Small photograph of James Kellykelly gang, bushrangers, james kelly

KELLY & ALLSOP collection - Notedocument

Medium sized proclamation poster declaring that Daniel Kelly and Ned Kelly are outlaws according to 'The Felons Apprehension Act 1878'edward kelly, ned kelly, daniel kelly, bushrangers, kelly gang

Under Sixteen Boys Basketball team Tim Whelan coach Brendan Fiedler Daniel Macklin Xavier Ellis David Kelly Trevor Bassett coach Rhys Allitt Hayden Bassett after Grand final held in Recreation Hall Lakes Entrance VictoriaColour photograph of Under Sixteen Boys Basketball team Tim Whelan coach Brendan Fiedler Daniel Macklin Xavier Ellis David Kelly Trevor Bassett coach Rhys Allitt Hayden Bassett after Grand final held in Recreation Hall Lakes Entrance Victoriasports, basketball, recreation, clubs

L-R: Srs Joyce Eckersley, Joan Ludbrook, Margaret Ying, Kellyeckersley, ludbrook, ying, kelly, prendergast, operating theatre, ballarat, hospital, 1940s

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Red brocade, high neck, full length sheath with two red chiffon drops from back to floor. The dress was worn by Robin Vanser (aka Robin Kelly nee Vandersluys) in live performances in the 1960s.performing arts - australia - 1960s, robin vanser, performance costumes, floor show dresses

The collars can be dated to the 1920s, evidenced by a photograph of Gwen Steele (nee Kelly) wearing them on a trip in New Zealand in 1930. Items of fur clothing with provenance allowing a creation date of the 1920sTwo fur collars made of European marten fur. One collar is of Stone (Beech) Marten fur; the other of Baum (Pine) Marten.Handwritten Note on reverse of photo Photo taken in 1930 in NZ. Mrs Gwen Kelly, now Gwen Steele, wearing Stone Marten fur. Also Baum Marten fur about same date. (Weasel type animal with valuable fur - Oxford Dic.)fur collars, full body furs, stone marten fur collar, baum marten fur collar, furs - 1920s

A mounted photo of the Bendigo Teachers' College staff taken in 1945. Some staff in the photo have been named - Mr. Michael Morris, Miss Jessie Burnett and Mr. George Mills (Principal). From the collection of Miss Jessie Burnett.Vincent Kelly Bendigobendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, bendigo, bendigo teachers' college, education, teaching, teachers, bendigo teachers' college staff, bendigo teachers' college students, photography, photo, mr. michael morris, miss jessie burnett, mr. george mills (principal)

Photograph - black and white. Written on back of photo Corner Mitchell and Hargreaves Streets, Bendigo. Telegraph Hotel closed 1916. Cira 1920's. Taken at night, street lights on. J.J.Cocking Chemist, (old Telegraph Hotel).Vincent Kelly, Bendigo.place, bendigo, mitchell st, mitchell and hargreaves streets, bendigo.

Photograph - black and white. Written on back Mitchell Street looking towards Charing Cross. Circa 1920's. A night photo, tram tracks, street lights on.Vincent Kelly, Bendigo.place, bendigo, mitchell st, mitchell street, bendigo (charing cross)

Bow glass - oval framed, hand tinted photograph of Mrs. D.W.Streader. Mayoress 1946-1947. Plaster frame has been painted gold, painted faux walnut finish in centre band, hand coloured flowers at top, bottom, left & right. Markings: Mrs.D.W.Streader. Mayoress. 1946-1947 at bottom left. R.Vincent. Bendigo.R.Vincent Kelly - Bendigoperson, individual, mayoress of bendigo

Photograph - postcard - black and white. A photograph of the 'Nicholson Hemminger Mission Choir', Bendigo April, 1910. Written on back 'To ----, in remembance of the mission. A photo of the choir.Vincent Kelly, Bendigo.organization, church, mission choir., nicholson hemminger mission choir, bendigo. 1910.

Gilbert Rule Collection: black and white photo on postcard. Small girl, dressed in short dress with long black socks. Leaning on chair, and holding a soft toy in her left hand. Hair is parted on side with large soft bow on right hand side of head.Vincent Kelly, Bendigoperson, individual, gilbert rule

Black & white photograph of Addie Keating. She is sitting on a chair and is turned towards the camera. She is wearing a lacy, off the shoulder dress with foliage on the front. and holding a sprig of flowers in her hand. She is also wearing a very long, beaded necklace, long hair. The photo is on board. There is a light, drawn rectangle around her head and shoulders.Vincent Kelly. Bendigophoto, individual, female, photograph, addie keating, adeline may keating, vincent kelly

Sepia photo of a young man wearing a dark 3 piece suit. He has his right hand resting on a garden seat. Photo is mounted on a dark grey cardboard and is in a black padded edge frame which is rounded at the top.W. Vincent Kellyphotograph, portrait, male in suit., foster & wilson collection, male portrait, w. vincent kelly

Black and white photograph on card of group of 16 people men women & a child.Vincent Kelly Bendigophotograph, portrait, group

Studio portrait of an unnamed lady, she is wearing a light coloured dress with a scalloped collar. She has wavy dark hair and a big smile.Vincent Kelly Bendigoperson, individual, studio portrait, vincent kelly

Sepia photograph of a group of young women, five girls, three boys and a lady. The boys and the lady are wearing dark clothes and the girls and young women are wearing light/white clothing. Written on the back in pen is:- Don't know what this is but Gweneth Grosse is third from the right in the second row and Aunty Rene is second in from the right in the third row. Gweneth DeRavin written in pencil in the top right corner. Brown edging and around the photo.Vincent Kelly, Bendigoperson, group, mixed group, john jones collection - group photo, gweneth grosse, gweneth deravin

Coloured photo of Duke of Gloucestor talking to Scout Masters, Mayor and officials. Markings: DR 294. Gilt frame. Deframed 2022Vincent Kelly. Bendigoduke of gloucester, scouts

Photograph - Postcard - Black & white photograph of three women dressed in white blouses and scarves tied like ties around their collars. Written on top and front of photograph 3 names from left to right - Elvie Jones, Lydia Pethard, Nell Hewett.Vincent Kelly, Bendigo.person, group, pethard family, photograph. postcard. lydia pethard, elvie jones, nell hewett.

