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Seaworks Maritime Museum
Port of Melbourne Authority Uniform, Solomon Bros. The Man's Shop
Port of Melbourne Authority Emergency Services Uniform, black with silver buttons, jacket, white shirt, tie and pants. Red Port of Melbourne Authority emergency patch on jacket.PORT OF MELBOURNE AUTHORITY EMERGENCY/ PROSPERITY THOUGH SERVICE/ Tailored by Solomon Bros. The Man's Shop 307 La Trobe St Melb. Phone 675019/ ML. SCICLUNA 26. 3. 80 -
St Kilda Historical Society
Ephemera - Invitation, Public Meeting, 1955
Invitation to citizens of St Kilda to attend a meeting about forming an Auxiliary to assist the elderly, to be held at St Kilda Town Hall at 8pm on 28 July 1955.White card printed on blue on one side. Includes City of St Kilda logo.aged care, city of st kilda -
Warrnambool and District Historical Society Inc.
Artefact, Fold out leather frame with 2 sepia photographs of soldiers, Early 20th Century
This frame contains two as yet unidentified soldiers from two of Australia’s earliest overseas conflicts. The WW1 soldier has the rank of Captain and the Boer War soldier has the three stripes of Sergeant. It is possible that he belongs to the Coronation Contingent of Edward V11 in 1902.These soldiers were selected form all over Australia with 42 coming from Victoria. The Australian War Memorial cites a number of approximately 16000 soldiers who fought in the Boer War from 1899-1902. Of that number 282 died in action or as a result of wounds while around 320 died as a result of disease and accidents. Six received the Victoria Cross as well as other awards for bravery. The First World War had more drastic consequences for Australia. From a population of less than 5 million, 416809 men enlisted of whom over 60,000 were killed with 156000 wounded gassed or taken prisoner. Australian fought from 1914-1918 from Egypt, Turkey, and the Western Front in Europe. These photographs are representative of many photos which are kept in remembrance of Australian soldiers who fought in wars particularly the two world wars. The Boer war photo is a rarer one.This bi- fold photo frame is rectangular in shape with a rounded section at each top. It is leather in composition and has the Rising Sun insignia in each arch which appears to be metal. There are glass covering two photographs one of a Boer War soldier and the other of WW1. It is hinged in the middle with a double layer of leather which is broken .The Boer war photograph has a coloured flag and medal ribbons. The two Rising Sun badges have Australian Commonwealth Military Forces. The frame itself has J C Vickery Regent St W stamped on the back in gold with a crown above it. The photograph of the WW1 soldier has Hana Studio Ltd 22**** which although unreadable has been matched with another photograph to read,” 22 Bedford St Strand London. The photograph of the Boer War soldier has no studio identity. warrnambool history, unknown soldiers of warrnambool, boer war soldier, world war 1 soldier -
Uniting Church Archives - Synod of Victoria
undated
The Methodist (later Uniting) Church in Derrimut St. opened on 15 December 1928.Colour photograph of the brick toilet block at Derrimut St. Albion.methodist church, uniting church, derrimut st. albion -
Uniting Church Archives - Synod of Victoria
Photograph, undated
The Methodist (later Uniting) Church in Derrimut St. opened on 15 December 1928.Colour photograph of the hall and storeroom at the rear of Derrimut St. Albion.methodist church, uniting church, derrimut st. albion, albion hall -
Uniting Church Archives - Synod of Victoria
Photograph, undated
The Methodist (later Uniting) Church in Derrimut St. opened on 15 December 1928.Colour photograph of the hall and tennis court at Derrimut St. Albion.methodist church, uniting church, derrimut st. albion, albion hall, tennis court -
Whitehorse Historical Society Inc.
