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National Wool Museum
Photograph - Slide, Stuart Ascough, Topmaking Machinery, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing detail of machinery.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
National Wool Museum
Photograph - Slide, Stuart Ascough, Combs, Training, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing a black and white illustration depicting the mechanics of a combing machine.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
National Wool Museum
Photograph - Slide, Stuart Ascough, Detail of Machinery, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing detail of machinery.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
National Wool Museum
Photograph - Slide, Stuart Ascough, NSC French Comb, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing a factory interior with combing machinery and wool.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
National Wool Museum
Photograph - Slide, Stuart Ascough, Gill Box Machinery, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training and technical advice at mills in China, India, Russia and Australia. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing detail of gill box machinery.wool, industry, australia, australian wool board international wool secretariat, factory, training, gill box -
National Wool Museum
Photograph - Slide, Stuart Ascough, NSC Topmaking Mill, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training and technical advice at mills in China, India, Russia and Australia. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing detail of topmaking machinery and wool.wool, industry, australia, australian wool board international wool secretariat, factory, training, topmaking' -
National Wool Museum
Photograph - Slide, Stuart Ascough, Topmaking Mill, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training and technical advice at mills in China, India, Russia and Australia. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing a factory interior with topmaking machinery and wool.wool, industry, australia, australian wool board international wool secretariat, factory, training, topmaking' -
National Wool Museum
Photograph - Slide, Stuart Ascough, Looms, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training and technical advice at mills in China, India, Russia and Australia. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing a factory interior with loom machinery.wool, industry, australia, australian wool board international wool secretariat, factory, training, loom -
National Wool Museum
Photograph - Slide, Stuart Ascough, Carding Machine, Thibeau Schlumberger, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing exterior of carding machinery.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
National Wool Museum
Photograph - Slide, Stuart Ascough, Gill Box Machines, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing factory interior with gill box machinery.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
Bendigo Historical Society Inc.
Book - GERMAN HERITAGE SOCIETY COLLECTION: DRESDEN - A PICTORIAL BOOK OF BUILDINGS
Item 4 Dresden: a pictorial book of buildings (numbered on back). Red Photo book with red cover with black and gold decoration. Dresden printed in gold on the front. Contains black and white photos of: 1. Dresden from the Palace gardens, 2. Palace in the Great Garden, 3. Russian Church, 4. Woman's Church, 5. The Germania Monument, 6. The Roual Belvedere, 7. Royal Zwinger and Sophia Church, 8. The Royal Picture Gallery, 9. Royal Theatre, 10. Roman Catholic Church and Castle, 11. Bruhes Terrace, and 12. Dresden from 'The City of Vienna Notice'.Dresdner Insichtenbooks, collections, buildings of dresden, german heritage society collection - dresden - a pictorial book of buildings, dresden from the palace gardens, palace in the great garden, russian church, woman's church, the germania monument, the royal belvedere, royal zwinger and sophia church, the royal picture gallery, royal theatre, roman catholic church and castle, bruhes terrace, dresden from 'the city of vienna notice' -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Battery Point, Portland, c. 1983
Glenelg Shire Council records. Built on land gazetted for defence purposes in the 1840s, Portland Battery was constructed in 1889 to defend Victoria against the feared Russian invasion. Batteries were also constructed at Warrnambool and Port Fairy during this period. The Battery comprises a magazine, upper chamber, a parapet wall, and three gun emplacements. In 1984 the Battery underwent a major restoration. The underground magazine and lamp passage are currently not accessible to the public.Picture of Cannon, Low Moore 68 lb, 1861, Battery Point, South Portland.portland battery, cannon, munition, fortifications, magazine, 1800s -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Faustas Sadauskas, The Beacon, 2003
