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Melbourne Athenaeum Archives
Theatre Program, On Our Selection (play) by Bert Bailey adapted from the works of Steel Rudd performed at Athenaeum Theatre commencing 1 December 1982
The play was presented by arrangement with NIDA, The play was originally dramatized by Bert Bailey from the works of Australian writer Steele Rudd.The program includes information about Australian writer Steele Rudd and the original play. Garry McDonald best known as 'Norman Gunston' plays eldest son Dave.on our selection, athenaeum theatre, program, melbourne theatre company, bert bailey, garry mcdonald -
Melbourne Athenaeum Archives
Medium Flyer and newspaper article, Crown Matrimonial (play) by Royce Ryton performed at the Athenaeum Theatre commencing 1 April 1986
based on the abdication of Edward the VII and it's effect on his familyJune Salter as Queen Mary crown matrimonial, athenaeum theatre, phillip st. theatre productions, royce ryton, june salter, edward the viii, queen mary -
Melbourne Athenaeum Archives
Theatre Program, Reeling (dance) an evening of short works by Independent Dance Artists (IDA) performed at the Athenaeum Theatre Two commencing 1 March 1989
coloured pink and yellow flyerreeling, program, programme, athenaeum theatre two, independent dance artists -
Melbourne Athenaeum Archives
Theatre Program, State of Bewilderment (puppets ) performed by The Trestle Theatre at the Athenaeum Theatre commencing 1 April 1993
Based on the work of celebrated Australian cartoonist, Michael Leunigcoloured illustrated programstate of bewilderment, athenaeum theatre, the melbourne comedy festival, michael leunig, trestle theatre company -
Clunes Museum
Book, Charles Knight, The Penny Cyclopedia of the Society of Useful Knowledge Vol 1 & Vol 2, 1833
REFERENCE/ENCYCLOPEDIA BOOKS FOR EDUCATIONAL PURPOSESBook bound in tan cloth with gold lettering on the spine stating volume number and alpha codes to denote contents.non-fictionREFERENCE/ENCYCLOPEDIA BOOKS FOR EDUCATIONAL PURPOSESmulti-volume encyclopedia, encyclopedia series, british publication -
Clunes Museum
Book, Charles Knight, The Supplement to The Penny Cyclopedia of the Society of Useful Knowledge Vol 1 Abati-Gyrosteus, 1833
REFERENCE/ENCYCLOPEDIA FOR EDUCATIONAL PURPOSES 1833Book bound in tan coloured cloth, gold lettering on the spine stating volume number and alpha codes to denote contentsnon-fictionREFERENCE/ENCYCLOPEDIA FOR EDUCATIONAL PURPOSES 1833cyclopedia, charges knight and co, 1833 -
Wangaratta Art Gallery
Painting, Christine Cochran, Untitled #1, 1974
Rural City of Wangaratta Collection - Wangaratta Art Prize 1975A square painting that features blue, green and red brush strokes on a olive green backgroundwangaratta art gallery, christine cochran, painting -
Wangaratta Art Gallery
Sculpture, Rose Wedler, Gentle Giant 1, 2013
Wangaratta Art Gallery CollectionA sculpture of a steel gum tree silhouette on a stained red gum base.rose wedler, sculpture, gum tree -
Wangaratta Art Gallery
Textile, Hilary Buckland, Warp 1, 2016
I am interested in the history and practice of weaving and textile production and the growing of cotton in different areas of the world, especially as it relates to my Lancashire, UK heritage. The cotton painting drop cloth has been dyed with Australian native plants and the warp threads exposed by removing the weft showing the simple robust structure of this fabric characteristic of the interlacing of warp and weft in plain weave. This work can be hung or can stand on a plinth or table.Wangaratta Art Gallery Collection. Donated by June Brown.A textile work that features a piece of cotton drop cloth that has has sections of the warp threads removed and other sections plant dyed brown to create a radial effect.hilary buckland, textile, plant dyed -
Wangaratta Art Gallery
Textile, Rodney Love, Six Degrees - Work 1, 2004-2007
The Six Degrees works are hand-spun human hair yarn woven on a 4-shaft table loom with a cotton warp. The names of the people who have donated the hair are written above the weavings. They were traced with graphite carbon paper directly on to mount board. Six Degrees is about the connections between individuals and the groups they are part of, emphasised by the names of the donors of the hair being included above the weavings. Wangaratta Art Gallery Collection. Donated by the Artist.A small weaving made from cotton and human hair mounted on a board marked with the names of the people who donated their hair to be woven.rodney love, human hair, textile, weaving -
The Adam Lindsay Gordon Commemorative Committee Inc.
