Notice - C7534, titled "Uniform dress not being correctly worn", about the wearing of uniforms such as trousers not pressed, boots not shined, wearing of caps, removing the wire from caps, and wearing of open neck shirts in normal weather conditions. Dated 15/7/53, signed B H Misson, Acting Manager.Yields information about memos reminding crews of the MMTB dress standards.Foolscap notice, quarto sheet, printed with a glued sheet on the bottom edge.tramways, uniforms, cap, tram crews

Framed portrait of John Moule who was President of the Vision Australia Foundation, from 1992-1999. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Moule is standing with his arm on a dresser, and holds a pair of glasses. He is dressed in a navy blue suit, with a blue kercheif in his breast pocket,, a white collared shirt and a blue, white and black striped tie. On his lapel is a small gold badge. The plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'. 1 art original in old gold frameThe plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'.vision australia, john moule

Framed portrait of Thomas Marks who was President of the Association for the Advancement of the Blind 1900, 1935-1937. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Marks sits at a table, wearing black tails and pants, a white pleated dinner shirt and black evening dress bow-tie. One hand rests next to a cup and saucer, the other rests on his lap. Tom Marks was educated at the Royal Victorian Institute for the Blind. He was a founding member of the Association for the Advancement of the Blind (now Vision Australia) at its establishment in 1895. He went on to serve as President of organisation in 1900 and was later appointed as a part time paid secretary – an office he occupied from 1904 to 1927. He again served as President from 1935 to 1937 during which time he celebrated his 80th birthday. As the living conditions of many blind people were deplorable at this time – they were often confined to a room or shed without any social contacts – it was realized that support for blind persons was needed to serve as a refuge for the oppressed, a home for the indigent, a rest home for the sick and a convalescent home to provide both respite care and permanent accommodation. Mr Marks had a reputiation of having good contacts and being able to use people with more knowledge than himself. An able musician, Tom Marks was often employed in the homes of wealthy families. As a result he met Mr and Mrs Grimwade who were already supporters of Vision Australia. They organized a gymkhana to raise money for the nucleus of a building fund. From this time Tom Marks was involved in the finances of the centres at Brighton, Ballarat and Bendigo, which were the ultimate result of the fund. He was also part of a team that negotiated the financial agreement between the RVIB and Vision Australia over fund raising and the allocation of money, which lasted from 1930 to 1939. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr Thomas Marks / President 1900, 1935-1937/ Association for Advancement of the Blind'. association for the advancement of the blind, thomas marks

aFramed portrait of William Paterson who was President of the Association for the Advancement of the Blind, from 1948-1952. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Paterson is dressed in a 3 piece gray suit, white shirt and wearing a blue tie and black hat. He sits outside a house reading a red coloured book, whilst in the background an elderly man takes a step out on to the gravelled driveway. Two women, one with a white cane, rest on chairs under the verendah of the building. The plaque at the base of the painting reads 'Mr William H. Paterson / President 1948-1952 / Association for Advancement of the Blind'. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr William H. Paterson / President 1948-1952 / Association for Advancement of the Blind'association for the advancement of the blind, william paterson

Black and white photograph of a lady wearing knee length dress and hat, with young boy wearing shorts and shirt, standing outside a church building."Ross and Grandma 1965 Linton Church of England".st paul's church of england linton

Black and White formal wedding portrait. Mrs Alice Breen stands on the left wearing an ankle-length dress with high neck and full-length sleeves. She has a knee-length veil with a floral headpiece and is holding a large bouquet. Her hoes have a small curved heel. Mr Tom Breen is seated on a wicker chair. He is wearing a dark 3-piece suit, a shirt with a high collar, study lace-up shoes and he holds a pair of white gloves. They are in a photographer's study. Both look solemnly at the camera.

Black and white copy of original portrait showing a man seated on bench with a lady standing to his right, resting her elbow on back of the bench. A plant in front left, bottom corner of photo. Man is wearing a dark suit, white shirt, bowtie and corsage, he also has a mustache. Lady is wearing a dark fitted dress with fur around bodice, horizontal striped top with cuffs exposed. Embroidered stick out shoulder pads, dark curly hair and rings on her left hand."Michael O'Meara & wife nee Beatrice O'Leary".michael o'meara, mrs beatrice o'meara (nee: o'leary)

8/7 RVR is a Victorian Army Reserve Unit (Citizen Military Forces).This is a B & W portrait of C.M.F. soldiers. It is in a simple brown wooden frame. The portrait shows 4 rows of soldiers on a stand. In front of them, seated, is an instructor holding a cane and a Lieutenant. They are wearing GP boots, jungle green pattern shirts and trousers. Head dress is a variety of slouch hats and berets.On the back is :- 75/06 P.16 1981 1981 Recruit Course 'Puka' featuring Cpl Johnson.photograph, recruit course, cmf training, 8/7 rvr

Huttley Martin FamilyB/W Portrait: Bride wearing a Jeweled Crux Gammata ( Gammadion Cross), Tasselled lace over white floor length dress & veil, wears elbow length gloves. Groom white shirt and Light coloured tine, dark suit, holding gloves. Gainsborough 215 Chapel Street Prahan On reverse Harry Martin m alice Henderson (my Uncle) MADGE HUTTLEY'S UNCLEhuttley, martin

