Showing 34899 items
matching hand-coloured
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Latrobe Regional Gallery
Print, TOYOKUNI III, Actor
Edo PeriodColoured woodblock printactor -
Latrobe Regional Gallery
Print, KUNISADA, Utagawa, Sister at home, 1851
Edo Period Coloured woodblock printactor, sister -
Latrobe Regional Gallery
Print, YOSHITORA, Utagawa, Battle of the Red Pine Trees (Attack of the 47 Ronin)
Edo PeriodColoured woodblock printbattle, 47 ronin -
Latrobe Regional Gallery
Print, KUNISADA II, Utagawa, No. 50, Azumaya, from the series Lady Murasaki's Genji Cards (Murasaki Shikibu Genji karuta), 1857
Edo PeriodColoured woodblock print -
Latrobe Regional Gallery
Print, KUNISADA II, Utagawa, No. 10, Sakaki, from the series Lady Murasaki's Genji Cards (Murasaki Shikibu Genji karuta), 1857
Edo PeriodColoured woodblock print -
Latrobe Regional Gallery
Print, Actor Onoe Kikugorô IV as Amakawaya's Wife Osono, from the series Stories of the True Loyalty of the Faithful Samurai (Seichû gishi den no uchi), 1864
Edo PeriodColoured woodblock printactor -
Latrobe Regional Gallery
Print, UTAMARO, Kitagawa, No. 10 from the series Women Engaged in the Sericulture Industry (Joshoku kaiko tewaza-gusa), 1798-1800
Edo PeriodColoured woodblock printsilk, manufacturing -
Latrobe Regional Gallery
Print, SHUNKO I, Katsukawa, Yoshitune overcoming Benkei
Edo PeriodColoured woodblock print -
Latrobe Regional Gallery
Print, KUNIYOSHI, Ichiyusai, Picture of a Beautiful woman, c. 1847
Edo PeriodColoured woodblock printwoman -
Latrobe Regional Gallery
Print, Nagoto no kuni Akama-no-ura ni oite Genei o-kassen. Yoshitsune's leap (at the battle of Dan-no-ura 1185)
Edo PeriodColoured woodblock printsea, battle -
Latrobe Regional Gallery
Print, KUNIYOSHI, Ichiyusai, Nagoto no kuni Akama-no-ura ni oite Genei o-kassen. And the other boats engaged (at the battle of Dan-no-ura 1185)
Edo PeriodColoured woodblock printsea, battle -
Latrobe Regional Gallery
Print, HOKUSAI, Katsushika, Swimming Tortoises
Edo PeriodColoured woodblock printtortorises -
Latrobe Regional Gallery
Print, KUNIYOSHI, Utagawa, Shunkan Abandoned in Exile from series "Poets of Ogura", 1845-48
Edo PeriodColoured woodblock printshukan -
Latrobe Regional Gallery
Print, HIROSHIGE, Utagawa, No. 7 From Sumida River from series "36 Views of Mt.Fuji", c. 1858 (Year of the Horse 4)
Edo PeriodColoured woodblock printmt.fuji, sumida river -
Latrobe Regional Gallery
Print, HIROSHIGE, Utagawa, Night View of Saruwaka-machi (Saruwaka-machi yoru no kei), Number 90 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), Dated 1856
Edo PeriodColoured woodblock printsaruwaka-machi, street -
Latrobe Regional Gallery
Print, YOSHITSUYA, Utagawa, #13 Cutting Off the Water from "54 Scenes of the Battle of Hyo-gun", 1864
Edo PeriodColoured woodblock printbattle, water -
Latrobe Regional Gallery
EISEN, Keisai, Oneyama and Mt. Fuji
Edo PeriodColoured woodblock printmt. fuji -
Latrobe Regional Gallery
Print, TOYOHIRO, Utagawa, Masaki (Boats in a Snowstorm)
Edo PeriodColoured woodblock printboats, snow storm -
Latrobe Regional Gallery
Print, SHUNSEN, Katsukawa, Two Geisha
Edo PeriodColoured woodblock printgeisha -
Latrobe Regional Gallery
Print, KUNISADA, Utagawa, Ichigen, C. 1830-40
Edo PeriodColoured woodblock printcourtesan -
Latrobe Regional Gallery
Print, HIROSHIGE II, Morning Mist at Zojo Temple from the series '36 Views of the Eastern Capital', 1861
Edo PeriodColoured woodblock printzojo temple -
Latrobe Regional Gallery
Print, SHUNMAN, Kobo, Court Lady and Two Child Attendants, from the illustrated book Momo saezuri, c. 1796
Edo PeriodColoured woodblock printcourt lady, attendants -
Latrobe Regional Gallery
Print, SHUNSEN, Katsukawa, Courtesan, c. 1820's
Edo PeriodColoured woodblock printcourtesan -
Latrobe Regional Gallery
Print, TOYOKUNI, Utagawa, Actor Segawa Rokko in Noh Dance
Edo PeriodColoured woodblock printactor -
Latrobe Regional Gallery
Print, SPOWERS, Ethel Louise b.1890 South Yarra, Victoria d. 1947 Melbourne, Victoria, The Works - Yallourn, 1933
Coloured linocut printSigned and dated along bottom of print.yallourn, landscape, linocut -
Latrobe Regional Gallery
Print, TAJIMA, Hiroyuki b. 1911 d. 1984, Qu Qu, 1964
