Photos of a Legacy gathering at the Legacy Garden of Appreciation that later has the 'Widow and Children' statue installed (1998). The Garden is in a cruciform shape and is on the eastern side of the Shrine Reserve near Birdwood Avenue. It was formerly called the Garden of Memory (1980-1986 - according to Monument Australia website, which also says "The poppies that bloom in the garden are from seeds taken from Villers-Bretonneux in France."). Date of these photos is unknown but could be in the late 1980's when the garden was renamed the Legacy Garden of Appreciation. A record of a Legacy ceremony at the Legacy Garden of Appreciation.Colour photo x 4 of the dedication of the Legacy Garden of Appreciation.wreath laying ceremony, shrine of remembrance, garden

The Answer is a newsletter in magazine format that is sent to the widows that are helped by Melbourne Legacy. For the widows who are sight impaired a copy of the newsletter is audio described onto CD by Vision Australia and posted to them. It contains information about meetings and activities. This edition contained articles on the ANZAC Day student commemoration, Anglsea camp, and milestone birthdays for widows. Plus the event that announced the Centenary Torch Relay. Also photos of our programs such as the walking group, the stamp ladies, and widows club gatherings.A record that Melbourne Legacy helps coordinate and organise events and activities for the widows, and provides items of interest for their enjoyment.Compact disc x 2 in a case that contains the audio recording of The Answer from June/July 2022.activities, answer, widows

The Answer is a newsletter in magazine format that is sent to the widows that are helped by Melbourne Legacy. For the widows who are sight impaired a copy of the newsletter is audio described onto CD by Vision Australia and posted to them. It contains information about meetings and activities. This edition contained articles on the founder of Legacy Stan Savige, the ESO collaboration at Legacy House, ANVAM Disability Program Day, and widows having milestone birthdays. Also photos of our programs such as the walking group, the stamp ladies, and widows club gatherings.A record that Melbourne Legacy helps coordinate and organise events and activities for the widows, and provides items of interest for their enjoyment.Compact disc x 2 in a case that contains the audio recording of The Answer from June/July 2022.activities, answer, widows

Antonio Canova’s statue The Three Graces is a Neoclassical sculpture, in marble, of the mythological three charites, daughters of Zeus – identified on some engravings of the statue as, from left to right, Euphrosyne, Aglaea and Thalia – who were said to represent youth/beauty (Thalia), mirth (Euphrosyne), and elegance (Aglaea). The Graces presided over banquets and gatherings, to delight the guests of the gods. The three slender female figures become one in their embrace, united by their linked hands and by a scarf which links them.Ornamental table statue of "The Three Graces" with bowl.ornaments, sculptures, human figures, figures

A Legacy widow, Beryl Billing, with a group of widows all sorting stamps and trimming stamps from envelopes. Beryl Billing was the co-ordinator of the stamp sorting for many years and wrote progress reports in the Answer in the 1990s. Photo reference 910319 on the proof sheet (00851) is assumed to mean the date was 19 March 1991. The widows clubs have sorted used stamps and sold to a stamp dealer for many years to the present day. It raises some funds and provides a purpose for gathering together. A record of the type of activities Legacy provided as a social outlet for widows and for fundraising. Colour photo x 2 of Beryl Billing and a group of widows sorting stampsLabel on the back from Keesing Photographic. Handwritten '910319B'widows, fundraising, stamps, beryl billing

Two photos of widows with a handcrafts stall at Flinders Street Station in 1990. Widows met regularly at Legacy House for craft gatherings lessons. Some of the items the Widows produced were entered into an annual craft contest and exhibition. Many items were also donated to the annual Badge Week stall that widows organised. The stall was often outside Legacy House but in these photos from 1990 the stall was set up at Flinders Street Station. The ladies names aren't known.A record of the fundraising for the Legacy Appeal in 1990 by the widows clubs.Colour photo x 2 of widows selling items at Flinders Street Station in 1990.legacy appeal, fundraising, badge week, widows, craft

The group was most likely en route to the Australian Corroboree, which in 1924 was held at the Adelaide Exhibition Oval. The building in the background is likely to be the railway station, as travelling by train would have been the main method of inter-capital city transport in those days. The ‘Corroboree’ involved a large gathering of Scouts from across Australia. They would have pitched tents to live in, and participated in activities such as swapping badges, visiting the city, going on day trips, putting on concerts and displays, and spending time preparing their own meals.Adelaide SA Jan 19241st kew scouts, south australian corroboree 1924, kew - scouts

