Showing 2780 items matching " docklands"
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Mission to Seafarers Victoria
Flyer - Digital copy, Exhibition of Nautical Curios and Fancy Fair, 1901
The Exhibition of Nautical Curios and Fancy Fair was held on the 14th of November 1901 at the Melbourne Athenaeum. It was opened by the Governor, Lord Hopetoun.Digitally enhanced copy of the flyer pasted in the 1896-1902 scrapbooknautical curios, fancy fair, melbourne athenaeum -
Mission to Seafarers Victoria
Drawing - Sketch, Walter Butler, 1916
Small sketch in blue ink published in the Jottings in 1916walter richmond butler (1864–1949) -
Mission to Seafarers Victoria
Letter - Correspondence, 1947
Quinn CollectionTwo-page letter on unlined paper (0362.a1,a2) written to Allan Quinn dated 29/11/47 from Goteburg, Sweden. The pages have been folded to be used for 4 pages of writing. The envelope is discoloured (0362.b). There is one red and one green stamp each marked 'Sverige'. The envelope has been re-addressed to PO Box 931, Durban, presumably by the South African Marine Corporation the original addressee.quinn, 1947, sweden -
Mission to Seafarers Victoria
Letter - Correspondence, 1947
Quinn CollectionTwo-page, double-sided letter on unlined paper (0363a1-a2) written on board S.S.Morgenster, Mozambique dated 04/12/47 with blue-lined envelope (0363.b). Envelope is unstamped.Envelope addressed C/- Mrs Blackmore 140 Brunswick Road, West Brunswick, Victorialetters-from-abroad, quinn, s.s.morgenster, 1947 -
Mission to Seafarers Victoria
Letter - Correspondence, 1947
Quinn CollectionThree-page, single-sided letter on unlined paper (0364a1-a3) written to Allan dated 10/12/47. The letter is from Seus Somberg, on board H.M.Tylgia, at sea, with airmail envelope (0364.b). "Hello Allan! . . . . . . .Your old shipmate Seus Somberg".letters-from-abroad, quinn, seus somberg, h m tylgia -
Mission to Seafarers Victoria
Painting, Berni Ayreart, Forgotten Uncle Bill's story, 2013
The boat in the painting belonged to a seafarer, my Uncle Bill who used it to fish from when on shore leave.This weathered boat is a familiar image to many who walk the shorelines and ponder the question, "I wonder who the owner is?" Maritime art, Marine artpainting of the prow of a wooden boat fully mounted and with black mitred frame and glazed with perspex. Cord hanger sealed backing with labelsArtist signature at lower right corner facing in white paint uc : "BERNIE AYRE"artwork, 2013, berni ayreart, artwork-paintings, maritime art prize, anl, boat -
Mission to Seafarers Victoria
Painting, C V Wright, RMS Queen Mary, 1971
RMS Queen Mary a retired ocean liner by 1971 that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard Line (known as Cunard-White Star Line when the vessel entered service ( Wikipedia) Maritime ArtLong framed unglazed landscape format painting predominantly depicting in foreground an ocean liner painted black hull and white superstructure with three funnel stacks painted red with black trim, under full sail against a blue sky. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks. Brown paper backingat lower right corner single uc word in white paint : "CV WRIGHT (artist symbol of crossed anchors) / 3 ? '71"marine painting, ocean liners, rms queen mary, royal mail ships, p & o steamships, ww2, artwork-paintings, hobbies, bosun, c.v. wright -
Mission to Seafarers Victoria
Print - Digital collage, 586, Captured, 2011
"Art is the vehicule for communications far Beyond the confines of a space, while design is the aesthetic cradle in which messages are nurtured and processed." "A 586 rework of the iconic building that has withstood the redevelopment of the Melbourne Docklands and defied the odds. On display a large format print 700mm x 1400mm print. Also a limited run of smaller prints on archival paper also available to support Melbourne's first non-profit charitible organisation that is still self funded, ie. not government funded." During the Open House Melbourne 30-31 July 2011, the artist nicknamed "586" participated in one of the Norla Dome Project Space events sponsored by Bendigo Wealth. Made in Melbourne, 586 is an urban digital experimentalist who blends social narrative with found image creating messages that inspire social consciousness and free thought. Cast in a