Frame is heavy timber & painted gold, light brown mount & glass. Coloured print showing ghostly soldiers rising up out of the soil, in front of Menin Gate, Ypres, Belgium. Brass plaque with etched print at bottom centre: “Menin Gate at Midnight by Will Longstaff Copyright Reserved”illustrations-prints, trades - carpentery, military history - army, menin gate

Fred Cordingly lived at Maiden Gully via Bendigo, Vic. Print from original painting by Lois Molina of Bendigo. Presented to BILL THOMASON for finding details of service with SAC.Coloured print of man enlisted in South African constabulary, khaki uniform, slouch hat, rifle & horse (in background) sitting on wooden log, pale yellow/white background in glass frame & gold coloured frame, 4 sided. With many thanks for your kind assistance. L Molina.prints, framed, south africa

Frame light timber, grey border, glass front. Copy of sanguine crayon drawing of a WW2 soldier.“Study of Australian Troops Disembarking at Alexandria 1942 By Ivor Hele CBE AWM Number 21264”illustrations-prints, trades - carpentery, military history - army, alexandria

This item was originally hanging over the double doors inside the Billiard Room of the Soldiers Memorial Institute pre being a Museum in 1998. After the renovations to the SMI 2016 - 18 it was placed on the other side of the double doors in the foyer. It is not clear when this item came to the SMI but it was many years prior to SMI becoming a museum.Very large framed black and white print of a painting of " The Landing of the Anzacs, 25th April, 1915" from original by Charles Dixon R.I 1915. Title - Presented to White Hills Reading Room by Vernon Rymer ESQ, November 14th, 1921. Frame - heavy timber, dark brown stain with gold painted inner edge, glass front. Mount - Off white cardboardBelow print/painting - Block printing - title of painting " THE LANDING OF THE ANZACs 25 April 1915 , Presented to White Hills Reading Room by Vernon Rymer ESQ" brsl, smirsl

Large coloured framed print of a Supermarine Spitfire, Australian RAAF Pacific Theatre Rounders. Probably a MU8. Squadron + A/C CR-C Titled " Spitfire of Spades - Group Captain Clive Caldwell" From a painting by Andrew Stuart Smith Frame - timber, moulded gold paint with a decorative edge, glass front. Mount - off white cardboard, innner mount, light blue cardboard.Below painting in black print " SPITFIRE - ACE OF SPADES/ GROUP CAPTAIN CLIVE CALDWELL/ PAINTING BY: ANDREW STUART SMITH " framed print, history, airforce, ww2

Green, wooden frame, glass front. Enclosed is a coloured print of a painting of Lt Col Australian Army Ordnance Corp 1903.Underneath print: “Monty Wedd” On base of print: “Lieutenant Colonel Australian Army Ordnance Corps 1903”illustrations-prints, frame accessories, glass technology, military history - army, ordnance

Grey frame, glass front. Enclosed is a coloured print of a painting of a Sergeant in the Australian Army Ordnance Corps.Underneath print: “Monty Wedd” On base of print: “Sergeant Australian Army Ordnance Corps 1903”illustrations-prints, military history - army, ordnance

Framed print of an original painting in colour by COULSON Gerald - titled "Long Night Ahead". Painting of Auro Lancaster flying above sunset clouds, brass caption plate. Frame - timber, light brown stain with gold paint highlights.Brass Caption Plate - "LONG NIGHT AHEAD/by Gerald Coulson 6 AV.A./ Presented by Alan Whatman/ to RAAF Association".framed print, history, airforce, ww2

Print of an original Painting - Titled "Landing At Duc Thanh" by B Fletcher, coloured print of various soldiers and helicopters on landing, with vegetation in foreground. Frame - Light Timber with decorative edge - marbled brown colour finish. Glass front. Mount - double mount, mid green, dark red inner.Light green print below picture "Landing at DUC THANH/ by/ B. FLETCHER" framed print, battle, vietnam

Wooden frame with glass front, coloured painting depicting the Battle of Kapyong.Battle of Kapyong, 3 Batt RAR Korea 23 - 25 April 1951 J A Martin 3-400103, 3RARmilitary history - army, kapyong, korea

Framed print of an original oil painting by the Artist: Harold Lane 1987 of ""Bomber Assault, 9 RAR, South Vietnam 1969." Print of painting - coloured jungle scene depicting a "Bomber Assault"by the 9 RAR in South Vietnam 1969. Frame - timber, with light brown stain, gold trim paint, glass front. Mount - dark green coloured cardboard.Printed title in black ink below painting "BOMBER ASSAULT - 9 R.A.R. SOUTH VIETNAM 1969illustrations-oil, illustrations-watercolour, frame accessories