Public art commission located at Progress Park on the Black Rock Foreshore.Inscribed with text that is an extract from a verse sung by Lithuanian displaced persons sailing to Australia having fled their homeland after Russian occupation following World War II. The text is in an ancient Runic typeface, translated in English, reads: "Faustas Sadauskas created Beacon two thousand [and] four years / Let the Blowing Wind Who Taketh the Ship Away Take Me Away".beacon, sculpture, faustas sadauskas, bayside coastal trail, marble, public art, black rock, foreshore, beach road, progress park, ship, rudder -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Princess Mary Gift Tin, 1914
In November 1914, an advertisement was placed in the national press inviting monetary contributions to a 'Sailors & Soldiers Christmas Fund' which had been created by Princess Mary, the seventeen year old daughter of King George V and Queen Mary. The purpose was to provide everyone wearing the King's uniform and serving overseas on Christmas Day 1914 with a 'gift from the nation'. The response was truly overwhelming, and it was decided to spend the money on an embossed brass box, based on a design by Messrs Adshead and Ramsey. The contents varied considerably; officers and men on active service afloat or at the front received a box containing a combination of pipe, lighter, 1 oz of tobacco and twenty cigarettes in distinctive yellow monogrammed wrappers. Non-smokers and boys received a bullet pencil and a packet of sweets instead. Indian troops often got sweets and spices, and nurses were treated to chocolate. Many of these items were despatched separately from the tins themselves, as once the standard issue of tobacco and cigarettes was placed in the tin there was little room for much else apart from the greeting card All boxes, irrespective of recipient, contained a Christmas card and a picture of the Princess. Those which were not distributed until after Christmas were sent out with a card wishing the recipient a 'victorious new year'. The wounded on leave or in hospital, nurses, and the widows or parents of those killed were also entitled to the gift. Prisoners of war at the time had theirs reserved until they were repatriated. Great efforts were made to distribute the gifts in time for Christmas, and huge demands were made on an already stretched postal service. More than 355,000 were successfully delivered by the deadline. As time pressed on, a shortage of brass meant that many entitled personnel did not receive their gift until as late as the summer of 1916, and in January 1919 it was reported that 'considerable' numbers had still not been distributed. Orders for brass strip were placed with the USA, who were not yet involved in the war, and a large consignment was lost with the ship 'Lusitania'. As so much brass was being consumed in the production of weapons and munitions, the quality of the boxes which were manufactured late on was poor, being of a plated inferior alloy, when compared with the earlier pure brass examples. When the fund finally closed in 1920, almost £200,000 had been donated for the provision of more than two and a half million boxes with contents. The 'tin' is approximately 5" long by 3¼" wide by 1¼" deep with a double-skinned, hinged, lid. The surface of the lid depicts the head of Princess Mary in the centre, surrounded by a laurel wreath and flanked on either side by the 'M' monogram. At the top, a decorative cartouche contains the words 'Imperium Britannicum' with a sword and scabbard either side. On the lower edge, another cartouche contains the words 'Christmas 1914', which is flanked by the bows of battleships forging through a heavy sea. In the corners, small roundels house the names of the Allies: Belgium, Japan, Montenegro and Servia; France and Russia are at the edges, each superimposed on three furled flags or standards. -
Bendigo Historical Society Inc.
Document - ASTRA STRING ORCHESTRA, CITY HALL, BENDIGO, 4 April, 1967