Black and white photograph, mounted on cardboard. Group of people with row of flags in background. Bluestone building on left, with large lamp. Brick and timber building at rear.Front: Pioner Dinner 1912 hosted by Mayor and Mayoress, Cr. & Mrs. W.J. Williamson. Bottom - Old Pioneers Dinner given by Mayor and Mayoress, Cr. & Mrs. W.J. Williamson, 1912. Back: Date 1914 approx. Back row from left: 7th Willie Tulloh, 8th Jo Porter. Gathering of Old Pioneers Dinner given by Mayor and Mayoress, Cr. & Mrs. W.J. Williamson.pioneer dinner, 1912, portland

Photograph. Colour photograph of Heather Reeves (nee Pain) standing on the front verandah at home in Golden Square, holding a new staff donated by Sir George Lansell in 1956 at the Memorial Hall at a special presentation gathering. The donation was greatly appreciated. Heather was Pipe Major of the Bendigo Ladies Pipe Band. The band made a guard of honour for Heather Pain's wedding to Neil Reeves at St. Paul's Anglican Church Bendigo in 1957. The band then led the wedding party up the street to Mitchell Street. Heather retired as Band Major in 1960. See 11400.966.photograph, person, heather reeves (nee pain)

This souvenir cup of the Coronation of King George VI of England in 1937 was the official design of the British Pottery Manufacturers Federation. Good quality souvenirs such as this one sold well in Australia in the Coronation year and are collected still today. The Coronation was held in Westminster Abbey in London on 12th May 1937 following the abdication of King George’s brother, Edward VIII, in December 1936. The Coronation was celebrated with the issue of medals, coins, stamps, official and unofficial gatherings and the production of memorabilia. The Coronation was the first to be filmed and broadcast on radio and the first to feature an outside television broadcast. This souvenir cup is of interest as an example of the type of souvenir sold in Australia in 1937 to commemorate the Coronation of King George VI and Queen Elizabeth of England. It is an attractive item and will be useful for display. This is a souvenir cup issued for the coronation of King George VI and Queen Elizabeth in May 1937. It is made of white china with the body of the cup tapering slightly to the top rim. One side of the cup features a colour image of a crown, a wreath and the initials ‘G’ and ‘E’ and the other side has a colour image of King George and Queen Elizabeth, with a crown on top and encircled by leaves and acorns from an oak tree. The names of the king and queen are printed around the rim of the cup and there are other phrases in French around and under the images of the couple. ‘Coronation of King George VI and Queen Elizabeth May 1937’ ‘Honi Soit Qui Mal Y Pense’ ‘Dieu et Mon Droit’ coronation of king george vi and queen elizabeth of england, history of warrnambool

The Answer is a newsletter in magazine format that is sent to the widows that are helped by Melbourne Legacy. For the widows who are sight impaired a copy of the newsletter is audio described onto CD by Vision Australia and posted to them. It contains information about meetings and activities. This edition contains an article on the preparations for the 100th anniversary with Ken Tsirigotis going to Europe. Also the Brisbane Ranges youth camp, the Disability Rec Day, and the Widows' Remembrance Day high tea and the Torch Society Luncheon. Also photos of our programs such as the walking group, the stamp ladies, and widows club gatherings.A record that Melbourne Legacy helps coordinate and organise events and activities for the widows, and provides items of interest for their enjoyment.Compact disc x 2 in a case that contains the audio recording of The Answer from Dec 2022/ Jan 2023.activities, answer, widows

Three photos of Ben Thomas a young boy that helped raise funds each year by selling Legacy Badges, sometimes with his friends. From the note on the back his photo was included in a President's report 1993 in the fundraising section. Note says: "Page 3 President's Report, include pic. Master Ben Thomas (far left) and his merry band of helpers assist Legatees to raise funds for Legacy's Annual Badge Appeal." Ben was a special guest at a gathering at Legacy House on 19 March 1992, see 01909.A record of a young person helping sell Legacy badges.Colour photo x 3 of Ben Thomas fundraising for the Legacy Appeal. White paper label with black type.White paper label with black type and blue pen notations. legacy appeal, fundraising, ben thomas

