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Eltham District Historical Society Inc
Photograph - Digital Photograph, Alan King, Alistair Knox Park, Eltham, 2008
Alistair Knox Park, an oasis of peace and beauty. Covered under National Trust of Australia (Victoria) Landscape Significance and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p173 It is hard to imagine that the Alistair Knox Park, an oasis of peace and beauty beside busy Main Road, Eltham, was once the township’s rubbish dump. It was only in the 1970s that the tip was transformed into this beautiful six hectare space, which later earned it a National Trust Landscape classification. Before its life as a dump, the area was used for small farms. Thanks largely to the foresight and efforts of local environmental builder Alistair Knox, the park was designed sympathetically with the character of the wider Eltham landscape. Then, appropriately, the park was named after Knox, who was an Eltham Shire Councillor from 1971 to 1975 and Shire President in 1975. The park designers were four major forces in the urban bush landscape garden –Knox, landscape designer Gordon Ford, artist Peter Glass and landscaper Ivan Stranger.1 The National Trust citation for the park, originally called Eltham Town Park, includes the Eltham railway trestle bridge and the Shillinglaw Cottage. The citation states ‘the semi-natural setting of the parkland provides a landscape which is evocative of the history of the area’. Manna Gums (Eucalyptus viminalis) and Candlebarks (Eucalyptus rubida) are significant features. Most of the park’s construction was directed by Bob Grant, Superintendent of the Parks and Gardens Department for the Eltham Shire Council. First plantings occurred in Arbour Week in 1973, then the lake and botanic area were completed in 1975, with Federal Government funding, and the toilet block in 1978. Bounded by the Eltham railway line, Panther Place, Main Road, Bridge and Susan Streets, the park is in a valley about a kilometre wide overlooked by steep hills at the east and west. The Diamond Creek flows through it and the picturesque historic timber trestle railway bridge edges the north. Informal plantings of Australian indigenous and native species in open and undulating grassed settings blend with the natural landscape of the Diamond Creek to the west. The bush-style plants, particularly around the creek, balance with open lawns, paths and a cascade flowing from a small lake to another below. A footbridge over the creek leads to the park’s west. The park includes an adventure playground and barbecue areas. The park stands on part of the land bought from the Crown in 1851 by Josiah Holloway, who subdivided it into allotments and which he called Little Eltham. Most of the land was subdivided into residential lots, but the creek valley, on which the park stands, was subdivided into farm-size lots, used mainly for orchards and grazing. One of the earliest owners was John Hicks Petty, who in 1874 bought a plot from Holloway. Other families who owned properties in that area, included Rees, Clark, Waterfall, Graham, Hill and Morant.2 In 1901 the railway was built through the area. Jock Read, an Eltham resident since around 1920, remembers several farms in the 1920s and ’30s that occupied the site of today’s park. A poultry farm, which extended from present day Panther Place, was owned by the Gahan family. Next to that farm was another for grazing cattle owned by Jack Carrucan. Beside this was land owned by John Lyon. A doctor lived beside this, and at the north-west corner of Bridge Street and Main Road stood a memorial to the soldiers who died in World War One, which was later moved to the RSL site. Mr Read also remembers other farms and orchards west of the creek In the early 1960s the Eltham Council began buying these farms and in the late 1960s turned the areas east of the Diamond Creek into a garbage tip. When this was filled above the creek’s flood plain, the tip was moved to the west of the creek.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair knox park, eltham -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Alan King, Sign: Clara Southern, Heidelberg Artists Trail, Main Road, Research, 2008