Astra String Orchestra, City Hall, Bendigo, Tuesday, 4th April 1967. The Music Advancement Society of Bendigo Presents the First Concert 1967 series. Conductor: John Glickman. Leader: Jean Lehmann. Soloists: Sybil Copeland - Violin, Margot Prior - Oboe. Photo of John Glickman. President: E Beilharz. Joint Hon. Secs. Madge Edgar, Emily Bright. Programme Ten Cents. Variations on a Theme of Tchaikowsky Arensky The Russian Composer, Anton Arensky was a pupil of Rimsky - Korsakov at St. Petersburg, . . . Advertising Hesse Bros. Electrical Sales Pty. Ltd. Edgar's Authorised Newsagency. Allan's Music.Bolton Bros. Print., Bendigoprogram, music, music advancement society bendigo, astra string orchestra, city hall, bendigo, 4th april 1967. music advancement society of bendigo first concert 1967 series. conductor: john glickman. leader: jean lehmann. soloists: sybil copeland - violin, margot prior - oboe. photo of john glickman. president: e beilharz. joint hon. secs. madge edgar, emily bright. programme ten cents. variationstheme tchaikowsky arensky russian composer, anton arensky a pupil of rimsky - korsakov at st. petersburg, . . . advertising: hesse bros. electrical sales pty. ltd. edgar's authorised newsagency. allan's music. -
Robin Boyd Foundation
Slide, Robin Boyd, 1964
In 1964, Robin and Patricia Boyd spent several weeks on a world tour. Robin Boyd took a leading role at the International Design Conference in Aspen. The event was held in tent designed by Eero Saarinen. Aspen Colorado, USA. Robin and Patricia Boyd also visited Chicago, Yale University, and New York’s World Fair, and then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Robin and Patricia Boyd's accomodation at the International Design Conference in Aspen, Colorado, USA, 1964. Made in USA / US PAT No. 3013354 / 10 / JUN 64Wcolorado, slide, robin boyd -
Tatura Irrigation & Wartime Camps Museum
Book, Kay Dreyfus, Silences and Secrets: The Australian Experience of the Weintraubs Syncopators, 2013
(From back cover): "The Weintraubs Syncopators, international musical celebrities of the 1930s, embarked on a four-year journey across Europe, Russia and the Far East in exile from the antisemitic ideologies of the German Third Reich. This band of mainly Jewish musicians arrived in Sydney, Australia, in 1937. The decision of some of them to stay brought them into conflict with the aggressively protectionist Musicians’ Union of Australia. They gained employment at a high-end Sydney nightclub but when war came, were forced to come to terms with a change in their status – from celebrities to enemy aliens. Denounced for alleged espionage activities in Russia, three were interned and the band broke up. In this major recounting of the experience of the Weintraubs Syncopators, Kay Dreyfus pieces together the complex personal, social and political forces at work in this story of migration at a time of insecurity, fear and dramatic conflict." The Tatura group of camps were built after the beginning of World War 2, and held prisoners of war (enemy military) and civilian internees (enemy nationals, regardless of political affiliation, either living in Australia or in Allied territories overseas). The Weintraubs Syncopators' members were just some of the civilians caught up in the conflict. Paperback book. Glossy black front cover, black & white photo of group of musicians. Blue & white text. Back cover glossy white, black & white photo group of men standing over bass drum labelled "Weintraubs Syncopators". 305 pages. Dewey no. 781.65092weintraub, camp 1, tatura, internment camps, civilian internees, jazz, jewish community, world war ii, musicians, stefan weintraub, horst graff -
Bendigo Historical Society Inc.
Programme - BENDIGO OPERATIC SOCIETY ''VIKTORIA AND HER HUSSAR''
Bendigo Operatic Society Programme: ''Viktoria and Her Hussar'' Capital Theatre Bendigo. Opening Friday, 14th April 1961, for Five Nights. Price 1/6. Bendigo Operatic Society Presents by permission of J.C.Williamson Theatres Ltd. ''Viktoria and Her Hussar'' A Norman Lee Production, Music by Paul Abraham, Book and Lyrics by Harry Graham. Cast in Order of Appearance: Leonard Carr as Stephan Koltay (A Hungarian Cavalry Officer) - Ferd Lorenz as Janzci (His Servant) - Reginald Boromeo as A russian Sergeant - Peter Houston as A Cossack Sentry - Gerald Hayward as Tokeramo Yagani (A Japanese Secretary) - Carol McKenzie as Viktoria - Brian Thomas as John Carling (American Ambassador at the Court of Japan) - Frederick Trewarne as Miki (A Japanese Servant) - Annette Wilson as Riquette (Viktoria's Maid) - Bryan Brewer as Count Ferry Hegedu - Greta Smyth as Suzuki (A Japanese Maid) - Patricia McCracken as O Lia San - Peter Haines as Webster (Butler to the American Ambassador) - Patricia Lyon as O Muki San - Alfred Annison as Bela Porkelty. Musical Director: Max O'Loghlen. Ballet Mistress: Madge Welch. Society Pianist: Mrs. P.House. Synopsis of Story: Viktoria believing her lover Stephan to have been killed in action against the russians, has maried John Carling. Stephan wasn't dead but taken prisoner of war. With the help of Janzci escapes and take refuge in the american embassy. Here he meets Viktoria who remembering the vows she made before the war is torn between her love for him and her loyalty to her husband.program, theatre, bendigo operatic society -
Warrnambool and District Historical Society Inc.
