Showing 2701 items matching "fashion"
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Lakes Entrance Historical Society
Photograph - Rita Alexander (nee Wills), 1937
Sepia toned photograph Rita Alexander (nee Wills) in tennis outfit at Bairnsdale Victoriagenealogy, fashion -
Lakes Entrance Historical Society
Photograph, Michael Carpenter Lakes Entrance Victoria
Michael Carpenter is a descendant of John CarpenterBlack and white photograph of Michael Carpenter as a toddler Lakes Entrance Victoriagenealogy, fashion -
Lakes Entrance Historical Society
Photograph, George and Sarah Grant Headstone, George Price Grant and wife Alice Jane Headstone, 2010 c
Funeral directors records show Alice Stocks nee Grant buried Lakes Entrance Cemetary which is incorrect as those who attended can attestColour photograph of headstone and iron fence at grave of George and Sarah Grant and daughter Alice Stocks in Bumberrah cemetery Victoria. Also photo of headstone of George Price Grant and wife Alice Jane genealogy, fashion -
Narre Warren and District Family History Group
Book, Sheila Scotter, Sheila Scotter : snaps, secrets and stories from my life, 1998
There is no other store like David Jones... and there is no other consultant like Sheila Scotter! Known variously as the Kangaroo editor (by Diana Vreeland), the black and white lady from Albert Park, and the Silver Duchess, this is the autobiography, scrapbook-style, of one of Australia's doyennes of style. For Sheila Scotter's seventeenth birthday her parents put on a 'coming out ball' in the United Services Club in Calcutta, where they lived at the time. The teenager wore a pale turquoise silk taffeta ball gown. Sheila no longer remembers what happened to that dress, but she does know that it is responsible for the black-and-white wardrobe that has been her hallmark ever since, with the exception of one occasion and one occasion only. For her seventieth birthday party, close friend John Truscott conned her into wearing red, insisting that the theme for the event was all red. And what did the guests all wear? Black and white! This anecdote lite, stylish, idiosyncratic is typical of the many that make up Sheila Scotter's autobiographical assortment. Most Australian women know Sheila Scotter through her Women's Weekly column 'Sheila Scotter Suggests' which ran between 1975 and 1980 and totalled some 235 instalments. The fact that this column is still vividly remembered 17 years later attests to the sacred place it held in every Australian household. A feminist before the word was invented, Sheila has had a formidable career. Two chapters are devoted to her career in fashion, including her time as the editor-in-chief of Vogue and founding editor of Vogue Living. The art of fundraising is also treated in some depth. In snippets, we hear of her love of cricket (which she once played); we find out how she came to live in Australia in the first place and why she has made Melbourne her home. Not surprisingly, the book reflects the personal contradictoriness of its author/subject on the one hand an aristocrat, on the other a rogue who does not respect rank; blithely mixing innate feminism with blatant coquettishness; outrageous yet scrupulously stylish; in the know yet discrete; courting notoriety while at the same time needing solitude a Like all celebrity autobiographers Sheila reserves her right to privacy while basking in the limelight. But she has used this book to set the record straight on a number of issues, including why she left Vogue, her many romantic involvements, her much-publicised spat with socialite Lillian Frank, and what was wrong with David Jones, to whom she consulted during 1994-95. The book contains the expected wining, dining and partying, as well as the inside story on some recent scandals. Sheila Scotter is glamorous and alluring, a forthright mover and shaker who inspires fear in some, awe and respect in others, and admiration and loyalty in most. No matter what you think of her, you simply cannot ignore her. Friends and enemies alike are awaiting this book with bated breath for one reason: when Sheila Scotter speaks, people listen. Contents Foreword (by Ruth Cracknell, a personal friend) Before I Begin a (explaining the rationale for the book) 1 Thursday's Child (birthdays) 2 Christmases to Remember 3 In Fashion (career in fashion) 4 A Matter of Style (Vogue Living and its influence) 5 Marriage and Other Liaisons 6 A Mixed Salad of Letters (letters, personal and business, from prominent people) 7 Fundraising: Are Committees Really Necessary? 