local foundry back in 1991, 586 was a number, amid hundreds of men working between the ladie and the furnace in a clock on - clock off automated industrious landscape. Legend tells of a time when correspondance to workers was addressed to their number, not their name. Disapproval spread rapidly and a revoit soon followed, eventually the power of the masses won out, but the demoralizing treatment of the worker would go on to shape 586's perception and became the catalyst for a personal protest against social imbalance. This print was on display and smaller prints were also sold to raised funds for the Mission.DigitalLarge digital print of a design that overlays various symbols ( 4 flying angels ), the sails of a sailing ship and contemporary cityscapes and seascapes. centrally features a full photograph of the Mission to seafarers building at 717 Flinders St. Melbourne. Mounted in a large black frame and glazed with perspex .mission to seafarers, flinders street, melbourne, windvane, dome, flying angel, sea, norla dome, bendigo wealth, artist 586, 2011, artwork-paintings, open house, norla dome project space -
Mission to Seafarers Victoria
Letter - Correspondence, 1947
Quinn CollectionTwo-page, double-sided letter on unlined paper (0365a1-a2) written on board S.S.Morgenster, Cape Town dated 19/12/47 with blue-lined envelope (0365.b). Pre-franked envelope using red ink by the Cape Town Mission.Envelope addressed to Mrs S Quinn, 140 Brunswick Road, West Brunswick, Victoria and franked 'The FLYING ANGELS CLUB Alfred Street Cape Town.letters-from-abroad, quinn, s.s.morgenster, 1947 -
Mission to Seafarers Victoria
Letter - Correspondence, 1947
Quinn CollectionBuff-coloured typed air-letter 0366a1) written on board S.S.Morgenster, at sea, dated 28/12/47. There are two air mail stickers attached - one to the upper left edge and the other to the upper left side. Air letter is addressed to Mrs S Quinn, C/- Mrs Blackmore, 140 Brunswick Road, West Brunswick, Victoria and stamped with a blue Correo Aereo Replublica Argentina stamp.letters-from-abroad, quinn, s.s.morgenster, 1947 -
Mission to Seafarers Victoria
Letter - Correspondence, 1948
Quinn CollectionTwo-page, three-sided hand-written letter on unlined paper (0368a1-a2) written on board S.S.Morgenster, New York dated 28/01/48 No envelope sightedletters-from-abroad, quinn, s.s.morgenster, 1948 -
Mission to Seafarers Victoria
Letter - Correspondence, Telegram, 1948
Quinn CollectionBuff-coloured telegram (0368) from Allan to his mother dated 8 March 1948 Marked with a purple Brunswick Telegraph Office stampletters-from-abroad, quinn, telegram, 1948 -
Mission to Seafarers Victoria
Postcard - Postcard, Colour, Mission to Seafarers Victoria, The Mission To Seafarers Melbourne 717 Flinders St: Caring for Seafarers in Victorian Ports since 1857, 2011
During the Open House Melbourne 2011 artist nicknamed "586" participated in one of the Norla Dome Project Space events sponsored by Bendigo Wealth. The original large print was on display and smaller prints were also sold to raised funds for the Mission. The postcard was printed as a marketing to raise awareness of the work of the Mission.The postcard llustrates the typical early 21st services such as money exchange, modems, sim cards et al and facilities such as a free bus service and collection available through the Mission. Also documents the continuity of services offered to Seafarers over 100 years in the current building at 717 Flinders St (1917-2017).Full colour promotional and information postcard featuring artwork collage print ( MTSV 0650) on one side and black on white information about the Flying Angel Club on the reverse.flying angel club, flinders street, mission to seafarers, seamen's mission, artist 586, open house, fundraising, marketing -
Mission to Seafarers Victoria
Letter - Correspondence, Britt (Swedish correspondent), 1948
Indicates a friendship at that dateQuinn CollectionTwo and a half sheets of lined, buff-coloured paper, folded in book form, written as seven pages (0383.a1, a2). Letter dated 27/07/48, written in Swedish by Britt Johansson/Johausson (spelling tbc) . Buff coloured envelope (0383.b) with one green and one purple Swedish stamp. One small black and white photo (0383.c) of a woman and two children enclosed in letter. quinn, letter from sweden -
