Primitive Methodist Sunday School Union. Scholars' examination junior division. This is to certify that Elizabeth Hall of Eaglehawk school passed the half-yearly examination in scripture lessons for May and June 1884, subject: Moses and Exodus. Signed by board of examiners and dated Melbourne August 24th, 1884bendigo, church, primitive methodist

Twelve receipts signed by members of the Australian Federated Union of Locomotive Enginemen acknowledging receipt of a copy of the rules book. Same of the name are: Elliott, Haley, Stevens, Brereton, Martin, Ebsworth, Geary, Sutton and Wearne.organisation, union, locomotive enginemen

Postcard - Bridge Sreet, Ballarat Vic showing tram tracks, a number of horse drawn carts and cabs. On the far right, a tram stop sign can be seen, along with men talking. In the view are shops, businesses or advertisements for: Junction Boot Store, Havelock Tobacco, Halls Corner, A Bregeut Ales & Butter shop, W A Stark Wines and Spirits, Velvet Soap, Thomas Dunstan? Leather Merchant.Yields infomation about the corner of Bridge Street, Main Road and Victoria Streets.Black and white postcard titled Bridge Sreet Ballarat Vic, looking west from the corner of Bridge Street, Main Road and Victoria Streets 1910c. Divided back type, published by VSM Melboune and printed in Prussia.bridge street, ballarat, stones corner, victoria street, main road, tramways, tram track, horse drawn vehicles

The image is of an ESCo tram just to the west of the Armstrong and Sturt St. intersection with the Ballarat Town Hall, the National Mutual building in the background. Tram traveling east. Tram has a destination box on the roof, but no driver's windows, say 1906 - 1912 or 1910c. Some horse-drawn vehicles in the image. Snows has a "Summer Clearance" sign on the building. From Reg Item 5129, appears to be tram No. 5. See also 8890, 8414 for other versions of this image.Yields infomation about Sturt St and ESCo tramsPostcard - coloured - Sturt St, card printed in Germany and number B374 19, with light brown ruled lines on rear.On rear is a letter to a lady in Adelaide with a 1d Victorian stamp, possibly during 1911ballarat, tramcars, esco, sturt st, town hall, tram 5

Postcard shows an ESCo tram soon after commencement in 1905, at the corner of Armstrong and Sturt Streets, Ballarat. The tram has a destination sign hung from the drivers dash canopy. On the left is the Snows Department store and a pole with telegraph/telephone wires and insulators. The Thomas Moore Statue is adjacent to the tramcar. The median plantation was known as Shoppees Square. See item 8999 for a printed colour copy from an illustration, and 3795 for a copy photograph. Yields information about Sturt St, 1905.Postcard - coloured, published by WTP, 1905, Divided back type. trams, tramcars, ballararat, sturt st, esco, armstrong st, wtp

Photograph shows Ballarat Tramway Museum tram W4 671 (St Kilda Beach, route 15) in St Kilda Road at High Street during the late 1950s or early 1960s It has a "Mr Motorist keep my tracks clear" sign on the rear. A number of sun shades have been lifted.Yields information about W4 class trams.Photograph - Black and White W4 671 St Kilda Roadtramways, trams, w4 class, tram 671, st kilda road

Photo shows the T&G building in Geelong on the corner of Ryrie and Moorabool streets with the Father and Son clock striking the hour. See reference for the details of the building and clock. On the rear is a letter dated 16-7-1936 written to Charles and his brother Michael by their mother noting the clock. In the bottom right hand corner is Birney 15. Note the tramway information sign on the pole on the left hand side of the card. Published by Valentine Publishing Co of Queen St Melbourne No 2114Yields information about the Geelong T&G building and the general street scene.Postcard - Black and white of the T&G Building in Geelong. Has be used for a letter.tramways, trams, geelong, t&g building, clocks, valentine

Tram 28 at the intersection of Sturt and Lydiard Streets, with destination Gardens via Sturt St. West, two inspectors by tram, many people sitting on park benches in centre median strip. Tram with lights, but small white strip, has early 'Twin Lakes' sign on front of tram.'F' in blue inktramways, trams, sturt st, tramway centre, lydiard st, tram 28

Photo with Ballarat tram No. 38 in background, floral clock in foreground, Ballarat Town Hall with Begonia Festival sign on Sturt Street face, Myers building and a horse drawn cart about to cross Sturt St. Tram fitted with large triangles, dash canopy lights and small white stripe. 23/2/1963'SEC Ballarat, No. 38, Floral clock and Sturt St. 23/2/63' in blue inktramways, trams, sturt st, floral clock, town hall, tram 38

Geelong No. 37 at Corner of Ryrie and Moorabool Streets 3/11/1953, showing 'East' on destination. Tram not well exposed. Stopped by a centre of the road pole marked as a tram stop, with 'Safety Zone' sign in foreground. Outside Mayfair School of Dancing building. Photo by Keith Kings.In Blue ink 'Geelong was closed early 1956' in top left hand corner. In base 'Geelong No. 37, on 'EAST' Cr Ryrie &b Moorabool Sts City, 3/11/53, Maximum traction 1/50 f11' Stamped on top edge, 'K.S.Kings No. K(a)(7)'tramways, trams, geelong, ryrie st, maximum traction, tram 37

