The Rechabite movement began in Salford England. In 1861 the first Independent order of Rechabites Friendly Society, Salford Unity, was opened in Bendigo to be called “Star of Bendigo” Tent. It was registered as Number 5 making it one of the first in Victoria. They worked with the Total Abstinence Society to organize lectures and social events designed to prove that entertainment and fun could be had without alcohol. They met in the new Temperance Hall in View Street. Independent Order of Rechabites, Salford Unity. Male ceremonial sashes. 8 silk ceremonial collars for the Independent Order of Rechabites, cream silk with red stripes. The number of stripes vary according to rank. Chief Rulers collar x1, Steward x 2, Secretary x 1, Levite x 1 & Supporter x 1 5 collars have a silver wire 7 sequin rosettes at base of "collar V", 3 have silver wire tassels.Some collars have stamped on reverse "Star of Bendigo Tent No 5"i.o.r. (rechabites), salford unity

38 Bn was raised in Bendigo in 1916. Post War it was the CMF Unit until 1967. The Mollison St Drill Hall was built by Contractor Mr. Midgley. First used Jan 1916. Shut down Circa 2002. The 38 Bn Colours are held within the RSL Military Museum, Bendigo.1. Photo of 4 Senior NCO's in battle dress in front of the Mollison Street Drill Hall. 38 Bn Northern Victorian Regiment. The four soldiers have .303 rifles. WO Burrell has the red sash of a Colour Sgt. His MM can be seen. 2. Photo of Regiment Colours 38 Northern Vic Regiment in front of Mollison St Drill Hall. Two Officers, Capt. Emonde holding Queens Colours - 4 Snr NCO's have rifles at the slope with ceremonial tips on their bayonets.1. On rear is written - Cenotaph party/ Warrant Officer 3 sets Guards. 2. On rear is written - '" ANZAC DAY" .38 bn, mollison st, drill hall, photographs

The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Percy Uebergang and Myrtle Wright were married on 3 September 1924 at Koroit. The attendants were Miss Ida Wright and Carl Uebergang. Newspaper reports of the wedding and welcome home reception are held in the collection. Myrtle's cousin, Florence Trigg, recalls that the wedding was held at 6am at Koroit in order to catch the train to Melbourne at 7am. This photograph was taken following their return. Percy and Myrtle are the parents of Ray and Joyce Uebergang. Black & white photograph of the wedding party of Percy Uebergang and Myrtle Wright and their attendants. The bride is wearing a calf length suit trimmed with a lace collar and shoes with lattice weave uppers. She has a horseshoe on her left arm and a small handbag in her right hand. The bridesmaid is wearing calf length long sleeved dress featuring a shawl collar and a sash at the waistline. She is carrying a handbag. The men are wearing 3 piece suits and lace-up boots, shirts with winged collars and ties.allansford, uebergang, percy, wright, myrtle, wright, ida, uebergang, carl, marriages, trigg, florence, koroit

Two The Australian Dancing Society Ballroom Dancing Examination sheets dated 2nd April 1978 for Peter Ellis for Old Time Ballroom. Teacher Mr Les Rankin, Bendigo Dance Centre. Dance was the Lita Waltz and Sparkle Two Step in the Gold Sash. Result Highly Commended, Pass. A.D.S. Examiner Fred Barber. The second sheet was the Hawaiin Waltz, Empress Waltz, Tango Rock, Charmaine and the Venetian Schottische in the Gold Medal Grade. Result Highly Commended, Pass. A.D.S. Examiner Fred Barber.entertainment, dance, ballroom dancing examinations, peter ellis collection, the australian dancing society ballroom dancing examinations, peter ellis, bendigo dance centre, les rankin, fred barber

Two The Australian Dancing Society Ballroom Dancing Examination sheets dated 7th May 1977 for Peter Ellis for Old Time Ballroom. Teacher Mr Les Rankin, Bendigo Dance Centre. Dance was the Waltz Oxford and Pride of Erin in the Silver Sash. Result Highly Commended, Pass. A.D.S. Examiner M. McCabe. The second sheet was the Yvonne, Gipst Tap, Irene Waltz and the Tangoette in the Silver Medal Grade. Result Highly Commended, Pass. Examiner Maureen A Mc (name not very legible).entertainment, dance, ballroom dancing examinations, peter ellis collection, the australian dancing society ballroom dancing examinations, peter ellis, bendigo dance centre, les rankin, a mccabe, maureen a mc?

