Showing 3962 items
matching the queen
-
Warrnambool and District Historical Society Inc.
Medal, Queen Elizabeth 11 Coronation, 1953
This medal was issued in 1953 to commemorate the coronation of Queen Elizabeth 11 of Britain in 1953. It was issued by the National Playing Fields Association, an organization formed in 1925 to acquire, protect, improve and increase Britain’s playing fields and playgrounds. From 1947 to 2013 the Duke of Edinburgh was the President and in 2013 the Duke of Cambridge became the President.This medal has no known local provenance but it is retained for display purposes. .1 A bronze-coloured metal medal with the raised image of Qeen Elizabeth and printing on one side and four crowns and printing on the other side. .2 A rectangular-shaped red box with blue paper padding and a lid with some printing and the image of a crown. .1 Queen Elizabeth 11 crowned 2 June 1953 Issued by the National Playing Fields Association President H.R.H. The Duke of Edinburgh .2 Elizabeth R 1953 Coronation E11R 1953 Souvenir coronation of queen elizabeth 11, national playing fields association (britain), history of warrnambool -
Bendigo Historical Society Inc.
Memorabilia - CORONATION PLATE 1953 PRINCE PHILLIP
Metal plate commemorating the Coronation of Queen Elizabeth in 1953. Plate is edged in red with gold embellishment. Image of Queen Elizabeth in centre of plate.Portland Ware, made in England. The Metal Box Company Limited. H.R.H The Duke of Edinburgh. -
Hymettus Cottage & Garden Ballarat
Work on paper - Bookmarks, Empire Day bookmarks
The celebration of Queen Victoria's birthday on May 24 was renamed Empire Day in 1903 after her death in 1901. It was celebrated throughout the British Empire, including in Australia. Ballarat schools marched in procession with a salute at the Town Hall before attending church services at their respective churches. By the late 1950s the celebration became Commonwealth Empire Day the reference to Empire being dropped by the 1960s.These form part of a large family collection of bookmarks and local & family history items at Hymettus Cottage, home to the same family for the past 125 years in 2024. They have a well documented provenance and a known owner forming part of a significant and representative historical collection that reflects Ballarat's local history from a family perspective. They contribute to our understanding of social and family life in twentieth century Ballarat and providing interpretative capacity for family, local, and social history themes.Three Empire Day cardboard bookmarks each featuring an illustrated crown, with crossed Australian and British flags, each bookmark trimmed in gold. The first is simply for Empire Day and two commemorate the Coronation of Queen Elizabeth II and the 1953 Royal Visit respectively.nil,empire day, royal visit, bookmarks, empire day movement, melbourne, coronation year 1953 -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal, Elizabeth II Coronation 1953
The Queen Elizabeth II Coronation Medal was a commemorative medal made to celebrate the coronation of Queen Elizabeth II. For Coronation and Jubilee medals, the practice up until 1977 was that the authorities in the United Kingdom decided on a total number to be produced, then allocated a proportion to each of the Commonwealth countries and Crown dependencies and other possessions of the Crown. The award of the medals was then at the discretion of the government of each territory, which was left free to decide who got a medal and why. A total of 138,214 medals were issued, including: 11,561 to Australians 12,500 to Canadians Ladies awarded the medal can wear it on their left shoulder with the ribbon tied in the form of a bow. The medals were issued without inscription except for the 37 issued to the British Mount Everest Expedition. These were engraved MOUNT EVEREST EXPEDITION on the rim.Miniature medal with ribbon. The full size medal is a circular, silver medal, 1.25 inches in diameter. The obverse features a crowned effigy of Queen Elizabeth II, in a high-collared ermine cloak and wearing the collar of the Garter and Badge of the Bath, and facing right. There is no raised rim and no legend. The reverse shows the Royal Cypher EIIR surmounted by a large crown. The legend around the edge reads QUEEN ELIZABETH II CROWNED 2nd JUNE 1953. The dark red ribbon is 1.25 inches (32 mm) wide, with two narrow dark blue stripes (0.09375 inches {3/32"} wide) in the centre (0.0625" apart) and narrow white stripes (0.0625") at each edge. medal elizabeth coronation -