A Beryl Billing and Elaine Ward at Legacy House sorting stamps in 1996. Beryl Billing (seated) was the co-ordinator of the stamp sorting for many years and Elaine Ward was President of the Melbourne Legacy Widows Club in 1996. Beryl would put reports in The Answer showing how much had been raised. With a group of photos about stamp sorting with post-it note "Stamp Ladies Past to 2004". The widows have sorted used stamps and sold to a stamp dealer for many years to the present day. It raises some funds and provides a purpose for gathering together.A record of the type of activities Legacy provided as a social outlet for widows and for fundraising. Colour photo of Beryl Billing sorting stamps with Elaine Ward.widows, fundraising, stamps, elaine ward, beryl billing

A Legacy widow, Beryl Billing, with three mail bags and a lot of loose letters. Beryl Billing was the co-ordinator of the stamp sorting for many years and wrote progress reports in the Answer in the 1990s. Photo reference 910319 on the proof sheet (00851) is assumed to mean the date was 19 March 1991. Was with a group of photos about stamp sorting with post-it note "Stamp Ladies Past to 2004". The widows have sorted used stamps and sold to a stamp dealer for many years to the present day. It raises some funds and provides a purpose for gathering together. A record of the type of activities Legacy provided as a social outlet for widows. Black and white photo of Beryl Billing with post bags of letters.Label on the back from Keesing Photographic. "4" in a circle in pencil. Yellow post-it note "Stamp Ladies Past to 2004"widows, fundraising, stamps, beryl billing

The Answer is a newsletter in magazine format that is sent to the widows that are helped by Melbourne Legacy. For the widows who are sight impaired a copy of the newsletter is audio described onto CD by Vision Australia and posted to them. It contains information about meetings and activities. This edition contained articles on the Changi violin, Ohi Day Commemoration and a look back at Government House Christmas parties for the young junior legatees in the 1940s and 50s. Lockdowns were still affecting many of our programs such as the walking group, the stamp ladies, and widows club gatherings. There were updates on the Path of the Horse and Lunge for Legacy.A record that Melbourne Legacy helps coordinate and organise events and activities for the widows, and provides items of interest for their enjoyment.Compact disc x 2 in a case that contains the audio recording of The Answer from Dec 2021/Jan 2022.activities, answer, widows

Thomas Heath built this shop for his saddlery business around 1875. In 1926 after 58 years operating his saddlery in Bacchus Marsh he retired and the assets of his business were sold in a clearing sale. The building was located close to the current day location of 192 Main Street and has been demolished. Apart from his services in saddlery his premises was known to be a gathering place for much discussion. Heath was known to openly express his political opinions and his saddlery premises was known by many in the community as the 'Parliament'.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The photo is of a double-fronted weatherboard building with a shingle roof. The front gabled section stands directly on street level and is flanked by a picket fence. The door and overhead window and the side window with arched panels may indicate that this was the shop section, with a dwelling to the rear. Items which may be for sale can be seen hanging in the windows. The recessed side section of the building with a twelve-sectioned window, chimney and a back extension was probably the dwelling used by the family. On the footpath stands the saddler with three children, two boys and an older girl, probably Mr Thomas Heath and three of his five children. A hitching rail runs along the front of the workshop. Indicating the type of business Mr Heath ran, are a saddle placed over the rail and two horse collars and reins hanging either side of the workshop door. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. saddleries, saddlers, thomas heath 1842-1930 saddler

Thomas Heath built this shop for his saddlery business around 1875. In 1926 after 58 years operating his saddlery in Bacchus Marsh he retired and the assets of his business were sold in a clearing sale. The building was located close to the current day location of 192 Main Street and has been demolished. Apart from his services in saddlery his premises was known to be a gathering place for much discussion. Heath was known to openly express his political opinions and his saddlery premises was known by many in the community as the 'Parliament'.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The photo is of a double-fronted weatherboard building with a shingle roof. The front gabled section stands directly on street level and is flanked by a picket fence. The door and overhead window and the side window with arched panels may indicate that this was the shop section, with a dwelling to the rear. The recessed side section of the building with a twelve-sectioned window, chimney and a back extension was probably the dwelling used by the family. In the doorway stands the saddler, probably Thomas Heath. To his left is a woman, possibly Mrs Heath, and a much younger woman, possibly a daughter of the Heaths. In front of the two women is a small dog. A hitching rail runs along the front of the workshop. Indicating the type of business Mr Heath ran. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. saddleries, saddlers, thomas heath 1842-1930 saddler, heath family bacchus marsh, stevenson and mcnicoll 1883 photographs of bacchus marsh and district

