base; stamped: B.Csculpture, ceramic, bowl, vase, australian artist

ikebana, vase, urn, vessel, tony hutchison

Portrait of a man standing beside a small table with a vase of flowers on it. He is wearing a long knee length coat, trousers, shirt, waistcoat and a cravat? There is a chair beside him. /Rear shows - Mr C Hood Photographer 138 Camberwell Rdphotograph, portrait, male, portrait of a man

Trophy won by the Clunes Fire Brigade "Champion Eight" in 1902. Team members W. Power, B. Hawks, Mr. Crowthers, G. Pearce, McKenzie, F. Miles, G. Hay, McKenzie, P. Kempson, B. Featonby.1 1890's Plated American made table centerpiece Epergne with central glass bowl and matching pair of floriate trumpet vases with scalloped ornate pink borders .2 Framed Photograph of firemen involved in championship . Championship 8 1902Nilclunes fire brigade, trophy, epergne, glass

Belonged to Joan Fitzmaurice, mother in law of donor, who got the bag from her mother (Mrs Wharton) in England in the 1940's. Joan was a Knitter not a sewer.A cream linen bag - half circle pleated onto a yoke with a strap handle. Yoke decorated with appliqued crinoline lady in an embroidered cottage garden of hollyhocks. Border and strap in green embroidery. Body of bag decorated in petit - point of vase of flowers.handcrafts, knitting

B&W photo showing the altar in the St Martins Anglican Church, Belgrave South, prior to its relocation. The photo shows the wooden altar, covered with a gold and white altar cloth and a white lace overlay. On the top are two candlesticks and a small vase with flowers, and behind them in a raised part are two larger vases with flowers and a cross on the top of a stepped plinth. The top of the altar is surrounded by riddels (curtains) supported by riddel posts. On the wall behind the altar is the stained glass window, 'The Light Of The World'. In front of the altar on the right can be seen part of the railing between the sanctuary and the nave.

6 certificates awarded to S.Winch for vases of cut flowers (23-Oct-1954); equal best exhibit - Fuchsia Section - 12-Mar-1966 (2 certs), Best exhibit Fuchsia Section (13-May-1967), Double Fuchsias 3 varieties (8-May-1971) & exhibit in Fuchsia Section (6-Mar-1971)Set of 6 certificates of Merit for outstanding exhibits at the Ringwood Horticultural & Agricultural Society: 3 buff coloured with blue lettering, 3 white with blue lettering - each with a picture of flowers. +Additional Keywords: S Winch(5) and D HollowayRingwood Horticultural & Agricultural Society Certificates of Merit for outstanding exhibits

Needle Holder: Shield shaped needle holder with five needle. Material with green vase pictured. The holder has a metal edge which has dress pins inserted. At the top is a loop for wearing. The back is material but has red stains. Box 625handcrafts, needlework equipment, sewing, needle holder. needle case.

A negative of a lady standing holding a magazine next to a table with a vase with flowers. She is wearing a light coloured dress, dark shoes and a necklace. Behind her a large opaque window, to the left there is a seat and a pot stand. to the right a setee, in the foreground a coffee table.person, individual, female

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Wallpaper fragment from ‘Reno’. These two large fragments of wallpaper have a formality of design that is accentuated by the wide borders and narrow vertical lines that separate the repeated designs of rose garlands in vases on a vertical trellis design. The design is in tones of pink and green with gilding.reno, st john's parade, kew, samuel cocking, wallpaper

Colour photograph of a stone monument to the Bendigo Underground Miner. On the right of the photo is the poppet leg on the stone base. In the centre is George Ellis standing at a lecturn which has a vase of flowers on it. He is holding a microphone. On the left edge is Daryl McClure with a lady standing next to him.bendigo, history, long gully history group, the long gully history group - the bendigo underground miner monument, george ellis, daryl mcclure

This is a bathroom jug and could have been part of a set for bathroom use. It would have held mainly water, hot or cold. In the days before there were sinks with hot and cold running water in bathrooms, a jug such as this was an essential item and would have been in common use up to the first three decades of the 20th century. Today this item is more likely to be used as a vaseThis jug has no known local provenance and is kept as a memento of a household item in use 100 years ago. This is a large white china jug. The body of the jug is spherical or bulbous shaped, tapering to a smaller neck and a large lip. There is gold trim around the handle, the rim of the top opening, around the base and around the top part of the jug. The handle has a straight edge. The jug is stained inside and there is a small piece of china missing on the base. bathroom accessories, history of warrnambool

This trophy was presented by the Country Women's Association (C.W.A) Kiewa Valley Branch circa 1950's and 1960s. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence among rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The CWA was an organisation that catered exclusively to women's needs. The C.W.A. motto; "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women."The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. This particular trophy was for the "most outstanding Item" in the years: 1956,1958, 1959, 1961, 1963, 1964, 1965.The Kiewa Valley Group of the C.W.A. was a focal point for women in this still relatively isolated rural region a place of refuge from the heavy domestic demands that family and business exerted. It provided for women needs of a time and space to gain all the mental relaxation and group bonding necessary to balance the sometimes harsh environment that rural life presented. It provided companionship and "self worth" avenues through competitions in various activities. Unlike the rural males retreat to the local pub for male bonding women's retreat to the CWA provided a greater facility to interact with other women, of like minds, which for the majority of time benefited their families as well.This item has been manufactured in the form of a "flower" vase. It is made from bronze and is silver plated. It resembles the ancient Olympic torch, with a wide rim at the top and narrowing to the base. The base is circular and has three wave like forms cascading from the base of the "stem" to the bottom of the base."HICKEN TROPHY 1956"mementos, acknowledgement, cwa awards, trophies, rural women's club

