White cover, printed in Braille; 30cmHx21cmW, 52 pagesvicdeaf news, braille

2001, htc general memorabilia, awards

40 pages. 1st page clear plastic. 2nd page blue paper. back page white cardboard. pages 3-39 white paper. black ink. some colour. white wire binder. annual report, financial documents

Soft cover book partly teal cover with photos of seafood, fruit, cattle, wheat & laboratory assistant. Slightly larger than A5 size 159 pages 2 copies of this edition

Of Maryanne Coutts' exhibition at the Ballarat Fine Art Gallery Maryanne Coutts wrote: 'The same old story' is a curious phrase. As usual I can't tell you exactly in words what the story is,simply that I hope that this body of work evokes characters and implies the actions and interactions that engender a story. For me the story if seeking itself, trying to understand what about itself is repeatable yet malleable, rememberable yet changeable. The Triumph of Gutenberg' celebrates the seemingly ordinary by manifold ways that information is transferred and transformed. It arises from a fascination with the way a thought evolves from one idea to the next, often repeating itself, but sometime making leaps and in the dark mutating. Famed for introducing movable type and the printing press to Europe in 1450, Gutenberg enabled the mass production of books. He has consequently become a symbol for the power of the dissemination of knowledge. Vehicles for repeatability, like printing, are myriad and range from specific codes, such as DNA, to more ephemeral language systems like visual and narrative. Stories are my favourite vessels of memory, of recording. It seems that a story can have certain characteristics that allow it to be recognised as a particular story, indeed, that allow it to be repeated withing different narrations, different readings. As a visual storyteller, I have been curious about how much can change while the story remains the same, Within this visual exploration of what I consider to be a consistent story, conveyed through different media, scales, shapes, and styles, I have allowed mutations, which I hope will illuminate the repetition. In some ways this work is a direct response to Poussin's 'The Triumph of Pan', whose arrangement of figures approaches a kind of formal abstraction. As I worked through the drawing, painting and print that are in this exhibition, I have looked increasingly to more recent interpreters of that tradition like Beckmann, Layered, then, withing this story are other stories, other histories. In a metaphoric sense repeatability and mutability characterize both how the work came into being and how, being something more than paper, canvas and pigment, it can travel audiences' neural pathways as both memories of sights seen, as new thoughts ans/or as old thoughts and memories now mutated. Maryanne Coutts, January 2003.Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is presented on four linen canvases. It is a very large work showing a person working in an office. Donated under the Australian Government's Philanthropic Programme, 2005art, artwork, maryanne coutts, coutts, work, alumni, office, gutenberg

An overview of activities and achievements during the past financial year. Articles in annual report include: continuing involvement with Project Nexus (to merge with RBS and VAF), NILS becoming a separate entity, launch of History Project, launch of Feelix at Melbourne Zoo with patron Sigrid Thornton, funding of "Little Steps to Learning" by Paul Newman Foundation, RVIB For Sight Week, RVIB Gold Ball, Dare to Date ball and hosting Southern Cross games.1 printed volume of information about the RVIB during the financial yearroyal victorian institute for the blind, annual report, jade sanderson, trevor anderson, doug kent, sigrid thornton, rhonda burchmore, ray martin, hi-5, vanessa amorosi, chad kelly, kushbu lal, wanda egerton, russell short

An overview of activities and achievements during the past financial year. Articles in annual report include: opening two new offices in Coffs Harbour and Canberra, merging library services with RVIB and VAF, development of the "Do It Yourself" package with the University of Sydney and launched by Benita Collings, Behind the Budget luncheon with H.G. Nelson, Wendy Harmer and Peter Berner, a tactile art exhibition with the Sydney's Object Gallery, building a new volunteer Speakers Network and profiles of volunteers Clarys Churchill and Ian Carswell, and clients Emily McNeil, Tess Herbert, Nelson Rufatt, Jonathan Mondy, Fiona Williams, James Pittar, Rita Lucas, Noni Guthrie, Alexandra Sugis and Elizabeth Ford.1 printed volume of information about the RBS during the financial yearroyal blind society of nsw, annual reports, lauren rapley, emily mcneil, graeme innes, pearl stapleton, dick smith, clarys churchill, tess herbert, benita collings, erica chiandotto, nelson rufatt, natalie kaine, jonathan mondy, annette hayes, fiona williams, james pittar, rita lucas, cem oztan, noni guthrie, alexandra sugis, elizabeth ford, paula-jane robinson, ian carswell, andrew daddo, wendy matthews, tayla fitten, dion milton, peter berner, wendy harmer, h.g. nelson, marie bashir, walter bolin, victoria maggs, katherine purcell, michael simpson, john landau, denis lister, carol ireland, stephanie peebles, barry chapman, christopher cullen, charles cowper, frank martin, ivan cribb, keith barton, michael brown, john mumford, owen van der wall, roslyn lambert, tony miller

Financial report for the Royal Blind Society of New South Wales for the financial year ending 30 June 2003.1 volume of text and imagesroyal blind society of new south wales, corporation records

Financial information for the Royal Victorian Institute for the Blind, presented as an appendix to the annual report of the institution.1 printed volume of financial information for the RVIBroyal victorian institute for the blind, annual reports

Financial information for the Royal Victorian Institute for the Blind, presented as an appendix to the annual report of the institution.1 printed volume of financial information for the RVIBroyal victorian institute for the blind, annual reports

The Royal Blind Foundation of Queensland was formed from an amalgamation of Vision Queensland, Queensland Blind Industrial Centre and Royal Blind Foundation in 2001. These annual reports chronicle the work of the foundation until it's amalgamation with four other state based agencies to become Vision Australia in 2006.1 volume of text and illustrations in various pagingsannual reports, royal blind foundation of queensland, chris handy, alexander gilliland, frank carroll

The Royal Blind Foundation of Queensland was formed from an amalgamation of Vision Queensland, Queensland Blind Industrial Centre and Royal Blind Foundation in 2001. These annual reports chronicle the work of the foundation until it's amalgamation with four other state based agencies to become Vision Australia in 2006.1 volume of text and illustrations in various pagingsannual reports, royal blind foundation of queensland, chris handy, alexander gilliland, yvonne sullivan, paul sullivan, matthew sullivan