Change the Rules is an ACTU campaign starting in 2018 targeted at regaining fairness around right to strike, work, wages, job security, penalty rates, taxation (especially businesses that pay zero tax), equity for working women and younger workers. Nationally, Change the Rules rallies were held on Wednesday 9 May 2018. A contingent from Ballarat travelled to Melbourne by train and participated alongside 100,000 other unionists in the CBD. Photos: 1. Rally - Melbourne CBD - Pictured left to right, Moses, Doug Stewart (CFMEU/Trades Hall), Gabriel Waldron (Trades Hall staffer), Michaela Settle (State ALP candidate for the seat of Buninyong), Sarah De Santis (State ALP candidate for the seat of Ripon), Brett Edgington (Secretary, Ballarat Regional Trades and Labour Council. 2. Rally - MUA and other comrades marching. 3. Ballarat Railway Station - Comrades gathering to make the train journey to the rally. Gabriel Waldron (Trades Hall staffer) in the foreground and Michaele Settle in black jacket. 4. Ballarat Railway Station - Comrades gathering to make the train journey to the rally. Tracey Brown, HWU organiser, pictured in red puffer jacket. 5. Ballarat Railway Station - Comrades gathering to make the train journey to the rally. Gabriel Waldron (Trades Hall staffer) and Tracey Brown, HWU organiser, pictured in red puffer jacket. From the Change the Rules website: "Australian Unions are campaigning to change the rules so that working people have more secure jobs and better pay. Right now, big business has too much power. A third of them aren’t paying any tax. And, too many big businesses are in a race to the bottom on wages and job security. As a result, 40% of Australians are in insecure work and wages have flat-lined. We need a wage rise and secure work. We need to change the rules to give all working people the basic rights they need to improve their living standards. We are building a powerful movement to change the rules, and we need you to join your union to be part of it."Significant to nationwide union campaigning and to living and working conditions of all Australians.Electronic photographs.btlc, ballarat trades hall, ballarat trades and labour council, union campaigns - change the rules, actu, rallies, wages, penalty rates, workers' rights, women, equal pay, right to strike, taxation

The Answer is a newsletter in magazine format that is sent to the widows that are helped by Melbourne Legacy. For the widows who are sight impaired a copy of the newsletter is audio described onto CD by Vision Australia and posted to them. It contains information about meetings and activities. This edition contained articles on the VVFS regional launch, a VLO update, Youth Camps, a paddleboat fundraiser being organised, and photos of Legacy Week 2022. Also a reflection on the battle of Pozieres where the Centenary Torch Relay will start in April 2023. Also photos of our programs such as the walking group, the stamp ladies, and widows club gatherings.A record that Melbourne Legacy helps coordinate and organise events and activities for the widows, and provides items of interest for their enjoyment.Compact disc x 2 in a case that contains the audio recording of The Answer from June/July 2022.activities, answer, widows

A group of widows gathered at Legacy House sorting stamps. Names unknown except Beryl Billings who is seated. With a group of photos about stamp sorting with post-it note "Stamp Ladies Past to 2004". The widows have sorted used stamps and sold to a stamp dealer for many years to the present day. It raises some funds and provides a purpose for gathering together. Beryl Billing was the co-ordinator for many years, she is seated at the table in this photo. The date is assumed as 1992 due to the reference number from the photographic studio 920609 means 9 June 1992.A record of the type of activities Legacy provided as a social outlet for widows and for fundraising. Black and white photo of ladies at Legacy house around Beryl Billing sorting stamps and a proof sheet.Label on the back from Keesing Photographic. Photograph reference no. 920609B-8 Yellow post-it note "Stamp Ladies Past to 2004"widows, widows club, stamps, fundraising, activities

The Answer is a newsletter in magazine format that is sent to the widows that are helped by Melbourne Legacy. For the widows who are sight impaired a copy of the newsletter is audio described onto CD by Vision Australia and posted to them. It contains information about meetings and activities. This edition contained articles on the Queenscliff camp, Anzac Student ceremony, Glenelg River canoe journey, donation in memory of Private Greg Sher, and Widows' High Tea. Also the history of the Battle of Lone Pine and the Lone Pine trees grown in Australia since. Also photos of our programs such as the walking group, the stamp ladies, and widows club gatherings.A record that Melbourne Legacy helps coordinate and organise events and activities for the widows, and provides items of interest for their enjoyment.Compact disc x 2 in a case that contains the audio recording of The Answer from Feb/Mar 2022.activities, answer, widows