Framed print of an original oil painting by Allan Waite FRAS, AWI - 1997 of The battle of Long Tan 18th Aug 1966, Print of painting - coloured scene of "The Battle of Long Tan" depicting various infantry and artillary during the battle. Frame - timber with decorated edge, mid brown colour stain - glass front. Mount - dark green coloured cardboard.Black print below print ÄLLAN WAITE, FRAS, AWI, 1997/ THE BATTLE OF LONG TAN/ 1st AUGUST 1966/ Print Number ...... of 150. Blue print below print copy of signature "Allan Waite".illustrations-prints, framed print, battle, vietnam

Ray Simpson VC, DCM. Refer 630 for his service history, WW2, Korea, Malaya, Vietnam. This portrait came as an extra to a large framed print of Australia’s 96 at the time Victoria Cross winners.Dark brown marbled effect timber frame, with gold inner edge glass, gold metal look name plate glued to glass at lower edge. Coloured print of a water colour painting of soldier RAYENE STEWART SIMPSON in uniform. Black print on gold name plate: SIMPSON Rayene Stewart VC Rank Warrant Officer Class II Unit: Australian Army Training Team: Vietnam Date: 6 and 11 May 1969 Place: Kontum Province, South Vietnam (now the Socialist Republic of Vietnam)portraits, illustrations-watercolour, aattv, vc

MEDIUM: Oil on canvas DESCRIPTION: Blue and white oil painting on canvas, no outer frame. An abstract interpretation of a boat in what appears to be the waters of the coast of Toolum, Mexico. The landscape of Toolum in Central America is dotted with the stark white washed remains of the ruins and temples of the Mayans. This depiction of a Toolum Boat reflects these relics of the land here on its watery gulf. "BB" signature; bottom proper right corneroil, bain, toolum, boat

MEDIUM: Oil on paper. DESCRIPTION: Blue, white and brown oil painting on paper, mounted on white board under glass, white outer frame. An abstract close up, bones are lined up vertically along the full length of the canvas against a bright blue background and a centrally placed horizontal earthy toned background, the bones almost appear attached, as to a cowboys belt. Initialed and dated on image, proper left bottom corner.them, oil, bathgate, bones

MEDIUM: Acrylic and gouache on canvas. DESCRIPTION: Gold painting on blue background, no frame. Crowded luminous stick figures dominate the canvas; a dark blue midnight sky the background, the strokes rough and brushed, the crowd is captured with sparks of light, points of activity around and amongst the figures gives the work movement. Signed and dated proper left hand side of image.the, in, gouache, bove, out, crowd, acrylic

MEDIUM: Oil and acrylic on paper DESCRIPTION: Oil and acrylic painting, pink and blue No frameSigned and dated; proper left corner on underside of frame; signed, dated, titled on reverse of frameoil, evans, acrylic, sregnarts, jonathan, apple, paper

MEDIUM: Oil pastel on paper DESCRIPTION: Red oil and pastel painting Cream outer frame with glass front Image and white board inner frame under glassSigned and dated; bottom proper left corner Signed and dated on backing board - geographical referencecorner, store, goldberg, pastel

MEDIUM: Oil on canvas DESCRIPTION: Oil painting on canvas. Brown, blue and green. No outer frameTitled, signed and dated on reverse of frame2, oil, banksia, howie, bluff, canvas

MEDIUM: Acyrlic on paper DESCRIPTION: Black and white acrylic painting on paper Black outer frame Paper mounted on tan colored boardSigned and dated along bottom edge of tan colored boardacrylic, hunt, city, lights

MEDIUM: Acrylic on canvas DESCRIPTION: Red, white, black, brown and red painting. 2 x outer frames; cream outer most frame and black inner frame Signed, titled and dated on reverse of framefamily, acrylic, kennedy, at, hastings

MEDIUM: Oil on linen DESCRIPTION: Oil painting on linen. Landscape. No frame- NILoil, kreveld, mount, zero, grampians

MEDIUM: Oil on linen DESCRIPTION: Crimson linen background Crimson colored skulls in cloth mounted on background No frame Signed, titled and dated on reverse of paintingkuskoff, skulls, alizarin

MEDIUM: Acrylic on DESCRIPTION: Painting with white figures on black base No frame Signed and titled on reverse of framedansie resident, spirit acrylic

MEDIUM: Watercolor painting DESCRIPTION: Gold outer frame with glass front Image and white board inner frame under glass Signed, proper left bottom corner on imagepeitsch, horizons, watercolor

