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Glen Eira Historical Society
Album - Album page, Ripponlea, 192 Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards -
Federation University Historical Collection
Plan, Ballarat School of Mines Administration Building Proposal, 1948, 1948-1951
A hand drawn original drawing of a proposed Ballarat School of Mines office shift from the space on the south side of the entrance hall to the north side. Drawing shows the existing arrangement and also the proposed arrangement. "Proposal: To transfer classroom No 1 to the Area 1A, to transfer present office to No 1, to connect existing Registrar's and Principal's offices into the Staff room." On rear rubber stamp: "Received 28 Sep 1948 C & S"ballarat school of mines, administration building, a building, refurbishments -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
Port of Portland Authority Archivesport of portland archives, harbour construction, wharf, railway, cargo -
Bendigo Historical Society Inc.
Photograph - ELAINE SWANSON COLLECTION: ANZAC DAWN SERVICE 2015 RSL BENDIGO
RSL Memorial Hall, Pall Mall, Bendigo. Image shows Memorial Hall bedecked with poppy banners. '100' has been created out of poppies and the banner is located over the main entrance to the memorial.bendigo, institutions, rsl bendigo -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: ST QUENTIN CATHEDRAL, POSTCARD, 1914-1918
Postcard, WW1, Sepia photo of the main entrance end of the damaged St Quentin cathedral. Rubble and tangled wire of the gate in foreground. GS and G35 handwritten in pencil on the back. See also Copy 1401.93postcard, postcard, ww1, france, st quentin, cathedral -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Gilder Rosina, Recollections of New Works, 1989
Brief history of the cottages at the New Works, Lakes Entrance Victoria. A description of the extant cottages, the families, who lived in them and reminscences of life in the little village across the lake, particularly during summer holidays.heritage -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1955 c
Also a second print of same subject without her bonnet which shows braclet with locket on left wrist 05341.1 8 x 10 cmBlack and wqhite photographic proof of a toddler seated on a rug wearing short sleeved frock with ribbon trimming and a bow on her hair topped with a bonnet laced edged socks and shoes Lakes Entrance Victoriafashion -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1946 c
Also an enlarged copy 05072.1 10 x 15 cmBlack and white photograph of the hull of Baang Yarnda previously the dredge Wombat becoming house boat opposite Broomes Federal Hotel finally left to rot on the shore of North Arm Lakes Entrance Victoriaboats and boating, fishing industry -
Whitehorse Historical Society Inc.
Photograph, Blackburn Shopping Centre, 2012
Coloured photograph of the shops on the southern side of South Parade, Blackburn. Barry Plant Real Estate prominent -2012. on the other side of South Parade is a bus stop and the underground entrance to the Blackburn Station platforms.shops, blackburn shopping centre, south parade, blackburn -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Bulmer H D, 1940
Black and white postcard taken from the hummocks to the west. View is looking to the east showing ocean and beach, wind swept scrub covered dunes, and distant view of Gippsland Lakes. Lakes Entrance Victoriawaterfront, public works, ocean, public works -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1999
House typical of four roomed fisherman's cottage of early 20th Century , was home of Harry Jemmeson, fisherman, wife Lulu and family. Daughter Edith was music teacher and amateur photographer. Later resident Reynold Redenbach. House demolished, site became yard of East End Hardware / Mitre 10.Colour photograph of a four roomed timber cottage with roof of corrugated iron. Part of front veranda enclosed as extra room. Brick external chimney. Situated at 9 Stock Street, Lakes Entrance, Victoria.houses, construction -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2000
Early occupant Mrs Rowe, when house had veranda across front, 1940's.Colour photograph of a timber dwelling with corrugated iron hipped roof, gable extension front, veranda supported by timber post set in concrete pier, situated at 8 Lakes Street, Lakes Entrance Victoriahouses, heritage study -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2000
Originally did not have Spanish style veranda. Has been fish and chip shop, milk bar, bike shop (Billy Bennett)Colour photograph of a pseudo Spanish style brick dwelling. Exterior painted white, tiled hip roof. Brick front fence, cyclone wire gates, at 17 Church Street, Lakes Entrance Victoriafences, houses, heritage study -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2008
Now a private residence, locals remember it as a tea-shop 1960c, adjunct to plant nursery on same block operated by three women, known fondly as 'The Girls', Connie, Mavis and Joyce.Colour photograph of a small fibro cement clad cottage at 112 Lake Bung Beach Road, with tiled gable roof and entry door in side skillion, vertical paned windows. Lakes Entrance Victoriahalls -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1940 c
