A wooden racquet with white, red, blue, and gold paint work, featuring a head and neck monochrome illustration of John Newcombe on the throat, on both sides. Inscription from head to handle, on obverse: JOHN NEWCOMBE/JUNIOR/SLAZENGER/SMOOTH. Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Adhesive tape, Paint, Plastictennis

A Rawlings, John Newcombe Signature tennis racquet, with ribbon whipping around shoulders, and mottled leather handle grip. Rawlings logo features across base of head. Model name features across throat. Inscription: LAMINATED CONSTRUCTION features along shaft. Rawlings 'R' trademark features on lower shaft. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Ribbon, Adhesive tape, Paint, Leather, Rubber, Bambootennis

A Rawlings, John Newcombe Personal Model tennis racquet, with plastic whipping around shoulders, and leather handle grip with X-formation perforations. Model name features across throat. Rawlings red, black and white 'R' trademark features on lower shaft. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Fibreglass, Leather, Rubber, Clothtennis

A Rawlings, John Newcombe Flash Junior tennis racquet, with plastic whipping around shoulders, and leather handle grip with quatrefoil perforations. Rawlings logo features across base of head. Model name features across throat and along shaft. Rawlings red, black and white 'R' trademark features on lower shaft, and black 'R' on butt cover. Shaft also features autograph by Newcombe. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Rubbertennis

A Rawlings, John Newcombe Meteorite tennis racquet, with plastic whipping around shoulders and shaft, and leather handle grip with quatrefoil perforations. Rawlings logo features across base of head. Model name features across throat. Rawlings red, black and white 'R' trademark features on lower shaft, and black 'R' on butt cover. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Rubbertennis

A Rawlings, John Newcombe, 'The Mark of A Pro' tennis racquet, for young players, with string whipping around shoulders and shaft, and leather handle grip with quatrefoil perforations. Rawlings logo features across base of head. Model name features across throat and along shaft. Rawlings red, black and white 'R' trademark features on lower shaft, and black 'R' on butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Stringtennis

A Rawlings, John Newcombe, 'The Mark of A Pro' tennis racquet, with string whipping around shoulders and shaft, and leather handle grip with quatrefoil perforations. Rawlings logo features across base of head. Model name features across throat and along shaft. Rawlings red, black and white 'R' trademark features on lower shaft, and black 'R' on butt cap. Adhesive tape, with feint remnants of former owner's name features across throat on obverse. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Stringtennis

A Rawlings, John Newcombe Signature tennis racquet, with ribbon whipping around shoulders, and mottled leather handle grip. Rawlings logo features across base of head. Model name features across throat. Inscription: LAMINATED CONSTRUCTION features along shaft. Black Rawlings 'R' trademark features on lower shaft. Red, white and black 'R' trademark features in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Ribbon, Adhesive tape, Paint, Leather, Plastic, Bambootennis

A Rawlings, John Newcombe Court King tennis racquet, with plastic whipping around shoulders and shaft, and mottled leather handle grip. Rawlings logo features across base of head. Model name features across throat. Inscription: LAMINATED CONSTRUCTION features along shaft. Gold Rawlings 'R' trademark features on lower shaft. Red, white and black 'R' trademark features in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Plastic, Cloth tapetennis

A Rawlings, John Newcombe tennis racquet, with cross-laminations from shoulders to handle, and leather handle grip with X-formation perforations. Rawlings logo features across base of head. Model name features across throat, in between two red, white and blue arrow devices. Red, white and black cursive 'R' trademark features on lower shaft and in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Leathertennis

A Rawlings, John Newcombe Finalist tennis racquet, with ribbon whipping on shoulders and shaft, and leather handle grip with triangle-patterned perforations. Rawlings logo features across crown, and base of head. Model name features across throat. Cursive 'R' trademark features on lower shaft and in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Leather, Ribbontennis