Second Cavalry Division conducted camp of full time training at Torquay near Geelong Victoria from January to April 1940. One of the regiments attending was 8th Light Horse. This was one of the last large gathering of horsed cavalry in Victoria. The 8th Light Horse (Indi) Regiment had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941,the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Images of citizen soldiers from North East Victoria at beginning of world War 2.Collection of six black and white photographs of 8th Light Horse in camp near Geelong, January to April 1940.Shows mounted horsemen,tents and horse lines.training, camp, torquay, cavalry, 8th light horse regiment

This nurse's collar, cap and apron would have been worn by student nurses at the Alfred Hospital in Melbourne in the 1960's. Although the style did not change much from earlier years the length of the skirt had shortened. The white semi circular collar has a single row of drawn thread work 1.5 centimeters from the outer edge and is made of starched cotton fabric. The cap is made of a half circle of fine white cotton lawn with a turn back front edge bearing the Alfred Hospital emblem. It has a tape casing about 1.5 centimeters from the edge which contains a thin tape for gathering up the edge of the cap. The white cotton apron has a 5 panel skirt, a waistband with four covered buttons and a bib front which went over the shoulders and buttoned at the back of the waistband.The collar has written in black marker - D.L.Ross E.37; Also written in black marker - E980; A tape printed and machine stitched on - L.A. Holberton The cap has a printed emblem - Alfred Hospital Incorp. Melbourne, Service and Care The apron has written in black maker - M Taylor; E877; J. Williamsalfred hospital, nursing, nurse uniform, student nurse uniform, nurse apron, nurse cap, nurse collar, apron, costume, textiles

