Purchased from the merchandise stall by the Rev Reynold Waters at the UCA 6th Assembly in Melbourne 1988.Pottery goblet/chalice with the Uniting Church in Australia symbol. On base: "Uniting Church in Australia 6th Assembly Melbourne 1988"uniting church in australia 6th assembly melbourne 1988, rev reynold waters

Showing vehicle sending up spray from flood waters beside hall, June 1998.Colour photograph of Mechanics Hall, Lakes Entrance VictoriaLakes Mechanics 1992halls, demolition, construction

Black and white photograph of the North Arm, showing the calm waters between steep banks covered in natural vegetation, but for one hillside which has been almost completely cleared, a few ring barked trees still standing. Lakes Entrance VictoriaLooking down the beautiful North Arm Lakes Entrancevegetation, waterways, topography

One other copy same sizeBlack and white small format postcard of the entry to the North Arm, taken from Jemmys Point. It shows a steep cliffside above the calm waters, township of Lakes Entrance and Cunninghame Arm, and sand hummocks of southern shore in distance. Lakes Entrance VictoriaNorth Arm from Breakwater - Lakes Entrancetownship, waterways, topography

Colour photograph of the township viewed from the southern shore of Cunninghame Arm at the New Works. New Works Jetty in mid foreground, tourist launch Thunderbird on lake. Smoke from a bushfire in distance. Reflections in calm waters of lake. Lakes Entrance Victoriaresort, tourism, waterways, township

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 13. Foundation work and dam construction proceeding inside levee bank which may be seen at the right hand end of the work, New South Wales, June 1924.hume reservoir australia, river murray waters scheme, hume reservoir construction

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 16. Gravity incline for transport of "plums" from Quarry, New South Wales. "Plums" were larger rocks which could be re-used for other construction purposes.hume reservoir australia, river murray waters scheme, hume reservoir construction

These marble stopper bottles came from the Warrnambool aerated waters factory of Joseph Lescai. A marble stopper bottle was one which was filled upside down so that as soon as the filling stopped the stopper was forced down to seal the bottle against the rubber ring. Pressure inside the bottle would keep the marble pressed against the top of the bottle. To open the bottle the marble was pressed down where it would fall into the neck chamber below. The marble would stay inside the neck chamber when the bottle was tilted up for drinking. Joseph Lescai and his brother, James had fruit shops in Warrnambool and in the 1920s Joseph Lescai began to produce cordial and soft drinks at his Fairy Street shop. The cordial manufacturing was then re-located to a site in Fairy Street close to Raglan Parade and the business, known as Warrnambool Cordials Pty Ltd, was operated then by a group of Warrnambool businessmen and later by Thomas Hill in the 1930s. In the 1940s the business was purchased by the Flett brothers, Frederick and Charles, and in the 1960s the business was sold to Thomas McKenzie and retailed under the name of McKenzie’s Cordials. The business was still operating in the 1970s. These bottles are significant because they come from the Warrnambool aerated water factory of Joseph Lescai, probably in the late 1920s. The business commenced by Joseph Lescai became Warrnambool Cordials Pty Ltd and this was a prominent business in Warrnambool for 50 years or more. Cordial manufacturing was an important industry in Warrnambool for over 100 years. These three bottles are marble-stopper green glass bottles. They have a rounded base and body with a deep indentation in the glass at the top of the body to form a narrow neck chamber. The necks have small round indentations in the glass. The tops of the bottles have moulded glass and an opening. Details on the aerated waters manufacturer are impressed into the glass on the side of the bottles. A round green marble is loose in the neck chamber. Rubber rings in the necks of the bottles are missing. One of the bottles has a wooden stopper but this may not have been an original. Inscriptions and Markings: Serial numbers, signatures, engravings, dedications in books, manufacturing details or personal markings ‘J. Lescai J.L. Warrnambool’ ‘This bottle is the property of Lescai Warrnambool and cannot be legally used by others’ These three bottles are marble-stopper green glass bottles. They have a rounded base and body with a deep indentation in the glass at the top of the body to form a narrow neck chamber. The necks have small round indentations in the glass. The tops of the bottles have moulded glass and an opening. Details on the aerated waters manufacturer are impressed into the glass on the side of the bottles. A round green marble is loose in the neck chamber. Rubber rings in the necks of the bottles are missing. One of the bottles has a wooden stopper but this may not have been an original. Inscriptions and Markings: Serial numbers, signatures, engravings, dedications in books, manufacturing details or personal markings ‘J. Lescai J.L. Warrnambool’ ‘This bottle is the property of Lescai Warrnambool and cannot be legally used by others’ These three bottles are marble-stopper green glass bottles. They have a rounded base and body with a deep indentation in the glass at the top of the body to form a narrow neck chamber. The necks have small round indentations in the glass. The tops of the bottles have moulded glass and an opening. Details on the aerated waters manufacturer are impressed into the glass on the side of the bottles. A round green marble is loose in the neck chamber. Rubber rings in the necks of the bottles are missing. One of the bottles has a wooden stopper but this may not have been an original. Inscriptions and Markings: Serial numbers, signatures, engravings, dedications in books, manufacturing details or personal markings ‘J. Lescai J.L. Warrnambool’ ‘This bottle is the property of Lescai Warrnambool and cannot be legally used by others’ These three bottles are marble-stopper green glass bottles. They have a rounded base and body with a deep indentation in the glass at the top of the body to form a narrow neck chamber. The necks have small round indentations in the glass. The tops of the bottles have moulded glass and an opening. Details on the aerated waters manufacturer are impressed into the glass on the side of the bottles. A round green marble is loose in the neck chamber. Rubber rings in the necks of the bottles are missing. One of the bottles has a wooden stopper but this may not have been an original. J. Lescai J.L. Warrnambool’ ‘This bottle is the property of Lescai Warrnambool and cannot be legally used by others’ lescal cordials, cordial bottles, 1920's bottles, warrnambool cordial manufacurers

