Depicted is a handwritten note written by Thomas "Tom" Lacey. It is addressed to his sister, Maude. This letter accompanies a portrait of Tom dressed in an Australian army uniform (record number 3417.1). Tom was a resident of Beechworth, and was only nineteen years old when he fought in World War I.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when Britain and Germany went to war on 4 August 1914. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 9 November 1914, the Royal Australian Navy made a major contribution when HMAS Sydney destroyed the German raider SMS Emden. On 25 April 1915, members of the Australian Imperial Force (AIF) landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This began a campaign that ended with an evacuation of allied troops beginning in December 1915. The next year, Australian forces fought campaigns on the Western Front and in the Middle East. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular postcard printed on paper.Obverse: My Dear Sister / I will / write / you / a long / letter / next / week / CARTE POSTALE / Just a line / in (?) to your letter / which I received two / days ago. I suppose you / used to wonder why I / never wrote but it is / pretty hard to get / writting paper at / (?). Well maud / I suppose you heard / about me getting around / I was shot through the / both legs but my poor / old mate got killed / straight out. I tell you / I do miss him. / I am glad you like / your new place. / Do you ever see Mary Y(?) / I had not had a letter / from her for 3 months / I have had a good / rest since I came out / of hospital I have been to / Cairo twice. Do you ever / get any letters from Dave / (?) him to drop me a / line some of these days / Well Maud I would like / to spend next XMAS with / you but that not my luck / this is all the new good by Tom /military album, beechworth, tom lacey, army, world war i, wwi, letter, thomas lacey

Prior to the end of WW1 many members of the 4th Light Horse Regiment had been repatriated to Australia because of illness or wounds. These men were the originators of the Regimental Association. Some men are in uniform but most in civilian dress. This would suggest that they may have been discharged from the AIF.B&W photo (20.5 x 16 cm) of members and guests seated at dining tables. In black painted wooden frame.photo, 4th light horse, reunion

Produced for the running of locomotive 7A, dressed as 9A on the Thomson to Walhalla portion of the Moe to Walhalla narrow gauge railway in 2010. Loco: 9A In service Saturday, 8th January 1910 Scrapped Thursday, 15th April 1954 Livery Black Owner VR Gauge 762 Status ScrappedHistoric - Replica Victorian Railways Locomotive Number Plate - Produced for the running of locomotive 7A, dressed as 9A on the Thomson to Walhalla portion of the Moe to Walhalla narrow gauge railway in 2010.Number Plate 9A made from aluminum.9apuffing billy, moe, walhalla, number plate, 9a

Two people, dressed in a top, jeans and boots, hold hands above their heads and step to the side. These people are unnamed, but possibly demonstrating boot scooting at a camp. In the background, an onlooker sits in a chair, whilst another woman sits in a wheelchair. A small kitchenette is off to the side and the image was taken at night.recreation, royal victorian institute for the blind

White embroidered nylon. Tiny yoke topped with a Peter Pan collar, edged with gathered fine lace. Puff sleeves - pleated at shoulder, and gathered into a 1.75cm band, edged with fine, gathered lace. Gathered lace and two white ribbon( .5cm wide) bows define the yoke.Skirt 40 cm long, edged with embroidery and scalloped hemline. Two pearl buttons fasten the back of the yoke. Dress has been made to take advantage of the embroidered fabric of the train of Merle's own wedding gown.Merle Houlden made this gown for her first child, Bronwyn, using fabric from the lower tier of the train of her own wedding gown. Bri-nylon sleeveless, and embroidered nylon skirt, edged with fine lace (on the frill of the skirt). Skirt has an 8 cm frill, attached with an embroidered band of ribbon insertion. The ribbon insert is finished with two small .5cm ribbon bows. Both dress and petticoat have been made to take advantage of the embroidered fabric of Merle's own wedding dress train.costume, children's, christening dress

