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Dandenong/Cranbourne RSL Sub Branch
Certificate - Certificate of Surrender, Estimated 1945
WW11.Copy of Historical Document including message in Japanese and English. Certificate of Surrender.Contains wording PEACE HAS COME. JAPAN SURRENDERED. CEASE FIGHTING. PEACE HAS COME. Corner of "Certificate" has Allied Colours. Red, White and Blue. -
Australian Army Museum of Western Australia
Queen's Colour - 16th Battalion (The Cameron Highlanders of Western Australia)
With the re-activation of the Citizen Military Forces (CMF) following the Second World War, the 16th/28th Infantry Battalion (The Cameron Highlanders of Western Australia) was raised in 1948 to carry on the identity and traditions of the pre-war 16th and 28th Battalions respectively. The King's and Regimental Colours formerly held by these two battalions were passed on to the new battalion who paraded them in rotation on ceremonial occasions It was decided in 1950 that a new set of Colours would be presented to 16th Battalion. For reasons that still remain unclear, these were manufactured under local arrangement by "cannibalising" the original 1933 set of colours and transferring the devices and battle honours (in the case of the Regimental Colour) to the new Colours. (Reported by Western Command to the Adjutant General -reference file A 107/1/11 dated 30 April 1952). These new colours were presented by Major-General JS Whitelaw, CB, CBE at a parade of the 16th/28th Infantry Battalion held on the Esplanade, Perth, 26 August 1951. (For details of Colours previously presented to 16th Battalion see separate section below). 16th/28th Infantry Battalion became unlinked in March 1952 with both 16th and 28th becoming independent battalions within their own right. With the accession of HM Queen Elizabeth II to the throne in 1953, all Colours that had originally been presented as King's Colours, and were still carried by units on the current Order of Battle, were automatically deemed to be Queen's Colours. Under major reorganisation of the CMF in 1960, all individual infantry battalions that existed at the time within each State were amalgamated to form State regiments, taking effect from 1 July 1960. Thus from that date the 11/44th, 16th and 28th Infantry Battalions were amalgamated to form The Royal Western Australia Regiment. In September 1960, at a ceremonial parade held at Northam Camp, the Colours carried by all former battalions were handed over for safe keeping by the new regiment. Battle Honours for the Second World War were promulgated under Australian Army Order 135/1961 and the 10 selected honours approved for emblazoning on the Queen's Colour were subsequently added in 1962 These former colours were subsequently laid up in the undercroft at the State War Memorial, King's Park on 29 November 1964. These were transferred to the Army Museum of WA in 1988 as part of the Bicentenary Colours Project Previous Colours presented to 16th Battalion The designation "16th" was allocated to several different infantry battalions that had been raised at different stages during changes to organisational structure of the Citizen Forces during the 1920's and 1930's. The original King's Colour awarded for service of 16th Battalion (AIF) and received in 1920 by the Citizen Force unit 2nd Battalion, 16th Infantry Regiment was later passed on to 16th Battalion (The Goldfields Regiment) which had been raised in the Kalgoorlie area in 1921. This unit became inactive and this Colour was later laid up in the Kalgoorlie Council Chambers. In order to maintain the identity of 16th Battalion as a Citizen Force unit, in 1930 11th Battalion (The Perth Regiment) was reformed as a linked battalion under the designation 11th/16th Battalion. As the 11th Battalion had already received its set of colours in the 1920's, it was decided that a set of King's and Regimental Colours be presented for 16th Battalion. These were presented by HE the Lieutenant-Governor Sir James Mitchell, KCMG at a parade of 11th/16th Battalion held at Perth Oval on 15 October 1933. The colours were consecrated by the Chaplain General, Archbishop COL Riley, OBE, VD, DD. In 1936 16th Battalion was re-established as a separate battalion within its own right, being formed as 16th Battalion (The Cameron Highlanders of Western Australia). The colours presented in 1933 were passed on to this new battalion and were also initially carried by the post-World War Two unit 16th/28th Infantry Battalion (The Cameron Highlanders of Western Australia) as already mentioned. Union flag with gold fringe. In the centre the Arabic numeral "16" on a red background within a circle inscribed "SIXTEENTH BATTALION", surmounted by the Crown. Emblazoned on the colour are the following Second World War Battle Honours:- NORTH AFICA 1941, SYRIAN FRONTIER, THE LITANI, SIDON, WADI ZEINI, DAMOUR, KOKODA TRAIL, BUNA-GONA, LIBERATION OF AUSTRALIAN NEW GUINEA, BORNEO -