Book, Victoria & Its Metropolis Vol 1 & 2, 1888
These two volumes are seminal historical writings published in 1888. The author of Volume One is Alexander Sutherland (1852-1902), described as ‘a forgotten Australian intellectual’. Born in Scotland, Sutherland was a teacher, poet, biographer, novelist, scientist, philosopher and journalist. In 1902 he was the Registrar of Melbourne University and he was the Secretary of the Royal Society of Victoria. With his brother, George, he wrote a history of Australia and New Zealand which sold 100,000 copies, the first best-selling Australian history. His book, ‘The Origin and Growth of the Moral Instinct’ influenced Russian philosophical thought. This is a most significant book as it contains short biographical notes on a great number of early (19th century) residents of the Warrnambool district. As well as listing information on Warrnambool identities it includes information on residents of Purnim, Wangoom, Dennington, Panmure, Garvoc, Framlingham, Winslow, Yangery, Woodford, Mailors Flat, Grasmere, Bushfield and Allansford. It is a great resource for researchers today. The two volumes also contain illustrations pertaining to the areas around Warrnambool and are of great historical as well as artistic interest. These are two volumes of ‘Victoria and Its Metropolis’. They are leather bound with a black cover, heavily ornamented in gold around the edges of the cover and with the printed material also in gold lettering in an ornamental pattern. The spine of the covers are brown with gold ornamental patterns and printing. Volume One has 594 pages with 258 illustrations , all black and white and this volume contains writings on the early days of the colony up to 1888 and chapters on the arts, churches, education, industries, science etc. in Victoria. Volume Two has 822 pages with many black and white illustrations and chapters on the regions in Victoria and biographical notes on the pioneer settlers of these districts. Both volumes are in a very tattered condition with many loose pages and the leather binding much torn and with some parts missing. Volume One cover: ‘Victoria and its Metropolis, Past and Present’ Volume One spine: ‘Victoria and its Metropolis, Vol. 1’ Volume Two Cover: ‘Victoria and its Metropolis, Past and Present’’ Volume Two Spine: ‘Victoria and its Metropolis, Vol. 2’ 19th century victorian history, victorian pioneer settlers, alexander sutherland -
Melbourne Legacy
Programme, Legacy on Parade, Melbourne Town Hall 4th and 5th August (1972), 1972
Programme of a Legacy Demonstration at the Melbourne Town Hall in 1972. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. These costumes were Russian cossack dancers. The year was assumed to be 1972 as that was one year that 4th August was a Friday. A record of a Junior Legacy demonstration. The annual demonstrations showcased the amount of effort the children put into their classes.White card printed on both sides and folded in half. Front page is of two Junior Legatees in costume dancing with the Legacy Torch in the top righthand corner. Middle pages detail the times of Boy's and Girl's classes together with the concert programme. The back page detail appreciation of those that have given their time to teach the Junior Legatees.annual demonstration, legacy on parade, junior legatee, costumes -
Ballarat Tramway Museum
Letter - from Peter Boehm Dusseldorf to Wal Jack, Peter Boehm, 1950
Wal Jack had an extensive range of correspondents throughout Australia and the world who often provided him with detailed drawings and notes on various tramway systems. The letter from a resident of Dusseldorf West Germany, details the author's travels, issues post World War 2, photos, enlargers, a visit to Koln or Cologne, war damage, photos of Russian tramcars, tramcars in use, the interurban line to Bonn and his forthcoming visit to "Dusseldor fer Waggonfabrik" which became the Duewag factory. A web search shows that the author published at least one book on trams.Demonstrates some of the correspondence that Wal Jack received from around the world.Letter typed on A4 paper with sender's stamp and address with a pencil sketch on the rear. letters, wal jack, railways, tramways, dusseldorf, duewag, koln, colongne -
Royal Australasian College of Surgeons Museum and Archives
Samovar