Carrie Lam, Hong Kong’s chief executive, had plenty of political support in the territory’s pro-Beijing legislature to pass a bill that would allow extraditions to mainland China. The legislators were set to begin discussing the bill in early June, and intended to vote on it just weeks later. A series of protests took place, and after a June 16 protest saw the largest turnout yet, Ms. Lam made a major concession: She postponed the bill, at least temporarily. It was an undeniable victory for the protesters — but it did little to quell the unrest. Since the bill could later be reintroduced, protesters felt they remained in danger. The police tactics to break up the demonstrations on June 12, including the use of more than 150 tear gas canisters to push protesters far away from the government office, created a new set of demands from the protesters. Now, instead of just calling for the withdrawal of the bill and Ms. Lam’s resignation, they said they wouldn’t be content unless there was an independent investigation of officers’ conduct. They also wanted the release of protesters arrested on June 12, and for the government to rescind its description of the demonstrations as a “riot,” a designation that carries legal significance. None of that has happened. Many analysts say Ms. Lam is unlikely to step down, nor would Beijing accept her resignation if she offered it. She has more wiggle room on the other demands, but has not indicated any willingness to budge. The Hong Kong Protests are a leaderless, digital movement.There is no single leader or group deciding on or steering the strategy, tactics and goals of the movement. Instead, protesters have used forums and messaging apps to decide next steps. Anyone can suggest a course of action, and others then vote on whether they support it. The most popular ideas rise to the top, and then people rally to make them happen. At its best, this structure has empowered many people to participate and have their voices heard. Protesters say it keeps them all safe by not allowing the government to target specific leaders. Their success in halting the extradition bill, which was shelved by the territory’s chief executive, speaks to the movement’s power. Despite the lack of a clear leader, protesters have shown extensive coordination at the demonstrations, having planned the specifics online beforehand. Supply stations are set up to distribute water, snacks, gloves, umbrellas and shields made of cardboard. Volunteer first aid workers wear brightly colored vests. People form assembly lines to pass supplies across long distances, with protesters communicating what they need through a series of predetermined hand signals. Anyone walking in dangerous areas without a helmet or a mask is quickly offered one. No individual can speak on behalf of the protesters, which makes negotiations difficult, if not impossible. (https://www.nytimes.com/2019/07/02/world/asia/hong-kong-protest-explained.html, accessed 07/07/2019) Hong Kong’s amended extradition law would allow the extradition of suspects to mainland China for the first time. Supporters say the amendments are key to ensuring the city does not become a criminal refuge, but critics worry Beijing will use the law to extradite political opponents and others to China where their legal protections cannot be guaranteed. The government claims the push to change the law, which would also apply to Taiwan and Macau, stems from the killing last year of a Hong Kong woman while she was in Taiwan with her boyfriend. Authorities in Taiwan suspect the woman’s boyfriend, who remains in Hong Kong, but cannot try him because no extradition agreement is in place. Under the amended law, those accused of offences punishable by seven years or more in prison could be extradited. The new legislation would give Hong Kong’s leader, known as the chief executive, authority to approve extradition requests, after review by the courts. Hong Kong’s legislature, the legislative council, would not have any oversight over the extradition process. Many Hong Kongers fear the proposed extradition law will be used by authorities to target political enemies. They worry the new legislation spells the end of the “one country, two systems” policy, eroding the civil rights enjoyed by Hong Kong residents since the handover of sovereignty from the UK to China in 1997. Many attending the protests on Sunday said they could not trust China as it had often used non-political crimes to target government critics, and said they also feared Hong Kong officials would not be able to reject Beijing’s requests. Legal professionals have also expressed concern over the rights of those sent across the border to be tried. The conviction rate in Chinese courts is as high as 99%. Arbitrary detentions, torture and denial of legal representation of one’s choosing are also common. Many in the protests on Sunday 09 June 2019 said they felt overwhelmed by a sense of helplessness in the face of mainland China’s increasing political, economic and cultural influence in Hong Kong. Hong Kong’s top political leader is not elected by ordinary voters but by a 1,200-strong election committee accountable to Beijing. Half of its legislature are chosen through indirect electoral systems that favour pro-Beijing figures. Many Hong Kongers also cited the jailing of leaders and activists from the 2014 Occupy Central movement– a 79-day mass civil disobedience movement – as well as the disqualification of young localist lawmakers as signs of the erosion of civil freedoms. Resentment towards China has been intensified by soaring property prices – with increasing numbers of mainland Chinese buying properties in the city – as well as the government’s “patriotic education” drive, and the large numbers of mainland tourists who flock to Hong Kong. Many Hong Kongers are also concerned about China’s growing control over the city’s news media, as they increasingly self-censor and follow Beijing’s tacit orders. https://www.theguardian.com/world/2019/jun/10/what-are-the-hong-kong-protests-about-explainerPhotograph crowds gathering on June 16 on the streets of Causeway Bay before an estimated 2 million people take part in march protesting the government's push for extradition laws to China and demanding an apology from the chief executrive Carrie Lam. Nearly 2 million’ people take to streets, forcing public apology from Hong Kong leader Carrie Lam as suspension of controversial extradition bill fails to appease protesters. (https://www.scmp.com/news/hong-kong/politics/article/3014737/nearly-2-million-people-take-streets-forcing-public-apology )carrie lam, hong kong protests, extraditions, protest, protestors

Two newspaper cuttings pasted onto a sheet of paper. (1) "Golden fruit - girl students at the Burnley Horticultural College gathering a fine crop of oranges in the orchard." in The Argus, 16th July 1931.(2) student examining some blossom, with the caption: "Searching for thrips: the thrips menace has made its appearance again on fruit blossom in some districts of Victoria. This photograph, taken today at the Burnley Horticultural School, shows one of the girl students with a magnifying glass looking for the minute insects. A few isolated thrips have been discovered on the buds of some of the trees at the school."female students, oranges, thrips, students working outside, fruit, orchard, field station, blossom