Artwork, other - Ink Line Drawing, Margaret Picken, 9 Ashburn Dve., Mitcham, 2002
A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 3 Alwyn St., Mitcham. This property has been listed as having sold for $325,000 in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 3 Alwyn St., Mitcham depicting a weatherboard cottage with corrugated roof and bullnose verandah, set back from a picket fence and front lawn with gumtree. To the left is a driveway leading to a detached garage There are two hole punch holes near the centre of the upper edge3 Alwyn St., Mitcham Picken © 2002 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham -
Melbourne Tram Museum
Photograph - Black and White - Loading cable car trailer 88 at Flinders St yard
Set of three black and white photographs of cable trailer 88 being loaded onto a wagon at the Spencer St / Flinders St railway yard by the railway yard travelling gantry crane. Trailer lettered M&MTB. Has a man riding the top of the car before being loaded into a I type open wagon. Photo mid to late 1920s? See Reg Item 3713 for a more detailed analysis of the first photograph. Part of the Victorian Railways Heritage series. Yields information about the sale of cable tram trailers.Set of three Photographs - Black and White - Loading cable car 88 at the Flinders St yard adjacent to Spencer St railway station.In ink of rear of prints "Photo Victorian Railways"tramways, trams, flinders st, cable trams, sale of trams, railways -
Ballarat Tramway Museum
Slide - 35mm slide/s, Wal Jack, 23/03/1962 12:00:00 AM
Photo of No. 18 turning from MacArthur St. into Drummond St. north, taken from north west corner. Side on view of 18. Tram fitted with dash canopy lighting and SEC ad on roof. Adjacent to photographer is a compulsory tram stop painted on a pole with a white painted over section below it. Photo taken on 23-3-1962.'SEC Ballarat, No. 18 in Macarthur St., turning into Drummond St. 23-3-62' in blue inktramways, trams, macarthur st., drummond st., tram 18 -
Ambulance Victoria Museum
Photograph, Ambulance, Circa 1955
Ford St John Ambulance probably in front of Adelaide headquartersBlack and white photograph of ambulance 2-623 in from of building.ST JOHN AMBULANCEst john -
Melbourne Tram Museum
Photograph - Black and White - VR Tram 37 - Elwood Depot, Victorian Railways (VR)
Photograph of tram 37 shows the Victorian Railways colour scheme, the oil lamp that was provided on VR trams on the St Kilda to Brighton, Electric Street Railway. Has 3 Robur Tea roof advertisements. The tram is shunting at the depot or waiting to run to St Kilda Railway Station, possibly after the closure of section south of the depot. Original Victorian Railways Photograph. Yields information about the location, the streetscape and the trams in use at the time. Black and white photograph of Victorian Railways tram 37 outside Elwood Depot in St Kilda St, possibly in the early 1950s. Original Victorian Railways Photograph.tramways, trams, vr trams, elwood tram depot, st kilda st, tram 37, victorian railways -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - St. Stephen's Church of England Portland, Victoria, n.d
Black and white photo postcard. View of St. Stephen's Church of England, Portland, from Percy St/Julia St. intersection; man standing near closed wrought iron gateFront: 'St. Stephens English Church, PORTLAND, 39' -white script, bottom border Back: 'B.W. Vivian' handwritten in pencil; handwritten message in ink -
Melbourne Tram Museum
Slide - Set of 2, Keith Caldwell, 13/03/1962 12:00:00 AM
Set of two Agfa Colour slides, cardboard mounts, by Keith Caldwell dated 16 March 1962 of: .1 - W6 951 using a cross over in Victoria St between Swanston St and Elizabeth St in a different direction to that normally. Tram showing Special. W2 530 is arriving, showing route 5. .2 - W5 800 as above with 951 behind. In the background is the City Baths, Redmond Inglis printers, and Olympic Tyres.Both slides have in ink "Victoria St 16.3.62"trams, tramways, victoria st, special trams, w6 class, w5 class, tram 951, tram 800, tram 530 -
Bendigo Historical Society Inc.