Warrandyte artist, Clara Southern, features on the Artists Trail. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p189 Since early in the 20th century this district has attracted artists and other creative people. So much so, that Eltham has been compared to the Left Bank in Paris, New York’s Greenwich Village and London’s Bloomsbury.1 That is until the 1970s when Eltham rapidly expanded into a suburb. However many artists still flourish not only in Montsalvat, Dunmoochin and the Bend of Islands but elsewhere in Nillumbik. Some artists who have worked or lived in Nillumbik are well-known nationally and internationally. Artists are attracted to the hilly district’s subtle colours, unique light and the Yarra River and Diamond Creek. The railway’s extension to Eltham in 1902 brought artists to paint for the day or to camp. Then many settled in Eltham, perhaps also because the poor quality land, far from the city, was cheap. Following World War Two they found they could build houses and studios cheaply by making their own mud-bricks. The flexible material, with its warm tones blending into the bush, also satisfied their aesthetic sensibilities. As early as 1900, Will Longstaff, known for his painting The Ghosts of Menin Gate at the National War Memorial in Canberra, lived at Stanhope in Peter Street, Eltham, later to become the home of intellectuals Clem and Nina Christensen. Members of Australia’s first significant art movement, the Heidelberg School of Artists, painted in Eltham, Warrandyte and Diamond Creek.2 Walter Withers lived at the corner of Bolton and Brougham Street, Eltham and taught Sir Hans Heysen, who for a short while stayed with the Withers family. In Warrandyte were Clara Southern, whom Frederick McCubbin taught at the National Gallery School and Penleigh Boyd, who is represented in all Australian state galleries and the National Collection in Canberra. May Vale, daughter of politician William, lived in Diamond Creek.3 With Jane Price they feature on the Heidelberg School Artists Trail, part of which runs through Nillumbik. The trail includes signs each displaying a reproduction of a painting by an artist and located near where the artist lived or painted. In Nillumbik the trail includes parts of Warrandyte, Eltham in the Alistair Knox Park, Main Road shopping precinct and Wingrove Park, the Research walking track on Main Road and the Diamond Creek Reserve. In 1916 artist William ‘Jock’ Frater lived at the corner of Arthur and Bible Streets, Eltham. Before then, Frater, with other artists including Percy Leason (who moved to Eltham in the mid 1920s) painted in Eltham on weekends. They camped near Bible and Pitt Streets and along the Diamond Creek where the Eltham Retirement Centre now stands.4 In 1921, painter Peter Newbury (father to painter David Newbury, who was born in Eltham) moved to Cromwell Street, Eltham. Max Meldrum, the first Australian painter to formulate a consistent theory of art largely based on tone,5 taught local artists Alan Martin, Clarice Beckett, Peter Glass and Justus Jörgensen. Meldrum visited Eltham then rented a house there for 18 months opposite Wingrove Park. In 1934, artist and architect Justus Jörgensen and his doctor wife Lil and friends built Montsalvat, the artists’ colony. Montsalvat has played an important part in attracting artists to Eltham and its mud-brick, pisé, stone and recycled building materials has had a major influence on Eltham’s built environment. Jörgensen’s students who also helped him build Monstalvat included Arthur Munday, Lesley Sinclair, Helen Lempriere, Joe Hannan, Helen, Sonia and jeweller/sculptor, Matcham Skipper. Among artists who visited Montsalvat were Clifton Pugh and Angry Penguins’ artists Albert Tucker and Arthur Boyd. Some who painted after World War Two were Alan Martin of Eltham and Warrandyte artists Frank Crozier and Harry De Hartog6, one of Melbourne’s first painters influenced by Cubism.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, clara southern, heidelberg artists' trail, main road, research (vic) -
Wodonga & District Historical Society Inc
Photograph - First Methodist Church, Wodonga
Land for the Methodist Church in Wodonga was reserved in 1864. By 1865 the Reverend Francis Neale, a Wesleyan minister was appointed to Albury from where he supervised the congregation at Wodonga Creek until a church was built in 1873. By 1885 Wodonga and the other preaching places on the Victorian side of the Murray had become a separate circuit under the Reverend L. J Rowlands. This circuit included Bethanga. Kiewa. Leneva, Kergunyah and Bonegilla. In the 1960s the Methodist congregation built a new chapel in Hovell Street, Wodonga. The creation of the Uniting Church during the 1970s meant that the services were held in the former Presbyterian Church and joint Sunday School classes were conducted in the Methodist Hall. In 1961 the Church building and land was purchased by the Ukrainian Community for £2,000. Ukrainian Catholic families in Wodonga donated £100 each towards the purchase. Additional fund raising such as carol singing in nearby towns (Benalla, Wangaratta, Albury and Wodonga) assisted with the purchase of the Church. The former Methodist Church was in poor condition and the members of its