Australian Army Museum of Western Australia
Queen's Colour - 16th Battalion, The Royal Western Australia Regiment
Presented to 1st Battalion, The Royal Western Australia Regiment by Field Marshall HRH The Prince Phillip, Duke of Edinburgh at a parade held at the Western Australian Cricket Association Ground, East Perth on 25 November 1962. The Royal Western Australia Regiment was formed on 1 July 1960 from the amalgamation of all existing infantry battalions in the State at the time :- • 11th/44th Infantry Battalion (The City of Perth Regiment) • 16th Infantry Battalion (The Cameron Highlanders of Western Australia) • 28th Infantry Battalion (The Swan Regiment) At the above presentation of colours to the new battalion, the Colours of the former battalions (four sets of Queen's and Regimental colours) were trooped through the ranks of the battalion and marched off the parade for the last time. These former colours were subsequently laid up in the undercroft at the State War Memorial, King's Park on 29 November 1964. These were transferred to the Army Museum of WA in 1988 as part of the Bicentenary Colours Project. (Refer to Items 4-12 for individual records of these colours) 1st Battalion, The Royal Western Australia Regiment was renumbered 16th Battalion effective from 1st January 1966 as part of a move to reintroduce the old battalion numbers back into the State Regimental system. 16th Battalion, The Royal Western Australia Regiment was presented with a new set of Colours on 27 October 2002. The original 1962 Colours were formally handed over for safe keeping to the Army Museum of Western Australia on 3 November 2002. Battle Honours allocated to the State Infantry Regiments created under the CMF reorganisation in July 1960 were promulgated in Australian Army Order 85/1962. These were a consolidation of the battle honours awarded to the various individual battalions that were amalgamated to form the new regiments. Union flag with gold fringes. In the centre a circle inscribed "THE ROYAL WESTERN AUSTRALIA REGIMENT", surmounted by the Crown. Battle honours emblazoned on the colour : CAPTURE OF TOBRUK, DEFENCE OF TOBRUK, EL ALAMEIN, DAMOUR, BRALLOS PASS, KOKODA TRAIL, LAE-NADZAB, LIBERATION OF AUSTRALIAN NEW GUINEA, BORNEO, LABUAN -
Australian Army Museum of Western Australia
Regimental Colour - 16th Battalion, The Royal Western Australia Regiment
Presented to 1st Battalion, The Royal Western Australia Regiment by Field Marshall HRH The Prince Phillip, Duke of Edinburgh at a parade held at the Western Australian Cricket Association Ground, East Perth on 25 November 1962. The Royal Western Australia Regiment was formed on 1 July 1960 from the amalgamation of the following existing infantry battalions in the State at the time :- • 11th/44th Infantry Battalion (The City of Perth Regiment) • 16th Infantry Battalion (The Cameron Highlanders of Western Australia) • 28th Infantry Battalion (The Swan Regiment) At the above presentation of colours to the new battalion, the Colours of the former battalions (four sets of Queen's and Regimental colours) were trooped through the ranks of the battalion and marched off the parade for the last time. These former colours were subsequently laid up in the undercroft at the State War Memorial, King's Park on 29 November 1964. These were transferred to the Army Museum of WA in 1988 as part of the Bicentenary Colours Project. (Refer to Items 4-12 for individual records of these colours) 1st Battalion, The Royal Western Australia Regiment was renumbered 16th Battalion effective from 1st January 1966 as part of a move to reintroduce the old battalion numbers back into the State Regimental system 16th Battalion, The Royal Western Australia Regiment was presented with a new set of Colours on 27 October 2002. The original 1962 Colours were formally handed over for safe keeping to the Army Museum of Western Australia on 3 November 2002. Battle Honours allocated to the State Infantry Regiments created under the CMF reorganisation in July 1960 were promulgated in Australian Army Order 85/1962. These were a consolidation of the battle honours awarded to the various individual battalions that were