The first club to have born the name of Kew is known to have been in existence as early as 1879, and to have participated in a number of different competitions, all of junior status, between then and 1891, when it disbanded. Whether the Kew Football Club which emerged at the end of the 1890s should be viewed as a wholly new organisation or a reincarnation of the previous club is a moot matter, and not one that can be satisfactorily resolved here. However, it is at least arguable that the amateur football club which today participates in the VAFA under the name of Kew can trace its origins as far back as 1898. It was during that year that the club was invited by the Metropolitan Junior Football Association (a direct forerunner of the VAFA) to enter its competition as a replacement for St Francis Xavier, which had been forced to withdraw after just a few matches. The idea was that Kew would pick up the departing club’s remaining fixtures, but that these matches would be played with no premiership points at stake. The MJFA appears to have had at least two objectives in mind in doing this: first, to avoid the necessity for a bye in the weekly draw; and secondly, to test Kew’s worthiness for full admission by having it serve a kind of probation. In 1899, having satisfied the MJFA authorities as to its viability, Kew was formally admitted to the MJFA, only to withdraw after two predominantly disappointing seasons. The club later participated in at least three, and possibly more, junior and district competitions, attaining a modest level of success, especially during the late 1920s and early 1930s. Extremely rare photo of the club from this period.This photo of a junior Kew football team dates from 1905. While the team is wearing a range of centre-laced guernseys, at least seven players wear a dark guernsey with a pale sash. Players identified in the photo include: the captain, Jack Allen, middle row, third from left; George Allen on the right in the striped jumper; and Lex Allen in the front row. Alva Allen, who donated the photo in 1986 to the Kew Historical Society, noted on the reverse that ‘most of these boys were killed in World War I’.Reverse: "Kew Football Club 1905 / Jack Allen, captain, 3rd from left in middle row / George Allen on right striped jumper / Lex Allen grandfather in front row / Most of these boys were killed in the First World War."kew football club (vic), jack allen, george allen, lex allen

UnknownPortrait of a man in dress uniform (navy blue suit, gold cuffs and epulets, belt and sash, with dress sword hanging in sheath on his left hip). He has white hair and a beard and is looking out of the frame to the upper left. His right elbow is resting on three books on top of a stone plinth. To far left of image is a domed uniform hat with an insignia on the front and a spike on top. Background is a modulating colour field: green/brown on left to darker browns and reds on right. Framed in ornate wooden frame.Front: J. Trangmar Esq. Mayor (brass plate affixed to lower centre front of frame).

Photocopies of photos. On front written in pencil 1962 Marlene Hazeldene (now Llewellyn) has originals, has framed life governorship Home and Hospital, have originals both hospitals annual reports. Image on front shows Triumph sports car with women sitting up high on seat, in Easter Parade. Presumably Marlene Hazeldene. On back, photo of 4 women, one man. Women dressed formally in suits, dresses and hats. One woman has Mary Keating written on sash. Man in suit. In pencil '1958'. And Bendigo Advertiser.bendigo, bendigo easter fair, 1958, 1962 popular girls

black and white photograph: cottage, galvanised iron roof, stone construction. Central door, sash windows, 2 chimneys. Right of photo word ' Boar' Picture taken late Autumn. Handwritten in ink ' City Hotel, Barnard St., Cnr. Mercy Street ' Written in pencil ' this is the Mercy Street entrance, demolished in the 1950's'. Occupiers ' Mrs. W. Moore, board and residence later - Mrs Burns confectionary, shop about 1914. Later - Nielson Family 1920's - 1930's to ? ( Will Nielson was night worker at Cohn's Brewery )buildings, residential, cottage

