Hardcover w/ Dust Jacketwalsh st library

Format using photographs and a brief description of each plant.Maps, colour photographsalps, victorian national parks association, bogong unit, alpine national park, mount buffalo national park, wonnangatta-moroka unit, kosciusko national park

Format using photographs and a brief description of each plant.Maps, colour photographswildflowers, plants, australia, grampians, identification, native plants

Contains brief descriptions of flowering plants in the Grampians area.Maps, colour photographswildflowers, plants, australia, grampians, identification

A sticker on the back identifies the image as Walter Clarke 1803-1873.A black and white laser print copy of a man with white curling hair and a full beard believed to be Walter Clarke.Bottom LH corner: Standish and Preece LR corner: By Special Appointment / Royal Insigniaclark, alistair, clarke, walter, alastair, glenora, flower growing, horticulture, photographers, standish and preece, george evans collection

Purchased 1938

Rural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner 1999.A realistic watercolour painting of white camelias.Obverse: Eve Laing/ (beside an oriental stamp in the bottom right corner) 1999 GRAND WINNER/ CAMELLIAS/ By EVE LAING/ Judge WYKEHAM PERRY/ (plaque on mounting board)wangaratta art gallery, eve laing, camelias, flower, painting, watercolour

Piers Bateman was a local artist, held in very high esteem by his peers and community. He was born in Perth in 1947, moving to Eltham in 1955 as a young child with his family. In 1966 Bateman moved to London for eighteen months to develop his craft. In 1969 he settled in St Andrews, where he built a studio. The St Andrews locale is said to have been a strong influence on his work. Bateman’s talent was such that he was promoted and mentored by such ilk as Charles Blackman, Clifton Pugh and Arthur Boyd, among others. Bateman’s work is an intimate dialogue with the environment, renowned for his paintings of the outback, wilderness frontiers and the sea. He spent a year in the mid-seventies sailing the Greek Islands and the French canals to Amsterdam. In 1980 Bateman and Marcus Skipper embarked on a trans-Australian venture to the red centre and across northern Australia from Cairns to Broome. In the mid-eighties Bateman returned to the Mediterranean, before returning to the Australian outback in the late-eighties. His international career continued on an upwards trajectory between the Australian outback and European seas, providing a unique contrast throughout the course of his career. Bateman's work questions our relationship with the natural world, and in particular, reconciling our colonial heritage with our indigenous past. This line of questioning and his genuine response to place is the key to Piers Bateman’s work, for which he is lauded and celebrated. On September 4th 2015, Piers Bateman died in a boating accident on the NSW coast line. Piers Bateman was an instinctive painter whose inspiration came from nature. He reworked and scraped off the paint, moving it around until forms and colours of the landscape took shape. Although Bateman lived in Spain and Italy, his time in Europe made him aware of the contrast between the two continents and the bright clear light that defined the Australian landscape. At the time of this work, Bateman was living in St. Andrews, but travelled regularly to New South Wales and South Australia on painting trips. The ‘Grass Tree’ Xanthorrhoea johnsonii (commonly known as ‘blackboy’) is indigenous to these areas. It is a uniquely Australian, slow growing plant with twenty-eight species growing within Australia. Old examples of this tree are survivors of many wild fires, which can cause their blackened trunk, of one to two metres, branch into two or more heads. These heads consist of thick, rough corky bark, surrounded by long, wiry leaves and flowers that produce seed capsules with hard black seeds. The tree’s ability to be one of the first to flower after a wild fire ensures a food source for many insects and birds.Oil on canvas painting. Detail of three grass trees resting on the side of a mountain/hill. Green and gold palette throughout depicting the colours and light of the Australian landscape. Hand written, low right in capitals: 'BATEMAN'bateman, grass trees, xanthorrhoea johnsonii, landscape

Slovenian Association Melbourne has given option to all the members of the association to purchase the badgeSymbolic presentation of Slovenian flag colours, Association being formed in Australia in 1954, showing Mt Triglav, the highest Slovenian mountain and the Slovenian national flower - the carnationbadge of slovenian association melbourne, establishment date

Blown and fused glassEngraved at base "Pauline Delaney". Not dated.