Collection of Newspaper clippings from Scrap Book 1960 - 1973Artical about Sister Margaret Campbell. She inherited Churchill Island from the Jenkins family. Photo of Mr Bill Ousley beside the cannon on Churchill Island.sister margaret campbell, mr bill ousley, churchill island, the "shannandoah" cannon on churchill island, jean jamieson

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the newly built Shark fishing boat "Margaret White". built by George Armstrong at Newhaven. Fourteen people aboard and many people on the Newhaven Jetty in background.local history, photography, photographs, maritime technology, ship building, shark fishing boat "margaret white", shipping, shark fishing boats, newhaven jetty, john jenner, bryant west

Black and white photograph of group at church dinner to raise money for a new St Margaret's Vicarage held at Eltham Shire Hall, Arthur Street c.1950sInscribed on back with arrows indicating Rowley and self (Lilas Scale)st margarets, churches, anglican, church of england, functions, lilas scale, eltham shire hall

Rathgeber family. Margaret Naylor, Sarah Rathgeber, Sarah Rathgeber, John ScallettI, Parry Family, Jim Rathgeber, Fred Rathgeber, Mrs Rathgeber nee Parry Rathgeber Prior Naylor Scalletti Parry

Matching shoes and handbagHandbag black leather with brown suede inserts on the front, edged with very thin stripes of brown leather. Shoulder bag. (Matching shoes also Margaret J)costume accessories, female

Black and white photo of Construction of Ross House, 26 Dampier Street, Mitcham, facing North to Margaret Street.Donor Nance Ross is possibly Mavis Pepperell's sister.ross, nance, pepperell, mavis, mock family

Coloured photo of members of Whitehorse Historical Society in the Local History Room on August 2008 Vicki Jones-Evans, Margaret Skey, Wendy Stanfield and Valerie Marchallwhitehorse historical society

Colour photograph. Emu Creek Bush Band playing in hall. Blue carpet. Back of photo reads: Bendigo Retirement Village 25.11.2007 Des, Margaret and Peter.entertainment, music, musicians

Draftsman's drawing Underground Survey of Mines Ulster United Co. Garden Gully Line Bendigo Map. Forms part of the Margaret Roberts Collection of mining records.bendigo, margaret roberts, gold, map, mine, ulster united co

The Daltons new business Footbridge Caterers also supplying cake decorating suppliesBlack and white photograph of Bruce Dalton who with his wife Margaret took over Gallean Coffee Lounge 18 Myers Street Lakes Entrance Victoriabusinesses

welcoming public to Australia Day celebrations on forecourt of Information Centre Lakes Entrance Victoria January 1996Colour photograph of Margaret Campbell President of LERHS Also three colour photographs taken at same event showing Shire Commissioner Bruce Evans presenting awards celebrations, events

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing, where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool's superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.The shirt is sleeveless and in majority cream coloured. Around the hem, buttons and across the front of the shoulders is an appliqued floral design of Australian flowers and leaves inspired by the designs of artist Margaret Preston. The appliqued pattern continues around the bottom hem but not over the shoulders of the shirt.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Short, cream coloured scarf printed with an Australian floral design inspired by the artist Margaret Preston. The floral design appears in red, green, white, yellow and black. Interspersed with the flowers are small motifs of Australia created through a curved cross hatching design.Label- Tee - Dee1992 barcelona olympics, sport, athletes, fashion, design, uniform

The Ode is a verse from a poem Ode Of Remembrance by Laurence Binyon. The Poem first appeared in the Times of London on 21 September 1914. This particular verse is used in ANZAC and Remembrance Day ServicesThe verse of the Poem has been used in ANZAC and Remembrance Day Services from their inception. The verse is pertinent to all service persons who have lose their life in conflict.Oblong, Black Frame, Matt Surround, Glass, Cross Stitch, various colors, cotton thread on aida fabric. Hand sewn the ODE, picture of military Bugler, dark military figures in the back ground. Words LEST WE FORGET, The Ode, seven lines of the ode poem. Framing by Frameline Picture Framing, tapestry work not known.ode, lest we forget, tapestry

Pte W Shirley served with 13 Battalion during WW1. Whilst an inpatient at Lady Davidson Home ex Pte Shirley commuted to Ku-Ring-Gai Chase to cut the Sphinx out of rock as a Memorial to his comrades. The time taken for the project was approximately 1 year 6 months.This is a project of 5756 Pte W Shirley 13 Battalion AIF. The Memorial is dedicated 'To my Glorious Comrades of the AIF'2 x black and white photographs of the Sphinx War Memorial, Ku-Ring-Gai Chase, NSW. A buff coloured cover for the photographs with a detailed description of the Memorial and who was responsible for the erection and placement of the memorial.On the front of the 'Sphinx' 1st plaque - To my Glorious Comrades of the AIF, by the Late W. Shirley, no 5756, 13th Battalion. Died 27 August, 1929. 2nd plaque 'Lest We Forget'. 3rd plaque - 1914-1918.w shirley, aif, 13 battalion, sphinx memorial, ku-ring-gai chase, nsw