Four pages from exercise book(George Harris?- as catalogued, has included a torn strip of paper with the following handwritten on it ''From the George Harris Black Art Foleo (sic]). Page of poetry (from newspapers); cuttings and drawing of vase on table?/ with 'signature' ''D.H. 89or 86?). .person, individual, harris

Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Ten works were undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. All paintings are of various flowers painted in watercolour. .1 is incomplete with the vase sketched in pencil; .3 has pencil sketches on the reverse side .6 .7 and .8 are still life paintings.1 urs embossed stamp " RWS Pall Mall East Guaranteed Pure Paper " with the letters "RS" in pencil; .2 lrs "A. WATSON 3rd TERM 1931 .4 upper top verso "Pass. Good tones values in red flower. Also color, one not overworked.Yellow flower rather faulty tone, but direct work. Very promising."ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, lettering, flora, flowers, alumni

The card is a 21st birthday greeting from her mother and brother Alwyn. Dated 28.1.1944. Refer to document and photograph collection.Birthday greeting card. Cream cardboard with yellow ribbon bow; blue border. Four pages held by the yellow ribbon. Inside page has a printed verse and a personal greeting. Front of card has a bunch of flowers in a vase, a box of envelopes, two blue birds and a doll statue.documents, cards

Domestic ornamentsStored in archival tissue with other artifactsFive Victorian fairings -two suited, rotund men with a towel each, one of a pig with a cart, one with a vase and a turkey, one is a boy with a vase in the shape of a shoe. victorian fairings, vintage household ornaments, warrnambool, fairingsvictorian fairings, vintage household ornaments, warrnambool, fairings

Alva Dorothy GOODEN (1864-1949) Gooden was a china painter who is best known for her decoration of many dishes, plates and vases with Australian wildflowers and blackboy trees. Although Alva Gooden painted on a variety of different china including Wembley Ware, she was not one of the artists employed at the Subiaco WA china factory. Much of her work is simply signed ALVA. (https://www.daao.org.au/bio/alva-dorothy-gooden/, accessed 25 March 2017)Image of three saucers and a small cup, all handpainted by Alva Gooden, and depicting Grass Trees. alva gooden, blackboys, grass trees, china, alva

One page printed ''Introduction to Collection'' - Bendigo Art Gallery (1972). Covers Buildings and Site; Paintings (''over 600''); Prints (''relatively small collection''); Sculpture; Porcelain; The Dresden Vase (Baron Von Mueller); Contemporary Ceramics. This appears to be a hand-out to visitors to the Gallery as it states that ''It is hoped that you enjoyed your visit''government, local, bendigo art gallery

This photograph was published in the Port of Melbourne Quarterly (July-September 1959) held in the Mission's archives.Small black and white photograph depicting a band playing on stage in the Mission's hall: from left to right three male musicians sitting down: a drummer, a saxophonist and the pianist, behind the saxophonist is standing a female singer singing with a microphone on a stand. Behind the band the curtains are drawn, in front of them the stage is decorated with 3 vases of large flowers.orchestra, music, band, dance, drums, saxophone, microphone, flowers, female singer, singer, concert, entertainment, events, stage, curtains

These white linen circular doilies were made by women of the early settler families in Moorabbin Shire c1900 and show their needlework skills . Although living conditions were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. These linen doilies are examples of the dressmaking, crochet and needlework skills of the women of the early settler families in Moorabbin Shire c1900 5 x Linen doilies with coloured silk needle work and crochet edging a) square with coloured flowers and crochet edge , b) round with blue flowers and crochet edge , c) round with coloured flowers and crochet edge, d) round with coloured vase of flowers and crochet edge , e) round with blue flowers and crochet edge clothing, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards

Black and white photo: young woman standing, leaning on sideboard, vase of roses on RH side of photo. Woman is dressed in dark long dress, buttoned down side, white lace collar. Image is edged in pink. On back of image : ' M. Bent, Photographer, Centre of Pall Mall, Sandhurst. Duplicates and enlarged copies on application.'Bent Photo, Pall Mall, Sandhurstperson, individual, female portrait, bendigo, sandhurst, female portrait

Black and white photograph. Victorian / Edwardian Drawing Room (perhaps Lancewood in McLaren St?) Ornate chandeliers, draping on fireplace. Large sideboard with shelves above, various shaped vases. Statue on pedestal in right hand corner. Various magazines. Inscriptions: on back - in ballpoint pen :Mueller's, McLaren St'. On front - BRH corner 'U1589.2'.buildings, lancewood house