Mission to Seafarers Victoria
Letter - Correspondence, 1948
Indicates a friendship at that dateQuinn CollectionOne sheet of lined, buff-coloured paper (0384.a1). One edge torn. Letter dated 29/07/48, written in Swedish and signed 'Britt's mamma.' This letter was enclosed in envelope (0384.b). quinn, letter from sweden -
Mission to Seafarers Victoria
Letter - Correspondence, 1948
Indicates a friendship at that dateQuinn CollectionSingle sheet of lined, buff-coloured paper written on both sides.(0385). Letter dated 30/07/48, written in Swedish interspersed with some English words and ending 'So long dear regards from Astrid'. This letter was enclosed in envelope 0385.b. quinn, letter from sweden -
Mission to Seafarers Victoria
Letter - Correspondence, 1948
Indicates a friendship at that dateQuinn CollectionSingle sheet of lined, buff-coloured paper (0386) from Sweden and written entirely in Swedish. Dated 30 July 1948. The signature is illegible. This letter was enclosed in envelope 0386.b. quinn, letter from sweden -
Mission to Seafarers Victoria
Letter - Correspondence, 1948
Indicates a friendship at that dateQuinn CollectionThree-page letter written on three sheets of blue, lined paper (0390.a1-0390.a3) Letter is written on board S S Morgenster and is undated. Letter begins 'Hello Al' and ends 'Your pal Arthur.' Blue envelope (0390.b) is post-marked Durban, dated 15 September 1948 and bears one blue and one red South African stamp. 0390.b has been re-addressed from Rector Street, New York to South Street, New York. The back of the envelope is stamped with three circular (one large and two small) New York post-marks and two horizontal Church Street Station marks.Date style:15.IX.48quinn, s s morgenster, 1948 -
Mission to Seafarers Victoria
Letter - Correspondence, 1948
Quinn CollectionBlue air-letter (0391) written by Allan from New York and addressed to Mrs S Quinn, West Brunswick. Letter, dated '21st Sept', is post-marked Brooklyn, New York 1948. It is franked 10c. quinn, 1948, new york, letters-from-abroad -
Mission to Seafarers Victoria
Letter - Correspondence, 30/09/1948
Quinn CollectionBlue air-letter (0392) written by Allan and addressed to Mrs S Quinn. Letter headed 'New York, September 30', post-marked Brooklyn N.Y. 1948 and franked using red ink.Air-letter has been re-addressed from 140 Brunswick Road, West Brunswick to 5 Pollington Street, St. Kilda, Victorialetters-from-abroad, quinn, new york -
Mission to Seafarers Victoria
Photograph - Photograph, Black and White, circa 1944
The Mission to seamen provided special services and support for cadets and officers of the merchant fleets. Officers had access to accommodation at the Mission and were encouraged as senior crew to improve pastoral and counselling skills that may benefit crews at sea. Padre Oliver is in his office, holding the book: Clanbrae: A Golfing Idyll by Pentland PeileThis image depicts Chaplain Oliver and three young seafarers possibly all officers / cadets (one is wearing a Merchant Navy badge) at the Mission circa 1944. Unclear if any of these men were related to Frank Ware.Black and white photograph depicting Padre Oliver, holding an open book and three seamen, one in naval uniform standing and two other men seated next to the Padre. A Mission to Seafarers Flag is in the background. mission to seafarers, frank ware, frank oliver, padre oliver, merchant navy, mn, clanbrae a holding idyll, josephine atkinson -
Mission to Seafarers Victoria
Postcard - Postcard, Black and white, kodak, Mission to Seamen, Melbourne, St Peter's, Mariner's Church, 1951
The Chapel attached to the 1917 Mission Building has been known variously over the years as: Memorial Chapel ( WWI Merchant seamen) ; St Peter Mariner's Chapel and St Peter's, Mariner's Church. In current day usage due to modest size it is referred to as Chapel. This postcard provides a sample record of the appreciation of volunteers by committee members at the Mission in the 20th C. and forwarded on their behalf to the donor's Grandfather Mr Arthur Ware countersigned by Padre Oliver ( Chaplain 1930-1960)A black and white photographic postcard of the interior of St Peter's Chapel, Mission to Seafarers, 717 Flinders St Melbourne. Image has a 5cm white border.On the back is a message from Padre Oliver on behalf of the Christmas Committee to Mr Ware and dated 14-12-51. "Thanking Mr Ware for ... all your kindness..."photograph, josephine atkinson, arthur ware, padre oliver, st peter chapel, flinders street, mission to seafarers, mission to seamen, seamen's mission, donors, supporters, frank leslie oliver, 1951 -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Herald Sun, 18 May 1937
