Showing 3142 items
matching furniture-shelves-handmade
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Mont De Lancey
Accessory - Fan, 1880 approx
Victorian black mourning fan with ebony struts and handmade lace inserts with sequins.fans, folding fans, mourning fans, gibson collection -
Bendigo Historical Society Inc.
Photograph - HARGREAVES AND QUEEN STREETS, 2nd June 1908
Hand-coloured postcard, Hargreaves through to Queen Streets, Bendigo. Three covered horse-drawn wagons with drivers, in front of Federal Auction rooms, Furniture Store. Large flag on pole - 'J.H. Curnow the Big Furniture Store', 'Office, House Land and Estate Agency', 'Farms, houses, building allotments, linoleums, carpets'. Inscriptions/markings: printed on card - 'Auction Rooms, Office and Furniture Store - Hargreaves Street, Sale Yards Frontage Queen Street.place, streetscape, hargreaves street -
Flagstaff Hill Maritime Museum and Village
Furniture - Decorative Mount, ca. 1873
This hand carved wooden pediment may have originated from a mirror, cabinet, desk or similar piece of furniture. The LOCH ARD: - The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register. Ref: LA 6 64 264 The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Carved wooden furniture pediment or mount, recovered from the wreck of the Loch Ard. Inscribed plaque on underside. Handwriting on round sticker on edge.Plaque inscription "From Loch Ard wreck Port Campbell 1878 given by Haworth Bros to James Martin Snr Scarsdale" Diagonally on round sticker in pen "R 222A" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, carved headpiece, furniture, haworth bros, james martin snr, scarsdale, pediment, decorative mount -
Flagstaff Hill Maritime Museum and Village
Textile - Lace Sample, Late 1800s to 1940s
The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. It may have been used to edge curtains, a table runner or a mantlepiece. Smaller pieces were used to edge towels. The shape of this piece suggests a possible use as a ladies collar however no tie or buttons have been attached at the ends.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects or create pieces of clothing.A wide length of handmade crochet lace with an open pattern at the top and a pointed edged pattern underneath. For the open pattern mercerised white crochet thread has been used to crochet a double row of a repeat pattern of 'three circles and stems'. Underneath double crochet (US) / treble crochet (UK) is used to create the points which have been edged with the 'three circles and stems' pattern from above.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim, ladies collar, crocheted collar -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: SERVICE
Bendigo Advertiser "The way we were" from Wednesday, July 28, 2004. Service: stocking the shelves at the Beehive supermarket in 1955 was this young lass.newspaper, bendigo advertiser, the way we were -
Mont De Lancey
Cabinet/Dresser
Wooden upright cabinet in 2 parts. Top has 4 shelves with 2 doors, glass panelled. Bottom has 2 wooden doors.Decorative woodwork on the bottom, door panelscabinets -
Bendigo Historical Society Inc.
