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Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour Trust - Workshop No. 1, 1953
Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 3/22 Neg. No 170/ Date taken 2.9.53./ SUBJECT./ Workshop No. 1. (Ink stamp with blue pen and pencil additions, centre) Partial fingerprint in purple ink, lower centre.port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - View of Harbour from Victoria Parade, 1953
Port of Portland Authority archivesFront: HARBOR FROM VICTORIA PARADE. 30.3.53./ General View. (lower centre) Back: P.H.T./ Print No. 8/8 Neg. No P51/ Date taken 30.4.53./ SUBJECT./ % (Ink stamp with blue pen and pencil additions, centre) Partial fingerprint in purple ink, lower centre.port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Sir Henry Winneke and Lady Winneke, 24 July 1975, 1975
Port of Portland Authority archivesFront: (no inscriptions) Back: July 24, '75 (pencil, lower centre)port of portland archives, sir henry winneke, lady winneke -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Earth moving machinery in quarry, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: no 15 (pencil, upper left) 12088 (blue pen, upper right) 52 % (pencil, centre) 41/4 x 6 (red pen, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Artwork, other - Engraving / Illustation, n.d
Illustration. Taken and cut from a book. Rectangular bordered image. Black and white. Cream coloured paper. View of Portland Victoria from Observatory Hill. A man in a waistcoat and a hat with dogs stands in the foreground on the edge of a large rising to the left of the image. a body of water snakes through the centre with a large patch of trees behind. In the distance a large cluster of dwelling of various sizes and shapes are visible to the right of the image. Printed underneath GENERAL VIEW OF PORTLAND. Front: 'GENERAL VIEW OF PORTLAND' - printed, lower frame.city of portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Sir Henry Winneke and Lady Winneke, 24 July 1975, 1975
Port of Portland Authority archivesFront: (no inscriptions) Back: July 24 1975 (pencil, lower centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Thomas Borthwick and Sons abattoirs and Australian Estates wool stores, 1968
Port of Portland Authority archives.Front: (no inscriptions) Back: OPEN COUNTRY WEEST OF THE HENTY HIGHWAY AT NORTH PORTLAND JAN 1968/ PORTLAND HARBOUR TRUST COMMISSIONERSport of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Truck dumping sand bags from tray on a beach, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. ... Neg. No 405/ Date taken ...../ SUBJECT./ ..... (Ink stamp with blue pen and pencil additions, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Prime Minister Malcolm Fraser on the "Tarragal"at the Alcoa Berth, c. 1983
Port of Portland Authority archivesFront: (no inscriptions) Back: P.M/ Malcolm Fraser/ on Tarragal (blue pen, lower centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Negative - Ambrotype, Captain Cairncross, c. 1890
On display in History House.Portrait of a man seated next to a table with a tablecloth on it. He is wearing a three-piece suit of a pale shade, and has his left hand at rest on his left thigh, and his right hand on the table. A white hat with a dark band lies on the table. Image has been tinted.Front: (no inscriptions) Back: Captain Cairncorss. This photo came from Windson Cottage. Captain Fawthrop and Captain Cairncross were close friends over many years.(fountain pen, centre). Harry Ward Goldsmith, Late of Portland (green pen, lower centre). -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Prime Minister Malcolm Fraser, Bill Sweetland (Chairman of Port of Portland Authority) and Minister for Public Works, Brown, c. 1983
Port of Portland Authority archivesFront: (no inscriptions) Back: Malcolm Fraser (PM)/ Bill Sweetland (Chairman PPA)/ + Minister for Pub. Works. Brown (blue pen, upper centre)port of portland archives, malcolm fraser, bill sweetland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Prime Minister Malcolm Fraser with Bill Sweetland (Port of Portland Chairman), Allan Brown (Minister) and Don McKellar (Member for Portland), c. 1983
Port of Portland Authority archivesFront: (no inscriptions) Back: Bill Sweetland (PoP Chairman)/ Allan Brown (Minister)/ Don McKellar (Member for Ptd)/ Malcolm Fraser (PM) (blue pen, centre)port of portland archives, malcolm fraser, bill sweetland, alan brown, don mckellar -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Prime Minister Malcolm Fraser, visiting the Port, on "Tarragal", c. 1983