Clothing. Full length black silk-satin skirt, with a 4-pleat cummerbund waist sash - 10 cms deep. Two x 10 cm wide ''falls'' of satin, angled at the lower edge fall from the plackett left side, and are 51 cm long and 63 cm long at their peak. Two panels of the skirt fabric, 81 cm long and 23 cm wide are attached from the waistline at the centre front and centre back. Each panel has a beaded floral motif, 13 cmx 9.5 cm beaded with jet beads.costume, female, black silk skirt with beaded trim

A clamp is a fastening device used to hold or secure objects tightly together to prevent movement or separation through the application of inward pressure. In the United Kingdom the term cramp is often used instead when the tool is for temporary use for positioning components during construction and woodworking; thus a G cramp or a sash clamp but a wheel, screw or surgical clamp. There are many types of clamps available for many different purposes. Some are temporary, as used to position components while fixing them together, others are intended to be permanent. In the field of animal husbandry, using a clamp to attach an animal to a stationary object is known as "rounded clamping." A physical clamp of this type is also used to refer to an obscure investment banking term, "fund clamps." Anything that acts to hold two surfaces together may be called a clamp, so this gives rise to a wide variety of terms across many fields. The subject item is a wooden-handled screw clamp used in cabinet or woodworking projects to hold two surfaces together while glueing or fixing. An item that has not changed in shape or use since its inception hundreds of years ago. These types of clamps are still produced today in many sizes by many woodworking tool companies.Wooden hand Screw Clamp two lengths of wood each beveled at one end and standing parallel. Two long wooden screws with handles and predominant thread that fits through wood lengths.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wooden screw clamp, carpenters tools, cabinet makers tools, clamp

A clamp is a fastening device used to hold or secure objects tightly together to prevent movement or separation through the application of inward pressure. In the United Kingdom the term cramp is often used instead when the tool is for temporary use for positioning components during construction and woodworking; thus a G cramp or a sash clamp but a wheel, screw or surgical clamp. There are many types of clamps available for many different purposes. Some are temporary, as used to position components while fixing them together, others are intended to be permanent. In the field of animal husbandry, using a clamp to attach an animal to a stationary object is known as "rounded clamping." A physical clamp of this type is also used to refer to an obscure investment banking term, "fund clamps." Anything that acts to hold two surfaces together may be called a clamp, so this gives rise to a wide variety of terms across many fields. The subject item is a wooden-handled screw clamp used in cabinet or woodworking projects to hold two surfaces together while glueing or fixing. An item that has not changed in shape or use since its inception hundreds of years ago. These types of clamps are still produced today in many sizes by many woodworking tool companies.Wooden hand Screw Clamp two lengths of wood each beveled at one end and standing parallel. Two long wooden screws with handles and predominant thread that fits through wood lengths.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wooden screw clamp, carpenters tools, cabinet makers tools, clamp

A group photo of a group of Legacy girls on a camp at Mount Evelyn in May 1946. The accompanying letter says that Miss Enez Domec Carre is in the centre with Legatee Buth in front of her looking between two girls. Also in the picture is Legatee Vines and Legatee 'Grat' Gratten. The photo and letter were sent to Legacy by Val Hutchinson (nee Wigg) and the photo had been forwarded to her by the family of her good friend the late June Whitechurch. An article in the Legacy newsletter of August 1946 says that on 19th may, 90 Junior and Intermediate girls travelled by Red Cross coaches to St Mark's Holiday Camp at Mt Evelyn. The girls were divided into 4 teams distinguished by coloured sashes in Green, Gold, Red and Blue. The teams competed against each other in sports and other activities that were awarded points. A pleasant hike was arranged to Mr Beveridge's Log Cabin which was where Mr Beveridge took this photo.A record of a camp for young girls in 1946. Legacy provided opportunities for Junior Legatees to attend camps and outings for many years. Miss Carre was an instructor of girls' classes and attended the camp.Black and white group photo of a group of junior legatees at Mount Evelyn Camp 1946 and a letter.Handwritten 'Mt Evelyn Camp 1946' on reverse of photo. Letter is handwritten in blue ink.girls' classes, camp