Four sepia Victorian period photocopy photographs of McVey family members. Located within Grenfell folder cat No 8433 . 1. Photocopy carte-de-visite photograph exposed by 'The Peoples Photographic Company' Jarrow. Group wearing Victorian period dress showing standing male beside two seated females plus one standing. Reverse biro caption reads Mr & Mrs Robert McVey. Jeanie 16y. Annie 12y. 2. Shoulder length sepia image of bearded male. Reverse biro caption reads, John McVey, lived in Bendigo. Mrs Fyfe's mother. 3. Seated full length sepia photocopy of woman in Victorian period dress. Small print below reads Bent, Photo, Sandhurst. Reverse biro caption reads, John McVey's wife-Barbara. 4. Sepia image of woman within cut-out oval clothed in Victorian period dress. Reverse biro caption reads, John & Barbara McVey's daughter Annie. - married James Fyfe of Bendigo.bendigo, history, mcvey family

HMAS Nirimba was a Royal Australian Navy (RAN) training base located at the former RAAF Station Schofields at Schofields, New South Wales, Australia. The University of Western Sydney, Nirimba Campus now occupy the site, which was also the scene of dress rehearsals for the 2000 Olympic Games opening ceremonyWooden Plaque 15cm x 13cm with insignia ofH.M.A.S. NirimbaH.M.A.S. Nirimba

A photograph of Sacred Heart College Newtown Geelong student Mary (Maisie) Therese Daffy, dressed in theatrical costume for an unidentified school play, 1915-1920s. Schools plays and other drama presentations were popular with students at Sacred Heart College from at least the 1880s, and continue to the present day.Maisie Daffy was an aunt of former Sacred Heart College principal Eileen Ann Daffy rsm (1973 - 1981).Mounted gelatin silver photograph, sepia toned. maisie daffy, mary therese daffy, rsm, student, school play, theatrical costume, sacred heart college geelong, newtown, geelong, aunt, principal, eileen ann daffy

Appears to be a group of Legatees enjoying an evening function, it appears to be on board a ship. From the ladies dresses it could be in the 1930s, making it a very early Legacy photo. The caption 'Marella' could the name of a ship. There was a ship called Marella that was a Burns Philp Line steamer that typically sailed to and from Singapore in the 1930s.An early photo of Legatees at a social function.Black and white photo of 9 men and 7 women in evening wear.Written on white border "V AT DANCE 'MARELLA' AID, MELBOURNE LEGACY" in blue pen. Stamped on the back "Kodak Print" in purple ink.legatee function, founding legatee

Newspaper clipping featuring SW6 class No. 876 dressed as the Tramgarden tram for the Melbourne Festival 20/10/1995/ Photo by John Donegan. On the rear of the cutting is an item titled "Delay on Met Tickets" about the delays in introducing Metcard ticket and contract issues. Quotes Alan Brown Transport MinisterDemonstrates a decorated tram for a Festival.Newspaper clipping from the Herald Sun 20/10/1995.tram 876, sw6 class, melbourne festival, tramgarden, metcard

The Grinton Collection. Life after 1919. Bert Grinton DCM, Jacks brother carves roast dinner. Bert Grinton DCM refer Cat No 1320P for his service details. Refer Cat No.1280 for Jack Grintons service details. Photograph - Framed. Photograph - black and white photograph on paper depicting a dining room scene. Table with tablecloth, cutlery, china plates and bowls of food. Male person dressed formally - appears to be "carving a chicken". Sideboard in background. Frame - Timber, light varnish finish, Perspex front, cardboard backing." Group 6: Life after 1919". "D. Bert Grinton (carves chicken)".framed accessories, camera on the somme, ww1, 38th bn, grinton

Uniform issued to Lt Col Murray Stanley Metherall. Refer Cat No 590.2, for service history.Winter Service Dress with following. .1) Jacket dark khaki with shoulder rank insignia Lt Col, gold metal buttons, service ribbons Vietnam. .2) Trousers dark khaki. .3) Shirt polyester light khaki long sleeves. .4) Tie khaki colour. .5) Braces.uniforms - military, service dress, winter

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in suits, one standing behind an open tourer car and the other is sitting at the driver's steering wheel. They are parked beside a gravel road with a gate and fence directly behind and then open fields and in the far distance is a row of trees. The man standing is Frank Wright.Written in pencil on back - 26/4/53frank wright, open tourer, conductor, car, automobile, transport