Book, Alexander Tolmer Vol 1- Adventurous and Chequered Career- Sampson Low- Marston- Searle and Rivington- Crown Buildings 188 Fleet Street- 1882
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Swan Hill Regional Art Gallery
Print, VINEY, Wayne, Lonely as a cloud - 1, 2005
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Nillumbik Shire Council
Painting: Guan WEI (b.1957 CHINA), Anonymous Invader No. 1, c.1999
acrylic on canvasek prac 2015 -
Nillumbik Shire Council
Public Art: Lasting Memories Mosaic GROUP, Lasting Memories Mosaic Seat (Location: St.Andrews Hall, 1 Proctor Street, St. Andrews), 2012
The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires. For most women being part of the Lasting Memories Mosaic Group was a way of reconnecting to the area, friends and neighbours. As the months went by, the idea of creating a gift to the community together was born. The women wanted to artistically express their memories of what they had experienced. Creating a mosaic seat in the heart of St Andrews allowed the group to be 'in control' of building something from the ground up - a symbol of hope, recovery and renewal. All of their experiences and memories have been included into the seat design, which makes it so special. This mosaic seat is proudly positioned outside the St Andrews Hall, which is also the site for the St Andrews market held every Saturday throughout the year.The Lasting Memories Mosaic group began this piece just after the Black Saturday fires in 2009. After the horrific fires ravaged through St Andrews and the surrounding areas, a group of bushfire affected ladies bravely came back to St Andrews to begin their healing in an artistic way. Each woman created something beautiful and meaningful, using remnants of crockery, glass, tiles and bricks salvaged from their own properties. This artworks identifies who they are and tells their personal 'life journey' and family heritage and memories of what they had experienced before, during and beyond Black Saturday. It is also an expression of their love for the St. Andrews area and the nature and people within it. A large concrete seat in the style of an organic chaise lounge covered in mosaic (broken tiles, glass, crockery and ceramics of all shapes and colour). The pieces have been placed to form pictures, words and patterns that tell and recount stories and memories of reflection, hope and love of a group of people who experienced the Black Saturday bushfires. (Click on links to view details of the seat) black saturday, mosaic, art, lasting memories, st andrews, tiles, glass, fire, concrete, cement, chris reade, ekphrasis2017 -
Nillumbik Shire Council
Mixed Media: Shane PICKETT (b.1957 Quairading, WA - d.2010 Perth, WA - Group: Nyoongar), Images No.1
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Nillumbik Shire Council
Drawing (ink): Cameron ROBBINS, 1-9-06 KGMT 9am / strong northerly, gusty / 2-9-06 quiet night 23hours
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Nillumbik Shire Council
Drawing (ink): Cameron ROBBINS, 9-9-06 9.00am strong easterly / turbulence around hill, spitting / 11.15 2 1/4 (DW)hours
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Nillumbik Shire Council
Drawing (ink): Cameron ROBBINS, 1-9-06 KGMT / first day of spring / 5hours rain
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Nillumbik Shire Council
Painting, Fan Dongwang, Pandemic Bodies #1 (Inverted), 2020
My paintings reflect upon the peculiar state of our existence in the pandemic ravaged world: a microscopic and invisible virus has wreaked havoc and revealed the fragility of the human race regardless of our technological and economic advancements. Overwhelmed by the hostile environment, our once arrogant bodies are depersonalized, suspended, fragmented, perplexed and isolated. Mixed with different races, colours and genders, the new bodily world is an imaginative vision of the post pandemic psyche. The lines and shapes delineate an space with new boundaries and depth, full of aching, longing, order less and distorted bodies forming an assemblage endlessly floating on the blue surface, gasping for air, emerging and submerging, shrinking and extending. COVID-19 is a wakeup call for us to rethink our relationship with technology and environment in order to create new control, purpose and identities, which we need to help future generations to survive. Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it -
National Wool Museum
Book, Review of Textile Progress Vol. 1
One of several books donated to the Museum from the Launceston Institute of TAFE Library, after dispersal of its collection of technical books.One of several books donated to the Museum from the Launceston Institute of TAFE Library, after dispersal of its collection of technical books.For Kelsall & Kemp (Tasmania) Limitedtextile production textile research textile testing, textile institute society of dyers and colourists, hallam, ms janet - launceston institute of tafe, textile production, textile research, textile testing -
National Wool Museum