Photograph. Harry Biggs Collection. 2 black & white photos (1 smaller) of 8 men with horses & drays standing in front of the R Jeffery Store. At the back of this group can be seen 3 people under the verandah. At the side is another man & also a horse & dray. On the verandah structure are the words - Bar, Hoop, sheets galvanised iron, zinc, lime cement, laths, doors, sashes, cast shear Blistered Steel. At the side of the verandah are the words Timber & Iron Yard. Plate 126 Premises of Jeffery Bros, Victoria Street, Eaglehawk. (Robinson Photo). 1 photocopy of these photos.Robinson Photoplace, building, commercial, harry biggs collection, r jeffery timber merchant & ironmonger, eaglehawk

This site was later occupied by Mitton's pharmacy. James Henry Pollard appears on the 1903 electoral roll as a painter in Canterbury Road (in one of the buildings that made up Hansen's Terrace.)The Union Road shops are covered by a City of Boroondara Heritage Overlay. This particular shop has changed very little with some alteration to the upper storey when it was repurposed for residential dwelling.Black and white photo of James Henry Pollard's shop at 139 Union Road, Surrey Hills in 1930. It is a 2 storey brick building with 2 glass display windows either side of the door and a corrugated iron roofed verandah supported on 3 posts. Above is a dwelling with 2 sash windows and an interior balcony within an arch. A wooden paling fence adjoins on the left. The side of the building and the front pediment carry advertising for the business. From this it appears that James Henry Pollard was an insurance agent for Guardian Assurance Company as well as being a house painter and decorator. There is a deciduous tree in the front of the shop.businesses, shops, mitton's pharmacy, guardian assurance company, union road shops, james henry pollard, painter, decorator

Account written on blue paper with printed letterhead and dated March 1872. Court King of the Forest Dr. to The Bendigo United District. Items on the account are: 1 Report, Miscellan? 1/3, Funeral Regalia 10/-, 1 doz G. R. Sheets 1/6, 1 P.C.R. Certificate 2/6, 1 P.C.R. Neck Ribbon 3/-, 1 Sash 19/-, 12 Members neck Ribbon 3/- £1/16/-, 200 Envelopes 4/-, 10 ? Note paper 9 - 7/6, 2 doz Pence Cards 3/- - 6/-. Total £4/10/9.societies, aof, correspondence, ancient order of foresters no 3770 collection - account, court king of the forest, the bendigo united district

Book, titled "Door and Step Control", 192 pages printed on white art paper, with green inside covers and end covers, 12 sections, full bound, sewn into green Rexene outside covers with title and company logo in gold on front cover and publisher "National Pneumatic Company" on spine. Details equipment available for control of doors and steps using compressed air, manual methods, with photos of various types of railway and tramway vehicles, equipment and drawings. Has an index. Also details of sash (window) and garage door control systems. Has been stamped with the ESCo Company stamp in a number of places.trams, tramways, tramcar equipment, doors, safety

Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens. The photograph is also aesthetically significant as it was taken by J. E. Barnes, a nationally significant photographer. He was the most important photographer to have worked in Kew. He was active as a photographer in the district from c.1906 until his death in 1921. Best known as 'the Embarkation Photographer' (see the Australian War Memorial collection), Josiah Earl Barnes was also the official photographer employed by the Borough (and later Town, then City) of Kew. He clearly also completed commercial jobs for local businesses, as is the case in this photograph of a house for a local real estate and financial agent. A modest weatherboard house with rough-cast rendered walls. The gabled entrance incorporates elements of the Japanese aesthetic. The strong lines of the dark timber gable are reinforced by the colour and shape of the pickets in the fence. In contrast to an earlier period, the chimneys appear truncated. The use of extensive double-hung sash windows in the front rooms reflects a new interest in light in houses. The use of separate sunshades over windows in an earlier period is here replaced by an extension of the roofline over the window. The photographer Josiah Barnes died in 1921; so, the photograph of the house must predate this date. The location of the house, which was advertised for sale, has to date not been identified. Illegible inscription. Photographer's information on mount.josiah earl barnes, j e barnes, photography - kew, interwar housing - victoria, 1920s housing - kew

The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending o the importance of the photographic atelier.Real estate photograph for a local agent by the Kew photographer, Josiah Earl Barnes. The photo is of a weatherboard or brick rendered bungalow with a twisted wire fence. Given Barnes' status a a Kew photographer, the house is probably locate din Kew or East Kew. Unfortunately the handwritten information on the mount bordering the photo is damaged and cannot be read. The bungalow has a gabled, tiled roof with terra cotta finials at the front of both gables. The house has a central doorway, framed by a pseudo portico supported by four wooden columns. On each side of the doorway, at the front, there are paired sash windows, which, like the half-timbered gable, are picked out in a darker colour.Handwritten, mostly illegible description by selling agent on mount surround: " .... in Diningroom, Drawing Rooms, ... Photographers details printed on mount: "J. E. Barnes / Photo / Phone 1966 Haw KEW"houses - kew, bungalows - kew, real estate photographs, j.e. barnes -- photographer

This photo is probably the oldest known photographic record of the Balliang Football Club, an Australian Rules football team in the Bacchus Marsh area. Australian Rules football was played in this area as early as the 1870s. An organized competition to play regular matches was formed in the early years of the twentieth century. This item has historic and social significance as an image of one of the early sporting teams of Bacchus Marsh and district. It is a typical example of team photographs of this era. It is evidence of the transition of football from a social informal setting to an organised activity and signals the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos.A sepia photograph print mounted on mounting board, showing a group of 20 men arranged in two rows with two men reclining in front. Fifteen men are wearing horizontally striped football guernseys, one wearing a guernsey which is vertically striped. Two men wear white guernseys with a diagonal sash, one man in the back row is dressed formally in suit, collar and tie. One man, identified as the umpire, is in a white polo-necked sweater and is holding a football. The photo is taken in a clearing in an outdoor setting. It is possible to see the figures of three women in the background, two looking on from under a tree, one walking along a footpath.Above the photo in red ink:"Balliang Football Team 1912." Beneath the photo in red ink with one alteration in blue ink the names: "J.Davie, C. Bissell, F. Dodemaide (these two names showing a reversal of position), J.Turnbull, G.Dodemaide, A. Phalp, A. Bissell, A. Cashmore, J.Sharkey. R.McArthur, J.Cashmore., W. Loats, C. Smith. Elliott (ump), B.Phalp. W.Cashmore, L. Beggs. Because the number of names given does not tally with the number of men in the photo, it is not possible to accurately ascribe a name to any individual player. Underneath the hand-written names, there is a circular professional stamp of the photographer, reading: PHOTO ARTIST BACCHUS MARSH. A.BESELERballiang football team, australian rules football