On 18 May 1937, Lord Huntingfield, Governor of Victoria (14 May 1934 – 4 April 1939) layed the foundation stone of the last of the missions built in Melbourne. The Mission to Seamen, Port Melbourne opened in December 1937, superceded the original 19th C building and service point in Port.Demolished in the late 20th C by developers the building was of architectural significance and funded originally by Alfred Nicholas who gifted 18,000 pounds. An indicator of the importance of shipping and seafarer welfare as regarded by Industry and business during the interwar years of the 1930s. This photograph is a record of the founding of the building. The stone is now part of the bluestone wall on Beach Road, Port Melbourne. The Mission was given the name: George V Memorial Institute, and the concert hall was given the name Huntingfield Hall.A black and white photograph depicting the laying of a foundation stone. Photograph of two clergymen standing to one side of the Governor of Victoria (1934-1939), Lord Huntingfield, who is holding a trowel in his left hand. A foundation stone, resting on a low brick wall is thought to be the granite foundation stone of the Port Melbourne Mission. A small crowd of approximately 21 people are gathered behind the wall. Back of photograph stamped, "Herald Feature Service Melbourne".port melbourne, beach road, lord huntingfield, art deco, alfred nicholas, foundation stone, trowel, harry a. norris, george v memorial institute, port melbourne mission, 1937 -
Mission to Seafarers Victoria
Booklet, Mission to Seafarers, Caring Across the Seas: The Story of The Mission to Seafarers, circa mid 2000
Nineteen page booklet with blue cover. The booklet describes a brief account of the development of this Mission to Seafarers from its foundation in England in the 19th Century as the Mission to Seamen to its work today. It is illustrated with photos and engravings.booklet, caring, story, mission to seafarers, headoffice -
Mission to Seafarers Victoria
Photograph - Mounted photograph, Sepia, Barque Beatrice, c. 1929
Built in England in 1881 by Robert Steele & Co., Greenock, it was first called Routenburn. It was sold to a Swedish Company and renamed Svithiod in 1905, and Beatrice in 1922. The four-masted iron barque was one of the last full-rigged clippers to sail. The barque was the oldest vessel on the Baltic-Australian run. On her maiden voyage (as Routenburn) she made a fast passage to Melbourne in 1881, her freight then being new settlers bound for the gold fields. In 1929, its last trip to Melbourne, it was bringing Baltic timber tor Messrs. John Sharp and Sons. It was one of the last wool clippers. It won the Grain Race in 1923 and 1925. The ship was broken up in 1932. There are several images of the Barque Beatrice in the MTSV Collection. Mounted Sepia photograph of the bow and figurehead of the Barque Beatrice. "PH-521" Lwr left corner on mount in handwritten ink Barque Beatricebarque beatrice, figureheads, windjammers, iron barque, sweden, greenock, routenburn, svithiod, wheat race, grain race, crews and ships -
Mission to Seafarers Victoria
Newspaper - Clipping, The Spirit of Sailing Days, 1900-1940 TBC
The Beatrice was a Swedish barque, one the last windjammers. An extremely active practice of clipping Marine topics and images from newspapers and journals has resulted in a body of material about the history of the shipping industry and maritime movements in and out of Melbourne.Discoloured newspaper cutting (undated) with the 'Beatrice' figure head and part of the bowsprit in the foreground and the steamship Runic in the background.The image contrast the old and the new - sail and steam. barque beatrice, mv runic, windjammer, windjammers, grain race, wheat race, sweden -
Mission to Seafarers Victoria
Photograph - Mounted photograph, Sepia, S.S. Tasmania's Football Team, 1922