Flagstaff Hill Maritime Museum and Village
Book - Historical, Richard Osburne, The History of Warrnambool, 1887
This copy of the book is personally signed and dated by the Curator of the first Warrnambool Museum, which was also the Warrnambool Public Library. This copy also has many hand written notes in the margins. This little book is one of only 1000 books published of the original Queen's Jubilee Edition. It spans fifty years of the history of Warrnambool from the time that the first Government Land Sales commenced. It also deliberately coincides with the 1887 celebrations of Queen Victoria's Jubilee Year of her ascension to the British Throne. The book is an invaluable reference for researchers of local Warrnambool history and has been used as a text book and reference book for local students. After the closure of the Warrnambool Museum, the book was held by the Warrnambool City Council until, in 1974, it was transferred to the newly established Flagstaff Hill Maritime Museum and Village. The author, Richard Osburne, (1825-1895) was born in Australia. He moved to Warrnambool in 1847 as the first local Journalist. In 1851 he founded the Warrnambool Examiner newspaper which he operated until the end of 1880. Osburne was much involved in civic and community affairs of the town, and he set himself the task of recording the history of the city's early pioneers. In the introductory pages of the book the author refers to himself as "The Father of the Warrnambool Press". Only 1,000 copies of this edition of the book were printed. In September 1980 a facsimile edition was printed with the addition of illustrations from the period, an index and relevant annotations by local historian T.A. Wicking (Tom Wicking). This later book was named the Premier Town Edition, due to Warrnambool being awarded the title of Premier Town in Victoria in 1979-82 by the Premier of Victoria; it also received the inaugural award in 1959 and a later award in 1988-91.This book has strong significance for being signed in 1887 by Joseph Archibald, the Curator of the first museum and library in Warrnambool, the Warrnambool Museum. It is also significant for the annotations added to many of the pages, perhaps for the Facsimile edition that followed many years later. This book is rare. It is one of only 1000 copies printed, and one of three in the Collection of Flagstaff Hill Maritime Museum and Village. The book was dedicated to the early colonists as well as to the new arrivals by the writer, Richard Osburne, who entitles himself as "The father of the Warrnambool Press". The content of the book is invaluable as a reference for Warrnambool and District's local history in its early colonial and pioneering days. It provides the information that helps in an understanding the foundation that the city was built on, connecting the people of today to the pioneers of the past.The History of Warrnambool: Capital of the Western Ports of Victoria, From1847 up to the end of 1886 (when the first Government Land Sales took place) Author: Richard Osburne, "Proprietor of the Warrnambool Examiner from 1851 to the close of 1880" Publisher: The Chronicle Printing and Publishing Company Limited Date: 1887 (MDCCCLXXXVII) (Roman numerals are covered in tape) Edition: Original: Queen's Jubilee Edition Black fabric covered hardcover book with embossed gold titles on spine and front cover. Inscriptions include stamps and handwriting. It once belonged to the Warrnambool Public Museum and is signed by the first Curator, Joseph Archibald, in 1887. The first fly page has a message to the readers, as shown in the Inscriptions of this record. Many of the pages in this book have handwritten notes in the margins and within the text and some of the lines are crossed out.Handwritten: "Warrnambool Museum" Signed: "J Archibald / 1887" Stamped: "WARRNAMBOOL PUBLIC MUSEUM" Printed on fly page: "PRICE, FIVE SHILLINGS" First fly page: "THE QUEEN'S JUBILEE EDITION. TO OLD COLONISTS AND YOUNG AUSTRALIANS, OR NEW ARRIVALS, THIS HISTORY OF THE RISE AND PROGRESS OF THE CAPITAL OF WESTERN VICTORIA, IS DEDICATED AS INTERESTING AND USEFUL, BY "THE FATHER OF THE WARRNAMBOOL PRESS" RICHARD OSBURNE."warrnambool, shipwreck coast, flagstaff hill, maritime museum, maritime village, the history of warrnambool, richard osburne, osturne's history of warrnambool, queen's jubilee edition, 1847-1887, warrnambool history, the chronicle printing and publishing company, capital of the western ports of victoria, first government land sales, warrnambool examiner, five shillings, warrnambool's first reporter, warrnambool public library, 1887, 1979, premier town, premier edition, queen's jubliee, queen victoria's jubilee, western ports of victoria, 1847, government land sales, chronicle publishing and printing co., 1000 copies, t a wicking, old colonists, young australians, new arrivals, rise and progress, capital of western victoria, interesting and useful, the father of the warrnambool press -
