This is a souvenir spoon from Expo 67 in Montreal Canada. Robin Boyd gave it to Linley Vellacott, an architect who worked at Romberg and Boyd, after he visited Expo 67, where he was Exhibit Architect for the Australian Pavilion. Linley Vellacott donated it to the Robin Boyd Foundation. expo 67, walsh st miscellaneous, robin boyd

SoftcoverNewspaper article from Bulletin Review about Robin Boyd and the series "Melbourne Architectural Papers", of which this is one as well as Number 1918 and 1019pop architecture, 1970s' architecture, walsh st library

Hardcover, no dust JacketInside front cover: "V40621, Sgt R.P. Boyd, H.Q. Section, 3 Aust Fd. Svy. Coy., Australia", "Love and Luck, E.G.B"walsh st library

The Boyd family do not recall this steamer - Mandie Boyd recalls an aluminium pressure cooker with three steamer baskets, which was used a great deal.Metal steamercookware, walsh st kitchenware, robin boyd

Images of upstairs living room at Walsh St with two Arthur Boyd oil paintings and Featherston and Boyd sofas, from late 1990s perhaps.Set of 6 colour photographs

Boyd argues that modern architecture has triggered a necessity for greater harmony between architects and engineers. Boyd describes the architectural qualities of tension structures through an analysis of several case studies including projects by Frei Otto and Boyd's own house at Walsh St. Being a relatively new concept, Boyd criticises the neglect towards smaller buildings in this structural system, and also highlights some of its shortcomings. A 2-page letter from 'Arthur' (surname unknown) at the University of Melbourne's Department of Civil Engineering provides feedback to Boyd on his analyses of the chosen case studies.Original manuscript of article published in The Architectural Review Vol.134, No.801, November 1963, pp. 324 - 334. This draft was returned with covering letter from: ‘Arthur’ (AJF) Melbourne Uni. Dept Civil Engineering. Typewritten (c copy), foolscap, 14 (+2 quarto letter) pagesMinor handwritten editsengineering, tensile structure, master-designer, bernard lafaille, zagreb french pavilion, matthew nowicki, livestock pavilion, frei otto, paul rudolph, florida house, bill irwin, kevin borland, peter mcintyre, john and phyllis murphy, yuncken freeman, sidney myer music bowl, eero saarinen, yale hockey rink, edward d. stone, brussels u.s. fair pavilion, boston arts centre, walsh street, robin boyd, manuscript

Project: Stegbar Windowalls, Springvale drawn by Robin Boyd of Romberg and Boyd; two interior perspectives. In 1952-53, Robin Boyd designed the Stegbar ‘Windowall’ - a prefabricated, structural framing/glazing system - to create a wall of windows. These ‘Windowalls’ were used extensively in domestic architecture across Australia from the 1950s to the 1970s. Boyd also designed the factory and showrooms for Stegbar Limited. The Walsh Street Archive holds exterior and interior perspectives of the building. Interior perspectives, watercolour on board.windowall, robin boyd, stegbar, ohm2022, ohm2022_35

Project: Stegbar Windowalls, Springvale drawn by Robin Boyd of Romberg and Boyd; external perspective. In 1952-53, Robin Boyd designed the Stegbar ‘Windowall’ - a prefabricated, structural framing/glazing system - to create a wall of windows. These ‘Windowalls’ were used extensively in domestic architecture across Australia from the 1950s to the 1970s. Boyd also designed the factory and showrooms for Stegbar Limited. The Walsh Street Archive holds exterior and interior perspectives of the building. External perspective, watercolour on board.windowall, robin boyd, stegbar, ohm2022, ohm2022_35

In 2006, the RAIA 25 Year Award was presented to Robin Boyd House II by Grounds Romberg and Boyd. The jury said: “This house, designed by the late Robin Boyd for his family, is an exemplary expression of modernity from an optimistic period of artistic endeavour.” “This award acknowledges the breathtaking skill and daring with which Boyd has exploited the opportunity to design his own home to reject domestic convention and contribute a house of programmatic and technical innovation and mastery.”Jury citation, section and plan drawings, two photographs in a black timber Ikea frame around two insets size, off white mount.