new congregation undertook the replacement of the floor, the footings, replastering of the walls and the construction of an altar. The renovations cost a further £400. Once a month a priest came up from Melbourne to conduct services in the Church. On completion it was blessed by Bishop Ivan Prasko to become St Olga's Catholic Church (Ukrainian). In 1965 the Church was dedicated to its patron St Volodymir, with Bishop Varlamm (Sydney) and Bishop Donat (Melbourne) taking part in the ceremony. The members of the Ukrainian Catholic community also built a hall and smaller chapel in Hunt Street, Wodonga. With a declining congregation, this property became more manageable to maintain than the original brick building and the decision was made to close the building in 2010. In 2022 the building and extensive block of land in Church Street was sold commercially for potential redevelopment.These images are significant because they depict an early Wodonga Church building.A collection of coloured photographs depicting the first Methodist Church in Wodonga, Victoria It was a red brick church with a steeply pitched gable roof and parapeted gable walls. There was a small front porch with matching roof and gable treatment to the front. Simple timber Gothic windows were along the sides, with a tri-partite window above the porch. Two sections of this window featured stained glass, the other was opaque glass. Red brick buttresses were topped with white-painted render, as were the parapets, and the windows were also outlined with white painted render. Timber joinery was painted white. A front path led directly to the porch and the Church was flanked by mature oak trees. A small, relatively modern red brick skillion extension was added to the rear of the building.wodonga churches, methodist church wodonga, ukrainian catholic church wodonga -
Sunbury Family History and Heritage Society Inc.
Photograph, Jacksons Creek
The photograph of the waterfall tumbling over rocks in the Jacksons Creek are a feature downstream from the Macedon Street bridge and Craiglee when the there has been high rainfall. The steep escarpment on the LHS leads to Jacksons Hill and the line of trees in the distance are growing along Macedon Street (Sunbury Road).After heavy rainfall, Jacksons Creek rises suddenly and small trickles over the rocky outcrops become fast flowing waterfalls.A non-digital sepia photograph backed onto thick cardboard of a waterfall tumbling over rocks in a river with a high escarpment rising up from the watercourse. There are rocky outcrops across the hillside with a pipe down the hillside. jacksons creek, jackson hill, waterfalls, rivers -
Clunes Museum
Photograph, ROGER PURCELL, SEBASTOPOL GARDENS, 1994 [COPY]
ORIGINAL PHOTOGRAPH OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET CLUNES..1 ORIGINAL SEPIA PHOTOGRAPH OF PEOPLE WORKING IN THE GARDEN ON THE OTHER SIDE OF THE CREEK. THE PHOTOGRAPH IS GLUED ON TO LIGHT BROWN CARDBOARD .2 -.4 COPIES OF POINT 1 .5 A COPY OF THE ORIGINAL (.1) PHOTOGRAPH GLUED ONTO CREAM CARDBOARDW H HARRIS LAND CIRCA 1870 -1880 WINNERS OF PICKLES AND JAMS COMPETITION IN INDIA 1886 harris family, w h harris, pickles and jams competition, sebastopol gardens -
Clunes Museum
Photograph, 1869
UNION BANK - LATER A.N.Z. NOW PRIVATE RESIDENCE. CORNER OF TEMPLETON ST. NEXT TO C. OF E. - NOW SUNDAY SCHOOL. NEXT TO PRESENT C. OF E. NOTE BELL ON BUILDING NEXT TO RED BOOT WAS A SCHOOL.- TWO CHURCHES ON TOP OF NORTH CLUNES HILL. ONE OF THESE BECAME THE ASSEMBLY HALL AT TOWN HALL. SIGNS ON BUILDINGS, KENT EDWARD DART HOTEL, PITCHER BROS, PORT PHILLIP BAKERY R. HARVEY, C. WILES WASHINGTON HOTEL, R. MORRISON AGE OFFICE NEWS, BULL & MOUTH COACH OFFICE J. H. DALTON.1 PHOTOGRAPH OF A PORTION OF A LITHOGRAPH OF LOWER FRASER STREET, CLUNES. WOODEN BUILDINGS IN FOREGROUND, CRESWICK CREEK BEHIND BUILDINGS. HILL IN BACK GROUND. .2 .3 BLACK AND WHITE COPIES OF THE ABOVE PHOTOGRAPH PRINTED ON GLOSS PAPERshops, red boot palace, clunes township -
Darebin Parklands Association
Back of Green Street June 1991, Sue Course, 1991
Colour photograph. This item and all other Darebin Parklands Association archival material is now held by State Library Victoria (Accession No: YMS 13746). Please contact State Library Victoria if access is required.Annotated on back with [Back of Green St, Ivanhoe, near creek. June 1991]. -
Darebin Parklands Association
Darebin creek 10th February 1976, Laurie Course, 1976
B&W photograph. Behind tennis courts, Kingsley Street. This item and all other Darebin Parklands Association archival material is now held by State Library Victoria (Accession No: YMS 13746). Please contact State Library Victoria if access is required. -
Sunbury Family History and Heritage Society Inc.
