt on the day that [Malcolm] Turnbull was overthrown and materialises the bully-boy behaviour we were witnessing. What is most interesting about this piece is that I created it as a Minoan reflection. It dawned on me , when I had it ready for the kiln - on the day that Dutton challenged the Turnbull leadership, that my anger was both reflective and contemporary because nothing seemed to have changed. We were witnessing first hand how the power struggles continue and goodwill suffers." Winner of the 2018 Deputy Vice-Chancellor's Awardpattie beerens, ceramics, sculpture, available ceramics

Boyd questions the current rules of architecture, as do the young architects of the period - the idea of usefulness, firmness, delight and beauty in the visual environment. He says we will only get a more exciting architecture if we ask the question posed in the title.Typewritten pencil edits, quarto, 7 pagesReferences Morris Lapidus and an exhibition at The Architectural League of New York occurring "late last year". URL reference says it occured in 1970.usefulness, firmness, architecture's purpose, role of architecture, robin boyd, manuscript

Screen magnifiers allow easier access for those with some sight, who find it difficult to fill in forms. In this example, Allan Bates writes his name and address on to a small form, and watches his placement via a Visual Tek magnifier.1 black and white photograph of man filling in a formassistive devices, allan bates

The Guiding Light structure was installed at AFB's Brighton office due to the efforts of President Bruce Small. Although removed some years ago, the structure was a symbol used by the Association for the Blind as a visual way to represent it's work within the community. 2 black and white images of the Guiding Light at Elanora Guiding Light symbol presented by Sir Bruce Small, connected with AFB's new wing Elanora S.E.C. of Victoria Printing and Photography Centre 23 Oct 1969 Neg No: E.E. 336/2, 336/3.association for the blind, state electricity commission of victoria

This book could be described as the summing up of a theory of physical appearances, devised by a painter and demonstrated by paint. The foundation of this theory was laid down first in Paris by Max Meldrum early 1900s. A review calls the book "the most outstanding book on the craft of painting yet published in any language. Max Meldrum was born in Edinburgh, Scotland on 03 December 1875. His family arrived in Australia and Max Meldrum attended the National Gallery School, winning the Victorian Travelling Scholarship in 1899. It was deaccessioned and transferred from the Ballarat School of Mines library so would have been used by students and staff of the Ballarat Technical Art School, a division of the Ballarat School of Mines. Red fabric hard covered book of 298pp, includes colour plates that have been pasted into the book. The book inlcudes 11 colour prints and 11 line and tone diagrams. These diagrams in clude Major and Minor Dark and liLight Disturbances; Speed Values and Form; Complex Light Disturbance; Experiments in Definition and Inclination; Apparatus for the Analysus of Visual Phenomena by Distance; Set of Patches; Modern and Obsolete Methods of Approach, Tonal Analysis on "St John's Parad"'; Chromatic Analysis of "St John's Parade". This book was part of the Ballarat Technical Art School LibraryA review has been pasted in the front..max meldrum school, max meldrum, art, science of appearances, appearances, color plates, tonalism, ballarat school of mines library, ballarat technical art school

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 3 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph is of a stretch of the Yarra near Macauley's Boat Sheds. In the distance, elevated above the river are the towers of the Kew Asylum. Henry B Christian developed his own photographs and often selected those he considered artistically fine for visual modification, such in this instance, where he used an oval framing technique in the development process. The style was commonplace in postcards. "Yarra Rvr / Kew / 1925"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, kew asylum

Designed by Dave Clark in mid 2011 as part of his project to design all the emblems, logos, letterheads and visual branding for the College prior to it's opening. The flag of Cornish College, which flies alongside the Australian flag in front of the general office.The first flag of Cornish College, displaying our College emblem which proudly proclaims our commitment to educating students to live sustainable lives. A visual welcome to the college community and visitors as they drive into the college. A white polyester flag with the college emblem printed on it.The college emblem,a crest including our motto "MAKE A DIFFERENCE" above the words "CORNISH COLLEGE"campaign_to_save_cornish, sustainable education, college, primary school, secondary school, college emblem