Photograph - STUDIO PHOTOGRAPH OF DE LACEY EVANS
With a card (for exhibition??) entitled '' The only known photograph of the enigmatical De Lacey Evans who for many years impersonated a man and was by occupation a gold miner''. Date 1877 (1880 crossed out). On the reverse side is the name N. White photographer Mitchell St Sandhurst, Opposite St. Pauls Tower.N W White, Mitchell St, Sandhurstperson, individual, de lacey evans, de lacey evans, male impersonater. -
Nillumbik Shire Council
Print (drypoint): Rick AMOR (b.1948 Melbourne, AUS), Rick Amor, 'The Ruin' from 'The Baldessin & Friends' commemorative folio, 2016
Painter, printmaker and sculptor Rick Amor is one of Australia's most distinguished senior artists. He was a good friend of the late George Baldessin and three times Archibald Prize winner Clifton Pugh, having lived and worked at Pugh's property, Dunmoochin in Cottles Bridge, Nillumbik during the 1980s and 90s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'The Ruin' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. Rick Amor has been an ardent supporter of the Baldessin Press & Studio and a great patron of living artists. In 2014 the Press partnered with Amor and the State Library of Victoria to create The Amor Residency at The Baldessin Press & Studio, which is part of the Library's annual fellowship program. 'The Ruin' was based on a plein air painting done by Rick Amor on a trip to Broken Hill in 2001 and reflects on death and the passing of time so eloquently portrayed by the industrial ruins of NSW. In the tradition of a Piranesi, the work emphasises the transience of life and the triumph of time. Black and white drypoint etching in which a small figure, a traveller; located bottom left, points to a large crumbling edifice (building), a stage like space in the background. Ed.14/25baldessin, print, drypoint, amor, 2018 ekphrasis, ruin, etching, ekphrasis2018 -
Nillumbik Shire Council
Print (etching & acquatint): George BALDESSIN (b.1939 ITA – d.1978 AUS), George Baldessin, ‘Portrait II’ from 'The Baldessin & Friends' commemorative folio, 1966 (printed 2017)
George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. This work chosen for the folio is from an incomplete edition from 1966. It has been printed on Baldessin's original 1974 cast aluminium Enjay press (designed and made in collaboration with Neil Jeffreys) and restored specifically for this project by Dan Jones. In addition Deanna Hitti has used Baldessin's original Japanese Torinoko paper, stored safely in his studio for over forty years. ‘Portrait II’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print is a fine example of Baldessin's primary interest of the figure, which displays great sensitivity to and observation of the human condition. Distortion, exaggeration and fragmentation were employed by Baldessin as tools to animate and scrutinize the displaced, dispossessed and alienated figure, flattened against the picture plane. Black and white distorted and exaggerated figure (head and shoulders), with hands raised to the face and the figure's right eye. acquatint, etching, baldessin, ekphrasis2018, figure -
Ballarat Tramway Museum
Slide - 35mm slide/s, Keith Kings, 15/01/1955 12:00:00 AM
Geelong No. 6 in Ryrie St at Moorabool St, 15/1/1955 with T& G building in background and safety zone signs on either side of tram. Tram showing 'CITY' as destination. Photo by Keith Kings.Stamped on top edge 'K.S.Kings No. K(y)(15)' and in ink on base, 'Geelong No. 6, in Ryrie St at Moorabool St 15/1/1955 1/50. on f4 3/4'.tramways, trams, geelong, ryrie st, moorabool st, tram 6 -
Glen Eira Historical Society
Document - Lempriere Avenue, 10, St. Kilda East
A brief history of the property at 10 Lempriere Avenue, St. Kilda East, built on a subdivision of the land of William George Lempriere. Includes some information on the Lempriere Family and public park, Greenmeadows Gardens. The document by Rosalind Landells, David Bick and Hilary Bullock of the Brighton Historical Society is dated October 30, 1995. Includes handwritten notes covering mostly same information. Includes bibliography.greenmeadows, lempriere william george, clarke william senior, lempriere john thomson, zimmerman a.k., nelson frank l., greenmeadows gardens, lempriere avenue, nelson m.d., st. kilda east, parks and reserves, zucker a.a., greenmeadows lane, lempriere family, lempriere’s paddock, councillors -
Glen Eira Historical Society
Document - Oakleigh Hall