Coloured woodblock print.Signed and dated bottom right corner beneath image, pencil 'Hiroyuki Tajima '64' Titled bottom left corner beneath printed image 'Ququ' Edition 20/20, written in pencil to the left of signature and date. -
Latrobe Regional Gallery
Print, COLEING, Tony b. 1942, Dollars 39, 1979
Two coloured lithographSigned and dated 'T. Coleing '79' in lower right under printed image. Edition 11/22 lower left under printed image. -
Latrobe Regional Gallery
Print, WILLIAMS, Anthea b. 1961 Wangaratta, Red 2, 1997
Coloured woodcut printSigned and dated lower right corner under printed image. Edition 3/8 and title 'Red 2' lower left corner under print. -
Latrobe Regional Gallery
Print, BURKETT, Melissa, Clary and Peter Hit the Road, 1998
Coloured monotype print -
Ballarat Heritage Services
digital photographs, Inn, Aylesham, England, 2016
Black Boys Inn is in the market square of Aylesham, England. "Archaeological evidence shows that the site of the town has been occupied since prehistoric times. Aylsham is just over two miles (3 km) from a substantial Roman settlement at Brampton, linked to Venta Icenorum at Caistor St Edmund, south of Norwich, by a Roman road which can still be traced in places - that site was a bustling industrial centre with maritime links to the rest of the empire. Excavations in the 1970s provided evidence of several kilns, showing that this was an industrial centre, pottery and metal items being the main items manufactured. Aylsham is thought to have been founded around 500 AD by an Anglo Saxon thegn called Aegel, Aegel's Ham, meaning "Aegel's settlement". The town is mentioned in the Domesday Book of 1086 as Elesham and Ailesham, with a population of about 1,000. Until the 15th century, the linen and worsted industry was important here, as well as in North Walsham and Worstead and Aylsham webb or 'cloth of Aylsham' was supplied to the royal palaces of Edward II and III. John of Gaunt was lord of the manor from 1372 and Aylsham became the principal town of the Duchy of Lancaster. Although John of Gaunt probably never came to Aylsham, the townspeople enjoyed many privileges, including exemption from jury service outside the manor and from payment of certain taxes. The village sign depicts John of Gaunt. In 1519 Henry VIII granted a market on Saturdays and an annual fair to be held on 12 March, which was the eve of the feast of St Gregory the pope. Aylsham markets have always been an important feature of the town, and businesses developed to meet the needs of the town and the farming lands around it. Besides weekly markets there were cattle fairs twice a year and, in October, a hiring fair. The historic Black Boys Inn in the Market Place is one of Aylsham's oldest surviving buildings, and has been on the site since the 1650s, although the present frontage dates to between 1710 and 1720. There is a frieze of small black boys on the cornice and a good staircase and assembly room. The Black Boys was a stop for the post coach from Norwich to Cromer, had stabling for 40 horses, and employed three ostlers and four postboys. A thatched waterpump was built in 1911 at Carr's Corner in memory of John Soame by his uncle, a wealthy financier. An artesian well 170 feet (52 m) deep, its canopy is thatched in Norfolk reed. As with many of the other market towns in the county, the weaving of local cloth brought prosperity to the town in medieval times. Until the 15th century it was the manufacture of linen which was the more important, and Aylsham linens and Aylsham canvases were nationally known. From the 16th century linen manufacture declined and wool became more important, a situation that continued until the coming of the Industrial Revolution. Thereafter the principal trade of the town for the 19th century was grain and timber, together with the range of trades to be found in a town which supported local agriculture. Records show that Aylsham had markets and fairs, certainly from the 13th century. Such weekly and annual events were important for the trade that they brought. Annual horse fairs would bring many other traders to the town, and the weekly market would be the occasion for more local trade. The rights of the stallholders in the market place today date back to the rights established in medieval times." See wikipediaDigital photograph colouredinn, aylsham, england, black boys inn, market square