A Rawlings, John Newcombe Court King tennis racquet, with ribbon whipping on shoulders and shaft, and leather handle grip with triangle-patterned perforations. Rawlings logo features across crown, and along shaft. Model name features across base of head and throat. Cursive 'R' trademark features on lower shaft and in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Leather, Ribbon, Enameltennis

A Rawlings, John Newcombe Autograph tennis racquet, with ribbon whipping on shoulders and shaft, and leather handle grip with patterned perforations. Rawlings logo features across base of head. Model name features along the shaft. Cursive 'R' trademark features on lower shaft and butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Leather, Ribbon, Enamel, Adhesive tapetennis

A Dunlop, John McEnroe Pro tennis racquet, with ribbon whipping around shoulders. Dunlop logo features across base of head. Model name features across throat and along shaft. 'D' trademark in arrowhead device also features on lower shaft and plastic butt cap. Dunlop logo and trademark feature on left and right sides of shaft. Retailer sticker features on left side of shaft. Materials: Wood, Nylon, Plastic, Ink, Leather, Glue, Lacquer, Metal, Fibreglass, Ribbon, Adhesive tapetennis

A John Holden, Super Holden tennis racquet, with string whipping around shoulders and lower shaft, plastic collar around upper shaft, patterned wood laminations across shoulders, a Fairway leather handle grip, and, a slightly opened throat, with shoulders converging to form the shaft. Inscription across throat, on obverse: SUPER/HOLDEN. Across throat on reverse: JOHN HOLDEN/232 BAKER ST./LONDON. N.W.1. Patent number along right side of shaft. Manufacturers details on butt cover. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, String, Leathertennis

A Spalding, "John Alexander" Impact-990 Model tennis racquet. Manufacturer's name along sides of shaft and on butt cap; endorser name across base of head and rest of model name along shaft. 'S' symbol spray-painted across net. Leather hand grip and white plastic butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Leather, Plastic, Adhesive tapetennis

A Snauwaert John Newcombe-endorsed 'Boronite Two' model tennis racquet, with handle wrapped in leather, and a plastic butt cap featuring manufacturer logo. Manufacturer name on base of head; endorser name and model name along shaft. Details about construction along edges of shaft. Materials: Wood, Vinyl, Adhesive tape, Leather, Ink, Plastic, Paint, Borontennis

A Wright and Ditson transitional flat-top junior tennis racquet, with: solid, convex throat; and, cross-hatched handle. Inscription across throat on obverse: WRIGHT/& DITSON/BOSTON/MASS./U.S.A. Two handwritten inscriptions across throat on reverse: JOHN HOWARD/.../TOM H. Materials: Wood, Gut, Lacquer, Glue, Metal, Ink, Adhesive tapetennis

Painting: 'John Donnelly at 9 years old, Blackwater Town'. Inscribed on top panel of stretcher: 'JOHN DONNELLY AT 9 YEARS / OLD / BLACKWATER TOWN'. A full length portrait of a male child in dress coat, vest, breeches and buckled shoes holding a shuttlecock and early racquet (probably a battledore). Next to figure is a hat placed on a chair. Oil painting on canvas, stretched on wood frame, and fitted with a velvet mount and bevelled wood hanging frame. Scratched into stretcher: 'ETL79'. Adhesive stickers on stretcher state:'2#' and '407'. Materials: Wood, Metal, Oil paint/Pigment, Canvas/Cotton, Adhesive label, Velvettennis

Poster adverstising '10TH ANNIVERSARY/TENNIS FANTASIES/WITH / THE LEGENDS/OCT 1997'. Features vignettes of twelve famous male players each vignette including a photo, list of titles won and name. Autographed by each player in black marker. Commemorates the 10th Anniversary of the fantasy camps held at John Newcombe Tennis Ranch, Texas. Under UV glass. Materials: Ink, Paper, Metal, Wood, Glasstennis

Page from magazine being advertisement for Lotto brand shoes, featuring John Newcombe. Signed by Newcombe: 'TO PARAMOUNT SPORTS/GOOD LUCK/JOHN NEWCOMBE'. Materials: Paper, Ink, Metal, Wood, Glasstennis