Photocopy of extract from History of St. Kilda 1931 by John Butler Cooper. Two pages describing history of Oakleigh Hall and its early owners. Also handwritten, brief research by Felicity Campbell dated 13/05/2005 noting the location of Oakleigh Hall in Port Phillip Municipality and typed and handwritten undated, unattributed brief notes listing owners of Oakleigh Hall.kyte ambrose, oakleigh hall, wilson samuel, mansions, orrong road, caulfield, inkerman road, dandenong road, campbell felicity, de graves, michie archibald, hallamore samuel, oxford club, fisher andrew, alma road -
Glen Eira Historical Society
Document - Craigellachie
A documentary and physical investigation into the history and development of Craigellachie, located at 2B Lynedoch Avenue, St Kilda East, by Debra Lewis. Includes an examination of the house’s condition as at 2002, photocopies of photographs and plans of the house illustrating key architectural features and changes to the house. Includes a handwritten letter dated 08/02/2002 from Debra Lewis regarding the donation of the copy of her research paper.craigellachie, lynedoch avenue, st kilda east, lewis debra, gill j, lyall w, young william, smith w sydney, pearson william, orrong road, inkerman street, caulfield, italianate style, architectural styles, sawers john, mcculloch david, crawford minnie, crawford robert, thomson emma, thomson percy, elliot sibley c, saint pearl, roche james, yorston james, griffiths william, francis newton, francis marie, cocks norman, heisler geraldine, freeman julie, freeman richard, cast iron work, stained glass, bibliography, plans, architectural drawings, architectural features -
Glen Eira Historical Society
Map - Coimbra, 5, Chaddesley Avenue, St Kilda East
A two page photocopy of a typed letter from Peter Upton, dated 10/04/1981, requesting information on the property Coimbra in Chattersley Lane (sic), St Kilda and detailing his family’s involvement in the property. He describes his memories of the house, its rooms, details of engraved glass, floral and decorative motifs and extensive garden. The file also includes a one page photocopy of a typed letter from the National Trust of Australia (Victoria) to the St Kilda Historical Society, dated 29/04/1981, concerning Peter Upton’s letter and requesting assistance in providing him with information about the relevant property as Coimbra does not appear on the Trust’s records. The letter includes a hand drawn map (62mm x 120mm) of the area in which the property is located. Also included is a one page typed letter from St Kilda Historical Society, dated 03/06/1981, to the Caulfield Historical Society, forwarding the letters received from Peter Upton and the Trust about Coimbra. The file also includes two handwritten versions of a two page letter, the final version dated 07/09/1981, from the Caulfield Historical Society to Peter Upton concerning his inquiry about Coimbra. It provides a brief list of occupiers of Coimbra from 1935 to 1974. Also included are two versions of a one page handwritten letter, the final version dated 07/09/1981, from the Caulfield Historical Society Historical to the St Kilda Historical Society thanking them for previous correspondence regarding Coimbra. The file also includes two handwritten versions of a one page letter, the final version dated 07/09/1981, to the National Trust of Australia (Victoria), from the Caulfield Historical Society, concerning Peter Upton’s inquiry about Combria. This letter is accompanied by a two page copy of the Society’s reply to Peter Upton. Also included is a one page typed letter of acknowledgement, dated 14/09/1981, from the National Trust of Australia (Victoria) to the Caulfield Historical Society.coimbra, upton henry e, saunders william g, causer archibald m, mansions, upton patricia henrietta, coimbra private hospital, connolly d, chaddesley avenue, chattersley lane, st kilda east, east st kilda -
Ballarat Tramway Museum
Slide - 35mm slide/s, Ben Parle, 8/04/1958 12:00:00 AM
Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency / Processed by Kodak" top and bottom. Photo taken by Ben Parle 8/4/1958, date stamped onto slide. Has slide No. "1" stamped in red in top corner. Photo of Ballarat 35 and another bogie tram at the City terminus, north side of Sturt St, taken from the median strip. Has the ANZ Bank and the Ballarat Post Office in the background. No.35 has the destination of Lydiard St. loop. "Sturt St / Lydiard St" / "8-4-58"tramways, trams, sturt st, city terminus, lydiard st, tram 35 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Ben Parle, Jan. 1954
Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency" top and bottom. On the other side is "Made in England" and "View from this side". Photo taken by Ben Parle 1/1954. Photo of Ballarat No. 21 at the intersection of Bridge, Victoria St and Main St, turning into Main Rd from Bridge St. Tram has the destination of Mt. Pleasant. Buildings in the background are Stones stores, Rickson's Paint (?). Advertising for ANZ bank, Kodak film. For high resolution scan see btm2817h.tif "Sturt St Ballarat" "1/54"tramways, trams, bridge st, main st, stones corner, victoria st, tram 21 -
Cheese World Museum
Cheese Box Stencil
This cheese box stencil is part of a large collection of items from the Uebergang family relating to early dairying in Allansford, Victoria. The Uebergang collection as a whole is of local significance according to the following criteria: .Potential to yield information that will contribute to an understanding of Victoria's cultural history .Strong or special association with a particular community or cultural group for social, cultural or spiritual reasons. .Special association with the life or works of a person, or group of persons, if importance in Allansford's history.(Lesley Alves December 2009)Rectangular copper cheese box stencil, P.W.Uebergang- Tooram Cheddar Factory, Western District. 6mm round hole in top left corner.Imprinted Makers name - Quirk & Morton, 411-415 Lt Bourke St, Melbourne. Catalogue number yellow sticker 015, Ink 015.1 Stencil - P.W.Uebergang, Tooram Cheddar Factory, Western District.tooram, cheese factory, dairying, stencil, uebergang, allansford, cheddar factory -
Coal Creek Community Park & Museum
Dressage hat and case, C.J. Lane
9048.1 Black leather top hat 9048.2 Black/grey leather hat box/case with red felt lining9048.1 C.J.Lane Hatters, 256 Collins St Melbourne 90482 Label on outside of box, largely unreadable, except for 'Australia'. 2 luggage labels stuck to top of box read LUGGAGE, Spencer Street. -
St Kilda Historical Society
Photograph, Delacombe, Rowan (Sir) and Croxford, A. H. (Mr), c. 1968
Travelling along Queens Way in open car after official opening, 12 Dec 1968black and white photograph, unmounted, originalHandwritten on back Sir Rowan Delacombe (left) and Mr A H Croxford (right) travelling along Queen's Way after the official opening [of the St Kilda Junction] Photo filed 12-12-1968. -
Ballarat Tramway Museum
Photograph - Black & White - Tram 37 in Sturt St at Dawson St, Keith Kings, 3/3/1968
Shows the arrangement of tram tracks on the south side of Sturt St and one of the many hotels in the city.Yields information about Ballarat tram No. 37 in Sturt StBlack and White photograph of SEC Ballarat tram 37 in Sturt St at Dawson St. Has the Golden City Hotel in the background. Photo by Keith Kings 3/3/1968On rear has the photographers file number 28-22ballarat, sturt st, dawson st, golden city hotel, tram 37 -
Ballarat Tramway Museum
Photograph - Black and White W4 671 St Kilda Road, Charles Craig
Photograph shows Ballarat Tramway Museum tram W4 671 (St Kilda Beach, route 15) in St Kilda Road at High Street during the late 1950s or early 1960s It has a "Mr Motorist keep my tracks clear" sign on the rear. A number of sun shades have been lifted.Yields information about W4 class trams.Photograph - Black and White W4 671 St Kilda Roadtramways, trams, w4 class, tram 671, st kilda road -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, 8/01/1956 12:00:00 AM
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Moorabool Street looking south from Malop St, last day of operations 8-1-1956. Photographer unknown - same as 5854. Has two trams turning at Ryrie St. In the background is the T&G building, a Chemist and Solomons. Has written in ink on the rear "Looking south along Moorabool St from Malop St."trams, tramways, geelong, moorabool st -
Ballarat Tramway Museum
Slide - 35mm slide/s, Peter Moses, Aug. 1971
Photo of SEC Ballarat Tram No. 39 completing its turn from Lydiard St. North into Sturt St. with the buildings between Lydiard St and Armstrong visible in the photo including the Town Hall and the National Mutual building. Shows the median strip along Sturt St. Kodak cardboard mount slide, taken by Peter Moses August 1971.On back of slide in red ink "Ballarat / Sturt St." and in bottom left hand corner in black ink "P. Moses" .tramways, trams, sturt st, town hall, national mutual, tram 39