The Baptist Chapel was first opened in March 1868 in Lerderderg Street, Bacchus Marsh, next to State School No. 28. The plans were prepared by James G. Pippett and the building was constructed by bricklayer J.F.Taylor and carpenter W. Nelson. When fire threatened its destruction in 1871, the townspeople assisted in saving the building by tearing off the roof and removing windows and flooring. Subsequently it was found that a solid silver Communion Service was missing as well as the contents of the Poor Box. The Chapel was renovated and used until 1898 when the building was moved to Main Street, next to the Post Office. Two rooms were added at the front when the building was rebuilt. It was demolished in 1985.Small sepia unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album, which contains photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll. The photograph is of a substantial brick building with a shingle roof. The gable above the front entrance and the side of the building under the guttering are ornamented with rows of bricks laid horizontally. A round window sits in the centre of the gable. The central door and the front and side sash windows are topped by semi-circular brick arches. The ornamentation is continued with contrasting bricks down the corners of the building. An ornamental iron fence runs along the front of the building. A large fir tree stands in the grounds. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE churches bacchus marsh, baptist chapel bacchus marsh

Dr Liam Hugh Wright was the first President of the RNZCOG, between 1982 and 1984.Head and shoulder portrait photograph of a man. The man is wearing an academic cap and gown, with a wide purple sash running around the collar of the gown. The man has grey hair, which is visible on the sides of his head, and is wearing a grey suit jacket, white shirt, and a tie with a dark coloured pattern beneath the robe. I set of vertical blinds is visible in the background. The photograph is framed in a dark coloured wooden frame with gold trim on the inner edge, surrounding the image. Handwritten text at top centre on the back of the frame reads 'MR LIAM WRIGHT/PRESIDENT RNZCOG'. A length of cord and two circular fittings have been attached to the back of the frame for hanging.

Large 75cm tall plastic doll with curly blonde hair. Her eyes close when she is laid on her back. She is dressed in a cream muslin dress with vertical inserts of white braid. It is also trimmed with wide cream cotton lace on the bodice and hem and burgundy insert on the bodice. A burgundy sash is around her waist. Underneath the dress is a cream cotton pintucked petticoat trimmed with various cream laces and cream cotton bloomers trimmed with cotton lace and white satin bows. She is wearing black socks and brown canvas shoes with plastic soles. There is also a cream muslin bonnet, heavily trimmed to match her dress with a burgundy bow and a white muslin bow.toys, dolls, plastic

Four Australian Dancing Society sashes. The red one with the dark blue fringe is for 4th in the 1978 Official Victorian Ballroom Dancing Championships Provincial Sen. The blue one with the yellow fringe is for Ballroom Dancing Examination Gold (Proficiency) Award. Written on one end is: Peter Ellis Old Time 2.4.78. The purple one with the white fringe is Ballroom Dancing Examination Silver (Proficiency) Award. It has the Motto: Semper Aspiro on the emblem. The dark blue one with the light blue fringe is for Ballroom Dancing Examination Bronze (Proficiency) Award. The two blue and the red have the emblem Australian Dancing Society emblem with ADS in the inner circle and Australian Dancing Society Semper Aspiro ('Always Aspire').ephemera, mementoes, ballroom dancin awards, peter ellis collection, the australian dancing society, peter ellis

This card was written by Cyril James Claridge McQuie MM & Bar to his Mother. The letter talks about finishing at Seymour camp and his mates (in the photo) are being separated. McQuie thinks he will sail about the 16th. The names on the photo are hard to read but appear to be, Stokes, Hopkins, Hofferman, Sash ?, Keneilly ?, Rayson, Han......, Muller ?, Bearlip ?. McQuie is centre of the sitting, kneeling group. McQuie enlisted No 2654 on 26.6.1915 in the 8th Reinforcements 6th Bn age 23 years 6 months. Embarked for Eygpt 26.8.1915, embarked for ANZAC (Gallipoli) 31.10.1915, embark for Eygpt 2.12.1915, Hospital 5.12.1915 with Boils, rejoin unit 7.1.1916, promoted to Cpl 13.3.1916, embark for France 26.3.1916, promoted to Sgt 2.9.1916, Posted to Pay Corps Etaples 13.1.1917, rejoin unit 25.6.1917, hospital GSW Left Arm 20.9.1917, awarded the Military Medal same day, rejoin unit 21.12.1917, awarded a Bar to the Military Medal 10.8.1918, WIA 2nd occasion Gassed, promoted to 2nd Lieutenant, discharged from the AIF 11.2.1920. A brother Alick Charles Hebdon McQuie No 2158 enlisted on 14.4.1915 in 6th Reinforcements 7th Bn, embarked for Eygpt 17.6.1915, KIA 9.8.1915. McQuie appears to have been a great collector of Postcards which will be shown throughout the collection.Photo B& W showing 6 soldiers standing and 5 sitting or kneeling, in the background are white tents. The rear has extensive text in black pen with a red stamp top RH corner.Main points are, "YMCA Depot Camp Seymour", "dear Mother", "J.P.B. McQuie Thirlstane Harrison Street Bendigo"postcard, seymour