Port of Portland Authority archivesFront: (no inscriptions) Back: Malcalm Fraser's/ tug ride (blue pen, centre) (Alex Kinnaird's dog) blue pen, bottom centre)port of portland archives, malcolm fraser -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Governor General visiting Port, November 1988, 1985
Port of Portland Authority archivesFront: (no inscriptions) Back: Governor General (blue pen, centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Negative - Ambrotype, Mr. John Pearson, c. 1890
Tinted portrait of a seated man. He is turned to the right, and has his left hand resting on a table, loosely holding a pair of folding spectacles (tinted gold). He is wearing a three-piece suit, black cravat with a small knot, checked trousers and has curly hair and long side burns.Front: (no inscriptions) Back: Mr. John Pearson, Percy Street, Portland (black fountain pen, centre). This photo came from Windsor Cottage. John pearson and Captain Fawthrop were great friends. They are buried together in the Queensland Cemetry (black ink, lower centre). Harry Ward Goldsmith, late of Portland (pencil, lower centre).ambrotype, photography, james fawthrop, admella, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - P.H.T Aresco Trak Chief Rail Loco, Right Hand Rear Wheels, 1971
Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T Aresco Trak Chief Rail Loco/ Right hand rear wheels/ fitted 27/10/70 1316 hrs/ removed 10/1/71 1760 hrs/ Hours worked 444 (typed on sheet of paper and affixed to upper centre, yellowing)port of portland archives -
Glenelg Shire Council Cultural Collection
Print, J. Macfarlane et al, Meeting of Major Mitchell and Edward Henty, Portland Bay, 1836, n.d
Displayed at History House.Lithograph, engraving of men on horses standing outside a wooden cottage and pole fence. Trees in background. On far left man is standing observing another standing man shaking hands with a central mounted figure. Framed under glass in wooden carved frame with inner gold-coloured frame.Front: Meeting of Major Mitchell and Edward Henty, Portland Bay, 1836 (engraved, lower centre -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cylindrical containers (wood pulp?) being unloaded from a small truck, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: 6 1/2 (upper centre, red pen) 8036 (upper right, blue pen) 0 (centre, blue pen) 12.16 5/8 (lower right, pencil) 4 1/2 (centre right, red pen)port of portland archives -
Glenelg Shire Council Cultural Collection
Artwork, other - Wooden Carving, The Polly Woodside, 1974
The Polly Woodside was built in Belfast in 1885, the three-masted cargo vessel carried coal and wheat between England and South America.Wooden wall plaque - a carving of the 'Polly Woodside. It is stained, gold with brown tones. In a frame which is painted gold, 3 strips of timber screwed to back of plaque, top bottom and centre. Two eyelets and string for hanging.Back: 'The Polly Woodside carved by W.L. Dusting 1974' - hand written, black birocarving, artwork, polly woodside -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Dartmoor timber treatment plant and mill, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: Poles in the background. Timber treatment plant in middle. Mills at background. Photography by the Arthur Studio. Further copies always obtainable at 27 Commercial St. East, Mt. Gambier. (purple stamp, lower right) (upper left, pencil), 22 (lower right, pencil).port of portland archives -
Glenelg Shire Council Cultural Collection
Print, Beth Oag, Reclining Nude, c. 1974
NoneDiptych prints of a nude woman reclining on her right side. Her right hand is curving up to wrap over the top of her head. Her left arm is behind her body, out of sight. A darker area at the base of image indicates a blanket on which she is reclining. Background is featureless.Front: Artists proof E.D.6 (lower left) "Reclining nude" (centre) B. Oag (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Painting, Noel Jones, Stone Quarry, 1974