Sepia photograph showing MV Loch Ard in North Arm. Photo shows vessel approaching landing below Comers Tearooms, with full load of visitors. Thick vegetation on hill. Lakes Entrance Victoriajetties, waterways, boats and boating, tourism -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1930c
Black and white small format postcard of a steamer in the Narrows, Rigby Island opposite the steep shoreline of the mainland, Reeve's Channel, Fraser Island and Flannagan Island in distance, Gippsland Lakes, Lakes Entrance Victoria.islands, waterways, topography -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Fraser, Ian, 1996c
Colour photograph of Bass Strait, scrub covered coastal dunes, Hopetoun Channel, and southern portion of Rigby Island. Photo taken from sand dunes on Flannagan Island, near Lakes Entrance, Victoria.islands, waterways, topography -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1924c
Black and white photograph of part of the North Arm. It shows the calm waters beneath steep heavily wooded banks. Some dead trees appear to have been ring barked. Lakes Entrance Victoriavegetation, tourism -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Clark, Ruth, 1945c
Also second print 7 x 11.5Black and white photograph of the North Arm and township, taken from Allens Hill, looking across the Butcher's Paddock. It shows the slaughter house, sheep, lambs and other animals in the paddock. Lakes Entrance Victoriawaterways, topography, township, room display -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Tambo Shire, 1990c
Second copy image identical 20.5 x 28.5Colour photograph of a bay in the North Arm. It shows the calm waters of the lake surrounded by steep wooded banks, a grassy point with remains of fence or jetty. Reflections of surrounding vegetation in water. Lakes Entrance Victoriajetties, retail trade, waterways, topography -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1910c
Black and white photograph showing wooden western pier with new concrete extension on seaward end and crane. Two men on top of pier, ocean breaking on beach west of pier, at Lakes Entrance, Victoria.waterways, boats and boating, jetties, machinery -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2009
Date made January 2009Colour photograph showing western side of western pier. Rocks extend from end of pier along base of sand dunes, some vegetation on dunes. Signs and lights on piers. Lakes Entrance Victoriajetties, topography, transport -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1940 c
Built Williamstown 1938, taken over by Navy 1942, renamed 'Stella'?Black and white photograph showing fishing boat Warreen, CSIRO research ship. Lifeboat across stern, six or seven men onboard. Dark coloured hull, white cabin. Lakes Entrance Victoriafishing industry, boats and boating, fish, jetties, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Holding M, 1985c
Colored photograph of the footbridge. It shows seagulls on the weed covered northern edge of the lake, people on bridge, roof of surf lifesaving club house visible among dunes of south shore. Lakes Entrance Victoriawaterways, bridges, tourism -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1993c
Black and white photograph showing left hand side angle of crowd of tourists crossing footbridge to ocean during Clear Water Festival. Body of water in foreground is the Cunninghame Arm. Lakes Entrance Victoriaworld war 1914-1918, bridges, waterfront, transport -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Nelson Joan, 1980c
Colour photograph of the beach at the southern shore of Cunninghame Arm. It shows people swimming and paddling, also on the beach, coastal banksia and scrub on sand hummocks, surf lifesaving clubrooms in background. Lakes Entrance Victoriawaterfront, parks, restaurant -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Holding George, 1975c
Colour photograph of the western end of Bullock Island. It shows two vessels on the North Arm, fishing vessel entering Cunninghame Arm, Pecks factory and other buildings on Bullock Island. Lakes Entrance Victoriawaterways, islands, transport, land reclamation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1990 c
One other photograph showing vegetation taken from the left hand side of road.Colour photograph taken from the Princes Highway, showing the last bend in the road before the northern approach to the concrete North Arm Bridge, shows the North Arm and waterfront in distance. Lakes Entrance Victoriaconstruction, bridges -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Holding M, 2000
Also two other photographs similar views.|Also one showing old bridge onlyColour photograph showing the building of the new North Arm bridge, old North Arm bridge in background, taken from tourist ferry Mulloway, returning to jetty in North Arm. Lakes Entrance Victoriabridges, waterways, demolition, machinery -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2000
Date made May 2000.Colour photograph of diving operations to attach crane cable to underwater section of piers of old North Arm bridge. Diver in water, small tinny standing by with two men aboard. Lakes Entrance Victoria.bridges, waterways, machinery, public works