In May 1931 the Australian government announced a 20% reduction in expenditure, cuts to wages and pensions, and increased taxation. Despite workers striking, wages were reduced and working hours increased. The economy plunged into depression. Workers blamed the hardships on greedy bankers and the rich elite. The unemployed’ home-made, designed, knitted, painted and created things like pegs, pincushions, soaps, kitchen utensils and Pokerwork art, to sell door-to-door or in the streets. ‘Make Do and Mend’ was the mantra of the time. Making and mending clothing at home became a means to save money and an income offering services mending, altering or making clothes for the working people. Making over garments had been a time-honoured tradition since pioneer days. During the Depression clothes were a luxury and new fashions were created by altering old clothes. A best dress became a housedress, a church suit became a mine suit. Old shirts became new aprons, old trousers became new hats. Magazines and newspapers published Instructions on making and mending clothing and these became curriculums for sewing classes. Darning, mending, patching, saving fabric for rags, patches or upcycling became a necessity. Having a Sewing machine like this 1927 Singer housed in Oliver Gilpin’s store at Coal Creek Community Park and Museum could be the difference between survival and starvation The popularity of publications such as ‘Make do and mend’ lasted through the Second World War and into the 20th Century. Hand operated Singer sewing machine with wooden cover, circa 1927Y4476618

Items issued to Capt T McCAW VX93 enlisted in the 2nd AIF on 27.10.1939, he was discharged on 19.2.1947 with the rank of Capt in 2/2nd Field Regt. He is also listed with a Regt No 350309 so assumably he enlisted again going by the uniform on Cat No 1488.2. Service ribbons are, 39 - 45 Star, Africa Star, Pacific Star, Defence medal, British war medal, Australian Service medal, Efficiency decoration.Service dress, post WWII. .1) Trousers, kahki, waist buckles and buttons intact. .2) Shirt, light kahki, long sleeved, cotton, buttons intact, made by “Rexbilt” .3) Tie, light kahki colour .4) Jacket, Dress, Service, kahki, gold coloured metal buttons, 2 x shoulder patches “Royal Australian Artillery”, 2 x sets of “Captains rank badges, 3 to each shoulder, 2 x collar epaulette badges, 6 x service ribbons WW2 and Efficiency ribbon, 2 x “R” badges (Retired Officer) .5) Cap, peak, leather strap, RAA hat badge, kahki. .6) & .7) Socks, pair, kahki. .8) & .9) Shoes, pair black .10) Belt, kahki with brass buckle.Inside coat and pants sewn in. “M TX”. Inside hat, “Commonwealth Clothing Factories Melbourne” “S56 71/8uniforms-army, military equipment

1. 2. 3. Shirts - khaki colour, cotton/polyester, long sleeves with button cuff, collar, shoulder epaulettes, two front pockets with button down flap. Plastic buttons. White cotton fabric manufacturers label, back below collar. 2. Left sleeve - fabric shoulder patch. Rising Sun Badge with Queen's Crown and lettering embroidery. "THE AUSTRALIAN ARMY".Manufacturer's information - black ink print. 1. "A.G.C.F./ VIC 1982/ ^ / 8405.66.088.7068/ SIZE 41/84/. SERVICE NO./ NAME/ DO NOT BOIL. OR WRING/ MACHINE WASHABLE/ DRIP DRY IRON NIGHTLY/ WITH WARM IRON". 2. "A.G.C.F./ VIC 1983/ ^/ 8405.66.088.7065/ SIZE 40/88". SERVICE NO./ NAME/ DO NOT BOIL. OR WRING/ MACHINE WASHABLE/ DRIP DRY IRON NIGHTLY/ WITH WARM IRON". 3. "ADI/ VIC 1991/ ^/ 8405.66.088.7102/ SERVICE NO./ NAME/ 65% POLYESTER/ 35% COTTON" "DO NOT BOIL. OR WRING/ MACHINE WASHABLE/ DRIP DRY IRON NIGHTLY/ WITH WARM IRON". uniforms, army, service dress, shirts, passchendaele barracks trust

1. & 2. Trousers - green colour cotton twill fabric. Plastic buttons - brown colour. 1. Five button fly with two straps with metal buckles at waist, button down belt loops, two side pockets, two back pockets with button flap. Waist and pocket lining green cotton fabric. Left leg side pocket with button down flap. 2. Four button fly, button down belt loops, two side pockets, two back pockets with buttons. Two front of leg pockets with button down flap. Pocket lining - green polyester fabric. Green cotton manufacturers label inside back waist band. Army Work Dress commonly called "GREENS".Manufacturer's label - black ink print. 1. "C.G.C.F./ VICTORIA/ 1963/ SIZE 15/ ^/ REGIMENTAL NO/ NAME" 2. "A.G.C.F./ VICTORIA/ 1986/ 6 / WAIST AND SIZE/ 89/995/ 8405.66.029.0606/ ARMY NO/ NAME". passchendaele barracks trust, uniforms, army, workdress, trousers

taken after their wedding at Wesleyan Church Bairnsdale Victoria. Walter wearing three piece suit white shirt turned down collar with narrow tie, hair short at sides brushed back and thick on top. Frances in dark dress tight fitting hip length buttoned bodice narrow flounced skirt sleeves tucked with contrast of wrist, hair parted in centre and pulled back severelyBlack and white photograph of Walter Grant and wife Frances Mary Bowrangenealogy, fashion