Yhonnie SCARCE (1973- ) Born Woomera, South Australia Language group: Kokatha, Southern desert region and Nukunu, Spencer region Yhonnie Scarce works predominantly in glass. She majored in glass withing a Bachelor of Visual Arts (Honours) course at the South Australian School of Art, Adelaide, and holds a Master of Fine Arts from Monash University. One of the first contemporary Australian artists to explore the political and aesthetic power of glass, Scarce describes her work as ‘politically motivated and emotionally driven’. Scarce’s work often references the on-going effects of colonisation on Aboriginal people, In particular her research focus has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. (https://thisisnofantasy.com/artist/yhonnie-scarce/, accessed 10 September 2018)Artist's Statement 'The More Bones the Better', 2016 Yhonnie Scarce was born in Woomera, SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non traditional approach to glass blowing using glass as more than a mere material, acting as a lens and a mirror, Scarce reflects and exposes the tragedies of Australia’s colonisation. She applies the technical rigours of traditional glass blowing techniques in an innovative and unconventional manner. In particular Scarce uses glass to explore the lives and histories of Aboriginal Australians. Hand blown glass is shaped, engraved, painted and smashed to create indigenous fruits and vegetables such as bush bananas, bush plums and long yams symbolic of her peoples culture and traditions. With their elongated, torso-like shapes, they even evoke human bodies. Akin to a gatherer of bush food Scarce creates glass-gatherings of the persecuted. The repetition of brittle ambiguous bodies collected for experimentation and examination conjures the relentless impact of colonisation and the litany of abuses suffered by Aboriginal people. Within her research Scarce encountered a variety of ethnographic studies examining the use of scientific interventions amongst Indigenous cultures. These include Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices amongst indigenous prison inmates. This work metaphorically looks at these situations and poses questions of what might have gone on in such a laboratory. The judge of the 2017 Guirguis New Art Prize (GNAP), Simon Maidment, Senior Curator, Contemporary Art, National Gallery of Victoria said; “The winning work by Yhonnie Scarce captures the sensitivity to materials she displays throughout her artistic practice. The blown and shattered glass elements are a delicate contrast to the shocking and little discussed histories of Aboriginal exploitation and abuse in the name of science in Australia. Engaging this topic, this work is haunting, in the same way those lived and documented experiences continue to haunt the collective unconscious of this country. Yhonnie Scarce’s work, The More Bones the Better 2016, I believe makes an important contribution to the Collection of Federation University Australia and will engage and move diverse audiences with its technical accomplishment, beauty and message. Yhonnie Scarce was born in Woomera SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non-traditional approach to glass blowing using her medium as more than a mere material. Applying the technical rigours of traditional glass blowing in an innovative and unconventional manner, Scarce’s glass objects act as a lens and a mirror to reflect and expose the tragedies of Australia’s colonisation and, in particular, explore the lives and histories of Aboriginal Australians. Hand-blown glass is shaped, engraved, painted and smashed to represent indigenous fruits and vegetables such as bush bananas, bush plums and long yams, symbolic of Scarce’s people’s culture and traditions. While these elongated shapes on the one hand represent fruit and vegetables, gathered and grouped as in the gathering of bush food, Scarce’s torso-like bodies and forms are glass ‘gatherings’ representative of the gathering of people. Here, the many brittle bodies act as a metaphor for the collection, experimentation and examinations undertaken by government authorities on Aboriginal communities researched by Scarce. Exposing a variety of ethnographic studies, examining the use of scientific interventions on Indigenous cultures, Scarce also revealed Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices undertaken on indigenous prison inmates. Scarce’s gatherings also reflect the impact of colonisation and the relentless conjuring and litany of abuses suffered by Aboriginal people. The More Bones the Better metaphorically looks at these situations and poses questions of what was undertaken and investigated in these laboratories. guirguis new art prize, yhonnie scarce, glass, aboriginal

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Lewis Zilles was in Brass Bands and on the Ballarat Begonia Festival Committee. As part of their activities they held the Highland Gathering, another interest of his. The Ballarat Municipal Band Certificate is the awarding of Life Membership. Adjudicator's Certificate is for the Victorian Highland Pipe Band Association. Presented to those who qualify the examination.Eureka Marching Girls Association certificate presented for valued assistance. Three certificates printed on card. Gold borders. Coloured print.Section for officials' signatures. Badge for Pipe Band and Eureka Marching Girls.zilles printers, brass bands, municipal, ballarat begonia festival, victorian highland pipe band association, eureka marching girls association, life member, adjudicator's certificate, valued assistance

A group of widows gathered at Legacy House sorting stamps. Same film as 00603. Beryl Billing who was the co-ordinator of stamp sorting for many years, is seen standing in two of the photos in the white top. Other names unknown. Beryl would write reports for the Answer asking for stamps and reporting the sum of money raised. From 1981 to 1995 they raised over $78,000. With a group of photos about stamp sorting with post-it note "Stamp Ladies Past to 2004". The widows have sorted used stamps and sold to a stamp dealer for many years to the present day. It raises some funds and provides a purpose for gathering together.A record of the type of activities Legacy provided as a social outlet for widows and for fundraising. Colour photo x 3 of ladies at Legacy House sorting stamps.Printing on the back "widows, stamps, beryl billings, answer, fundraising