The artist’s comment on her work: “The Rowitta”, Flagstaff Hill. Warrnambool: "This boat was the venue for our daughter’s Wedding. The pastel work was undertaken after a beautiful day at Flagstaff Hill in 2012. I enjoyed working with the shadows and the foliage. Carmel Beavis” The popular steam ferry Rowitta is featured in this pastel picture on canvas by local artist Carmel Beavis. The iconic Norfolk pines stand tall against a blue sky, while colourful reflections shimmer in Flagstaff Hill’s harbour. The historic lifeboat “Warrnambool” is dwarfed by Rowitta’s size. Carmel’s daughter celebrated her wedding on board the Rowitta, which had been a very popular exhibit visitors for around forty years. This picture is one of several that were created by Carmel for her family and friends as a memento of the wedding and a way to keep the memory of Rowitta alive. Some of Carmel’s other works illustrate Flagstaff Hill’s 2017 publication “Tearooms Cookbook”. Some of Carmel’s paintings featured in the Tearooms Cookbook, produced around 2017 for fundraising for Flagstaff Hill. The Rowitta was a timber steam ferry built in Hobart in 1909 using planks of Huon and Karri wood. She was a favourite of sightseeing passengers along Tasmania’s Tamar and Derwent rivers for 30 years. Rowitta was also known as Tarkarri and Sorrentoand had worked as a coastal trading vessel between Devonport and Melbourne as well as along the southern coast of Australia. In 1974 Rowitta was purchased by Flagstaff Hilt to convert into a representation of the Speculant, a historic and locally significant sailing ship listed on the Victorian Heritage Database. (The Speculant was built in Scotland in 1895 and traded timber between the United Kingdom and Russia. Warrnambool’s P J McGennan & Co. then bought her to trade pine timber from New Zealand to Victorian ports and cargo to Melbourne. She was the largest ship ever registered with Warrnambool as her home port, playing a key role in the early 1900s in the Port of Warrnambool. In 1911, on her way to Melbourne, she was wrecked near Cape Otway. None of the nine crew lost their lives.) The promised funds for converting Rowitta into the Speculant were no longer available, so she was restored back to her original configuration. She represented the importance of coastal traders to transport, trade and communication in Australia times before rail and motor vehicles. Sadly, in 2015 the time had come to demolish the Rowitta due to her excessive deterioration and the high cost of on-going repairs. She had given over 100 years of service and pleasure to those who knew her. Early in 2019 Carmel gifted this picture to her friend Shirley Lindsay, who had been President of Wadas Artist Society. A few months later Shirley and her husband John (founding Director of Flagstaff Hill Maritime Village) thought the picture would be appropriate to Flagstaff Hill and presented it with pleasure to the Friends of Flagstaff Hill group later that year.The Rowitta represents the importance of coastal traders to transport, trade and communication in Australia before rail and motor vehicles. The painting is also significant as a record of an exhibit at Flagstaff Hill Maritime Village from is early beginnings. The painting is locally significant for being connected to a local and well known artist Carmel Beavis.Picture, coloured pastel work on canvas in timber frame behind glass. The artist, Carmel Beavis, depicts the steam boat “Rowitta” moored beside the historic lifeboat “Warrnambool” on the lake at Flagstaff Hill Maritime Village. The Rowitta is reflected in the water. The background includes the iconic Norfolk Pine trees. The work was framed by Warrnambool Picture Framing & Gallery in 2012.Signed on front, bottom left “C.L. Beavis”. Artist’s printed label on reverse “The Rowitta, Flagstaff Hill. Warrnambool: / This boat was the venue for our daughter’s / Wedding. / The pastel work was undertaken after a/ Beautiful day at Flagstaff Hill in 2012. / I enjoyed working with the shadows and / The foliage. / Carmel Beavis / Warrnambool. VIC. 3280. / Telephone (03) 5562 1806. / Price: $” Handwritten on artist’s label “250.00” Framer’s printed label “Warrnambool / Picture Framing / & Gallery / 42 Kepler St, Warrnambool 3280 03 5561 5722 / www.wboolframing.com.au” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, picture, pastel, carmel beavis, rowitta steam boat, warrnambool picture framer & gallery, wedding on the rowitta, the rowitta, tearooms cookbook, hobart steam ferry rowitta 1909, tarkarri, speculant, coastal trading vessel, p j mcgennan & co, peter mcgennan, sorrento

CEMA Art Collection Previously located in History HouseThe painting depicts a double storey bluestone building with a pair of red doors on both storeys. The top storey has a small balcony with black railing. To the right of the building is a single storey wooden building with two water tanks out the front. To the left of the building is a yellow wall and the edge of a tall Norfolk Pine. In the foreground is a grass area with clumps of tall grass. The background is a blue and grey sky. The work has a gold and black frame and exposed canvas.Front: DEB Back: (No inscriptions)

The landscape painting depicts rolling green hills with a valley through the centre. Scattered throughout the painting are numerous trees and cattle. The foreground is a darker green which creates a shadow effect. Within the foreground are more detailed trees, tree stumps and birds. The background is a cloudy sky in shades of blue, pink, purple and orange. Work has a heavy gilded ornate frame.Front: (No inscriptions) Back: (Not available)