East Gippsland Community College of TAFE, art teachers , Ann Greenwood (left) and Pat Waters (centre) demonstrating the art of loom weaving for students. For over fifty years Gippsland-based, Ann Greenwood, has been renowned for her weavings and embroideries. Briagalong artist, Pat Waters, is well known for her painting, printmaking, and drawing talentThis photograph is associated with Adult Education in Orbost.A black / white photograph of a lady seated, demonstrating weaving on a loom while others watch.weaving-loom adult-education-east-gippsland

Flooding of the Yarra Valley, including that section of the Yarra bordering Kew and Kew East in the north and west of the municipality, was a regular occurrence. Extreme flood events of the Yarra River are recorded to have occurred in 1891, 1901, 1916, 1923 and 1934. The Municipality of Kew's response to these floods was to enact planning decisions restricting residential development in flood prone areas following the floods of 1916, 1921 and 1934. While floods continued after the development of the Upper Yarra Reservoir (construction 1948-57), the regularity and extent of these inundations diminished. During the nineteenth century, the land abutting the south side of the Yarra in Kew was devoted to dairy farming. In the twentieth century, before and after the construction of the Eastern Freeway, much of this low-lying area was used as golf courses and public parks.One of a collection of photographs of flooding in the Kew section of the Yarra Valley which are in important research resource for the location and extent of flooding in the first half of the twentieth century. Flooding of the Yarra Valley at East Kew in 1916. The view is taken from the intersection of Kilby Road with what is believed to be Birdwood Street, looking across the flood waters to Ivanhoe. The extensive flooded area shown in the photograph would have included the Kew Golf Club. Verso: "Floods along Kilby Road / near Birdwood St? & Kilby Road / 1917? / 87yarra river, yarra valley, floods -- kew, kilby road -- kew (vic.), kew golf club

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 23. General view of works from the New South Wales end, looking downstream. The features are generally speaking the same as in the last view 22 (Record WHS 00716) in reverse.hume reservoir australia, river murray waters scheme, hume reservoir construction

Other number 03635.2Colour photograph of Football Club Under 13 White team winners, Joel Waters, Jamie Buchanan, Mark Rosenboom, Rowan Sproule, Shaun Sproule, Chris Gordon, Xavier Ellis, Adam Lowcock, Chance James and Dane Rosenboom of Lakes Entrance Victoriaclubs, cricket

This short newsletter thanks parents for their suport and briefly outlines student successes and developments at the College. Principal B.F. Waters.This appears to be a draft copy printed with the wrong logo on the letterhead.One page newsletter printed on buff letterhead.A line has been drawn through the existing logo with the numbers 741 written in pen.preston technical collegel. ptc, parent newsletters, b f waters, nmit,

Paperback book. The cover photograph shows snow plains, wildflowers, cattle, cattlemen and the mountain scenery across the Howqua Valley in Victoria.non-fictionA book that records the early development of Victoria's alpine regions by the pioneer cattlemen.cattle, victoria, beeding, history, hill farming, mountain life, cattlemen

This work was undertaken in 2001 when the artist was undertaking an Honours year at the University of Ballarat Arts Academy (later Federation University). This item is a part of the Federation University School of Business Art Collection. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed Digital Limited Edition Print by Michael Shiell. "The woven form was made at 'Blue Waters' near Creswick. I remember that I went out hoping to make something and I had a few mediocre starts but nothing really inspired was popping for me. Eventually I sat on the bank and started tossing little pebbles into the water. Finally the immediacy and ephemerality of the dissipating ripples struck me. I made the work by twisting and weaving the reeds which lined the banks of 'Blue Waters'. I then floated the rings together and managed to get a couple of quick photos before the work floated away and dissipated." (Michael Shiell)Edition: 1/10art, artwork, michael shiell, shiell, blue water, creswick, school of business collection, available, photography