Photograph, Rosa McCall, The Nook, 25th September 1997
... in Ligar Street in 1966. Jacksons Creek at The Nook was the site ...The photograph of The Nook is one of a series of photographs that was included in an exhibition organised by the former Sunbury & District Heritage Association in March 2001 and displayed in the George Evans Museum. Local; people were invited to submit photographs for the exhibition. The Nook is a major recreational area in Sunbury and over the years out has been an areas where grazing and cereal growing was practised before it became the original town's swimming area before the Aquatic Centre was opened in Ligar Street in 1966.Jacksons Creek at The Nook was the site of the original Sunbury Swimming Club for 49 Years from 1917 to 1966, when the Aquatic Centre opened in Ligar StreetA non-digital coloured photograph of river with trees growing along the banks and open ground across the river flats.the nook, swimming, sunbury swimming club -
Eltham District Historical Society Inc
Book, Leslie Arthur Schumer, Henry Dendy and his emigrants / [by] Leslie A. Schumer, 1975
Henry Dendy (1800-1881) is best known as the founder of Brighton. It is not well known that years later he lived far longer at Eltham than he did at Brighton. In 1840 whilst still in England, he bought eight square miles of unspecified land in the Port Phillip district. This entitled him to bring a number of other people to the colony and in 1841 he arrived in Williamstown in the York with his family and 139 others. He took up this land entitlement at what is now Brighton and most of the emigrants settled there. He encountered financial problems and lost his interest in the estate in 1844. He left Brighton in 1847. He successfully not always successfully became a brewer at Geelong, a sheep farmer at Christmas Hills and Upper Moira, a flour miller at Eltham, a sheep farmer again at Werribee and finally a copper miner at Walhalla. Dendy came to Eltham in 1856 after having spent a year in England, he purchased about 5 acres of land in two parts situated each side of Maria Street (Main Road). There was a steam flour mill on that part of the land adjoining the Diamond Creek. He became prominent in local affairs serving for a time on the Eltham District Roads Board including one term as President. Dendy’s wife Sarah died at Eltham in 1860 and also in that year he was appointed Chairman of a committee to establish a Church of England in Eltham. He donated one of his Pitt Street lots for this purpose. St Margaret’s Church was opened on this site in 1861. In 1867 Dendy sold his mill to W F Ford and moved to Werribee and then Walhalla where he remained until his death. He is buried in the Walhalla cemetery. Part of the land on which the Eltham Community Reception Centre stands was the site of Dendy’s house and Mill. Some of the old trees on the site could well have been planted in Dendy’s time. Much of this information was obtained from the book “Henry Dendy and his Emigrants” by L A Schumer. ISBN 095971040X Paperback; viii, 88 p. : maps ; 22 cm. [written inside front cover] To J.W. Wainbech(?) with the author's compliments and thanks. 22/12/75 [and signed by the author on the cover page]henry dendy, brighton (vic.), emmigration, pioneers -
Eltham District Historical Society Inc
Photograph, Henry Dendy c.1875, 1875c
Henry Dendy (1800-1881) is best known as the founder of Brighton. It is not well known that years later he lived far longer at Eltham than he did at Brighton. In 1840 whilst still in England, he bought eight square miles of unspecified land in the Port Phillip district. This entitled him to bring a number of other people to the colony and in 1841 he arrived in Williamstown in the York with his family and 139 others. He took up this land entitlement at what is now Brighton and most of the emigrants settled there. He encountered financial problems and lost his interest in the estate in 1844. He left Brighton in 1847. He successfully not always successfully became a brewer at Geelong, a sheep farmer at Christmas Hills and Upper Moira, a flour miller at Eltham, a sheep farmer again at Werribee and finally a copper miner at Walhalla. Dendy came to Eltham in 1856 after having spent a year in England, he purchased about 5 acres of land in two parts situated each side of Maria Street (Main Road). There was a steam flour mill on that part of the land adjoining the Diamond Creek. He became prominent in local affairs serving for a time on the Eltham District Roads Board including one term as President. Dendy’s wife Sarah died at Eltham in 1860 and also in that year he was appointed Chairman of a committee to establish a Church of England in Eltham. He donated one of his Pitt Street lots for this purpose. St Margaret’s Church was opened on this site in 1861. In 1867 Dendy sold his mill to W F Ford and moved to Werribee and then Walhalla where he remained until his death. He is buried in the Walhalla cemetery. Part of the land on which the Eltham Community Reception Centre stands was the site of Dendy’s house and Mill. Some of the old trees on the site could well have been planted in Dendy’s time. Much of this information was obtained from the book “Henry Dendy and his Emigrants” by L A Schumer.Colour photograph copy of Portrait of Henry Dendy c.1875henry dendy -
Bendigo Historical Society Inc.