This Edwardian era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death occurred often to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were a part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. The black silk tailor-made jacket is one of three pieces of a ladies’ Edwardian mourning outfit. It has long sleeves, a stand-up collar trimmed with appliqued black crochet lace, and pleated sashes on the left and right sides from front to back fastened at the shoulder and waist. The jacket has a peplum or flounce below the waistline. The front of the jacket has brass hooks and fabric eye fastenings. The back of the jacket has two tails. The jacket is lined and the shoulders are padded. It has been machine sewn and finished with hand stitching. A white card is tied with a ribbon inside and has an inscription. The poplin skirt on the jacket has been cut up to the waist at the side seams. There is an attached card with an inscription, handwritten in ballpoint pen.“Jenny” and “Mrs Sheila Handscombe, Wallaura, Jenny”flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, sunburst pleats, western district victoria, mourning jacket

Account written blue paper with printed letterhead and dated 1872, Jan/Mar 1873. Court King of the Forest Dr. to The Bendigo United District. Items are: Decr 19 - To Report & Miscillany 1/3, 1 doz Neck Ribbons 1/16/0,1 Book 4/-, Jan 14 1873 2 Tr?? Books 5/-, 1 Wood?? 3/6, 1 P.C.R. Sash 19/-, 1 Neck ribbon 3/-, 1 Certificate 2/6, Mar 7 - 250 Envelopes 5/-, 1 Ball Jute 2/-, 1 Book 7/6, 1 Report & Miscellanu 1/3. Total £4/10/0. Oval impression stamp with Bendigo United District and A.O.F. in the centre.societies, aof, correspondence, ancient order of foresters no 3770 collection - account, court king of the forest, the bendigo united district

Set of nine paint samples or swatches painted onto card - no details as to date or who made them. Each swatch has the colour printed on top in ink. Assumed c1980s 1 - Tramways Ivory 2 - Sash Paint 3 - Tramways Cream 4 - Gully Green - has paint over run on the rear - this colour used on bumper bars during the 1960's and 1970's - refer to Destination City 5th edition. 5 - Lino Brown - appears to be used on the frame of the chocolate coloured cars at Hawthorn, eg No. 380 6 - Floor Paint - with over run on the rear 7 - Panel Green - ditto 8 - u/seat green (under seat) 9 - Chocolate browntrams, tramways, paint, colour schemes, tramcars, the met

Clothing. Wedding Dress - Bodice.Cream coloured bodice of wedding dress. ''Japanese silk with transparent yolk of chiffon tucked Russian Body'' ( Quote from newspaper of the day).Long pintucked sleeves. Fine ribbon trim and bows at wrists. Two flounces of silk, trimmed with ribbon at elbows. Front panel fastened at side with metal hooks and hand made loops, to show a centre panel trimmed with chiffon frills. Pearl beaded motifs at front. Sash at waistline ties at the side - finished with pearl beading, and and a stand up chiffon collar. Worn by Mary Smith who was the daughter of Felix Smith. He built the Wycheproof Court House, Post Office and Royal Mail Hotel. Mary and John Keane lived in a mud brick house after they their marriage. See also 11400.75, & 11400.77.costume, female, wedding dress bodice