amalgamated to form the new regiments. Royal blue with gold and red fringes. In the centre the main device from the regimental badge consisting of a black swan upon a pair of crossed rifles on a red background, within a circle inscribed "THE ROYAL WESTERN AUSTRALIA REGIMENT". The whole enclosed within a wreath of Australian wattle and surmounted by the Crown. Across the lower portion of the wreath a scroll inscribed with the regimental motto "VIGILANT". In the upper canton the Roman numeral "XVI" (Originally this was the numeral "I" - changed to "XVI" in 1966 - see Historical Background details below) Battle honours emblazoned on the colour : SOUTH AFRICA 1899-1902, SOMME 1916-18, POZIERES, BULLECOURT, MESSINES 1917, YPRES 1917, PASSCHENDAELE, AMIENS, MONT ST QUENTIN, HINDENBURG LINE, LANDING AT ANZAC -
National Wool Museum
Textile - Blanket, Laconia Woollen Mills, 1930s
Collector says: I'm intrigued to know why this 1930s & 1940s fashion of blanket - with panels of stripes on each end - only came in the colours of pink, baby blue and mint. Over the years I gathered many 'panel' blankets with labels from over a dozen different mills and yet they are all in these 3 colours only.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket with mint stripes Made Expressly for Mark Foy's Ltd/Sydney/The Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australiablanket, blanket fever, wool, laconia mills -
National Wool Museum
Textile - Blanket, 1930s
Collector says: I'm intrigued to know why this 1930s & 1940s fashion of blanket - with panels of stripes on each end - only came in the colours of pink, baby blue and mint. Over the years I gathered many 'panel' blankets with labels from over a dozen different mills and yet they are all in these 3 colours only.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket, cream with mint stripesThe Walmer Blanket/Guaranteed All Pure Wool and Odorless/Made in Australiawool, blanket, blanket fever -
Bendigo Military Museum
Banner - BANNER, AFRICA CORP, C. 1940 - 43
This was possibly a motor vehicle banner.Banner "Africa Corp" diamond style shape colours black, green with yellow palm depiction with Swastika over. Item numbered. Same design both sides.Possible, "RB No1/0354/0010"banners, africa corp -
Bendigo Military Museum
Plaque - PLAQUE VIETNAM, 1970
Geoffrey Murray, refer Cat No 638P for his service history.Wooden Plaque with the following Map of Vietnam Badge of a Kangaroo Badge of a Kiwi Shield of a Horse surrounded by 9 flags a small inscribed plate and ribbon colours of SVN “Presented to L/cpl G Murray ( Hon Member ) from HQ 1 ATF LAD 1969-70”personal effects, military history, plaques, 1 atf -
Kiewa Valley Historical Society
Set of 2 hand coloured photographs of early Mount Beauty, photographs of Mount Beauty, 1947/48
Construction of the town of Mount Beauty commenced in 1946 and continued until 1952. It was built to provide family accommodation for workers engaged in the construction of the hydro electric power scheme. As well as housing, there was an administration building, staff hostel, merchandising centre, workmen's camps, base stores and workshops and the Mount Beauty Terminal Station. The first house was occupied in November, 1946 by the then manager of the trading store, with a frontage onto Hollonds Street. The total number of houses erected was 488, 162 custom built and 326 prefabricated. The main workmen's camp can be seen just left of the centre of the photograph and accommodated 144 men at the time of the photograph. By 1950 it could accommodate 1200men. Photo No. 1 is taken in 1947/early 1948 as there is no evidence of the staff hostel under construction. This hostel was commenced in August/September 1948 and is clearly shown in photograph No. 2, dating this photo as 1948 as it is before the completion of the bypass road connecting to the main (high plains) road. This road was constructed in 1939 and in 1948 followed the route of Tawonga Crescent. This remained in use until the bypass construction was completed in early 1949 and does not appear to be finished in this photograph.. Both photographs are taken from the power line easement adjacent to the Bright road.Significant historical pictorial record of the development of a town from grazing land. The type of terrain that had to be surveyed and then to construct roads and other infrastructure, with very little machinery, is also of prime significance in the development of the Kiewa Hydro Electric Scheme.Two photographs, both hand painted to show colours, and both of Mount Beauty c 1947/48 not long after commencement of construction of homes and facilities for workers.Photo No.1 - on back of photo, left upper corner, faintly in pencil, SPIKE, underneath this is written T Pay,. Photo No. 2 - on back of photo, left upper corner, faintly in pencil, Jmount beauty, housing, accommodation -