Bendigo Advertiser ''The way we were'' from 2000. Land Bill - The main purpose of the Bendigo Land Bill was to authorise the sale of land at the corner of Mitchell and High streets for 9000 Pounds. In 1870 the site was a gold mine on which a Bendigo councillor, Dr Boyd, had erected buildings, one of these buildings was the City Club Hotel. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Three Land Sale documents issued to Dr James Boyd for Grant by Purchase of three blocks of Land. a. 24 March 1858 Allotment 6 of Section 8C b. 18 March 1858 Allotment 14 of Section 8C c. 18 March 1858 Allotment 13 of Section 8C Blocks with near intersection of Mollison and Mundy Streets

The first article 'Robin Boyd dies, aged 52' contains an announcement of Robin Boyd's death and summarises his career. The second article, 'Achievements of a lifetime', is written by Patrick McCaughey, and the third article, 'A friend remembers', is written by Neil Clerehan. Each pays tribute to Robin Boyd in a different way. First of three articles.walsh st library, robin boyd, tribute

The first article 'Robin Boyd dies, aged 52' contains an announcement of Robin Boyd's death and summarises his career. The second article, 'Achievements of a lifetime', is written by Patrick McCaughey, and the third article, 'A friend remembers', is written by Neil Clerehan. Each pays tribute to Robin Boyd in a different way. First of three articles.walsh st library, robin boyd, tribute

The Boyd family think that this came from Robin Boyd's mother's house. Edith Susan Boyd, Robin’s mother, had a wonderful selection of earthenware crockery storage containers in her pantry, a huge walk-in room with open shelves off the kitchen. This scoop was needed to get any content out of these containers.Aluminium scoop (large) with handleThailand" "240 oz" on handle.cookware, gadget, walsh st kitchenware, robin boyd

Part of a speech that Boyd gave on receiving an honourary Doctorate of Letters awarded by the University of New England. Boyd proposes that Architecture is the Third Culture, combining art and science.Handwritten, pencil, incomplete, quarto, one page, finishes mid-sentencedefinition, third culture, speech, robin boyd, manuscript

This article contains excerpts of Robin Boyd's address at the University of New England gave the previous evening. The University conferred an honorary Doctorate of Letters to Robin Boyd on that day.A and date in red penwalsh st library

Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 3 (but different to item PL139). Preliminary cross sectionSketch, Dyeline

This pair of RS161 Grant Featherston Contour Settees (1951) were previously in the Boyd home in Camberwell. Robin Boyd designed the Ivanhoe home and Grant and Mary Featherston (1967).Two two-seater settees, with four timber cigar shaped legs with round flat metal brass feet. Olive green/copper loose weave fabric. Wool/silk blend fabric. Twenty five self-covered buttons. Curvaceous contour shape.walsh st furnishings, settee, featherston, robin boyd

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.La Traviata. Opera in 3 acts by Verdi. LP 33RPM vinyl, Catalogue Number: SMS2353A, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, no author listed. Cover design H. Raynor. Conductor Gianfranco Rivoli: Chorus and orchestra Vienna State Operalp, sound recording, opera

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Readings from the bible. Selections from the old and new testaments. LP 33RPM vinyl, Catalogue Number: POL 011, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, no author listed. Cover design H. Raynor. Brin Newton-Johnlp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Parade de Printemps. LP 33RPM vinyl, Catalogue Number: TPL 91006, Record cover, paper sleeve, 1 vinyl disk. Cover notes, no author listed. Robert Stoltz, Bernard Sinclair, Claudine Granger, Marina Florence, Henri Murge. Director: Jean Doussardlp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Operatic Highlights Die Fledermaus (Johan Strauss). LP 33RPM vinyl, Catalogue Number: LXT 2576, Record cover, no sleeve, 1 vinyl disk. Cover notes, no author listed. Johan Strauss, Conductor: Clemens Krauss, Vienna State Opera and Choruslp, sound recording, opera

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Dimitri Schostakowitsch Sinfonie Nr. 5 op 47. LP 33RPM vinyl, Catalogue Number: 138031, Record cover, Paper sleeve, 1 vinyl disk. Cover notes, no author listed. Dimitri Schostakowitsch, Conductor: Witold Rowicki, Sinfonie-Orschester der Nationalen Philharmonie Warschaulp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.The fabulous Victoria de los Angeles. LP 33RPM vinyl, Catalogue Number: WRC S/4838, Record cover, Plastic sleeve, 1 vinyl disk, paper Lyric pamphlet. Cover notes, J.D. Bicknell. Victoria de los Angeles Piano: Gerald Moore.lp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.That was the year that was. LP 33RPM vinyl, Catalogue Number: R-6179, Record cover, Paper sleeve, 1 vinyl disk. Cover notes, no author listed. Cover design: Eric Martin. Tom Lehrer.lp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Operatic arias. LP 33RPM vinyl, Catalogue Number: SXLA2159, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, Gordon Stewart. Joan Sutherland. Conductor: Nello Santi. Paris Conservatoire Orchestra.57/6lp, sound recording, opera

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Joan Sutherland Luciano Pavarotti Operatic Duets. LP 33RPM vinyl, Catalogue Number: SXL 6828, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, Jon Perrin Cover photo: Christian Steiner. Joan Sutherland, Luciano Pavarotti. Conductor: Richard Bonynge, National Philharmonic Orchestra, London Opera Chorus (Chorus master Terry Edwards), Jacquelyn Fugelle, soprano; Elizabeth Cornell, mezzo-soprano.lp, sound recording, opera