Photograph - MINING IN BENDIGO COLLECTION: MINING PHOTOGRAPHS
... and tramway. The middle picture is the Central Deborah, Violet Street... is the Central Deborah, Violet Street, near Bendigo Creek, Golden Square ...BHS CollectionFolded paper with copies of photos of mines and various mining buildings. On the front is a view from New Chum Hill, looking south in 1890's. Pictured is the Lazarus Crushing Plant and boiler house, Lansell's '222'. Amd the new Chum Mines in the background. On the inside at the top is the New Chum Railway, Golden Square. Pictured is the mine and its buildings, two chmneys, two large wood stacks and other mines in the background. On the left, a man is standing on the side of the railway line beside the mine. The next picture is the United Hustlers and Redan Mine, west of Comet Hill State School, Sandhurst Road. It shows the mine and its buildings, chimney, ore bins, mullock heap and tramway. The middle picture is the Central Deborah, Violet Street, near Bendigo Creek, Golden Square. It shows the poppet legs, buildings and some machinery behind the large building. The large building has eight ventilators in the roof. The buildings are made of corrugated iron. The bottom left picture is the Deborah Mine, Quarry Hill. The picture shows the poppet legs on the hilltop, the buildings beside it, a square chimney behind the poppet legs and some vegetation and a peppercorn tree in the foreground. The far building also has ventilators in the roof. The picture on the right is underground at 1000 feet level in the Deborah Mine. Pictured are three men with a rock drill. On the back, at the top is a picture of a First Motion Winding Engine at Deborah - later at Central Deborah. The picture shows the engine and driver. The middle picture is the South New Moon Mine, Eaglehawk - leading mine in State in 1903. The picture shows the poppet legs, buildings, chimney and a high tramway. In the foreground is a dam. The bottom picture is Victoria Hill looking south to New Chum Hill. In the foreground is Lansell's '180' Mine and Ballerstedt's Open Cut and in the background are the 'New Chum and Victoria', 'Old Chum' and the 'North Old Chum'.photo, mining in bendigo, mining photographs, lazarus crushing plant, lansell's 222, new chum mines, new chum railway, united hustlers and redan mine, comet hill state school, central deborah, deborah mine, first motion winding engine, south new moon mine, lansell's 180, ballerstedt's open cut, new chum and victoria, old chum, north old chum, square chimney -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: CHARING CROSS BENDIGO, early 1900's
BHS CollectionBlack and white photo - copy? View of Alexandra Fountain/Charing Cross, looking northward down Pall Mall. Two trams - one left hand side, one bottom right. Groups of people standing /sitting around Fountain. Horse and carts visible on street scape. Poppet head and mine chimney of Hustlers Park mine on left hand side alongside Bendigo Creek. basil miller, bendigo, charing cross, alexandra fountain, bendigo tramways -
Linton and District Historical Society Inc
Photograph, Richards & Co, Photographers, Ballarat, Sturt Street, Ballarat, circa 1880, circa 1880
Found behind fixed shelves at "Hoyles Creek", Mannibadar.Original black & white picture of Sturt Street, Ballarat showing trams, horse drawn vehicles, Suttons, Coltmans, Mechanics Institute and Town Hall.ballarat, streetscapes, transport, horse drawn vehicles, trams