This is a photograph of crew members that formed the football team of the S.S. Tasmania. Taken place on the deck of the ship, it is a snapshot in timeAn addition to the collection of crew photographs in the MTSV Collection with all crew members featured in the image named and dated with name of ship making it a useful research and reference image.Black and white photograph of S.S. Tasmania football team in 1922. The photograph is mounted onto a grey green cardboard frame with the text, 'S.S. "Tasmania's" Football Team 1922' on the top. The bottom reads, 'The Happy Thirteen', handwritten in black ink. The photograph itself is of 13 men in three rows, 6 on top row standing, 4 in the middle row sitting on a bench and 3 on the bottom row sitting with their legs crossed. All men have their arms crossed across their chest. On either side of the front row is a lifesaver with the text "S.S. Tasmania/Plymouth". The men are posed on the ships deck. On front mount with photograph: 'S.S "Tasmania's" Football Team 1922' / The Happy Thirteen Inscribed back:of mount names in ink : Thomas Holohay / William Bridges / James. H. Stone / George Angus / James Arthurs / George Arthurs / C. Quinell / C. (Lawrence/labence ?) / W. Manon / M. Zard / I. Ancell LT/JL ?. Chipperfield / F. Franksuniform, team, s.s. tasmania, 1922, football, crew, life buoy, crews and ships -
Mission to Seafarers Victoria
Photograph - Mounted photograph, Sepia, S.S. Rine? of Norvag, early to mid 20th C
This is a photograph of crew members on the S.S. R-? Norvag. Inscription and Exact name of ship to be checked..Black and white photograph of S.S. R-? Norvag crewmen in suits and caps or fedoras . The photograph has been mounted onto a cardboard frame. The bottom reads, 'S.S. r-? Norvag" handwritten in black ink. The photograph itself is of 9 men in two rows, 5 on top row standing and 4 in the bottom row sitting on a bench.The men are posed on the ship's deck. On front with photograph:: S.S. Rine-? of Norvag Lwr r. corner very faint in pencil: E.T Lake photo. Lincoln inn , CH-? William Street / Melbnorvag, s.s. norvag, crews and ships -
Mission to Seafarers Victoria
Print - Reproduction, Holy Communion on the battlefield (original painting title: Preserve Thy Body and Soul), c.1915
The original artwork painted by William Yates Holt Titcomb (1858-1930), an English artist specialist in religious subjects, is located in Clifton College Chapel, Bristol, England (visible in their virtual tour online). The original title draws on the Giving of Communion words: The body of our Lord Jesus Christ, which was given for you, preserve your body and soul unto everlasting life. Take and eat this in remembrance that Christ died for you, and feed on him in your heart by faith with thanksgiving. The blood of our Lord Jesus Christ, which was shed for you, preserve your body and soul unto everlasting life. Drink this in remembrance that Christ's blood was shed for you, and be thankful. The body of Christ. The blood of Christ. The body of Christ keep you in eternal life. The blood of Christ keep you in eternal life. The body of Christ, broken for you. The blood of Christ, shed for you. The bread of heaven in Christ Jesus. The cup of life in Christ Jesus.FigurativeReproduction ( Lithograph?) framed mounted and glazed print. The image shows a group of soldiers kneeling before a makeshift altar during World War One in Flanders field with a Red Cross flying on a flag pole at the far right of the composition. A Union Jack flag is being used as an improvised altar cloth. A priest or chaplain in a surplice, also a soldier , administers the sacrament to the reverent congregation. The print is glazed with a substantial window mount and housed in a dark wood frame with eyelet screws and very rusted hanging wire.Preserve Thy Body + Soulpainting, world war one, ww1, wwi, soldier, priest, altar, union jack, red cross, red cross flag, titcomb, andre sleigh and anglo ltd, clifton college, royal academy exhibition, 1915, preserve thy body and soul, reproduction print, the soldiers' communion, william yates holt titcomb (1858-1930), artwork-paintings -
Mission to Seafarers Victoria
Letter - Correspondence, 1948
Quinn CollectionThree-page, single-sided letter on buff-coloured paper( 0367a1-a3)written on board S.S.Morgenster,New York and dated 11/01/48. No envelope sightedletters-from-abroad, quinn, s.s.morgenster, 1948