NoneView of a quarry. In the centre of the image a conveyor belt runs up from a pile of rubble to a small hut on tall stilts. A conveyor belt runs down from this hut to an orange truck. Below and to either side of the stilted building are two wooden buildings with tin rooves. A stilted tower is depicted in maroon to the left, and another in the distance to the right. Mounds, painting in brown, yeloow, grey and shades of blue run across the centre of the image, below a sky washed with blue and highlighted with orange. Mounted in a decorative matt, in wooden frame with glass.Front: N. W. Jones 74 (lower left, blue paint) Back: 1974 (upper left, pencil) -
Glenelg Shire Council Cultural Collection
Painting, Ludmilla Meilerts, Still Life, 1970
None.Still life of fruit and a jog. Painted in thick impasto paint, creating a very textured surface. Fruit is depicted in green, brown, apricot, pink and red. Background is abstract. Upper left background is brown, upper centre and right background is in shades of grey, blue and green, with some white. Brown wooden frame.Front: L Meilerts 70 (lower right, black paint) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - 'Trojan' Log Carriage with 'Sel-Set' and Feedworks at Dartmoor, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: "Trojan" Log Carriage with "Sel-Set" & Feedworks at Dartmoor (upper left, pencil). 19 (lower right, pencil). Photography by The Arthur Studio. Further copies always available at 27 Commercial St. East, Mt Gambier (lower right, purple stamp).port of portland archives -
Glenelg Shire Council Cultural Collection
Print, Robert Grieve, Composition, 1973
UnknownAbstract print. Yellow underlayer with brown layer of ink on top. Darker pigmentation towards the centre of the print. At the top right and bottom centre there are two thin crosses. The entire surface is thickly built up, creating an undulating surface to the image with variation in pigmentation. Mounted in cream matt. Framed in natural wood frame with perspex glazing.Front: Robert Grieve (lower left) Composition (centre) 4-10 73 (lower right) (pencil) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - First wool sale and buyer at Portland Wool Exchange, n.d
Port of Portland AuthorityFront: (no inscriptions) Back: Firts wool sale and buyer (top left, blue pen). 1 copy 8 x 6, 1 copy 10 x 8 (top left, blue pen). C (top right, red felt tip pen).port of portland archives -
Glenelg Shire Council Cultural Collection
Print, D. Higgins, Clouds, 1975
NoneSeveral plate print. Background images are embossed, showing clouds and abstract water patterns. At centre left is an embossed women's head in profile. Central image is a man in what appears to be a monkey skin. He has a cap on his head and is spinning a barrel-shaped object with the fingers of his right hand. Below him is a light brown etching of grass. Below the grass is a blue etching of water ripples. Mounted in cream matt with blue edging. Wooden frame with glass.Front: "Clouds" 26/65 (centre left) D. Higgins '75 (centre right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Wool Brokers Limited, Wool Store, 1964
Port of Portland Authority archivesFront: (no inscriptions) Back: 12-8 Items date & 25½ [each ?] (blue pen, centre) 4572 (lower centre, pencil) Page 11 (lower right, blue pen) Film No. I.98/ Neg. No. 3/ Date 21-12-64/ (Portland Studios, 11 Julia St, Portland. Tel. 858 (blue stamp & pencil) (centre)port of portland archives -
Glenelg Shire Council Cultural Collection
Print, Allan Mann, Ikon to a Fossil King, c. 1982
NoneAbstract image. Centre image is a human (shown without skin) climbing a narrow mound/hill form. At the top is a screen supported by three poles. The screen reproduces a photograph of what appears to be a classical narrative bas-relief sculpture. On each side of the hill are Celtic and Norse carvings/gilded artefacts/metalworks mounted on long poles. Abstract could patterns are at the top of the print. No matt. Silver metal frame.Front: 1/10 (lower left) Ikon to a Fossil King (lower centre) Allan Mann (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Painting, Harry Rosengrave, (Untitled - Landscape), 1969
Caltex $500 Prizewinner at Portland Arts Festival - retained for Portland Collection.Landscape scene, densley treed. There is a clearing on the left with 3 houses and possibly a figure in the centre of the clearing. Blue sky with a long cloud. Mounted in a tan-coloured matt in a wooden frame with a faux-distressed gold finish.Front: H. Rosengrave 69 (lower right). Back: Top right - yellow sticker "1969-". Bottom centre - "Gary Hayman. Picture framer. 41 Julia Street, Portland, 33-5. 055 233154. Custom framing, framed printed, photos and oils."