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Black and white photograph of a man dressed in a dark suit standing on a made road with three little boys around him. Behind him is a timber house enclosed by a wooden fence. The fence posts and gate posts are carved in the Maori tradition. The man is Frank Wright and the place is Rotorua, New Zealand.Written in pencil on back - At Rotorua, Feb 1940frank wright, musician, adjudicator, brass bands, rotorua, maori carved fence posts

This uniform would have been worn by the students of the Ballarat College of Advanced Education, School of Nursing. The colour of the uniform was changed at the request of trained staff in white.This apricot princess style dress with a central front zipper and side pockets has a collar and short sleeves. The back has a yoke with side pleats and a half belt between the seams. There is machine embroidery on the collar and sleeves. There is a blue logo printed on the left breast. Original sales tag attaches to sleevePrinted in blue - Ballarat C.A.E. Nursingnursing, university of ballarat, ballarat college of advanced education nursing, nurse uniform, textiles, costume, apron

Photograph: black and white photograph, postcard format, two and two women on tennis court. Men are wearing long trousers with white shorts, sleeves rolled up. Women are wearing white dresses, knee length. On back of card: E.A. Cook, 231 Carpenter Street, Spring Gully, Bendigo.photograph, person, two males/two females, spring gully, tennis, sport, cook

Small portrait of a girl standing beside a small table with her hands resting on a book. She is wearing a below knee length, high neck dress which has pleats at the hem and a fringe around the shoulders. Photographers name and address printed d in gold on the front. Also a gold border.Johnstone O'Shannessy & Co., 3 Bourke St East, Melbournephotograph, portrait, girl, portrait of a girl, johnstone o'shannessy & co

Portrait of a lady seated on a chair with her right hand resting on a table and a book in her left hand. Her dress has a large layered collar, buttons down the front and a pleated skirt with an overlay. She has a string of beads attached to something in her pocket. She is wearing a hat.Bartlett Bros, Sandhurstphotograph, portrait, female, cabinet portrait of a lady, bartlett bros

Small, oval head and shoulder portrait of a young woman wearing a high neck dress with a frill collar and buttons down the front. She is also wearing a locket. Her hair is in a bun. Photo mounted on yellow card with a red border and rounded corners. The photographer's name and address printed on the back.Stewart & Co., 217 & 219 Bourke St. East, Melbournephotograph, portrait, female, portrait of a young woman, stewart & co

Sepia oval photograph on brown board. Portrait of a young woman (head and torso) - dress has heavy appliquéd lace, woman wearing necklace and small brooch. Embossed frame to photo on board. Inscription: Front: 'The/Talma/Studios'. Back: RHSV Stamp. In Black Lead on Back, 'Edith Lansell?'.The Talma Studiosperson, individual, portrait of young woman

Wedding Dress 1740-1970, Victoria and Albert Museum, London: Her Majesty's Stationery Office. Glossy hardcover. Publisher: Her Majesty's Stationery Office, London. ISBN: 0 11 290328 2. Cost 3.95 pounds. 53 pages. Markings/inscriptions: bendigo Historical Society stampMadeleine Ginsburgbook, clothing, royal wedding dresses

Sepia coloured photo of Eva Crowther circa 1900, she is shown laying back with one arm resting on a small table and touching her head the other arm stretched out in front of her. She is wearing a tiara and a long dark dress. On the side the name: Bartlett Bros. Bendigo.person, individual, eva crowther

Coloured photograph of an elderly lady sitting at a table with a cup, saucer and plate in front of her. She is wearing a deep blue dress with a long necklace and brooch. She also has a pearl type hair clip in her grey curly hair. The background of the photo looks like the interior of a restaurant.photo, individual, female, foster & wilson collection, photograph

Sepia portrait of a young woman standing in the garden and holding a flower. She is wearing a dark dress with a white frill around the sleeves and front edges and collar. Her hair is tied in a bun and she is wearing glasses. Photo is mounted on a dark brownish card with indented frame around the edge of the photo.photograph, portrait, female, foster & wilson collection, female portrait