8 Loved Ones Departed (or Why I Envy the Angels) 9 Disappointments and Other Disasters (scandals and inside stories) 10 London, Paris, Sydney, Melbourne (the places she has lived) 11 Not the Last Instalment (a look ahead) Postscript (a tribute to some special men read between the lines) Source: Publisher253 p.; 25 cmnon-fictionThere is no other store like David Jones... and there is no other consultant like Sheila Scotter! Known variously as the Kangaroo editor (by Diana Vreeland), the black and white lady from Albert Park, and the Silver Duchess, this is the autobiography, scrapbook-style, of one of Australia's doyennes of style. For Sheila Scotter's seventeenth birthday her parents put on a 'coming out ball' in the United Services Club in Calcutta, where they lived at the time. The teenager wore a pale turquoise silk taffeta ball gown. Sheila no longer remembers what happened to that dress, but she does know that it is responsible for the black-and-white wardrobe that has been her hallmark ever since, with the exception of one occasion and one occasion only. For her seventieth birthday party, close friend John Truscott conned her into wearing red, insisting that the theme for the event was all red. And what did the guests all wear? Black and white! This anecdote lite, stylish, idiosyncratic is typical of the many that make up Sheila Scotter's autobiographical assortment. Most Australian women know Sheila Scotter through her Women's Weekly column 'Sheila Scotter Suggests' which ran between 1975 and 1980 and totalled some 235 instalments. The fact that this column is still vividly remembered 17 years later attests to the sacred place it held in every Australian household. A feminist before the word was invented, Sheila has had a formidable career. Two chapters are devoted to her career in fashion, including her time as the editor-in-chief of Vogue and founding editor of Vogue Living. The art of fundraising is also treated in some depth. In snippets, we hear of her love of cricket (which she once played); we find out how she came to live in Australia in the first place and why she has made Melbourne her home. Not surprisingly, the book reflects the personal contradictoriness of its author/subject on the one hand an aristocrat, on the other a rogue who does not respect rank; blithely mixing innate feminism with blatant coquettishness; outrageous yet scrupulously stylish; in the know yet discrete; courting notoriety while at the same time needing solitude a Like all celebrity autobiographers Sheila reserves her right to privacy while basking in the limelight. But she has used this book to set the record straight on a number of issues, including why she left Vogue, her many romantic involvements, her much-publicised spat with socialite Lillian Frank, and what was wrong with David Jones, to whom she consulted during 1994-95. The book contains the expected wining, dining and partying, as well as the inside story on some recent scandals. Sheila Scotter is glamorous and alluring, a forthright mover and shaker who inspires fear in some, awe and respect in others, and admiration and loyalty in most. No matter what you think of her, you simply cannot ignore her. Friends and enemies alike are awaiting this book with bated breath for one reason: when Sheila Scotter speaks, people listen. Contents Foreword (by Ruth Cracknell, a personal friend) Before I Begin a (explaining the rationale for the book) 1 Thursday's Child (birthdays) 2 Christmases to Remember 3 In Fashion (career in fashion) 4 A Matter of Style (Vogue Living and its influence) 5 Marriage and Other Liaisons 6 A Mixed Salad of Letters (letters, personal and business, from prominent people) 7 Fundraising: Are Committees Really Necessary? 8 Loved Ones Departed (or Why I Envy the Angels) 9 Disappointments and Other Disasters (scandals and inside stories) 10 London, Paris, Sydney, Melbourne (the places she has lived) 11 Not the Last Instalment (a look ahead) Postscript (a tribute to some special men read between the lines) Source: Publishersheila scotter, fashion -
Lakes Entrance Historical Society
Photograph, Carpenter Family Lakes Entrance Victoria, 1929 c
Nally about to tow Charlies ute on bush road near Lakes Entrance Victoria - also named in one photograph is John Hindle Black and white photograph of Charlie Carpenter and Nally Whiter each in single seater utility style vehicle, Nally about to tow Charlies ute on bush road near Lakes Entrance Victoria. Also eight black and white photographs of Charlie and Keith Carpenter at various ages,genealogy, fashion -