Many of the Henty's of the Western District of Victoria also owned houses in Kew, Victoria. Stephen Henty, referred to on the reverse of the postcard, lived while a member of the Vitoria Parliament at 'Findon' in Kew. Kew Historical Society also holds a nationally significant collection of costumes belonging to three generations of Henty women.Monochrome, blue tinted 'real photo' postcard of Housen's Richmond Hotel, Portland. Two women stand on the steps of the hotel at left, with the rose garden in front of them. Behind them is a church spire. The hotel and its significance is outlined in two columns of blue coloured text on the reverse.Printed reverse: "THE RICHMOND is the most historical building in the State. On the site of today's building Edward Henty, the founder of permanent settlement in Victoria, commenced his first house February 19, 1835, finishing the work in two months. He had landed in Portland on Nov. 19th, 1834, and turned the first plough furrows in Victoria where the Hotel now stands on the 26th of the following month. It was also here that Major Mitchell ended his explorations from Sydney, meeting the Hentys on August 29th, 1836. In December of the same year Mrs S. G. Henty joined her husband, their son Richmond, the first male white child in Portland, being born in the Henty cottage. The present Richmond Hotel was built in 1840, and became the home of Stephen Henty until his departure from Portland in 1869. Though Edward Henty's first house was demolished in 1840, to make room for the new surveyed town streets, part of his wool store remains in the Hotel grounds, and is used as a wood shed. This is about the oldest building in the State : in it was held the first christening service in Portland on September 26th, 1841. On the site of the Richmond Hotel all the early visiting celebrities were entertained - Mitchell, Wedge, La Trobe, Fyans, Sir John Franklin, Capt. Stokes, etc. No other hostelry in Victoria can give you the historical atmosphere of the RICHMOND. / THE ORIGINAL HOME OF THE HENTYS."henty family, richmond hotel -- portland (vic.), stephen henty, edward henty, richmond henty, henty houses -- victoria, portland, postcards

'Wimba' is of significance as one of the key nineteenth century houses of Kew and for remaining in a substantially intact state. Although probably built some time earlier, the first mention in the Rate Books of the property later known as 'Wimba Lodge' appears in the entry for 1870 when the property, owned by John Sharpe Denbigh, a civil servant, was given an N.A.V. of £72 2. Denbigh did however occupy a house in Cotham Road in 1863, and it is possible that was the same premises'. The house was occupied by Denbigh until at least May 1876 when the 'family residence...' \ 'as auctioned to Carlington George Edmund Marston 5, a chemist of Smith Street, Collingwood. At the time of the auction the house was described thus: The residence and grounds of the late J.S. Dendigh, situate in the most elevated part of Cotham Road Kew. The grounds comprise an area of 4a Or29p or thereabouts, and have a frontage to Cotham-road of 4 chains. The house has two large rooms in front, with 6ft hall built of brick, bay and side windows (plate glass), four rooms of wood behind with slate roofs, bathroom and closets, detached kitchen and servant's room, large shed with washing boiler, pantry and cellar under, brick and cement tank, and the Yan Yean laid onto house and grounds, cowshed, pigstye, &c, the whole securely fenced. First class orchard and flower garden. The paddocks laid with English grasses and drained... .' (Sanderson P, City of Kew Urban Conservation Study, Volume 2, 1988)This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.The front entrance of Wimba in Cotham Road, Kew. The entrance is flanked by two polygonal bay windows, and a verandah with a concave corrugated iron roof returns around three facades, and accentuates the projections of the windows. The solid render parapet is very ornate and tall for the date of construction. It has panels of decoration along it and is surmounted by a number of render urns. The image was used by Dorothy Rogers in 'A History of Kew' (1973), facing page 144.Wimba ca. 1860 built by J.S. Denbigh (has been altered).wimba, kew, dorothy rogers