Donated by Sir Henry Newland.The samovar stands 41cm high, and is 39cm wide across the handles. It is made of Sheffield plate, and dates from the late 18th century. It is supported on a square base with four cast lion’s feet attached by elaborate mounts at the corners. The main vessel or tank is circular, and set on a short columnar stand. These elements are heavily fluted. There are two elaborately decorated solid cast silver handles attached to the sides of the tank. A long spout with a cast ivory handled tap extends from the bottom of the tank. The lid is plainer, with a fluted and scalloped edge, and is capped with a finial. Inside the tank is a cylindrical immersion container for hot coals, a primitive type of heating element. There is a crest, probably that of the original owner, engraved on the shoulder of the tank above the tap. A samovar is a Russian tea urn but the College’s samovar is not a tea urn, as it does not include the stand or the teapot. Undoubtedly it was intended to provide hot water for tea, and the absence of a matching teapot indicates a cultural difference between the English and the Russians, in the way in which they went about brewing tea. It is a showpiece, intended for use and display in the reception rooms of the house. In the 18th century tea was still a rare and exotic import from the Orient, so the serving of tea was an important act of hospitality and a statement of social status.Sir Henry Newland was the College President 1929-1935Antique sheffield plated samovar with shell design and pressed rib border, finely worked casted handles, spout with swivel top, with tapered centre column, square shaped base with cast lions feet -
Bendigo Historical Society Inc.
Document - CANNONS AT EAGLEHAWK, c1970?
Document. Cannons at Eaglehawk. Typed document by the Bendigo Branch of the Royal Historical Society of Victoria on the cannons at Eaglehawk. It reads - The two cannons were originally ship cannons, smooth bore type and later modified by the insertion of a rifled tube. This suggests that they were used as fort land guns in gun emplacements, and it is possible that these were mounted around Port Phillip Bay during the Russian scare at the turn of the century. The large ring at the rear is for lashing down to control recoil, and the swivel mounts enable elevation. These were placed in position at Eaglehawk by ox team, and at a later stage a steam traction engine overturned attempting to move one. In later years a large earth mover was used to move them a few feet.cottage, miners, cannons at eaglehawk -
Kew Historical Society Inc
Clothing - Pink Cotton Dress, Norma Tullo, c.1965
Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. This dress is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long sleeved, pale pink cotton mini dress designed by Norma Tullo with ruffled trims on the bodice and the hem of the skirtLabel: TULLOnorma tullo, australian fashion - 1960s, mcintyre collection, mini-dresses, day dresses -
Vision Australia
Administrative record - Text, Royal Victorian Institute for the Blind annual report 1963-1964, 1966
Overview of events that occurred in 1963-4 : six children in residence at Deaf-Blind unit, a Residential Rehabilitation Centre for blind adults was opened and has catered for more than 20 clients, visit from Dr Richard Hoover, school children have participated in camps, visiting a Russian whaling ship and a poultry farm, and performing in a radio program, 10 students gained Honours in pianoforte AMEB, and one former student graduated with a Bachelor of Law from Melbourne University. Everton Soccer team visited the school, Swish was introduced and APEX adopted talking books as it's Association Service.1 volume of text and illustrationsannual reports, royal victorian institute for the blind -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, British War Medal
British War Medal 1914-20 Instituted by King George V in 1919 to mark the end of World War I and record the service given. Eligibility The British War Medal was awarded for service in a theatre of war between 5 August 1914 and 11 November 1918. Those eligible included members of women's organisations; persons on the staffs of military hospitals and members of recognised organisations who handled sick and wounded; and members of other duly recognised or other authorised organisations as specified in medal regulations. The qualification period was later extended to cover post-war mine clearance and service in Russia during 1919 and 1920. The Medal The British War Medal is cupro-nickel with the effigy of George V on the obverse. The reverse has an image of St George on horseback trampling underfoot the eagle shield of the Central Powers, and a skull and cross-bones, the emblems of death. Above this is the risen sun of victory. The years 1914 and 1918 are contained on the outside edge medal. The Ribbon The British War Medal has a wide central watered stripe of orange, flanked by two narrow white stripes, which are in turn flanked by two black pin-stripes, further flanked by two outer stripes of blue. The colours have no particular significance.british war medal -
Bendigo Historical Society Inc.