Lakes Entrance Historical Society
Postcard, Charles Henry and Keith Carpenter, 1912 c
Taken in garden either Bairnsdale or Lakes Entrance Victoria 1912Black and white postcard of Charles Henry and Keith Carpenter wearing identical knitted clothing of jumper and short pants dark socks black boots on Keith button shoes on Charles.fashion, genealogy -
Lakes Entrance Historical Society
Photograph, Charlie and Keith Carpenter Lakes Entrance Victoria, 1927 c
taken on bridge Lakes Entrance VictoriaBlack and white photograph of Charlie and Keith Carpenter with girl cousin Dolly. Also a second black and white photograph of Charlie and Keith Carpenter with a cousin c1927genealogy, fashion -
Lakes Entrance Historical Society
Photograph, Richard Callow, 1/06/1958 12:00:00 AM
Richard Callow ,age one year is a descendant of John Carpenter taken at Carpenters Camp Park Lakes Entrance VictoriaBlack and white photograph of Richard Callow Lakes Entrance Victoriagenealogy, fashion -
Lakes Entrance Historical Society
Photograph, Walter and Frances Mary Grant, 1881 July 21
taken after their wedding at Wesleyan Church Bairnsdale Victoria. Walter wearing three piece suit white shirt turned down collar with narrow tie, hair short at sides brushed back and thick on top. Frances in dark dress tight fitting hip length buttoned bodice narrow flounced skirt sleeves tucked with contrast of wrist, hair parted in centre and pulled back severelyBlack and white photograph of Walter Grant and wife Frances Mary Bowrangenealogy, fashion -
Lakes Entrance Historical Society
Photograph, Walter and Edward James Grant, 1863 c
sons of George and Sarah Grant later of MetungBlack and white photograph of Walter and Edward James Grant genealogy, fashion -
Lakes Entrance Historical Society
Postcard - 1920 Fashion, 1918 c
Sepia toned postcard of young man wearing suit high collar shirt and bow tie VictoriaTo Maggie from Arthurfashion, people -
Lakes Entrance Historical Society
Photograph - Wedding/Williams, Bulmer
Also a black and white photograph of bride with flower girl 05242.1 9 x 14 cmBlack and white photograph of bride Val Williams with two bridesmaids and flower girl Lakes Entrance Victoriacelebrations, fashion -
Lakes Entrance Historical Society
Photograph - Wedding/Rule/Cox, Elite Photos Melbourne
Photograph sent to Nan Fraser of Lakes Entrance VictoriaSepia toned photograph of Beth Rule and Leigh Cox taken as they were leaving the wedding ceremony Melbourne VictoriaVery Many Thanks. We send our warm appreciation of your Good Whishes and Thoughtful Giftcelebrations, fashion -
Lakes Entrance Historical Society
Photograph - Wedding/Hubbard, 1950 c
Instructions on back of proof for 1 large coloured print 10 x 5 cm and three black and white postcardsBlack and white photograph of bride Pat Hubbard seated in front of fireplace Lakes Entrance Victoriacelebrations, fashion -
Lakes Entrance Historical Society
Photograph - Wedding
Also a black and white photograph of wedding group bride and groom with attendents 05241.1 9 x 14 cmBlack and white photograph proof of unknown bride possibly Duggins Lakes Entrance Victoriacelebrations, fashion -
Lakes Entrance Historical Society
Postcard - Red Bluff 1910 c, Stanley Vogt, 1910c
Paired with image 03731.1 for display in 150 years Lakes Entrance 1858 to 2008 held in October 2008Sepia toned postcard west side of Red Bluff showing a group of eight men and five women and a child. Sand washed away exposing vast rocky beach, short vegetation on rocky bluff. Women wearing full length skirts and wide brim hats with veils, men in three piece suits dark in colour on ninety mile beach Lake Tyers VictoriaThe Bluff Lakes Entrancetopography, fashion -
Frankston RSL Sub Branch
Knife, Paper
This is believed to be a trench art paper knife. The knife is fashioned from copper, probably the copper driving band removed from an artillery projectile. The handle and blade are engraved. The blade has the following on one side "1914 World War 1918" and on the other side "19 YPRES 18" The blade has the following on one side "1914 WORLD WAR 1918" and on the other side "19 YPRES 18" great war, world war 1, ww1, ypres, trench art, souvenir, -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Jackass Fern Gully, Glenelg Shire, 1970s
Black and white photo. A group of men and three women at Jackass Fern Gully. The women and two other men are sitting on a log, the other men are either standing on trunk of large ferns, or standing near them. Group dressed in fashion late 19th, early 20th century.drumborg, jackass fern gully, camping, recreation -