Bendigo, Charing Cross, four Birneys on Sunday 20-1-1963, 3.36pm. Photo taken from View St. looking east along Mitchell Street. Tram 11 to North, 30 to Golden Aq, 28 to Quarry Hill and 29 to Eaglehawk. Note road signs (yellow with black writing)on centre poles, Ezywalkin building in rear, cross over in foreground. Black and white version of photo appears on page 66 of K.S.Kings book 'The Bendigo Tramways'. Photo by Keith Kings.Stamped on 'K.S.Kings etc.' and in blue ink 'K(r)(390), Bendigo, 1/250., f8 20/1/63, Charing Cross, Sunday, 3.36pm 11 to North, 30 to Golden Square, 28 to Quarry Hill, 29 to Eaglehawk.'tramways, trams, bendigo, birney, charing cross, tram 11, tram 30, tram 28, tram 29

Bendigo, North Bendigo terminus, trams (from rear), 28, 30, 21, 7 and 19 at time of ARHS 100th Anniversary tour, on 20-10-1962. Three trams at terminus, and 7 and 9 standing in street. Tram 19 has briquette ad on front panel, Electric cooking roof ad and is carrying the white 'tram following' disk. No. 7 has a Castrol roof ad, and No. 21 Sandhurst Milk Ad. Level crossing with flashing lights in background, old style level crossing sign in foreground.'White Hills, ARHS 100 Rly Anniversary, 20-10-62, 28, 30, 21, 7, 19' in blue inktramways, trams, bendigo, north bendigo, arhs, tram 28, tram 30, tram 21, tram 7, tram 19

Original building was established by Whyke's family Grocery, built in 1860s. Stripped to apricot brickwork. Verandah removed. Situated East Side of Warrenheip St between Eyre St and Forest St, Buninyong. Building much altered and used as a restaurant in 1970s. Fell into disrepair. Revival took place but not restoration. 1990s under threat of demolition if not conforming to council safety requirements. Building has since been renovated as a pizza restaurant (2023). Vacant lots have since been built on.Established by a prominent local family, an example of a mid 19th century shop. Black and white photo of former Whykes Grocer, 1860's. Streetscape photo of former Whykes Grocer brick building. Power pole with Warrenheip St sign. 3 other shopfronts visible, street trees and vacant land between shops.buninyong, whykes, grocery, building, street scape, warrenheip st

Built around 1873 by Dr. Sparling, on land formerly occupied by the first Buninyong Inn (aka Jamieson's Hotel). Some materials from the demolished hotel may have been used in building the house.Good example of 1870's professional residence, links to prominent citizen Dr Sparling.B/W Photograph, Polychrome brick cottage, L-fronted with bullnose verandah, on bluestone foundations with low bluestone fence. Signs "Buninyong Antiques" (under verandah) and "Antiques" on front of building.buninyong, sparling, jamieson, house, brick

Former Buninyong Post Office opened in October 1873 and closed in 2000, converted to residence weel preserved C19th public buildingB/W photograph of L-fronted polychrome brick building, slate roof, picket fence, covered verandah left side, three arched windows right side, Post Office sign above, telephone booth to the right.streetscape, building, brick, post office, learmonth st, buninyong

Remains of Buninyong Railway Station platform, line closed 1947Only remains of Railway stationB/W photo remains Buninyong Railway Station platform, (built 1889) sign on left, power pole and Tennis Club shed, elm tree behind right.buninyong, bunny, railway, platform

Lost buildingB?W photo, Half way House Mt. Clear, (on site of new church at Mt Clear) licensee T. Gordan and two women in front, two dogs and a horse and carriage, prominent sign across front of buildinghotel, mt clear, half way house hotel

Approach to township of Buninyong prior to amalgamation with Ballarat City Council. Buninyong shire town sign visible in foreground.Record of Buninyong Shire prior to amalgamationBlack and white photograph of the Eastern approach to Buninyong from the Midland Highway taken from opposite Ballantrae looking West. In left foreground is an example of Buninyong shire town sign before amalgamation 1994.buninyong shire, midland highway, street scene

“The lIrusaqi are monotheistic Void worshippers. The Void is an extremely complex concept, and seems to include multiple interpretations of the two great signs, the triangle and the circle. On one level the triangle symbolises Man, and on another, the whole material universe. The Void, symbolised by the circle, is both within and without Man and the material universe. So, we find many variations of the circle and triangle imagery permeating the whole of lrusaqi society, i.e. villages are laid out in pyramid form, with a circular well at the centre, towns are built on a series of triangles, intersected by highways and the Court of the Imperium itself is based on a central circle within a triangle, with delegates to the Court in the three corners, while the positions of the three Heads of State and the one Head Speaker, repeat the pattern. The Void itself is always portrayed as an expanding and contracting circle, (not unlike the aperture of a camera). This Robe is worn by the High Priest’s acolyte and spokesman. The Voidsayer interprets the prophesies and sayings of the Priest, in words readily understood by the common people. The disc on the back of the Robe is the Void, and the gold lines symbolise the words of the Priest, coming from the source of life. The Robe is covered in gold chain mail, a sign that the Robe-wearer will defend his master with his life, if necessary.” -Inga Hunter

St Hilary's Anglican Church in Rowland Street, Kew was established in 1888 on land granted to the congregation by the Dumaresq family.The Parish Notes are historically interesting as they outline the various ways in which the Influenza Epidemic of 1919 had an impact on local communities. St Hilary's Church of England Parish Notes from 1919, which includes among other items of interest states that because of the risks of contagion during the influenza epidemic, parishioners are required to worship outside. Written note on front page signed by the Rev Charles H Barnes and dated 16/3/19.st hilary's church of england - kew (vic), churches - kew (vic), influenza epidemic 1919 - kew (vic)

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by ***** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by **** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by ***** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by ***** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by **** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by ******, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax