Ardath Cork cigarette card featuring Bill Tilden. Materials: Cardboard, Inktennis

Book: BILL COSBY'S PERSONAL GUIDE TO TENNIS POWER. Materials: Ink, Papertennis

Bill and Rose Watson (standing), sons Bruce and Barry. Robert and Bon Barrielocal identities

The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.Len Gregson, Bill McAnanly and David Provan holding plaques presented on their retirement.railways wodonga, fred rochow, wodonga railway men, david provan, bill mcananly

Sepia photograph of wedding group of Bill Harrison and Dulcie Nicol and three attendants.bill harrison, dulcie nicol, jean nicol, marge nicol, jimmy kerr

This particular species is native to Australia and can be located throughout the mainland, preferably in the south-western interior. It is known for its distinctively upturned bill, the males of this species have a slightly more upturn to their bill than the female. This style of bill is unusual among birds and is used to assist them forage in the water of shallow wetlands. These birds feed on aquatic insects, crustaceans and seeds. The name of this species is derived from the distinctive chestnut brown/red colouring of the head and neck. Interestingly, the call of this bird has been described as a "yapping" sound which is similar to the sound of dogs barking when performed by a flock in flight. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Red Necked Avocat specimen is stylized in a standing position upon a wooden platform. There is a pale brown identification tag tied around its left leg. The bird has long pale grey coloured legs and a characteristic long, thin and black upturned bill. The plumage of this species is largely white. It has a chestnut brown/red coloured head which is where this species gets its name. The wings are white with black tips.25c. / Avocet / Catalogue, page, 36. / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, large bird, red necked avocat, avocat

This particular species is native to Australia and can be located throughout the mainland, preferably in the south-western interior. It is known for its distinctively upturned bill, the males of this species have a slightly more upturn to their bill than the female. This style of bill is unusual among birds and is used to assist them forage in the water of shallow wetlands. These birds feed on aquatic insects, crustaceans and seeds. The name of this species is derived from the distinctive chestnut brown/red colouring of the head and neck. Interestingly, the call of this bird has been described as a "yapping" sound which is similar to the sound of dogs barking when performed by a flock in flight. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Red Necked Avocat specimen is stylized in a standing position upon a wooden platform. There is a pale brown identification tag tied around its left leg. The bird has long pale grey coloured legs and a characteristic long, thin and black upturned bill. The plumage of this species is largely white. It has a chestnut brown/red coloured head which is where this species gets its name. The wings are white with black tips.24c. / Avocat / Catalogue, page, 36. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, large bird, red necked avocat, avocat

Two pieces of heavy brown leather about 4mm thick joined together with a lighter piece of brown leather glued and stitched with heavy thread to form a Trip Way Bill Holder for use on the SEC trams by Conductors. The outside of the folder has been tanned to give a dark brown tan. The inside of the folder has been stained light brown. The outer corners of the folder have been rounded. The folder has been scribed by a tool to give the item some presentation. Not known who made it, could have been SEC Depot Ballarat, upholstery workers.On the inside in the top left hand corner "Trip Way Bill Holder" in blue ink. Also written marks on the leather in the bottom left hand corner - probably from the leather supplier.trams, tramways, conductors, tickets, forms, trip waybills

BHS CollectionBendigo Advertiser ''The way we were'' from 2003. School days: Bill and Arthur Packham, of Newbridge Way near Laanecoorie Weir, head off to school in a gig hitched to Bill the horse, circa 1930s. The clip is in a folder.newspaper, bendigo advertiser, the way we were

2x black and white photos on 1 laminated sheet of Pte Bill Blaikie 12 platoon, forward scout on 14/07/1965. Bill set off a booby trap and sustained 10 wounds to hips and legs. Also wounding his mate Ron Riley in the arm. Pics show Bill in bed being attended by medical staff in obvious pain - shows woundsphotograph, pte bill blaikie

Photograph of early switchboard used in Mt Beauty. It is a record of old communication methods used in the area.Provides a look into the history of communications in Mt Beauty. Mr Bill Sutton is a past employee of SECV and an active member of various community organisations within the Kiewa Valley.Colour photograph of Mr Bill Sutton and unidentified man taken at Mt Beauty switchboardHandwritten on back of photograph: Pics 5 85%mt beauty switchboard, secv, communications, switchboard

Reproduction of a sketch by Bill Caldwell on a Neville Emerson Pty Ltd calendar for c.1980hotels, eltham, main road, pitt street

Calendar made for the "McCallum House Appeal. Three artists were involved by producing black and white sketches of areas in Ballarat. Peter Bryan was born in Castlemaine and studied architecture. Exhibited his work and his paintings are included in private collections. William Mansel Bolitho was a full time teacher at Ballarat North Technical School. He was admitted as a member of the Australian Guild of Realist Artists, c1980. Graham Hawley was born in Bendigo and studied at the Bendigo School of Mines and RMIT. He lectured in graphic design at the Ballarat College of Advanced Education.1983 calendar with drawings of Ballarat scenes by Graham Hawley, Peter Bryan and Bill Bolitho.calendar, mccallum house appeal, artists, pictorial ballarat, peter bryan, mansel bolitho, graham hawley, australian guild of realist artists

Photo of two soliders (Bill Henderson and Trish Ferguson) in jungle greens having a drinkprint, bill henderson, trish ferguson, nui dat

Included in the collection of Bill Bakker ex RNEIAAFPhotocopies of Bill Bakker's Flying Log Sheets - June, September, October, September, September.a23.09, bakker

A hand written one page letter by James Kelly Kerr to his brother Bill.letter, james kelly kerr

Coloured photograph of the Bill Sewart Memorial Shelter and BBQ at Antonio Park , erected in 1977antonio park, mitcham, barbecues, whitehorse road

William Withers and Edward Ryan drowned near Point Lonsdale on 19 October 1954 when they tried to enter the Rip at Port Phillip Heads against an ebb tide with a strong south-west wind blowing. They were sailing a large crayfishing boat, the 'Robert John', returning with a load of crayfish from King Island.Photograph shows William (Bill) Withers and Edward Ryan who worked in the local Queenscliff and Victorian fishing industry. The commercial fishing industry developed in Queenscliff from the 1860s, with early fishing developing around the couta boat and barracouta fishing. Crayfishing and shark fishing also became important, especially as the supplies and popularity of barracouta as a commercial species waned. Local Queenscliff fishermen often fished outside Port Phillip into Bass Strait and had to navigate the dangerous entry to Port Phillip, known as 'The Rip', with its turbulent and variable water and weather conditions. This added to the everyday dangers of sailing faced by fishermen in their industry. The local fishermen often had the local knowledge of these waters, but the fishing community in Queenscliff also lived with the threat or fear that the Rip could rob them of one of their own. The entrance to Port Phillip with this Rip is the scene of many shipwrecks,often resulting in tragic loss of life or injuries, including passenger and cargo ships travelling to/from Melbourne and Geelong as well as accidents to local Queenscliff and Port Phillip sailors such as the fishermen or sea pilots. A B/W photograph of two Queenscliff fishermen, William (Bill) Withers and Edward Ryaninformation about photo and donation handwrittten on backfishermen, queenscliff fishermen, withers, william withers, ryan, edward ryan, robert john crayfish boat, shipwreck, port phillip

An article from a magazine, entitled: 'Bill Tilden and pro. tennis'. Materials: Paper, Inktennis

Glass framed BEER BILL Petition (Victoria) 1860-1. Petition to the Honorable the Speaker and the Members of the Legislative Assembly of the Colony of Victoria, in Parliament Assembled. The undersigned Miners, Storekeepers and others resident in the town of Sandhurst, and in the district of Bendigo: Humbly Sheweth that a bill now before your Honorable House, intituled ''An Act for Regulating the Sale of Beer by Retail'' The effect of the bill will be to legalise the retail trade in Colonial Beerin other than public houses. Your petitioners humbly pray that your Honorable House will be pleased to pass the said Bill. (here follow 100 Signatures)document

Official opening of the Karralyka Centre - Cr. Pat Gotlib (Mayor) and Sir Henry Winneke greeting dignitaries - shaking hands with Cr. Bill Wilkins. +Additional Keywords: Winneke, Sir Henry / Gotlib, Pat (Cr) / Wilkins, Bill (Cr)

Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara HEGARTY on her wedding day with her father Bill and her bridesmaids outside the house in Cruickshank Street. L-R Marlene HEGARTY, Joan GARDINER, Bill HEGARTY, Barbara HEGARTY and Margaret CONN.weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty, william (bill) hegarty, marlene mcpherson nee hegarty, joan gardiner, margaret conn