Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ button featuring the head of a young girl surrounded by sprays of wattle. In the design for this fundraising button the purpose of the fundraising – ‘for Children’s Charities’ is emphasised.Wattle Day / For Children’s Charitieswattle day, patriotic buttons, badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ badge featuring the head of a young girl surrounded by sprays of wattle. In the design for this fundraising button the purpose of the fundraising – ‘for Children’s Charities’ is emphasised."Wattle Day: For Children’s Charities"wattle day, patriotic buttons, first world war (1914-18), badges

119452 R G Bennetts RAAF 1942-45. Re-enlisted again in 1953.Bomber Jacket - polyester, khaki, long sleeved, black buttons, epaulettes. Mid sleeve embroidered propeller, mauve cotton. uniform, raaf

Geoffrey Murray Ref. 638P. 3 Cav.Raincoat - Cotton, Nylon, Army Green with belt, green plastic buttons.raincoat, army

Made for use with dress uniform for Australian army personal.Black dress belt with 3 buttons and brass buckle at one end.

Worn by Robert Lawson Promoted to Petty Officer Engineering (MTP) 1979This uniform was worn by Bob Lawson. Bob is a member of Lara RSL, and this uniform is representative of his service in the Royal Australian Navy.Dark blue trousers with brass buttons. Has a large tear in the seat.lara, rsl, military, war, australia, navy

Item issued to Flying Officer Geoffrey Wilkin NEVILLE No 438263 RAAF. Refer Cat No 3291 for his Service History.RAAF Great Coat, dark blue complete with buttons & inner lining.uniforms airforce, raaf, great coat

Item issued or bought by Murray Stanley Metherall. Refer 590.2.Device for holding brass buttons during cleaning when still on a uniform.Engraved "M Metherall"military-equipment, uniforms-maintenance, accessory

It’s issued to Fredrick Burchell SMITH VX128239, enlisted 4.1.1944 age 19 years, discharged 2.8.1946 with the rank of Driver in 2/166 Aust Work Shops Platoon.Trousers, Battle Dress, winter, Kahki, side pockets, plastic buttons.“V 48 Made in Australia, 1942”costume - male, uniform, trousers

Donated by Cpl Bramley who was in charge of our Catafalque party ANZAC Day 2006Blue Dress coat. Corporals stripes on shoulder. Black plastic buttons.Sewn Patch ADI Vic 1992, 8410-66-105-.1389, Size 80, Service No W514342, Name M. Ackroyd clothing, coat

This jacket was part of the 1972 - 1977 uniform period. It was designed by Irish-born Noeleen King, based in 45 Flinders Lane, Melbourne. The jacket could be worn with the orange dress.Typical colour and design from the 1970s, this uniform demonstrates the collaboration with fashionable Melbourne-based designer Noeleen King.Orange cropped long sleeves jacket with black neck, black buttons.Noeleen Kingnoeleen king, stewardess, hostess, flight attendant, orange

This coat was part of the 1972 - 1977 uniform designed by Irish-born Melbourne based Noeleen King. It was worn with the orange dress and orange hat made by Nyvek Headwear. Typical colour and design from the 1970s, this uniform demonstrates the collaboration with fashionable Melbourne-based designer Noeleen King.Long black coat with large gold buttons and orange stripe on sleeves.noeleen king, stewardess, hostess, flight attendant

RAANC- spare badge & buttons(4 of) (attached to Complete Uniform UC006)badge/buttons, 1970's, army

Ladies Flannelette Pants. Square Leg. Band at Waist. Buttons & Tapesstawell clothing material

Cream lisle gloves. Three pearl buttons and button holes at wrist.costume accessories, glove accessories

Black satin apron with hand painted border. Two buttons at waist.costume, female working

Long black suede gloves; three grey ' pearl' buttons at wristcostume accessories, female

Pale blue long kid gloves with three small buttons at wrist.6 1/4 31 73costume accessories, glove accessories

Cream wool knitted babies singlet - 2 buttons on each shoulder.baby clothes, singlet, heather mcnamar

UnknownEmpty Craven 'A' Virginia Cigarette tin containing various uniform buttons.Cork Tipped Craven 'A' Virginia Cigarettes. 50 Cigarettes.

Black jacket with 8 Gold buttons. Two gold arm bands.Tailor’s name Batty and McGrath Sydney.

Mobile syringe pump. Used in MICA ambulances and air ambulances. Set and monitored drug flow rates. This example used in air ambulance HEMS 4BCream coloured medical equipment with green panel and press buttons at frontPERFUSOR SPACE HEMS 4B

Two white collared shirts with white buttons and a breast pocket on the right.

The Kew Community Festival was initiated by Cr Gerard Petrie, Mayor of Kew in 1974. Initially a biannual event, it became an annual festival in the 1980s. Badges of different colours were distributed at various Festivals. These were typically undated but could be associated with a distinct year due to the font used and colours.Five identical "I'm a Kewite" buttons given out at the Kew Festival"I'M A KEWITE"kew community festival, commemorative buttons

Set of four buttons, each with tennis match motif. Materials: Metaltennis

Set of three buttons, each with tennis match motif. Materials: Metaltennis

Set of six buttons, each with tennis lady motif. Materials: Metaltennis

This object is part of a collection of items donated by the Hopgood family that belonged to Bendigo Tramways employee, Barry Hopgood.Green, woollen coat with cotton lining, leather trim and brass buttons.