Document - DONALD CLARKE COLLECTION: FRASER'S FURNITURE STORE INVOICE
Invoice issued by Fraser's Furniture Store, 357 Hargreaves St., Bendigo, dated 13.1.1961, for cane lounge £8.13.6.business, retail, fraser's furniture store -
University of Melbourne, Burnley Campus Archives
Plan, Specification for Ironing Table, 1960
Plan for P.W.D. Storeyard, Port Melbourne. No. 46 by Public Works Dept., Furniture & Fitting Branch. Redrawn by K.H.storeyard, port melbourne -
Mont De Lancey
Tool - Hay Fork, Unknown
Used late 19th and early 20th centuries.A blacksmith handmade hay fork or pitch fork with three thin forked metal spikes and a handmade long wooden handle. The head is attached to the handle with two rivets. It was used in the late 19th century and early 20th century.gardening tools, gardening equipment, domestic equipment, tools, gardening forks, pitchforks, agricultural equipment -
South Gippsland Shire Council
Artwork, other - Quilt and accompanying book, South Gippsland Community Quilt, 2004
Local women made this quilt and book in 2004 over a period of four months. Meg Viney fibre artist and then director of Meeniyan Art Gallery initiated the project. Handmade and machine embroidered quilt with 16pp handmade book. The quilt celebrates the lives of local women in our rural environment. The quilt features cyanotype printed images of the women surrounded by blue floral-patterned fabric and gold/brown patterned trim. The book features handmade paper pages with images and stories on each of the women who were involved in the making of the quilt. -
Linton and District Historical Society Inc
Photograph, Ballarat Cycling Club, circa 1880, circa 1880
Found behind fixed shelves at "Hoyles Creek", former home of grazier Mr Sam Lewers. Mr. Sam Lewers (1875-1947) was the son of Linton's first bank manager Mr. Samuel Lewers.Sepia toned image of a group of men and women with penny farthing bicycles. The men appear to be wearing club uniforms. cycling, pennyfarthings, sam lewers -
Kew Historical Society Inc
Ceramic - Lidded container, Viola Ayling, 1950–1970
Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade container, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Handmade, initially thrown lidded container, with applied decorative coils as decorative elements. The pot has a vibrant yellow glazed ground with highlighting in green glaze. The underneath of the separate lid continues the circular design with an incised spiral design. The base is signed with the signature of the artist.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), containers, viola annie mcvicars, viola annie ayling -
Flagstaff Hill Maritime Museum and Village
Domestic object - Food Safe, Willow Ware Pty Ltd, 1920s -1950
Willow started business in 1887 as a metal working company based in Melbourne Australia, making tinned biscuit and tea canisters. The outbreak of the First World War saw their manufacturing change to making armaments and essential packaging for the war effort. In the early 1920’s, the Willow brand was established. Making tin plated canisters and baking pans with the well-known Willow pattern, imprinted on them. Some other items in production at this time include billies, boilers, basins and Coolgardie safes. In the late 1950’s, the company ventured into plastics production. Stepping away from its very successful tin plating industry of more than 50 years. In 1965, the company name changed to Willow Ware Pty Ltd, to be more closely linked to its Willow brand. Willow Ware is still in business today. A food safe known as a “Coolgardie” meat storage made by an emerging Australian company no longer in bushiness. This item gives a snapshot into early Australian manufacturing specifically aimed at the Australian market.Safe metal kitchen food safe with 2 shelves, a hinged door and latch and a small swivel wire handle at the top. Painted light green, rusting.Willowwarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, safe, food safe, meat safe, coolgardie safe, domestic object, kitchen object, willow ware, food preservation, kitchen safe -
Tatura Irrigation & Wartime Camps Museum
Book, If the Walls Could Speak, 2001
Written to commemorate the Centenary of Federation 1901-2001 and to "Reintroduce" and preserve the Mechanics Institutes and their sizeable contribution to Australia's social development. Produced in conjunction with a travelling photographic display of the Institute buildings.Hard cover - brown. Title on spine. Dust cover - book shelves in background, lithograph of Mechanics Institute, Melbourne 1855. Composite illustration, plaque and sundial.centenary of federation, mechanics institutes, australia's social development -
Mont De Lancey
Radiogram
Radio and gramophone combined in a wooden cabinet, with pull-out turntable. Two side cupboards with 2 shelves each. Built in speaker, and bakelite radio knobs.'Astor'combined radio and gramophone, radiograms -