Clothing - WEDDING DRESS - BODICE, 1902
Clothing. Wedding Dress - Bodice.Cream coloured bodice of wedding dress. ''Japanese silk with transparent yolk of chiffon tucked Russian Body'' ( Quote from newspaper of the day).Long pintucked sleeves. Fine ribbon trim and bows at wrists. Two flounces of silk, trimmed with ribbon at elbows. Front panel fastened at side with metal hooks and hand made loops, to show a centre panel trimmed with chiffon frills. Pearl beaded motifs at front. Sash at waistline ties at the side - finished with pearl beading, and and a stand up chiffon collar. Worn by Mary Smith who was the daughter of Felix Smith. He built the Wycheproof Court House, Post Office and Royal Mail Hotel. Mary and John Keane lived in a mud brick house after they their marriage. See also 11400.75, & 11400.77.costume, female, wedding dress bodice -
Wangaratta Art Gallery
Print, Arthur Willmore et al, The Old & New Home Stations, Victoria (Bontharambo, Wangaratta), 1873-1876
This etching by British engraver Arthur Willmore was created from Russian born artist Nicholas Chevalier’s original watercolour landscape of Bontharambo, Wangaratta (Chevalier’s watercolour is held in the collection of the National Library of Australia). Chevalier moved to Australia during the Colonial period and is famous for his landscape paintings, which were most commonly commissioned by wealthy landowners or merchants wanting to record their material success. Bontharambo is a historic property located in Wangaratta which was made famous by pastoralist Joseph Docker who took up the Bontharambo run in 1838 and has remained in the family since. The historic homestead on the property was built between 1857-1859 and was designed by architect Thomas Watts.ColonialWangaratta Art Gallery CollectionA rectangular landscape etching of the homes on Bontharambo station printed in black ink on off-white paper.Obverse: N. Chevalier/ A. Willmore/ THE OLD & NEW HOME STATIONSwangaratta art gallery, arthur willmore, nicholas chevalier, bontharambo, wangaratta -
8th/13th Victorian Mounted Rifles Regimental Collection
Medal - Whittaker BWM
The silver or bronze medal was awarded to officers and men of the British and Imperial Forces who either entered a theatre of war or entered service overseas between 5th August 1914 and 11th November 1918 inclusive. This was later extended to services in Russia, Siberia and some other areas in 1919 and 1920. Approximately 6.5 million British War Medals were issued. Approximately 6.4 million of these were the silver versions of this medal. Around 110,000 of a bronze version were issued mainly to Chinese, Maltese and Indian Labour Corps. The front (obv or obverse) of the medal depicts the head of George V. The recipient’s service number, rank, name and unit was impressed on the rim.World War One British War Medal 1914-1918 awarded to 260268 Private J Whittaker. Medal is attached to board with thumb tack through ribbon.bwm, medal, world war one, wwi -
Vision Australia
Administrative record - Text, 67th Annual report 1962 Association for the Blind of Victoria, 1981
Articles in annual report include: a short history of the AFB, President's Report, report on Ballarat, Bendigo and Brighton Homes, financial information, the work of the Welfare Service division, opening of two flatlets for aged blind at Ballarat, resignation of Celeste Baird as choirmaster after 17 years and A Williams stepping into the role, need for a better clubhouse which has been little changed since it was built over 30 years ago, students from Ballarat Teachers college read to home residents, publication of 'Courage' magazine to keep everyone up to date on Association events, and a profile on Russian migrant Alex Momot and how the AFB assisted him settle into Australia.1 printed volume with black and white illustrationsassociation for the blind, kelaston home (ballarat), elanora home (brighton), mirridong home (bendigo), alex momot, rosalie tyers, e irvine, l adamson, mrs r clarke, matron e mcleod, a sharry, matron rosewall, mrs s mcenroe, celeste baird, e goulding, mrs a bulluss, mrs a n roach, mrs m macdowell, mrs t carson, mrs j stanley smith, pam barker, mrs l thomas, mrs a mansfield, mrs l rogerson, elsie henderson, mrs murphy, mrs w christian, h h mackenzie, sister b agar, annual reports