Nillumbik Shire Council
Photograph: Jessie IMAM, Jessie Imam, Untitled #3 (fox bones - ordered), 2012
This work forms a pair with Untitled #4 (fox bones – pattern) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series. This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an orderly fashion according to size and shape / Beige/neutral in colour / Blonde timber frame.No signatures / no personal markings / no framers identified. digital print / fox / bones / ordered / photograph / laughing waters / birrarung / imam / death -
Yarrawonga and Mulwala Pioneer Museum
Mail order catelogues x 3, Rockman's, The Myer Emporium, Wakes of Australia, 1952
Indicating fashions and homeware styles of the the early 1950'sPaper stapled catelogues all published in 1952. Rockman's - ladies clothing. Myer emporium - Mens, ladies, childrens clothing, beds, electrical appliances, shoes, makeup. Wakes - Ladies and men's clothing, beds, electrical appliances, wall paper, curtains, fabric, crockery, furnituresee photos -
Australian Lace Guild - Victorian Branch
Textile - Honiton lace, Second half 19th century
Good quality dress front/plastron. Fashion itemBobbin lace - Dress front -
Canterbury History Group
Photograph - 205 Canterbury Road Pixie Fashions, Jan Pigot
205 Canterbury Road Pixie Fashions circa 1988Photograph (proof)canterbury road, canterbury, canterbury shops -
National Wool Museum
Sign
Advertising sign (probably a point of sale / counter top sign) for Collins Bros Mill 'Physician' brand blankets.Advertising sign for Collins Bros Mill 'Physician' brand blankets.Heavenly ... / cloud-soft luxurious warmth / PHYSICIAN / Chillproof / BLANKETS / Pure Lambswool blended in colours of fashion / guaranteed 20 years and mothproofed / COLLINS BROS. PPTY. LTD. GEELONG, VICTORIAtextile production, collins bros mill pty ltd -
Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: PHOTO PEOPLE
Gas and Fuel Fashion,Food,Fitness. 4 people on a stage - 2 Females 2 Males one of the females in a school uniform the other in black skirt and white top - One of the men in a suit the other, who is holding a microphone in trousers, jacket and polo shirt. Date and Location Unknownevent, social, gas & fuel fashion, food, fitness -
Tatura Irrigation & Wartime Camps Museum
Skirt, 1940's
Knitted in Camp 3 on needles fashioned from bicycle spokesBlack knitted woollen skirt in a style to form pleats. Elastic in the waistandskirt, wool, fischer g, camp 3, tatura, ww2 camp 3, costume, female -
Australian Lace Guild - Victorian Branch
Textile - Tape lace, Early 20th Century
This collar was made by the mother of the donor. A home made fashion item.Tape lace collar. Machine made tapes with needle made filling stitches. -
Kew Historical Society Inc
Clothing - Fringed Cut Velvet & Chenille Evening Cape, 1890s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Cut velvet pelerine featuring multicoloured garlands of flowers in shades of gold, brown and blue on a pink ground. Chenille trim and long silk fringe, Centre front hook and eye closure, Lined with pale pink silk.women's clothing, outerwear -- capes, fashion -- 1890s, fashion design -
Kew Historical Society Inc
Clothing - Camisole, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton cutwork camisole. Tape insert around waist, ribbon insert around neckline. Front and back have a band of hand worked cutwork leaf sprays, as do the sleeves. The neckline is round. The garment is short sleevedlace, women's clothing, australian fashion -
Kew Historical Society Inc
Clothing - Chemisette, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Chemisette with a square neckline and three buttons down the front. It has an attached peplum. The sleeves and neckline are edged with lace. A row of ribbon insertion lace tape is attached to fabric of neckline. 30 mm in from the front of the neckline is a row of drawn thread work. Bodice is also decorated with 4 rows of triple pin tucking. The garment is short sleeved. The buttonholes are concealedlace, women's clothing, underwear, camisoles, chemisettes, undergarments -
Kew Historical Society Inc
Clothing - Chemisette, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Sleeveless chemisette with five concealed pearl buttons. Hand worked broderie anglais lace. Peplum is attached to an insert of ribbon tape lace. Neckline and bodice edged with lace. The same lace is also used to border an insert cutwork panel with concealed button holes lace, women's clothing, underwear, undergarments, chemisettes