Post card - Photograph - sepia. Written on front of photograph Lydia Pethard. Holding a tennis racket, wearing a white blouse and a scarf/tie around under her shirt collar. Photo not on top lineVincent Kelly, Photographer.person, family, pethard family, postcard. photograph. pethard family. lydia pethard.

This photograph depicts a soldier, credited on the reverse as Fred Foster. The young man is dressed in military attire and is standing tall with a gun beside him. He is located in the Australian bush and the date of the photograph is unknown. Frederick “Fred” Arthur Foster was nephew to famous Bushranger Edward “Ned” Kelly. He was born on the 15th of March 1889 in Forbes, New South Wales. He was the eldest son of Catherine “Kate” Kelly and William Henry “Bricky” Foster. After the death of his mother in October of 1898 from apparent drowning, Foster (then aged 9) was raised by his grandmother Ellen Kelly (née Quinn) at Eleven Mile Creek in Victoria. On the 29th of June 1915, 26 year old Foster travelled to Melbourne, Victoria and enlisted in the Australian Army. He was a Private in the 17th Infantry Battalion (originally C.Company, 47th battalion). He previously was attached to the 55th Battalion but transferred in 1916. Prior to enlisting in the army, Foster worked as a Bee Keeper and served in the 16th Light Horse regiment at Benalla. Foster had blue eyes, brown hair and was of Presbyterian faith. On the 28th of February 1917, Foster travelled to France aboard SS “Golden Eagle”. He was killed in action in Lagnicourt, France on the 15th of April 1917 at 28 years old. The Battle in Lagnicourt France, on the Western Front, occurred from the 1st of March to the 30th of April of 1917 and was the location of fierce fighting between Germany and the British Empire. Germany became aware of a weakness they had along the Hindenburg Line, one of these weaknesses was located in Lagnicourt which is a small village in Northern France. Therefore, the Germans decided to launch a counter-attack in this area on the 15th of April at dawn. During this fight, German forces captured several batteries of the 1st Australian Division’s artillery but the Australians led a strong counter-attack by four of their battalions and recaptured the village and most of the guns from the German forces. German forces were forced into a premature withdrawal. This battle was not undertaken in typical WW1 “trench” style warfare. Instead, the battle was up on the ground in what was described as “old open style warfare”. In this battle, slightly more than 1000 casualties were Australian, with 300 of these prisoners of war. German forces suffered a loss of over 2300 casualties with 360 taken captive. Foster was one of 43 in his regiment who died, 87 were wounded and 51 reported missing. Foster was buried at location in Lagnicourt and whilst the grave was initially marked, it is now unknown. Foster’s service, alongside those who fell at Lagnicourt, is commemorated at the Australian National Memorial in Villers-Bretonneux, France along with other national Australian memorial sites.Photography played an important part in World War 1. Photographs of men in their military uniforms served as propaganda during the Great War to reassure civilians back at home of the military prowess of their nation and the bravery of their men. It did this while hiding the true horrors which faced the men in battle. These photographs, which includes those taken at home prior to embarking overseas like Fred Foster’s, act as censored memory for those who have lost a loved one at war. It enables families to remember their relatives in their youth and standing proudly rather than having to face the actual danger and horror which faced these men at the front line. The battle of Lagnicourt France was a victory for the European Empire and therefore, men who lost their lives protecting their countries became heroes and were awarded posthumous medals for their service. Photos of soldiers in their uniforms, were undertaken by men like Foster, so their families would be able to retain their memories and likeness before they embarked for war. Many men were killed or horribly wounded so these images were important for reminding families about their sons/ husbands/ brothers/ cousins and friends. This photo is a part of the Burke Museum Kelly album which includes numerous photographs relating to the Kelly Gang. As the son of Kate Kelly and William “Bricky” Foster, Fred Foster is an important part of the Kelly story after the execution of Edward “Ned” Kelly which has information it can impart relating to the history of the family after 1880. Whilst an important element of the Kelly Album, Foster’s photograph is also historically important in its own right for its connection to the Great War and the experiences of a soldier at the Western Front.Original sepia rectangular photograph developed on matte photographic paper, unmounted.Reverse: (Top right corner of reverse:) FRED FOSTER/ (Top centre of reverse:) Kate Kelly's son.kelly album, fred foster, kate kelly, photograph, australian soldier, the kelly gang, australian bush, burke museum, sepia photo, gum trees, family of the kelly gang, world war i, langnicourt, france, great war, 1917, ned kelly, frederick foster, william "bricky" foster, ellen kelly, military history, australian military

Circa 2020, Whitehorse Historical Society conducted a project to record the landscape and use of typical backyards in the era of 1950's to 1970's. Photos were donated from families in the municipality; some were named and dated; many were not .(other related items in this project are NP4369 ,NP4383 ,NP4386,and NP4391)Kelly and Scott Gardiner in May Court Mitchamgardiner family, may court mitcham