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. John Carson, Mayor of Kew 1863-4. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.John Carson / Mayor 1863-4mayor of kew, cr. john carson, photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of John Marshall, Mayor of Kew 1872-3. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.John Marshall / Mayor 1872-3marshall, john, mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. John F. McCrae, Mayor of Kew 1910-11. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "John F. McCrae, Mayor 1910-11" [Photographer] "J.E. Barnes / Kew"mayors of kew (vic), cr. john f. mccrae, australian photographers - josiah earl barnes, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. John S. Weir, Mayor of Kew 1912-13. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "John S. Weir, Mayor 1912-13" [Photographer] "J.E. Barnes / Kew"mayors of kew (vic), australian photographers - josiah earl barnes, ct. john s. weir, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. Walter John Hambly, Mayor of Kew 1948-49. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. Walter John Hambly / Mayor 1948-49 Stuart Tompkins Photomayors of kew (vic), cr. walter john hambly, australian photographers - stuart tompkins, kew (vic.) — municipal collection

Although probably built some time earlier, the first mention in the Rate Books of the property later known as 'Wimba Lodge' appears in the entry for 1870 when the property, owned by John Sharpe Denbigh, a civil servant, was given an N.A.V. of £72. Denbigh did however occupy a house in Cotham Road in 1863, and it is possible that was the same premises'. The house was occupied by Sharp until at least May 1876 when the 'family residence ... was auctioned' to Carlington George Edmund Marston, a chemist of Smith Street, Collingwood. At the time of the auction the house was described thus: The residence and grounds of the late J.S. Dendigh, situate in the most elevated part of Cotham Road Kew. The grounds comprise an area of 4a Or 29p or thereabouts, and have a frontage to Cotham-road of 4 chains. The house has two large rooms in front, with 6ft hall built of brick, bay and side windows (plate glass), four rooms of wood behind with slate roofs, bathroom and closets, detached kitchen and servant's room, large shed with washing boiler, pantry and cellar under, brick and cement tank, and the Yan Yean laid onto house and grounds, cowshed, pigstye, &c, the whole securely fenced. First class orchard and flower garden. The paddocks laid with English grasses and drained... .' (Sanderson P. Kew Conservation Study Vol 2)'Wimba' is a single storeyed rendered house. The front entrance is flanked by two polygonal bay windows, and a verandah with a concave corrugated iron roof returns around three facades, and accentuates the projections of the windows. The solid render parapet is very ornate and tall for the date of construction. It has panels of decoration along it and is surmounted by a number of render urns. (Sanderson P. Kew Conservation Study Vol 2)Reverse: "JOHN COLLINS / 11 Anderson Road / Hawthorn East, 3123 / Film 395 Exposure 15A / Kew / Wimba / Front verandah from east / 7-4-79wimba lodge, 235 cotham road -- kew (vic.), john s denbigh, carlington george edmund marston

A bi-monthly magazine published by the Deaf Committee of the Adult Deaf and Dumb Society of VictoriaThe Victorian Deaf Newsletter is significant publication as an historical record giving and insight into the people, activities and events of the Deaf Community in Victoria.Vol. 2 No. 6, January-February 1932; Size 21.5cmHx14cmWjames martin, hannah martin, h. sumner martin, elsie martin, elsie white, eileen empson, deaf hockey club, deaf ramblers club, e. r. peacock, n. armstrong, l.a. cleveland, f. w. spry, m. j. heath, e. h. peacock, mr porter, kodak, stan neilson, beechworth house queenscliff, d. hood, o. quinton, w. bladier, f. e. frewin, stella garry, colin johns, mrs j. m. johnston, r. dow, mrs gus damman, w. wood, w. limbrick, h. puddy, w. kent, j. elwin, herb wilson, e. roxburgh, a. taylor, mrs nicholson, jessie best, j. hunt, willie o'brien, j. retallick, cjarlie buck, e. cohen, e. sohwellj. e. kenworthy, jack mclaurin, alice smith,mrs j. e. muir, emily rose, f. j. rose, mrs james pierce, ernest j. d. abraham, t flukes