Photograph, Cooper small flock 1-stand shearing plant
Photograph of Cooper shearing plant.Photograph of Cooper shearing plant.Cooper Model "A" contractors portable electric shearing plant capable of operating up to 4 stands of 220 volt D.C. electric shearing gear circa 1948shearing machinery -
National Wool Museum
Catalogue, No. 1 Dennys, Lascelles Limited will offer by auction on Wednesday, 16 October 1929
Auction catalogue of wool bales held by Dennys, Lascelles Limited, on Wednesday 16 October 1929.Auction catalogue of wool bales held by Dennys, Lascelles Limited, on Wednesday 16 October 1929.W M Bell Esqwool sales - auction system, dennys, lascelles limited, bell, mr w. m. -
National Wool Museum
Photograph, No 1 carding room
Acquired when "Classweave Industries" closed down16 N01 Carding Room 13/87 p?honetextile mills - staff woollen mills, classweave industries pty ltd federal woollen mills ltd, carding, textile mills - staff, woollen mills -
Stawell Historical Society Inc
Photograph, Soldiers’ Memorial World War 1 in Main Street 1999
Soldiers’ WW1 Memorial Stawell. The photograph was taken in 1999.Two black & white photos of the Soldiers WW1 Memorial taken in c.1999. Of the two photos one is larger than the other. The photo shows the memorial surrounded on three sides by garden beds with a flagpole behind the memorial. Two cars can be seen parked by the memorial with houses in the background.stawell ww1 ww2 -
Stawell Historical Society Inc
Photograph, Soldiers’ Memorial World War 1 in Main Street -- Detailed inscription 1999
Close up of Soldiers’ Memorial inscription. 1999.Black & white detailed photo of the inscriptions on the memorial. Australian Commonwealth Military Forces emblem above the wording "Erected by - The Stawell Girls' Remembrance League to the Honor of the living and the everlasting Glory of the dead who fought in the Great War 1914-1919. - "Lest We Forget." stawell ww1 ww2 -
Stawell Historical Society Inc
Photograph, Soldiers’ Memorial World War 1 & World War 2 in Main Street
Soldiers’ Memorial and WW2 memorial. This photo shows the memorials in the surrounding landscape at the time, c.1999. Black & White photo showing both Memorials, WW1 and WW2. The Soldier's Memorial in the photo is behind the Remembrance Memorial. In the photo three flagpole stand behind the memorials. There is a Caltex sign in the background and cars surround the memorials. stawell ww1 ww2 -
Stawell Historical Society Inc
Photograph, Soldiers’ Memorial World War 1 in Main Street 2000 -- Coloured
Soldiers’ WW1 Memorial taken in 2000. The two-story building on right in background is Stawell Branch RSL, formally Mt. Salina/Oban. The building was built by Mr. Simmons. Photos of the Stawell War memorials are also found in book "Memorials of Stawell" p. 26 on Mitchell Shelves in Research room.Coloured photograph of the WW1 soldier's memorial taken in c 2000. The memorial has garden beds on 2 sides with roses behind the memorial. stawell ww1 memorial -
Stawell Historical Society Inc
Photograph, Soldiers’ Memorial World War 1 in Main Street in front of the Coffee Palace
Soldiers’ Memorial Street scene with Coffee Palace formerly Castlemaine Hotel. Two people in a horse drawn wagon are driving away from the corner on the right hand side while a man dressed in a suit is walking toward the corner. A telegraph pole is behind the memorial and a decorate pole sits on the corner.Small sepia Street scene showing Soldiers Memorial, Coffee Palace building in the background. The Soldier's Memorial is surround by a timber fence with an ornate pole possible a flagpole in front of 2 timber seats. The weigh bridge can be seen behind the memorial and Infront of the Stawell Coffee Palace. Two people in a horse drawn and cart are driving away from the corner on the right hand side while a man dressed in a suit is walking toward the corner.Coffee Palace Stawellstawell ww1 -
Stawell Historical Society Inc
Photograph, Soldiers’ Memorial World War 1 in Main Street in front of the Coffee Palace
Soldiers’ WW1 Memorial with gate and fence around the memorial. The Weighbridge and Coffee Palace formerly Castlemaine Hotel can be seen in background. The photograph probably taken in the 1930's. Many changes have taken place since. The Coffee Palace, and Weighbridge have been removed and the area around the memorial has changed. Sepia photograph of the WW1 Soldiers Memorial with gate and fence around the memorial. Weighbridge and Coffee Place in the background. c.1930.stawell ww1 -
Stawell Historical Society Inc
Photograph, Soldiers’ Memorial World War 1 in Main Street in front of the Stawell Guest House
Soldiers’ Memorial WW1 with the Stawell Guest House (Coffee Palace formerly Castlemaine Hotel) and roof of weighbridge in the background. The photo is a copy of the original owned by Mrs. Gwen Reeve. Black and white photograph of the WW1 Soldiers Memorial with a large floral wreath at the base. The photo shows the gate and fence Infront of the memorial. The Stawell Guest House also called the Coffee Palace and roof of the Weighbridge can be seen in the background. c.1935stawell ww1