Ringwood and District Historical Society
Souvenir Card, VP Day Thanksgiving Service Ringwood Town Hall. Souvenir Card. 1945, 1945
Souvenir VP Day card with photo of King and Queen Elizabeth on the cover. The card has details of celebratory program on 15-Aug-1945 including words of hymns and anthems.|United service of thanksgiving in the Ringwood Town Hall.|On Wednesday, August 15th 1945 at 7.oo p.m.|FOR THE ENDING OF WARSouvenir VP Day card with photo of King and Queen Elizabeth on the cover. The card has details of celebratory program on 15-Aug-1945 including words of hymns and anthems.; United service of thanksgiving in the Ringwood Town Hall.; On Wednesday, August 15th 1945 at 7.oo p.m.; FOR THE ENDING OF WAR'United service of thanksgiving in the Ringwood Town Hall.; On Wednesday, August 15th 1945 at 7.oo p.m.; FOR THE ENDING OF WAR' -
Melbourne Athenaeum Archives
Medium Flyer and newspaper article, Crown Matrimonial (play) by Royce Ryton performed at the Athenaeum Theatre commencing 1 April 1986
based on the abdication of Edward the VII and it's effect on his familyJune Salter as Queen Mary crown matrimonial, athenaeum theatre, phillip st. theatre productions, royce ryton, june salter, edward the viii, queen mary -
Federation University Historical Collection
Booklet, J. A. Hoskin & Son, Ballarat School of Mines Students' Magazine, 1953, 1953
Ballarat School of Mines Students' Magazine, 1953White front page soft cover with burgundy inscriptions on front cover. This magazine recognised the coronation of Queen Elizabeth II, and reproduced a portrait of the Queen.staff, sports, her majesty queen elizabeth ii, mr hillman, mr gillespie, i. burger, n. leckie, b. singleton, mr treadwell, mr fairbank, j. mcneil, b. smith, ann mitchell, janice wilton, eleanor tozer, j. beattie, b. macdougall, mr bryan, mrs alf. watson, mr hans fumberger, mr w. r. richards, cliff restarick, russell ewins, kevin whiter, mr w. carlyon, mr k. treloar, mr c. livitsamos, arthur faneco, jim john, barbara ngip, jim tinney, jean dean, neville spiers, stewart rowe, max stevens, barrie smith, elaine walton, jim sawyer, bruce flavel, ron ingleton, john bethune, john blackburn, john boag, jim brokenshire, john carmichael, ray kibby, alec kinnane, noel meagher, norm ludbrook, graham searle, ron sheppard, ryrie mccallum, queen elizabeth ii, coronation -
Federation University Historical Collection
Letter - Correspondence, Government of Victoria, Department of Education, Education Department Correspondence,1901, 1901
Queen Victoria on 22 January 1901. Mourning stationery for letters, both writing paper and envelopes, was printed with black borders, of varying depths, as a token of bereavement. Black sealing wax, black leather blotters, and jet paperknives were also sometimes used. Two foolscap letters, one with a black edging signifying mourning for Queen Victoria. .1) A letter from the Secretary of the Education Department Melbourn to the Ballarat School of Mines No 10. It is a covering letter for the Art and Science Inspectors' reports. .2) The Science Inspector's report on the Ballarat School of Mines, with the Art Inspector's report at the lower section of the page. victorian education department, ballarat school of mines, inspectors reports, queen victoria mourning, mounrning stationary, art inspector's report, science inspector's report, freehand drawing -
Ringwood and District Historical Society
Photograph, 1956 Ringwood Queen Carnival Ball successfully raised over �1500 for Ringwood Pre-School
Typed below photograph, "1956 - Queen Carnival" -
Ringwood and District Historical Society
Photograph, 1956 Ringwood Pre-School Queen Carnival parade
Typed below photograph, "1956 - Queen Carnival". -
Bendigo Historical Society Inc.
Photograph - WEDDING PHOTO
sepia photoghraph mounted on green board. Man seated, woman standing. Man wearing 3 piece suit, button hole, watch chain. Woman wearing large hat, long dress with frills on bodice, sleeves, Studio photo, curtain at background.'A.E. Frost, 172 Queen St., Melbourne 'person, family, wedding portrait -
Bendigo Historical Society Inc.
Postcard - CONSERVATORY GARDENS POSTCARD
Black & White postcard of Bendigo Conservatory Gardens showing Court House and two statues. Valentine's Series No 1547.Valentine's Publishing Co Queen st Melbournebendigo, buildings, court house -
Port Welshpool & District Maritime Museum
bell, c. 1953
brass bell with attatched clapper with raised inscription aroumd rim Clapper can detachCORONATION OF HM QUEEN ELIZABETH II. 1953coronation, queen elizabeth 11 -
Ringwood RSL Sub-Branch
Souvenir-coin, Royal Australian Mint, 2001
Silver $1 coin minted for the centenary of the Australian Army encased in plastic container 1901-2001 in presentation box.Comes with certificate of authenticity recording number 7399 out of a run of 20,000 coins.Obverse Queen Elizabeth reverse Rising Sun -
Waverley RSL Sub Branch
Print H.R.H. Queen Elizabeth II
Official Print of H.R.H. Queen Elizabeth II -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Button
RAN Queen Elizabeth Gilt Textured Fieldbadge/buttons, 1953+, ran -
Bendigo Historical Society Inc.
Photograph - BENDIGO VIEWS COLLECTION: QUEEN VICTORIA STATUE
Black and white photograph of Queen Victoria Statue.bendigo, streetscape, queen victoria statue -
Bendigo Historical Society Inc.
Photograph - SANDHURST BOYS CENTRE COLLECTION: EASTER QUEEN FLOAT 1964
Coloured photograph of the 1964 float "Easter Queen".bendigo, institutions, sandhurst boys centre -
Bendigo Historical Society Inc.
Photograph - SANDHURST BOYS CENTRE COLLECTION: 1965 FLOAT QUEEN OF HEARTS
Coloured photograph of the 1965 float "Queen of Hearts".bendigo, institutions, sandhurst boys centre -
Bendigo Historical Society Inc.
Slide - VAL DENSWORTH COLLECTION: BENDIGO EASTER FAIR, 1967
Slide. Bendigo Easter Fair. A Dairy Queen.slide, bendigo, bendigo easter fair., bendigo easter fair. -
Dutch Australian Heritage Centre Victoria
Book, Eenzaam maar niet Alleen (Alone but not lonely) by Wilhelmina
Paperback copy of memoir by retired Queen Wilhelmina. -
National Wool Museum
Textile - Blanket, 1950s
Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. It was hard to let go of this one!Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized diamond blanket , lemon & grey "An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, godfrey hirst, diamond blanket, geelong -
National Wool Museum
Textile - Blanket, Laconia Woollen Mills, 1960s
Collector says: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized checked blanket, aqua and orange Laconia/Make "Goodnight" a Certainty/Pure Lambswool/Made in Australia wool, blanket, blanket fever, laconia -
National Wool Museum
Textile - Blanket, Onkaparinga Woollen Mill Company, 1950s
Collector says: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Collector says: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket, pink and cream An Onkaparinga 100% pure wool production. In emblem: Made in Australiawool, blanket, blanket fever, onkaparinga -
National Wool Museum
Textile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
National Wool Museum
Textile - Blanket, Kelsall and Kemp, 1950s
Collector says: "I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized blanket, soft pastel pinkWarranted 100% Pure Wool/The Famous "Doctor" Regd/Blanket Made in Tasmania/in Emblem "K&K" (first K mirror image)/Regdwool, blanket, blanket fever, the famous doctor, kelsall and kemp, tasmania -
Whitehorse Historical Society Inc.
Article, Scout group makes history, 1992
Three scouts presented with Queen's Scout awardsThree scouts presented with Queen's Scout awardsThree scouts presented with Queen's Scout awardstally ho scout group (1st), oxley, russell, tipping, mark, cronin, stuart -
Rutherglen Historical Society
Postcard - Postcards
Sent to Mrs A Terrill from son Dave while he was at army camps 1915, and from Bertie, Father of Dave.Postcard showing Queen Victoria Statue, Bendigo"Printed in Germany" -
Ballarat and Queen's Anglican Grammar School
Domestic object - Napkin holder, 1930s
Silver Napkin ring with Queen's school crest.