Tatura Irrigation & Wartime Camps Museum
Furniture - Dolls, 1940's
A Red Cross Christmas gift to Helga Wied at Camp 312 parts of handmade doll's furniture. Handpainted floral designs in colours red, blue, green, yellow, white, dark bown and black. All made of woodHW (on each item)doll's furniture, wied l, camp 3, tatura, ww2, toys, doll, furniture -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, Green Lady, WW2
The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Tan paper mache head ,face painted with water colours, brown headscarf over white hair, green dress with long sleeves. No body or arms/legs.pow puppets, pow handcrafts, hand puppets, sharron lohe, ww2 internment camp puppet theatre, puppet theatre -
Tatura Irrigation & Wartime Camps Museum
Souvenir - Model - Ship in Bottle
Gifted to John / Jack Yeoman who was a guard at Camp 13Camp 13Ship has 3 decks, portholes, windows, masts, flags, funnel. Colours of cream, tan and green, also blue sea, and blue and yellow on some flagsBottle top is black with M and J written in green. Bottom of bottle has a crown and u690 embossed in glass. Piece of paper in bottom of bottle Murchison 7 . 5 . 945 -
Williamstown High School
High Tide 1963
Williamstown High School year book for 1963. Buff coloured card cover printed in school colours of black, red and yellow. 48 pages, some photographs. See PDF's above. Inside back cover: autographs from fellow students.williamstown high school, 1963, high tide -
Nillumbik Shire Council
Painting: Piers BATEMAN (b.1947, Perth - d.2015, NSW), Piers Bateman, Blackboys, 1989
Piers Bateman was a local artist, held in very high esteem by his peers and community. He was born in Perth in 1947, moving to Eltham in 1955 as a young child with his family. In 1966 Bateman moved to London for eighteen months to develop his craft. In 1969 he settled in St Andrews, where he built a studio. The St Andrews locale is said to have been a strong influence on his work. Bateman’s talent was such that he was promoted and mentored by such ilk as Charles Blackman, Clifton Pugh and Arthur Boyd, among others. Bateman’s work is an intimate dialogue with the environment, renowned for his paintings of the outback, wilderness frontiers and the sea. He spent a year in the mid-seventies sailing the Greek Islands and the French canals to Amsterdam. In 1980 Bateman and Marcus Skipper embarked on a trans-Australian venture to the red centre and across northern Australia from Cairns to Broome. In the mid-eighties Bateman returned to the Mediterranean, before returning to the Australian outback in the late-eighties. His international career continued on an upwards trajectory between the Australian outback and European seas, providing a unique contrast throughout the course of his career. Bateman's work questions our relationship with the natural world, and in particular, reconciling our colonial heritage with our indigenous past. This line of questioning and his genuine response to place is the key to Piers Bateman’s work, for which he is lauded and celebrated. On September 4th 2015, Piers Bateman died in a boating accident on the NSW coast line. Piers Bateman was an instinctive painter whose inspiration came from nature. He reworked and scraped off the paint, moving it around until forms and colours of the landscape took shape. Although Bateman lived in Spain and Italy, his time in Europe made him aware of the contrast between the two continents and the bright clear light that defined the Australian landscape. At the time of this work, Bateman was living in St. Andrews, but travelled regularly to New South Wales and South Australia on painting trips. The ‘Grass Tree’ Xanthorrhoea johnsonii (commonly known as ‘blackboy’) is indigenous to these areas. It is a uniquely Australian, slow growing plant with twenty-eight species growing within Australia. Old examples of this tree are survivors of many wild fires, which can cause their blackened trunk, of one to two metres, branch into two or more heads. These heads consist of thick, rough corky bark, surrounded by long, wiry leaves and flowers that produce seed capsules with hard black seeds. The tree’s ability to be one of the first to flower after a wild fire ensures a food source for many insects and birds.Oil on canvas painting. Detail of three grass trees resting on the side of a mountain/hill. Green and gold palette throughout depicting the colours and light of the Australian landscape. Hand written, low right in capitals: 'BATEMAN'bateman, grass trees, xanthorrhoea johnsonii, landscape -