Upper Yarra Museum
Mallet, Wooden
A wooden Mallet could be found in most homes, and nearly all tradesmans tool box or bag, its most common use was working with wooden handled wood Chisels, because they did not damage the end of the chisel like a steel headed hammer,also they were used to fit joints of wood together as they would not damage the timber like steel hammers......Wooden mallets were also used by stone masons back to the time of the pyramids, but they were usually shaped differentlyWooden Mallet A handmade wooden mallet with a handle with a rectangular head. Carved ET on sidewood, mallet, tradesman, carpenter, cabinet maker -
Ringwood and District Historical Society
Ceramic - Money Box, Hand made ceramic money box made in East Ringwood from local clay - circa 1910, 21-Dec-14
Pottery, handmade money box. Blue base, bone coloured top with coin slot. -
Orbost & District Historical Society
pin cushion, First half 20th century
This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers. A small handmade fabric pincushion. It is edged in beading and embroidered on the top side. The padding is soft. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Lady's nightgown c1900, c1900
Early settlers were self reliant and made their own clothes. This nightgown is a good example of the dressmaking and craftwork skills of the women A lady's white cotton full length nightgown with handmade lacework on yoke and sleeve cuffsclothing, dressmaking, craftwork, lacework, early settlers, pioneers, moorabbin, bentleigh, cheltenham, cotton, lace -
Tatura Irrigation & Wartime Camps Museum
Tennis Racquet Press, 1940's
Press was made by Helmut Ruff for his daughter, Eva Ruff, in Camp 3.Tennis Racquet press used to prevent warping of the wooden racquet when not in use. Handmade.tennis racquet press, ruff h, internment camp recreation equipment -
Tatura Irrigation & Wartime Camps Museum
Tennis Racquet Press, 1940's
Made in Camp 3 for Helmut Ruff.Tennis racquet press used to prevent warping of the wooden racquet when not in use. Handmade.H Rufftennis racquet press, ruff h, internment camp recreation equipment -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Kangaroo - Lead, 1940's
Made by internee at Camp 3, TaturaHandmade lead kangaroo in upright position. Nailed at legs and tail to circular wood baseglenk e, kangaroo, lead, ornament, camp 3, tatura, ww2 camp 3, ornaments, metal -
Tatura Irrigation & Wartime Camps Museum
Wood Plane, 1940's
Made by internee at Camp3, Tatura and used there as a carpentry handtoolHandmade dark brown solid wood, polished plane with metal cuting plate and studplane, wood, haering, m, messerle t, camp 3, tatura, ww2 camp 3, trades, carpentry -
Tatura Irrigation & Wartime Camps Museum
Wood Plane, 1940's
Made by internee at camp 3, Tatura and used there as a carpentry handtoolHandmade wooden carpentry plane with metal cutting/shaving centre plate. Base is roundedplane, wood, haering m, messerle t, camp 3, tatura, ww2, trades, carpentry -
Tatura Irrigation & Wartime Camps Museum
Strainer, Vegetables, 1940's
Made by internee at Camp 3, Tatura and used for straining vegetablesHandmade wire vegetable strainer with long handle, curved at end, forming a hook for hangingstrainer - vegetables, hoefer family, camp 3, tatura, ww 2 camp 3, domestic, utensils -
Tatura Irrigation & Wartime Camps Museum
Rolling Pin, c1940
made and used by internees in camp 3 Taturahandmade wooden rolling pin, handle on both ends attached to a central pivotal shaftrolling pin, camp 3, wood, tatura, internees, domestic, cooking, food, preparation -
Uniting Church Archives - Synod of Victoria
Banner
Handmade lined cotton banner with appliqued felt heart and text and white appliqued hands."JESUS & YOU"ocean grove uniting church -
Great Stupa of Universal Compassion
Footwear - Traditional felt boots
Called Zom-pa in Tibetan. Tibetan boots, often knee-high and fastened below the knees with a leather string, have a variety of names depending on regional linguistic differences or differences in material. The most common materials for Tibetan boots are cowhide, pigskin, corduroy, and pulu, a traditional woolen fabric.Handmade boots, with leather soles and embroidered tops, worn tied up at top with laces.everyday life, clothing, boots -
Uniting Church Archives - Synod of Victoria
Offering bag
Used at Hartwell Presbyterian Church/Hartwell Uniting Church of AustraliaBurnt orange coloured wool bag with cotton lining and a wooden handle. The bag is handmade. hartwell presbyterian church, hartwell uniting church of australia -
Yarrawonga and Mulwala Pioneer Museum
Indigenous Collection. Aboriginal Shield, Unsure
Aboriginal cultureHandmade wooden item with a wooden handle. A pattern carved underneath in a zig zag patternNone