Black and white photograph showing New Works jetty with shed on end. Wooden fish boxes stacked at end of shed. Three boats at jetty, two rowing boats at waters edge, two small children, one in boat, one on beach. Lakes Entrance Victoriatopography, houses, fences, waterfront

Also enlarged black and white copy 20 x 25 cmSepia toned postcard probably taken from the Boat Harbour jetty, showing a distant view of the buildings on Esplanade from Maranui Guest House westwards to the Club Hotel. Person in a rowing boat on the calm waters of the lake, known as Cunninghame Arm. Lakes Entrance Victoriaguesthouses, township, waterfront

This wooden ship's wheel originally had eight spokes but four are no longer in their sockets. One of the spokes has been shaped. Both sides of the wheel have a brass cap over the centre of the hub, covering the wooden hub. The wood is split and cracked, and parts of it have small holes, a sign of being affected by the sea worm. Thick encrustations are on parts of the wheel, showing that it has been on the sea bed for quite some time. The donor is a Warrnambool resident. Years ago he was cray fishing at King Island, which is in Bass Strait, northwest of Tasmania. His craypot got stuck in a reef so a diver helped him by retrieving the craypot for him. While the diver was underwater he also stumbled across the ship's wheel, which he gave to the donor. The Bass Strait is a very narrow route that was difficult and dangerous to navigate in the early 19th century, before good maps, communications and lighthouses were installed. The area, including King Island, is the graveyard of many ships that almost made it to their destination of Melbourne along Australia's treacherous coastline. Around King Island alone, many ships and lives were lost. There is no information about the history of this ship's wheel. Its condition shows that the item has been under the water for a long time. However, there is no evidence that it came from a shipwreck. It could even have been an old ship that could have been scuttled or destroyed as it was no longer useful. The wheel is significant as a sign of shipping around King Island. It is part of the island's history, and of maritime history. It is an example of an item manufactured by hand.Ship's wheel; segment of a wooden ship's wheel. It once had eight spokes but only portions of four spokes remain. The outer centres of the hub and the reinforcing bands around the hub are brass. The wheel is heavily encrusted in parts. It was recovered from an unknown shipwreck in the waters of King Island.great ocean road, warrnambool, shipwreck artefact, artefact, ship's wheel, ship's wheel segment, portion of a ship's wheel, flagstaff hill, maritime museum, maritime village, flagstaff hill divers, marine technology, navigation, steering wheel, eight spoke wheel, king island, craypot, diver

Also copy tinted postcard 10 x 15Coloured post card of the man made entrance through the sand dunes, taken from Jemmys Point. It shows the works and settlement at the entrance, Bullock Island and groynes to direct flow of lake waters towards entrance. Two men standing on Jemmys Point. Lakes Entrance VictoriaLakes Entrance, Cunninghame, Victoriaislands, waterways, topography, public works

Used for decoration in the home.A small rectangular badly damaged oil painting of a clipper ship sailing in calm waters with seabirds in the background. It has a decorative leaf patterned cream painted wooden frame with rusted wire at the back for hanging. It is backed by a wooden board secured by four small nails and a layer of paper.oil paintings, paintings, artworks, objects

Three vinyl audio records. 1. Edison - Thick. By the waters of Minnetanka. In the Garden of Tomorrow / Mel Craig's orchestra. 2. 1 sided record zonophone - When I get back to Bonnie Scotland. Harry Layder 3. Brown Aeolian Co. Medley Plantation Songs.audio records, audio equipment accessories

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of two Navy pilots from the Sea King anti-submarine helicopter on board "the Vung Tau Ferry" HMAS Sydney, delivering the 9th Battalion to war service. They prepare to take off on patrol once HMAS Sydney reached the waters off Vietnam.photograph, ran, wessex, hmas sydney, vung tau ferry, 9th battalion, anti-submarine, sea king, navy, denis gibbons, photographer, vietnam war, australian navy pilots, sea king anti-submarine

Mrs F G Haymes, proprietor. Photo taken prior to 1924 - memorial trees not yet plantedBlack and white tinted photograph of Victoria House, showing group of buildings, fronted by white picket fence. Wooden spoke wheeled motor vehicle in front of guest house. Bluestone wall at edge of lake, two people sitting on seat at waters edge. Lakes Entrance VictoriaVictoria House Mrs F.G Haymes Prop.guesthouses, waterfront, transport, fences

The bridge shown in the background was built in the 1920s as a road and rail bridge, and was partly washed away by flood waters in 1934. There is no known history of this item.This photograph is a contemporary record of rural life in Orbost in the early 20th century.A black / white photograph of a group of young girls dressed up and posing on the banks of a river. On the left hand side of the photograph is an older man and on the right is an older lady. In the background is a bridge - the first Snowy River bridge. The photograph is on a cream coloured buff card. orbost snowy-river