Tatura Irrigation & Wartime Camps Museum
Leisure object - Dolls Furniture, 1940's
Made in Camp 3 by Mr. Alfons Koenig. Little presents such as these were made by POW's and supplied through the Red Cross presumably.9 parts of handmade furniture, handpainted, mainly floral designs in colours - red, blue, yellow, green and white. All parts fit together into a small packagefurniture, dolls, koenig a, uhlherr h, red cross, camp 3, tatura, ww2 camp 3, toys, doll -
8th/13th Victorian Mounted Rifles Regimental Collection
Document - Freedom of City, 1998
Presented to the 8th/13th Victorian Mounted Rifles Regimental Association at a Reserve Forces Day parade in Civic Square Albury by the mayor, Councillor Patricia Gould, July 1998. The parade was followed by a march along Dean Street. Albury had proposed to confer Freedom of the City on the regiment, but Army protocol would not allow this, to the great disappointment of both parties.Framed City of Albury Declaration of Appreciation Certificate coloured white & cream with City seal and 8/13th Victorian Mounted Rifles Regiment Stable belt colours.freedom, appreciation, albury, council, vmr -
Bendigo Military Museum
Currency - CURRENCY, MALAYAN, Malayan States, 1st July 1941
Items souvenired by Alan Mason, refer cat No 3979.2.1).2).3) Currency Malayan, 50 cent notes, rectangular shape, purple, white and orange colours, depiction of the King on LH side, notes dated..1) “A (over) 21 091364” in black .2) “A (over) 21 016931” in black .3) “A (over) 21 060290” in blackcurrency, malayan, 50 cents. -
Port Melbourne Historical & Preservation Society
Souvenir - Spoon, Port Melbourne Council, Swan and Hudson, 1980s
Donated by the last Town Clerk of Port Melbourne, David GrahamPresentation sterling silver spoon, Port Melbourne Council, featuring the Council crest (tied with ribbons in the 80s version of Port Melbourne colours, in plastic presentation box)local government - city of port melbourne, david graham, town clerks -
Port Melbourne Historical & Preservation Society
Card - Port Melbourne Football Club, c. 1900
Small Capstan cigarette card 'Port Melbourne F.C.' c 1900? showing unidentified player with two identical flags in Port colours (Union Jack in corner)'47' in pencil on backsport - australian rules football, societies clubs unions and other organisations, port melbourne football club, pmfc -
Port Melbourne Historical & Preservation Society
Plaque - City of Port Melbourne crest, c. 1980s
PMCC plaques used for special presentations by the Council (brass plate to be added and engraved with recipient's name and detail). Given to visiting ships, Citizens of the year etc.Presentation plaque with brass crest and motto plus words "City of Port Melbourne Victoria" engraved and enamelled in six colours, to be engraved with name of recipient. Coat of arms.local government - city of port melbourne -
Waverley RSL Sub Branch
Embroidered souvenir
WWI ? trench artWhite cloth embroidered with rising sun badge flanked by Australian and British flags and butterfly created from National flag colours of Great Britain France and Germany Australian Commonwealth Military Forces (Butterfly) From your soldier boy -
Ballarat Tramway Museum
Slide - 35mm slide/s, Wal Jack, 13/01/1960 12:00:00 AM
Ballarat, SEC tram No. 32 in Ripon Street passing powerhouse, with chimney. Taken at intersection of Ripon and Wendouree Parade. Tram in SEC colours with large triangles as markings.'SEC Ballarat, No. 32 in Ripon St., View Point Line, 13.1.1960, W.Jack Photo' in blue ink on slidetramways, trams, view point, power station, ripon st, ballarat a power station, tram 32 -
Melbourne Legacy
Badge - Legacy badge wallet
Badge Wallet likely to have been used by Legatee or Legacy Widow to carry and display Legacy Badges for sale to the public during Legacy Week. Wallet contains: 5 x $1 badges (pink) 9 x $5 badges (yellow) 4 x $10 badges (blue) 5 x $20 badges (green) 5 x $25 badges (orange)Representative of portable badge selling kit for Legacy Week when the widows were asked to take a small set of badges to sell.Black leather two-fold wallet with '5' embossed on front in gold lettering. Green felt inside with 28 Legacy Badges of various colours and shapes attached.fundraising, badges -
Whitehorse Historical Society Inc.