Victorian Heritage Database Report Report generated 03/03/25 MURCHISON SHAFT Location LESTER STREET SAILORS GULLY, GREATER BENDIGO CITY Municipality GREATER BENDIGO CITY Level of significance Heritage Inventory Site Heritage Inventory (HI) Number H7724-0192 Heritage Listing Victorian Heritage Inventory Other Names NEW CHUM REEF, Hermes Number 8493Handwritten notes with typed copy, on the Murchison Shaft on the New Chum Line. 1870 - 1871. 6,7 tons - 651 ozs. Bottom Level - 2315 ft. Virginia worked this shaft 1883 to -. Lease had a length of 1400 ft. on New Chum Line.document, gold, murchison shaft, virginia

This item is a reproduction of the Honor Roll for WW1 servicemen associated with St Jude's Anglican Church, California Gully.Memorabilia - on paper, in colour, reproduction of an Honor Roll for WW1. Honor Roll - Servicemen associated with a Church. "LEST WE FORGET", printed above a Rising Sun with decorative banner. Three columns of names in gothic script, top half red, lower section black ink. Copy print very pale and hard to read. Mount - white cardboard. Frame - moulded MDF board with gold and black speckle effect paint, with perspex front. cardboard backing.Title to Poster "HONOR ROLL/ St Jude's Sunday School" Years printed 1914, 1915, 1916, 1917, 1918. Handwritten signature - black ink below names "J.H.B. Grilles."framed accessories, honour roll, anglican church, california gully

Back row from L- R: Rachael Barr, George Duncan, Margaret Grant, James Burnside. Middle row from L-R: George Duncan, John Duncan, Marion Duncan nee Burnside. Front row from L-R: Helen Davenport and Lilian Duncan. The photograph was taken outside 'Glencoe' at Diggers Rest with the family dog included,.A photo of the Duncan family posed in the garden of their house with a backdrop of the verandah. The group comprised of an elderly gentleman, a middle-aged man, a middle-aged woman, 2 young women, 2 young men and 2 girls. The dress is consistent with fashion of the late 19th century. People identified as: back row (L to R): Racheal Barr, George Duncan, Margaret Grant, James Burnside. Middle row: George Duncan, John Duncan, Marion Duncan (nee Burnside). Front row: Helen Davenport, Lillian Duncan. Taken outside Glencoe - with the dog! The photo is mounted on a grey cardboard matt. There are pin holes centre top and bottom and an area with residual sticking tape stain.printed on face: "Matson and Frazer 264 Little Collins Street," Handwritten on face: "Mr Duncan and family"barr, racheal, duncan, george, grant, margaret, burnside, james, john, marion, davenport, helen, lillian, glencoe, eric boardman collection, matson and frazer, 1900s, george evans collection

Initially collated by Harry Gilham as part of a file on Eltham Cemeteryeltham cemetery, alfred george morris, clara lucy matilda morris, evelyn hotel, fountain hotel, george hill morris, harriet wilson, jane elliot morris, janet morris (nee mccoll), john morris, margaret ellen wickham, margaret kate morris (nee mccoll), mary ann morris (nee mccracken), morris, thomas alfred morris, william morris

This is an 1896 document containing the Letters of Administration following the death of Margaret Lord, a widow from Warrnambool. She died intestate in April 1896 and left real estate to the value of £15 and personal estate to the value of £250. The estate was to be administered by her son, John Lord, a draper from Warrnambool. Tait collection: item 13 of 62This document is of interest because it concerns a local Warrnambool woman, Margaret Lord and a local lawyer, Ernest Chambers The latter had offices in Warrnambool with the known dates 1896 to 1910, with other offices in Koroit and Port Fairy during the same period. His manager in Warrnambool was Thomas Goodall and this document with others was passed to lawyers occupying the same premises in Kepler Street and it was found in the buildings previously occupied by the legal firm Mackay Taylor.This is a piece of parchment paper folded in two with writing in brown-coloured ink on the back and front of the document. It has a seal of the Supreme Court of the Colony of Victoria and one red stamp of the Master in Equity of the Supreme Court. The writing is somewhat faded but still legible.‘In the Supreme Court of the Colony of Victoria, In the Probate Jurisdiction in the Estate of Margaret Lord, Late of Warrnambool in the Colony of Victoria, Widow, deceased, intestate, Letters of Administration. I certify that there is no duty payable on the within Letters of Administration, J. Poole, Officer Under Section 96 Act 1060, Dated the 22nd day of July 1896. E.J.W. Chambers, Proctor, Warrnambool’ margaret lord, ernest chambers, warrnambool

Brown envelope, 'J.L. Wyatt & Co. Auctioneer, Land Stock & Commission Agents Portland' printed on top left. Addressed by hand to H.L. Vivian, Percy St. Portland. Details of a crown allotment handwritten on front of envelope, in black ink and pencil.Back: 'Margaret Ann Clarke ?Lofty' - handwritten, black ink.betty vivian collection, auctioneer, municipality of portland

Photograph - coloured. Photo in gold frame. Written on back 'Margaret Bunch. Chinese Way.' Wearing a beautiful white dress, flowers down one side, holding a hat.person, individual, female portrait, margaret bunch. portrait of a woman.

Family history re Stewart Family - mention of Margaret Marshall Stewart, Andrew Stewart, Enquiry re 'rare book' held by enquirer, Elizabeth Brown October 2011.person, individual, stewart family

Black and white photograph of Luke Family. Back row L-R Edith, Margaret, and Thomas Samuel. Front row L-R Frida, Alan and Nero (dog).luke, edith, luke, margaret, luke, thomas samuel, luke, alan, luke, frida, families, homes