Photograph, Dorothea and Jacob Van Prooyen
Dorothea (Dora) Both (daughter of Wilhelmina Schwerkolt) was first married to Franz Schwarzman in 1883 at the age of 17. He worked as a miner in South Africa and his wife had to write to the Australian Consulate re: his whereabouts. When he did return home Dora had little to do with him. They had four children. Franz died c.1915. Dora remarried in 1917 to Jacob Van Prooyen, a widower and a Dutchman. In 1929 they lived in Como Parade where they kept a private zoo.Sepia photograph of a wooden house with two people standing in front. The roof is corrugated iron, so is the water tank to the right. The couple are clothed in dark & light coloursvan prooyen dora (dorothea), van prooyen jacob -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Reflections, Jalomitca, Rumanien, 1918
Dr. Leonhard Adam was an internee Camp 2.Riverbend with the reflections of a large tree in the still blue water. The tree appears to be in autumn colours with smaller trees and bushes along the riverbank. The sky is muted blue and white.Jalomitca, Rumanien, 1918tatura, dunera, internee camps, illustrations, watercolour -
Glenelg Shire Council Cultural Collection
Souvenir - Felt Pennant, n.d
Maroon felt pennant, souvenir of Portland. Beach scene in various colours. 'Beautiful Portland Victoria' - along pennant. Tapes for attaching pennant to rod. Reverse plain. -
Bendigo Military Museum
Postcard - POSTCARD, PHOTOGRAPHIC, WW1, c.1916
Joe Cummins collection, refer Cat No 2535P for his service details.Black & white photo of 2 Officers holding the Regimental colours of 38th Batt AIF. The armed guard consists of 3 ORS fixed bayonets rifles at the slope.Rear: " McKELLOR. Mother Father from Sandy" "To Mother Father Jan Bruce Alie Mavis Flora with love 19.6.1919"documents - postcards, military history - army, photography-photographs -
Bendigo Military Museum
Equipment - ARMOURED PERSONNEL CARRIER, Unknown
This item is on display in the gardens of the Bendigo District RSL Sub Branch Havilah Road. Refer photo .1) re details of manufacture, history and use..1) Plaque metal black on a stand with details re the item. .2) Armoured Personnel Carrier M113A1 (APC) painted in camouflage colours with markings, tracked vehicle.“134233”brsl, smirsl, bdrslinc, apc, carrier -
Bendigo Military Museum
Book - BOOK, BCOF, The Rodney Press, "KNOW JAPAN", C.1946
Purpose of the book was to provide members with some background to an understanding of the Japanese People to help the fit into the democratic world. Item in the collection of Richard William McGILVERY, RAAF. refer Cat No. 7287P for his service details, photos and awards.Cover - yellow/ orange colour - book of 96 pages. Title on front with picture of landscape of a bay with some ships and mountain in background in various pale pastel colours.Title of book "KNOW JAPAN"/ On side " BRITISH COMMONWEALTH OCCUPATIONAL FORCES" Inside back cover is some pencil notations and numbers. bcof, book, history, richard william mcgilvery -
Federation University Historical Collection
Clothing - Pocket, Ballarat School of Mines Blazer Pocket, 1931, c1931
The pocket is from a Ballarat School of Mines Honor Blazer. Ballarat School of Mines is a predecessor institution of Federation University AustraliaGreen blazer pocket embroidered with the Ballarat School of Mines Heraldic Device.ballarat school of mines, blazer, pocket, stitchery, embroidery, coat of arms, colours